Scarlet and Hyssop Part 15

"Now, I am sufficiently modern," she went on, "not to wish all girls who do not feel pa.s.sion to abstain from marrying. I believe that quite happy marriages often take place without it. Either the man or the woman may not feel it, yet by marrying they are both happier than they would have been if they had remained single. The ultimate sum of happiness is a large factor, Jim. Do you not think so?"

Again she seemed to be talking of herself, but now he could not decide whether she was speaking with complete sincerity. Her opinions, at any rate, appeared to him monstrous.

"Finish the exposition first," he said. "After all, whether I agree with you or not is a small matter. Maud Brereton asked your advice, not mine."

Something in his tone startled her for a moment, and instinctively that afternoon walk they had taken down by the river a fortnight ago came into her mind; but she went on without a pause.

"I seem cold-blooded to you," she said; "and I dare say I am--it is highly probable, in fact. Then, there is a further thing to be considered: many girls, I feel sure, have their pa.s.sion awakened by marriage. Now, that const.i.tutes a great danger, I admit, in pa.s.sionless marriages. Who can tell--well, that need not be discussed. But it remains certain, I am afraid, that there are many women to whom the becoming as one flesh with their husbands has not meant anything before they married them."

"And less afterwards," remarked Jim.

"And less afterwards. Their physical nature is awakened, and-- But, and here I am less modern than you at present are inclined to give me credit for."

"Credit for?" asked Jim.

"Yes, because you are not modern at all. Oh, Jim, it is a great puzzle!

Supposing every girl had to feel that there was absolutely only one man in the world for her, and supposing every man had to feel that here, and here alone was his destiny, before he married, do you think we should have an increase of the marriage returns? I am afraid not. And people being what they are, do you think that this celibacy would have a good effect on morals? It is no use advocating counsels of perfection when you are dealing with the human race and its obvious imperfections. At least, that, I suppose, may eventually come; but for practical purposes the highest motive does not always secure such good results as a lower one."

"So you advised her to marry him," said Jim slowly.

"No, I advised her not to. All the excellent reasons which I have given you why she should marry him were present in my mind; I even told them her. But at the back of my mind--mind or soul, call it what you will--there was a great 'but.' I dare say it was unreasonable; it was certainly not clear to me what it was. But whatever it was, it said 'No.' It wanted me not to impose what I called my experience of the world on a girl. After all, what does one's experience amount to? The recollection of one's mistakes."

She spoke the last words more to herself than him as she leaned back in her low chair, her violet-coloured eyes looking "out and beyond,"

focused, not by the limit of her vision, but that of her thoughts.

Quick, uneven breaths disturbed the slow rise and fall of her bosom, and the rose she had fastened in her dress shed half its fragrant petals on her lap. And because he was a man, he looked at her with kindled eye; and because he was a man who loved her, his blood also was kindled. More than ever before he knew how idle had been his flight from her; the _caelum non animum_ suddenly leaped in his mind from the dingy ranks of truisms to the austere array of the things that are true. He drew his chair a little closer to hers and laid his hand on its arm.

"Your mistakes, Marie?" he said.

It took her an appreciable fraction of time to recall herself, and realize what was meant by his burning look; but it took her no time at all, when once she had realized that, to answer him.

"Yes, one's mistakes," she said--"all the occasions on which one has failed to grasp the true import of what one was doing, and, in particular, all the mistakes one has seen other people making and their consequences. I always think that one's experience means much more what one has observed in other people than what one has done one's self. Of course, all observation pa.s.ses through the crucible of one's personality, whether one observes things in one's self or other people, and that certainly transforms it, crystallizes it, what you will. But if one has a grain of imagination, other people's experiences are as vivid to one's self as one's own, and as potentially profitable. Don't you think so?"

