Sawdust & Spangles Part 14

Then the agent would say: "Did you hear about the fire last night? We had a big fire last night, and all our animals got away from us and took to the woods. They're running wild down there now, elephants, tigers, lions--they all got away."

Having finished relating this alarming bit of news the agent would reach under the seat of his buggy, take up the halter and say: "Here, Uncle, take this halter and if you see any of those animals catch them and take them to the tent--we will pay you a good reward for each and every animal." By this time the whites of the negro's eyes were the most prominent parts of his countenance.

"No, sah," he always managed to say as he backed off; "Ise not gwine t'

dem woods dis day."

"All right," the agent would respond, and, taking the reins, would start on his way. One of our agents had reached this point in the program when he heard the negro calling to him. He immediately reined in his horse and looked back.

"Say, boss," called the old uncle, "what animal have de mos' preference fo' a colored man--a lion or a tiger?"

Whenever our advance wagons came upon a field in which the negroes were picking cotton the negroes would immediately be observed to edge toward the fence so that they could see the show go by. Then our men would advance on horseback and cry out l.u.s.tily:

"Look out boys, de elephants am comin'; climb yore trees--dem elephants get you sh.o.r.e!" The cotton-pickers seldom needed a second warning, but, as one man, they would turn and make for the other end of the field as if they were possessed of demons. They were a very superst.i.tious and impressionable race. The managers of our show had great difficulty in preventing the candy boys from filling the negroes up with ghost stories, hoodoo stories and the like, a course that tended to scare them away and reduce our receipts. One day a young fellow, an attache of our show, went up to a group of plantation negroes and commenced to go through a series of outlandish contortions and crazy antics. Finally one of the negroes asked:

"What you all doin'?"

"Now keep still," he replied, "I'm hoodooin' that girl there." Finally the girl herself thought she was hoodooed and fell to the ground kicking and screaming. The rest of the negroes did not care to linger in so dangerous a quarter.

PLANTATION SHOWS

In the early days in the South the country was so spa.r.s.ely settled that we did not content ourselves with showing in the towns, but were in the habit of putting our tents up on any large plantation which appeared to be centrally located for a region in which we believed we could make a good "stand." It was invariably our custom to show in the afternoon. In the evening the attaches of the show were quite apt to be invited to a plantation dance or "hoedown." The "acting" at these impromptu gatherings was of no mean order. The negroes would bring out all their finery and there was sure to be a "Miss Sue" or a "Miss Lucinda" to carry off the honors.

Many people--and this was particularly true in the South--entertained the notion that circuses secured most of their performers by stealing children. One time when we were showing down in Texas an incident occurred which will ill.u.s.trate under what strong suspicion we were held in certain localities. It so happened that at the time we were showing in a certain Texas town, a little colored chap named "Josh" became lost. Of course there was a great hubbub over this incident, and we were immediately blamed for having a hand in the matter. A thorough search of all our belongings, however, failed to reveal to the angry inhabitants the whereabouts of the missing boy. At intervals during the excitement the boy's mother, a great negro "Mammy," went about among her people moaning and wailing:

"Ain't dat horrible, ain't dat sorrowful, the old showman done stole little Josh away from his paw an' his maw." This incensed the crowd and for the time being we were in imminent danger of being torn limb from limb by the enraged crowd. Finally, however, the missing boy turned up, and, to make amends, the old negress went about exclaiming: "Little Josh done got home; little Josh done got home!"

EXHIBITING "YANKEES" IN THE SOUTH

Just after the war many of the Southern people regarded a "Yankee" as an unending wonder. They had heard so much of Yankee ingenuity that they came to regard a Northerner as a curiosity. We conceived the scheme of utilizing our knowledge of this fact to swell our receipts.

We advertised that we had with our show a number of Yankees from various States. The crier dilated upon the wonderful ingenuity of the Yankee and told the people that if they had any old clocks or other things which needed fixing that they might bring them and watch the Yankees fix them. Our first attempt to put this scheme into operation turned out somewhat disastrously. It was Sat.u.r.day and the people flocked to see the Yankees. When they saw, however, that Yankees are a good deal like other people we narrowly escaped a riot. The attaches of our show got into trouble with the quarrelsome element of the crowd and ended by boasting that they were all Yankees. Only by the exercise of great diplomacy was a combat avoided.

SLEEPING IN STRANGE ATt.i.tUDES

As I stated in the beginning of this chapter, our patrons at this early day were very gullible. At one place the people had a great curiosity to know how the circus performers slept at night. After filling these questioners up with outlandish stories the attaches of the show decided to have a little fun at their expense. To bring this about they bribed the hotel keeper to let them have for a sleeping room one of the front rooms which faced the streets. When it became rumored about the town that the circus men would occupy this room a crowd composed of the curious a.s.sembled on the sidewalk outside. When night came each and every showman stood on his head. They ranged themselves in rows and the countrymen who caught glimpses of them were told that this was the way all showmen slept.

