Search The Dark Part 1

SEARCH THE DARK.

by CHARLES TODD.

For J.

For all those places on the map and all the memories that went with them.

1.

The murder appeared to be a crime of pa.s.sion, the killer having left a trail of evidence behind him that even a blind man might have followed.

It was the ident.i.ty of the victim, not the murderer, that brought Scotland Yard into the case.

No one knew who she was. Or, more correctly perhaps, what name she might have used since 1916. And what had become of the man and the two children who had been with her at the railway station? Were they a figment of the killer's overheated imagination? Or were their bodies yet to be discovered?

The police in Dorset were quite happy to turn the search over to the Yard. And the Yard was very happy indeed to oblige, in the person of Inspector Ian Rutledge.

It began simply enough, with the London train pulling into the station at the small Dorset town of Singleton Magna. The stop there was always brief. Half a dozen pa.s.sengers got off, and another handful generally got on, heading south to the coast. A few boxes and sacks were offloaded with efficiency, and the train rolled out almost before the acrid smoke of its arrival had blown away.

Today, late August and quite hot for the season, there was a man standing by the lowered window in the second-cla.s.s car, trying to find a bit of air. His shirt clung to his back under the shabby suit, and his dark hair lay damply across his forehead. His face was worn, dejection sunk deep in the lines about his mouth and in the circles under tired eyes. He was young, but youth was gone.

Leaning out, he watched the portly stationmaster helping a pale, drooping woman to the gate, the thin thread of her complaining voice just reaching him. "... such hardship," she was saying.

What did she know about hardship? he thought wearily. She had traveled first cla.s.s, and the leather dressing case clutched in her left hand had cost more than most men earned in a month. If they were lucky enough to have a job.

There had been no work in London. But he'd heard there was a builder hiring down Lyme Regis way. The train was a luxury Bert Mowbray couldn't afford. Still, jobs didn't wait, and you sometimes had to make the extra effort. He refused to think what he would do if he'd guessed wrong and there was nothing at the end of his journey but a grim shake of the head and "No work. Sorry." "No work. Sorry."

His gaze idly followed a porter awkwardly trundling his cart fall of luggage across the platform, followed by a pair of elderly women. The cars were already jammed with families on their way to the seaside, but room was found for two more. Then his eye was suddenly caught by another woman outside one of the cars farther down the train, kneeling to comfort a little girl who was crying. A boy much younger, not more than two, clung to the trouser leg of the man bending protectively over them, speaking to the woman and then to the little girl.

Mowbray stared at the woman, his body tight with shock and dismay. It couldn't be Mary It couldn't be Mary- "My G.o.d!" he breathed, "Oh, my G.o.d G.o.d!"

Turning from the window, he lunged for the door, almost knocking the wide-brimmed hat from the head of a startled farmer's wife who couldn't get out of his way fast enough. He tripped over her basket, losing precious seconds as he fought for his balance. Her companion stood up, younger and stouter, and demanded to know what he thought he was doing, her red, angry face thrust into his. The train jerked under his feet, and he realized it was moving. Pulling out out- "No! No-wait!" he screamed, but it was too late, the train had picked up momentum and was already out of the small station, a few houses flashing by before the town was swallowed up by distance and fields.

He was nearly incoherent with frustration and the intensity of his need. He yelled for the conductor, demanding that the train be stopped-now!

The conductor, a phlegmatic man who had dealt with drunken soldiers and whoring seamen during the war years, said soothingly, "Overslept your stop, did you? Never mind, there's another just down the road a bit."

But he had to restrain Mowbray before they reached the next station-the man seemed half out of his mind and was trying to fling himself off the train. Two burly coal stokers on their way to Weymouth helped the conductor wrestle him into a seat while a prim-mouthed spinster wearing a moth-eaten fox around her shoulders, never mind the heat, threatened to collapse into strong hysterics.

Mowbray had gone from wild swearing and threats to helpless, angry tears by the time the train lurched into the next town. He and his shabby case were heaved off without ceremony, and he was left standing on the station platform, disoriented and distraught.

Without a word to the staring stationmaster, he handed in his ticket for Lyme Regis and set off at a smart pace down the nearest road in the direction of Singleton Magna.