She rose as she spoke, trembling slightly, and brushed the fallen petals from her dress. She was just enough not to blame him for what he had said; she was, indeed, just enough to commend him for his reticence, since her words had necessarily for him such a significance, and the need to stop him saying more was imperative. She could see what inward excitement moved him, and in her soul she thanked him for the love he bore her; but that any word of it should pa.s.s between them was impossible--merely, it could not be. This being so, she desired with a fervency of desire that she had not known for years not to lose her friend, and words of such a kind as she knew were rising to his lips would have meant this loss. Indeed, at this moment the world seemed to hold for her nothing so desired as that friendship, which a word might rob her of.

To him, her reply was both sobering and bracing. It showed him how close he had been walking to the edge of a precipice. As Marie had just told him, he was old-fashioned; he believed that "good" and "bad," "n.o.ble"

and "wicked," were not yet words of obsolete meaning, words like "arquebus," which had no significance in the vocabulary of the day. A temptation had come and gripped him by the throat--the temptation to suggest to her that she should say that her marriage with Jack was, among her experiences, a mistake. He knew also--and was honest enough to confess that his desire to hear her say this was due to the fact that her confession would necessarily open certain vistas--it would be the first step, at any rate, down a path that a certain part of him had during his past fortnight longed to tread with a fervour and a pa.s.sion that shook his whole nature, as a wind shakes and tosses a curtain. He knew in what sort Jack had kept his marriage vow, and he had begun to ask himself whether such conduct did not give emanc.i.p.ation, so to speak, to the wife--had begun to tell himself that it was no use setting up exceptional codes of morality. One lived in the world, the world did this and that; but this douche of cold water was bracing. It recalled him to sanity, to his better and his normal self, and he replied in a voice still shaken with his own overwhelming though momentary tumult.

"So you advised her not to marry him?" he asked. "Do you think she will take your advice?"

"Yes; because it showed her clearly what her own bias really was. One often does not know what one really thinks till some one expresses a strong opinion on one side or the other. Then one hears it with strong repugnance or strong sympathy, which reveals to one's self what one's true opinion is."

Jim smiled, a regurgitation of bitterness swelling up in his breast.

"Have you ever formulated to yourself what your own strongest pa.s.sion is?" he asked.

"No, never. It is the most difficult thing in the world to say what one likes best until one is forty or thereabouts. All one's youth--which, I take it, extends to about forty--is pa.s.sed experimentally in determining what one likes best, and one does not know till it is crystallized. By then also it is probably unattainable."

Jim laughed again bitterly.

"Oh, you need not be afraid," he said, his rebuff now beginning to sting. "I tell you that your chief pa.s.sion is a.n.a.lysis. You do not care so much what people do, as why they do it. If a Hooligan knocked you down and began stamping on you, I can imagine you saying, 'Stop just a moment to tell me why you are doing this. Does giving pain to me give pleasure to you, or do you personally feel a grudge against me?' Then, when he had told you, you would say, 'Thank you very much. Go on stamping again.'"

Marie had detached the unpetalled rose from her dress, and had taken another from the vase in her hand. But she did not pin it in, but, after listening open-mouthed, sat down again with it in her fingers.

"I am egotistical, no doubt," she said, "and that must account for my burning desire to know why you think that. I suppose you do think that, Jim, or are you irritated with me for any cause?"

The question was unpremeditated, but as soon as she had spoken she could have bitten out her tongue for having said it. Almost certainly, she thought, in the moment's pause that ensued, he would tell her why he was irritated with her. That she knew already, and, of all things in the world, that was the one which she did not wish him to tell her. But his answer came almost immediately.

"I don't think there is anything you could do which would irritate me,"

he said, "and I do think what I have said. I think you are bloodless, Marie; I think you are like what you imagine Maud Brereton to be. And bloodless people are disconcerting. One does not know how to make them hear, how to make them feel the things that the majority of the race feel."