The advertising agents for a large circus of the present day would, no doubt, get a good deal of amus.e.m.e.nt from the tales of the experiences of the advertising men who traveled in advance of the old-time wagon show. One time when I was traveling with a show owned by a man named Yankee Robinson we discovered that we were almost entirely out of show-bills. We were for a time in a serious quandary--but we were not to be downed in this manner. We finally hired a "democrat" wagon and with a single bill in our possession started out to bill the country from which we hoped to draw our patrons. At the gate of every farmer we stopped and called loudly. When the king of the soil appeared we would hand him the bill and allow him to read it; then we would take the bill and ride on to the next house. It was tedious work, but we succeeded in drawing our crowd and felt repaid for our efforts.

THE CIRCUS "CRIER"

It is doubtful if there was to be found a more interesting character than the circus crier in the days of the wagon shows. He was often a man of ability--many men who were circus criers have attained substantial success in the world of affairs. They were chosen for this position largely on account of their good "talking" qualities, and were, as a rule, resourceful and given to witty jests. The show once had a "Little Man" whom they exhibited as Tom Thumb. He was in reality a boy of about eleven years of age. But he was fitted out with a little carriage and ponies, and filled the bill very well. When the crier took his stand in front of the tent he would call out:

"Ladies and gentlemen; we have little Tom Thumb inside. More than this, we have the carriage which was presented to him by her Majesty, Queen Victoria of England. Ladies and gentlemen, Queen Victoria gave this superb outfit to him with the words: 'Here, Tom Thumb, is the little carriage, together with the horses, together with the harness--here, Thomas, take it. Take these to America; show it to your countrymen.

Tell the people of America that it cost three thousand pounds in our money or $15,000 in their money. Take it, Thomas, take it.'"

SHOWMEN'S NAMES

Showmen were often given names for the city or county in which they were hired. Thus "Cincinnati Bill" or "Chicago Jim" would not only serve as well as any other name, but they possessed this advantage, that they indicated in a breath where Bill or Jim had been picked up by the circus. When the show was touring Texas we chanced to hire a man in Bastrop county. Of course we called him Bastrop. He proved to be an "all around" handy man, and, while he had no professional training for any particular feat or "turn," he proved a capable man in whatever position he was placed. One of his early duties was that of driving; but there came a time when he was given a chance to distinguish himself. After we had "opened our doors" for business in a certain town our crier was taken sick and we could think of no better man to take his place than Bastrop. Our position was particularly trying from the fact that an opposition show had started up soon after we had got under way, and there promised to be some lively music between us before we left the town. For some reason or other the opposition show seemed to be doing the biggest business and we were unable to account for it save by the fact that they had a big snake which seemed to attract the crowds. In every crowd of countrymen visiting a circus there is sure to be some sympathetic chap who is quick to catch the pathos of a thing of this kind and try to console the one that is being worsted. There was such an one in this crowd. This man came over to Bastrop, stood watching the latter's lips and drinking in the marvelous flow of words that proceeded therefrom. Finally he blurted out: "Wall, you don't appear to be gettin' em as fast as that young man over there."

"No," replied Bastrop, "I don't because I'm no d---- Yankee liar. But I've got the best show. I am from Bastrop, Bastrop County, Texas. I have got a human family--Master Eastwood of Ohio, the lonely star that is now shining for you. If I had the merits and qualifications of Master Eastwood [Eastwood could write and Bastrop couldn't] I would now fill the President's chair. Then I have the "Little Man" with the chariot and horses presented by Queen Victoria. Then I have the tall man. The great curiosity is why one should _grow_ so small and the other _remain_ so large. Why, ever since Adam, people have been of the human family, and if it were not for the human family where would the show be?" This sort of talk given out with a showman's gusto would be sure to draw a crowd.

THE ESCAPE OF A LEOPARD

In the days when one large tent answered for both the circus and menagerie we once met with an experience that seemed to reverse all the laws relative to the handling of animals. We were stopping at a small place in Indiana. The crowd which we had managed to get under the canvas was a large one, and they were taking in the show with all the eyes they had. Suddenly one of our leopards, made uneasy by something or other, managed to make his escape from the cage. With a snarling cry the creature ran into the ring where the ponies were doing their "turn." The presence of this ferocious animal almost threw the crowd into hysterics--women screamed and men shouted; some of them made a hasty exit under the canvas wall. Meanwhile the leopard had crouched for a spring. All the wildness of the jungles seemed to have returned to his veins and shone out in the flashes from his cat-like eyes in a way to send terror to the heart of the veteran trainer. The crowd seemed to hold its breath for an instant as the critical moment came.

With a peculiar scream the creature leaped into the air and landed squarely upon the back of the nearest pony. At this exciting juncture a drunken countryman was seen making his way toward the ring. People shouted to him, but to no avail; the fellow swaggered on into the ring and made straight for the leopard. The pony was rearing frantically and crying piteously. As the madman ran he grabbed up a whip which had been lying in the ring and approached the leopard with upraised hand. The creature was too busily engaged with the pony to take notice of its new enemy. Soon the air was filled with the sound of resounding blows, that fell upon the back of the leopard. Soon the creature was compelled to loosen its hold; but the man did not stop. With an awful frenzy he rained the blows upon the creature until the animal whined with terror.