But the woman and children and man were gone when he got to the town. And no one could tell him where to find them. He went to the only hotel, a small stone edifice called, with more imagination than accuracy, the Swan, demanding to know if a family of four had come in by the noon train. He stopped at the small shops that sold food and the two tearooms nearest the station, describing the woman first, then the children and the man. He badly frightened one clerk with his furious insistence that you must have seen them! You must! you must have seen them! You must!

He tracked down the carriage that served as the town taxi and angrily called the driver a liar for claiming he hadn't set eyes on the woman or the man, much less the children.

"They're not here, mate," the middle-aged driver declared shortly, jerking a thumb toward the back. "See for yourself. n.o.body like that came out of the station today while I was waiting. If you was to meet them here, it's your misfortune, not mine. May be that you got your dates wrong."

"But they can't have vanished!" Mowbray cried. "I've got to find them. The b.i.t.c.h-the b.i.t.c.h!-they're my my children, she's children, she's my wife! my wife! It isn't right-I tell you, if she's tricked me, I'll kill her, I swear I will! Tell me where she's got to, or I'll throttle you as well!" It isn't right-I tell you, if she's tricked me, I'll kill her, I swear I will! Tell me where she's got to, or I'll throttle you as well!"

"You and who else?" the man demanded, jaw squared and face flushed with an anger that matched Mowbray's.

All afternoon he haunted Singleton Magna, and a constable had to caution him twice about his conduct. But the fires of anger slowly burned down to a silent, white-hot determination that left him grim-faced and ominously quiet. That evening he called at every house on the fringes of the town, asking about the woman. And the children. Had they come along this road? Had anyone seen them? Did anyone know where they'd come from, or where they were going?

But the town shook its collective head and shut its collective doors in the face of this persistent, shabby stranger with frantic eyes.

Mowbray spent the night under a tree near the station, waiting for the next day's noon train. He never thought of food, and he didn't sleep. What was driving him was so fierce that nothing else mattered to him.

He stayed in Singleton Magna all that day as well, walking the streets like a d.a.m.ned soul that had lost its way back to h.e.l.l and didn't know where to turn next. People avoided him. And this time he avoided people, his eyes scanning for one figure in a rose print dress with a strand of pearls and hair the color of dark honey. By the dinner hour he had gone. Hardly anyone noticed.

When a farmer discovered a woman's body that evening, the blood from her wounds had soaked deeply into the soil at the edge of his cornfield, like some ancient harvest sacrifice. He sent for the police; and the police, with admirable haste, took one look at her there on the ground and ordered a warrant for the arrest of the man who had been searching for her. Although there was no identification on the body, they were fairly sure she wasn't a local woman. And the way her face had been battered, there had been a hot, desperate anger behind the blows. The missing wife, then, had been found. All that was left was to see that her murderer was brought to justice.

Late that same evening Mowbray was run to earth, roughly awakened from an exhausted sleep under the same tree outside the railway station. In a daze, not understanding what was happening to him or why, he allowed himself to be led off to the small jail without protest.

Afterward, the inspector in charge, congratulating himself on the swift solution of this crime practically on his doorstep, boasted to the shaken farmer on the other side of his tidy desk, "It was all in a day's work. Just as it should be. Murder done, murderer brought in. Can't stop crime altogether, but you can stop the criminals. That's my brief."

"I thought he was the one hunting all over town for his lost family?"

"So he was. Silly b.u.g.g.e.r! All but advertising what he was going to do when he found them."

"But where are they, then? The husband and the children? They aren't somewhere in my fields, are they? I won't have your men tramping about in my corn, do you hear, not when it's all but ready for the cutting! My wife will have a stroke, she's that upset already! The doctor's been and gone twice."

Inspector Hildebrand sobered. He much preferred expanding on his success to any discussion of his failure. "We don't know where they are. Yet. I've got my men searching now along the roadside. More than likely he's done for the lot, but so far he's sitting in his cell like a d.a.m.ned statue, as if he's not hearing a word we say to him. But we'll find them, never fear. And they'll be dead as well, mark my words. Probably saved the woman for last, she got away from him, and he had to chase her. Just a matter of time, that's all. We'll find them in the end."

He didn't. In the end, it was Scotland Yard and Inspector Rutledge who had to sort through the tangled threads of deception and twisted allegiances. By that time it was far too late for Hildebrand to retreat from his entrenched position.