Suddenly there rose in her mind a long, far-off, dusty memory. She had been skating one day on a thinly frozen pond, and suddenly felt the ice bend and sway under her, and had said to herself, "The ice is thinner here." On that occasion she had put both feet down and gone straight for the bank. On this occasion she did exactly the same.

"You are probably right," she said. "The things which many women do, and find absorption in doing, I think stupid, and, what is worse, vulgar, and what is worst, wicked. I am _bourgeoise_, I am _bonne femme_--that is what you really mean, Jim. It is quite true; it is quite, quite true.

And, no doubt, if one is not in the habit of spending all one's energies on--on matters of emotion, one disposes of them in other ways. If one does not give one's self up to feeling, one probably has more time for thinking, because one must do something if one has nerves and brains at all. But the Hooligan business you describe is beyond me, I am afraid."

He got up abruptly.

"I must go," he said. "There are a hundred things I must--not do. I must go and not do them."

At this moment, and for the first time during this interview, he had touched and moved her. His struggle suddenly became pathetic to her--a thing to pity and praise. Like a weir, he spouted at joints in the strong doors of his determination not to speak, but the flood was restrained. She rose also.

"That excuse has the charm of absolute sincerity," she said. "When people say they have a hundred things to do, it seems to me a very bad reason. Yours is better. When shall I see you again?"

"I don't know," said he, and for a moment left her awkwardly placed. But his manliness once more came to his aid--for there could be but one conclusion if he said no more--and he added: "I am away next Sunday; I come back on Wednesday. That night I dine with the Ardinglys."

"I also. Till Wednesday, then, Jim--go and not do all these things you spoke of! Not doing things takes longer than doing them. It takes all the time, in fact. Good-bye!"

CHAPTER IX

It was never denied, even by the stupidest of her enemies, that Mildred Brereton was a woman of the world, and her mode of procedure, when she learned from Maud of her first rejection of Anthony's hand, was perfectly correct from the standpoint of wisdom. She made no fuss or scene of any kind, and only said:

"Dear Maud, I am very, very sorry. But you know, dear, how I trust you."

Maud pondered this remark, in her silent, uncomfortable way, for a moment.

"Do you mean you trust me eventually to accept him?" she asked.

Mrs. Brereton wondered in her own mind where Maud _could_ have got her tactlessness from. Aloud she said:

"I trust you in every way, dear--every way. And it shows your good sense that you did not definitely refuse him. I do not wish to force you at all or hurry your decision."

This was all that was said on the subject at the time, but Mildred, after careful thought, was convinced she had done right. This impeccable att.i.tude was completed by her looking rather sad whenever her daughter was observing her, sighing, and constantly calling her "dear child" in well-modulated tones of chastened and uncomplaining affection. This policy--if it is possible to use so cold and calculating a word for a process so tender--had its desired effect, and Maud felt herself touched with a sense of vague contrition. Eventually, not feeling sure of herself, she had decided to confide her difficulty to Marie Alston, for whom she cherished a shy and secret adoration. This interview, however, had not been productive of a result which harmonized with her mother's tender processes; indeed, had Mildred known that her gentle dropping of water on a stone (the tender process) would have led her daughter to ask advice of Marie, she would have adopted quite different methods. Maud told her about the interview the same afternoon. She was not called "dear child," or words to that effect, on this occasion.

Now, there is a sort of anger which, though it is often seen in combination with irritation and ill-temper, is something very different from either. It is not a quick-burning emotion; it is in no hurry to strike and to hurt, but is quite deliberate, very patient, and at the end, when a favourable opportunity presents itself, strikes hard. It was this quality of anger that entered into Mildred's mind when Maud told her of this interview. Had she been simply irritated with Marie or angry with an anger of the less dangerous and quicker sort, she would probably have rushed round to Park Lane, used the language of a cook to Marie, burst into tears, and probably made it up a day or two later. But she had not the slightest impulse to do any of those things. She was irritated with Maud, called her a fool, and sent her away. Then she sat down and thought about Marie.