By this time the trainers had arrived on the scene and the creature was driven back to its cage thoroughly cowed. But the madman was not satisfied. He continued to prance about in the ring, kicked up his heels and shouted: "Turn yer elephants and lions loose!" Of course he was the hero of the hour.

HOTEL KEEPERS

We used to have many amusing experiences with hotel proprietors, particularly when we were showing in regions in which the Irish or Germans comprised the greater part of the population. For policy we made a practice of humoring these peoples and made it a rule always to be friendly with them.

One of our showmen once had an educated pig that he had named Bismarck.

The pig was carried in a sort of box cage on the side of which was printed "Hotel de Bismarck." Coming into one town the population of which was largely German we found that we had pulled a storm over our heads. The German residents were insulted that a pig should be named after the beloved founder of their empire, and threatened summary vengeance. It was only by making many promises that we escaped with whole skins. But speaking of hotels: In billing a town in which there were several hotels run by Irishmen our advance agent usually promised each hotel proprietor that his particular hotel should be patronized by the show. As a result of this I usually found myself in an extremely embarra.s.sing position when the show arrived at the town. Of course I could not patronize all of the hotels, and, at the same time, it was necessary for us to keep the good will of the proprietors. I usually went around to all of the disappointed ones, gave them free tickets, praised their children, their wives; berated our advance agent and promised better things for next time. In the end I managed to make friends with them and left them with no bad tastes in their mouths. I have always found them a jovial and reasonable people. Of course the hotel that did secure our patronage always had something to look back upon. It was a day of hustling, of real business, that came only once or twice in a lifetime. In those days napkins were entirely unknown. At one place some of our showmen asked the waitress to bring them napkins, and she answered: "I am sorry, sirs, but the last show that was here ate them all up."

EARLY BREAKFASTS

It was often necessary for the showmen to have their breakfast at three o'clock in the morning, and this, as the reader may well imagine, made it impracticable for the keeper of the little country hotel to go to bed at all. He usually stayed up all night on a "star" occasion of this kind and cooked for his deluge of boarders. The following little incident may ill.u.s.trate the situation better, perhaps, than I can tell it: We had just hired a man to travel with our wagons. He was a "green"

hand; but he felt it necessary, of course, to fill the proprietor of the little hotel where we stopped with an appreciation of a showman's importance. He got up about two o'clock to attend to the horses. As he pa.s.sed out he came upon the hotel keeper who, with sleeves rolled up, was working for all he was worth.

The new attache stretched himself, yawned and said: "I'll tell you what, this is the last season that I'm goin' to travel with a show."

"Yes," replied the other, "I guess--next to keeping a tavern--the circus business is about the hardest goin'."

We once had with our show a woman whom we were exhibiting for her immense size. To enhance her value as a feature in the eyes of the countrymen she wore a gorgeous crown set with cheap but flashy stones.

The crier would tell the people that the crown had been presented to the woman by the Prince of Wales and that it cost, in England, 5,000 pounds. Then the people would go in, examine it, and exclaim: "See the green diamonds and the blue diamonds and the red diamonds!" Once, when I was in a hotel in Wisconsin, I heard two waitresses talking about the show. One said she did not believe the crown cost such an amount. The other said:

"Well; we can't tell, of course; we only know what we hear--but wasn't it beautiful!"

XII

HOW THE GREAT NEW YORK AQUARIUM WAS MADE AND LOST

Every prominent showman has had some venture into which he has put his whole heart. Nothing in my career touched and moved me like the great New York Aquarium enterprise. Into this I not only put a fortune--more hundreds of thousands of dollars than were ever put into anything of the kind before or since--but I also invested the ambitions of my life.

I was inspired by a profound desire to promote the interests of natural science in what appeared to me its most picturesque and attractive field--the marine world; and everything concerned in this mammoth undertaking exercised a strange fascination over me. All commercialism vanished, and I was as true and devoted a student of the wonders which I had collected as was the most erudite scientist that had ever looked upon that strange a.s.semblage of creatures from the depths of arctic and torrid oceans.

Night after night I remained alone in the great museum for the purpose of studying the habits of those fishes which displayed their most peculiar traits while the world slept. The finale of this enterprise was, it seems to me, in keeping with its remarkable character, and anything less picturesque than that which actually transpired in this connection would have fallen short of poetic justice. It is not too much to say that never before had the scientific world been permitted to view so comprehensive a collection of the varied and almost numberless types of deep sea life.

Neither money nor pains was spared to the end of maintaining an aquarium approximating that of my fondest dreams. Early in the history of this gigantic enterprise I became a.s.sociated with a member of one of the great animal importing houses, a German, my partner, although I undertook the active management of the inst.i.tution.