2.

Ian Rutledge drove through the countryside with Hamish restive and moody in the back of his mind. Around them in the car the warm air carried the heavy smell of new-mown hay.

The scent of phosgene...

Will any of us ever be free of that memory? Rutledge asked himself. Of the silent destroyer that had rolled across the battlefields of the Front in clouds of gas? One learned quickly enough to tell them apart-mustard or phosgene or CNS. But familiarity had made them more terrifying, not less-knowing what they could do.

"It's no' the gas I can't forget," Hamish said roughly, "but the haying. August 'Fourteen. I did na' know there was an archduke getting himself killed somewhere in some place I'd no' heard of. The hay ... and Fiona dusty with it on the wain, and the horses dark with sweat G.o.d, it was fair, that August, and the MacDonalds swearing like wild men because they couldna' keep up wi' one MacLeod ..."

"Yes, you told me that, the night-" Rutledge began aloud, and then quickly stopped. Corporal Hamish MacLeod had talked to him about the August haying the night he'd died. In France. Odd that memory turned on something as simple as the smell of new-mown hay!

And yet he was accustomed to answering the voice in his head out of old habit. The Somme. A bloodbath for months, the toll climbing astronomically, and men so tired that their minds simply shut down. a.s.sault after futile a.s.sault, and the German line still held.

Set against such appalling losses, one more casualty was insignificant. Yet in the midst of such horror, the death of a young Scottish corporal had incised itself on Rutledge's soul.

The man hadn't been killed by enemy fire. He had been shot by a firing squad for refusing a direct order in battle, and it was Rutledge's pistol, in the sh.e.l.l-riven darkness before dawn, that had delivered the coup de grace.

The act had been military necessity. Not cowardice, but exhaustion-and the sheer b.l.o.o.d.y senselessness of throwing lives away-had broken him. Hamish MacLeod had refused to lead his men into certain death.

Military necessity. For the sake of every soldier watching, an example had to be made. For the sake of thousands of men readying for the next a.s.sault an example had to be made. You had to know, facing death, that you could depend on the man next to you, as he depended on you.

Rutledge could still feel the late summer heat. Hear the din of artillery, the rattle of machine-gun fire, the cries of wounded men. Smell the fear and the rotting corpses. He could still see the defeated look in his corporal's eyes, the acceptance that it was a relief to die rather than lead his men back into the black hail of German fire.

And all for nothing!

The artillery sh.e.l.l found its mark an instant later, buried living and dead, officers and men, in heavy, stinking mud. Killing most of them outright and leaving the wounded to suffocate before the search dogs could find them many hours later. And ironically, the next sh.e.l.l sprayed shrapnel into the machine-gun position they had failed to take all that long night.

Rutledge had barely survived. Deaf and blind, badly stunned, he lay under the corpse of one of his men in a tiny pocket of air. It had sufficed. He hadn't known until someone told him at the aid station that it was Hamish's blood soaking his coat, Hamish's flesh clotting his face and hair, the smell of Hamish's torn body haunting him all the rest of that day as he lay dazed. Severely claustrophobic from a living grave, severely sh.e.l.l-shocked, bruised and disoriented, he was allowed a few hours' rest and was then sent back to the front. And Hamish went with him. A living reality in his mind. A voice with its soft Scottish burr. A personality as strong in death as it had been in life.

Rutledge never spoke of it. He fought it alone, silently, as certain as the breath in his body that it was only a matter of time before death-or madness-put an end to it. That That expectation kept him sane. expectation kept him sane.

And so he had brought Hamish home again, not as a ghost to be exorcised but as a deep-seated presence in the shocked and numbed recesses of his brain where only sleep could shut it out.

He'd shared his thoughts with a dead man for so long it was easier to respond than risk the tap of a ghostly hand on his shoulder to attract his attention or see a white, empty face at the edge of his vision, demanding to be heard. That hadn't happened-yet-but Hamish was so real to him that Rutledge lived in mortal dread of turning too quickly one day or glancing over his shoulder at the wrong instant and catching a glimpse of the shadowy figure that must surely be there, just behind him. Within touching distance. Close enough for its breath to ruffle his hair or brush his cheek.

"There was a picnic, that August," Rutledge said, desperate to change the drift of thought. "Up the Thames, beneath a stand of beeches so heavy the sun came through the leaves in purple shadows-"

And that that particular memory led to Jean ... she was as dead to him as Hamish. This very week he'd seen her engagement announced in the particular memory led to Jean ... she was as dead to him as Hamish. This very week he'd seen her engagement announced in the Times Times. To a man who'd served in a diplomatic posting in South America through most of the war. Away from guns and carnage and nightmares.

"He's in line for a position in Ottawa," Frances had said when she called round to offer what comfort there was to give. His sister knew everyone there was to know-few bits of gossip failed to find their way to her. "Away from all this." She waved a languid hand in the air, and he'd known what she meant.

Away from a Britain still wearing the scars of death and pain and the poverty of peace. Away from Rutledge's torment, which had frightened Jean.

"Jean has a knack for ignoring unpleasantness," Frances had added wryly. "You won't let it bother you, will you? That she found someone else so quickly? It simply means, my dear, that you're well out of it, whether you're aware of it yet or not. Shallow women make d.a.m.nably dull and demanding wives. Although I must say, even I thought there was more to her. Or was that wishful thinking on my part too? Well, never mind, you'll soon meet someone you can truly care about."

Why was it that the mind was so adept at finding its own punishment? Jean-or Hamish-to fill his thoughts. Jean-or Hamish-to fill his thoughts.

A bitter choice, Rutledge acknowledged with a sigh. The woman who had promised to marry him or the man whose life he'd taken. There was no surgery to mend a broken heart nor any to mend a broken mind.

The doctors had shrugged and told Rutledge, "Sh.e.l.l shock makes its own rules. When you're able to sleep better-when the stress of the Great War-of your work-of your memories-fades a little, so will the reality of Hamish MacLeod."

But stress was the nature of war. Stress was the very heart of his work at the Yard. He lived with death and blood and horror every day. It was what he did best, investigating murders. Hardly the most suitable work, perhaps, for a man back from the trenches, but he was trained for no other and didn't have the spare energy to look for any other. And a prospective employer might well dig more deeply into his medical file than the Yard had done, taking him back after the war. Opening a Pandora's box of things best left locked away.

Superintendent Bowles knew more of Rutledge's war years-Rutledge was convinced of it-than anyone else at the Yard. It was there in his eyes, watchful and wary. In the sneer that sometimes pa.s.sed for a smile. But there had been no overt attack on Rutledge's character. Only the a.s.signments that no one else wanted, for one reason or another. Like the summons taking him now to Dorset.

"Inspector Barton's wife's in the middle of a difficult pregnancy, and Dorset might as well be on the moon, she's that upset about him leaving her. And Trask's no countryman, they'll be sending out search parties for him him! As for Jack Bingham, he's due for leave in two days." Or so Bowles had claimed.

Not that it mattered; Rutledge was glad to be out of London. Loneliness had its own compensations, even when it brought Hamish in its wake.

Rutledge found his turning from the trunk road at the next signpost and was soon moving more southwesterly into the heart of Dorset. And with it the scent of hay faded. His mind found its way back from the past and slowly focused on the present.

This was Hardy country. But it was the difference in light that impressed Rutledge more than the author's dark and murky characters. There was a golden-brown tint to the light here that seemed to come from the soil and the leaves of the trees. Not washed pastel like Norfolk, nor rich green like Kent. Nor gray damp like Lancaster. Dorset had been wool trade and stone, cottage industry and small farming towns strung along old roads that the Saxons had laid out long before the Norman conquest. Outlying meadows where cattle quietly grazed.

Rutledge found himself wishing he could ask a painter like Catherine Tarrant if she saw light in the same way, or if it was only his undependable imagination.

He came into the town of Singleton Magna almost before he knew it was there, the abrupt shift from fields to houses almost as sharp as a line drawn in the earth. The railroad's tracks parted company with him and ran on to the station.

Slowing as he motored down the main street, with its shops still doing a brisk business and farm carts pulled up at the curbs, he searched for the local police station.

It was no more than a cubbyhole next to the town's one bank, a small offshoot of the main building that must at one time have been a shop. The front window had been painted white with the letters POLICE POLICE in black, and the heavy green door was nicked by time and hard use, its iron handle worn with age. The bank it adjoined was more majestic, with a handsome porch above its door, as if it too had begun life as something else, a merchant's house or a church office. in black, and the heavy green door was nicked by time and hard use, its iron handle worn with age. The bank it adjoined was more majestic, with a handsome porch above its door, as if it too had begun life as something else, a merchant's house or a church office.

After finding a place to leave his car and stepping out into the warmth of the afternoon, he saw a tall, stooped man of middle age just coming out of the green door. The man looked at him, frowned, and came over to speak. "Are you Inspector Rutledge, by any chance?"

"Yes, I'm Rutledge."

The man held out a long-fingered hand. "Marcus Johnston. I'm representing that poor devil Mowbray. Nasty business. Nasty. And he's not saying a word, not even to me. G.o.d knows what kind of case I can build for him. My advice at the moment is to throw himself on the mercy of the courts."

Rutledge, whose father had followed the law, said only, "I don't know a great deal about the man or his crime, except for the scant information the local people sent up to the Yard. He was searching the town for his wife, I understand? And her body has been found, but not the others he was after."

"That's right. The police have done their best, they've covered the ground hereabouts for miles in every direction. No bodies. No graves. More important, no one inquiring about her. No distraught husband and sobbing children, I mean." He sighed. "Which leads to the conclusion that they're dead. And all Mowbray will say to me is that they were his children, why should he want to kill them?" A woman pa.s.sed and Johnston tipped his hat to her. She nodded and then eyed Rutledge with curiosity as she walked on.

"I did some checking before I left London. I'm told Mowbray was in France in 1916 when the bombing occurred. He was sent home on compa.s.sionate leave to bury his wife and children. They were identified by the constable when they were pulled from the rubble of the building. Mother and two children, dead. Mowbray himself never saw the bodies; he was told it was better to remember them as they were."

"Inspector Hildebrand believes there must have been a mistake of some sort-the constable felt fairly certain the bodies were Mowbray's wife and children, but they could have been another family altogether. The bombing demolished one building, as I understand it, and that brought down those on either side. Fifty or more dead. Easy mistake for the constable to have made-especially at night, fires, injured people everywhere. Absolute horror and chaos." Johnston grimaced. "Bombs and tons of masonry don't leave much to look at, I don't suppose."

"If it had been another family who died in the raid, why hasn't someone come looking for them? Parents? Sisters? Husband home on leave? Seems odd no one did, and discovered the mix-up."

"G.o.d knows," Johnston answered tiredly. "My guess is, there was n.o.body to care about the dead woman-and Mowbray's wife probably took advantage of that to start a new life. Makes sense, especially if she'd grown tired of waiting. Take happiness while you can. No fuss. Easier than a divorce."

In France half a dozen men under Rutledge's command had applied for compa.s.sionate leave at one time or another, most of them men whose wives wanted to leave them and had told them so in a letter. One had been furiously angry....

"Private Wilson," Hamish reminded him. "He said he'd have her back or know the reason why. He was brought up on a.s.sault charges in Slough and given six months."

Johnston seemed to know what Rutledge was thinking, adding, "Hard on the poor sod who's told his family's dead, but I daresay she never thought about that. Only that he wouldn't come tearing home in a rage." He squared his shoulders with an effort, as if the weight of the world lay on them.

Rutledge studied the long, thin face, lined with something more than age or exhaustion. That was a look he, Rutledge, had seen often enough since he came home from France. And recognized. This man had lost a son in the war and was still grieving hard. The murder of a young woman, someone he didn't know and didn't love, had less reality to him than the death in a foreign country of the only flesh and blood that had mattered to him. Johnston was going through the motions for his client. That was all he could do.

"Thank you for being so frank," Rutledge said, preparing to walk on into the police station.

Johnston seemed to realize how hopeless he himself thought the evidence was. He summoned a smile and added, "Early days yet, of course! Early days!" But there was a hollowness in the words and the smile.

Rutledge watched him move on down the street, then opened the door of the station, finding himself in a scene of turmoil. There were some half a dozen people crammed into a room meant to hold two at best, and the sudden sense of claustrophobia that swept over him was so fierce he drew in his breath with the shock of it.

Someone looked up, a constable, and said sharply, "What is it you you want?" want?"