Sant' Ilario Part 37

Before Mentana it would have been wholly impossible, for it would have seemed cowardly. Now that he had distinguished himself and had been wounded in the cause, the thing might be done without dishonour, but it would involve a species of self-abas.e.m.e.nt to which he was not prepared to submit. On the other hand, to wait until his term of service should have expired was to risk losing Faustina altogether. He knew that she loved him, but he was experienced enough to know that a young girl is not always able to bear the pressure exercised upon her when marriage is concerned.

In Rome, and especially at that time, it was in the power of parents to use the most despotic means for subduing the will of their children. There was even a law by which a disobedient son or daughter could be imprisoned for a considerable length of time, provided that the father could prove that his child had rebelled against his just will. Though Gouache was not aware of this, the fact that a similar inst.i.tution existed in his own country made him suspect that it was to be found in Rome also. Supposing that Montevarchi refused to accept him for a son-in-law, and that Faustina, on the other hand, refused to marry young Frangipani, it was only too probable that she might be locked up--in a luxuriously furnished cell of course--to reflect upon the error of her ways. It was by no means certain that in the face of such humiliation and suffering Faustina would continue her resistance; indeed, she could hardly be blamed if she yielded in the end.

Gouache believed in the sincerity of her love because the case was his own; had he heard of it in the life of another man he would have laughed at the idea that a girl of eighteen could be capable of a serious pa.s.sion.

It is not necessary, however, to enter into an a.n.a.lysis of the motives and feelings of either Faustina or Anastase. Their connection with the history of the Saracinesca arose from what they did, and not from the thoughts which prompted their actions.

It is sufficient to say that Gouache conceived the mad idea of asking Montevarchi's consent to his marriage and to explain the immediate consequences of the step he took.

Matters were rapidly approaching a climax. San Giacinto had seen the lawyers at Frascati, and he had brought his wife back to Rome very soon in order to be on the spot while the case was being prepared. The men of the law declared that the matter was a very simple one and that no court could withhold its decision a single day after seeing the doc.u.ments which const.i.tuted the claim. The only point about which any argument could arise related to the ident.i.ty of San Giacinto himself, and no difficulty was found in establishing substantial proof that he was Giovanni Saracinesca and not an impostor. His father and grandfather had jealously kept all the records of themselves which were necessary, from the marriage certificate of the original Don Leone, who had signed the deed, to the register of San Giacinto's own birth. Copies were obtained, properly drawn up and certified, of the parish books and of the few government doc.u.ments which were officially preserved in the kingdom of Naples before 1860, and the lawyers declared themselves ready to open the case. Up to this time the strictest secrecy was preserved, at the request of San Giacinto himself. He said that in such an important matter he wished nothing to transpire until he was ready to act; more especially as the Saracinesca themselves could not be ignorant of the true state of the case and had no right to receive notice of the action beforehand. As Corona had foreseen, San Giacinto intended to obtain the decision by means of a perfectly legal trial, and was honestly ready to court enquiry into the rights he was about to a.s.sert. When the moment came and all was ready, he went to the Palazzo Saracinesca and asked for the prince, who received him in the same room in which the two had met when the ex-innkeeper had made his appearance in Rome nearly three months earlier. As San Giacinto entered he felt that he had not wasted his time during that short interval.

"I have come to talk with you upon a business which must be unpleasant to you," he began. "Unfortunately it cannot be avoided.

I beg you to believe that it is my wish to act loyally and fairly."

"I hope so," said Saracinesca, bending his bushy gray eyebrows and fixing his keen old eyes upon his visitor.

"You need not doubt it," replied San Giacinto rather proudly. "You are doubtless acquainted with the nature of the deed by which our great-grandfathers agreed to transfer the t.i.tles and property to the younger of the two. When we first spoke of the matter I was not aware of the existence of a saving clause. I cannot suppose you ignorant of it. That clause provided that if Leone Saracinesca married and had a lawful heir, the deed should be null and void.

He did marry, as you know. I am his direct descendant, and have children of my own by my first marriage. I cannot therefore allow the clause in question to remain in abeyance any longer. With all due respect to you, I am obliged to tell you quite frankly that, in law, I am Prince Saracinesca."

Having thus stated his position as plainly as possible, San Giacinto folded his great hands upon his knee and leaned against the back of his chair. Saracinesca looked as though he were about to make some hasty answer, but he controlled his intention and rose to his feet. After walking twice up and down the room, he came and stood in front of his cousin.

"Let us be plain in what we say," he began. "I give you my word that, until Montevarchi sent back those papers the other day, I did not know what they contained. I had not read them for thirty years, and at that time the clause escaped me. I do not remember to have noticed it. This may have been due to the fact that I had never heard that Leone had any living descendants, and should therefore have attached no importance to the words if I had seen them."

"I believe you," said San Giacinto, calmly. The old man's eyes flashed.

"I always take it for granted that I am believed," he answered.

"Will you give me your word that you are what you a.s.sert yourself to be, Giovanni Saracinesca, the great-grandson and lawful heir of Leone?"

"Certainly. I pledge my honour that I am; and I, too, expect to be believed by you."

There was something in the tone of the answer that struck a sympathetic chord in Saracinesca's nature. San Giacinto had risen to his feet, and there was something in the huge, lean strength of him, in the bold look of his eyes, in the ring of his deep voice, that inspired respect. Rough he was, and not over refined or carefully trained in the ways of the world, cruel perhaps, and overbearing too; but he was every inch a Saracinesca, and the old man felt it.

"I believe you," answered the prince. "You may take possession when you please. I am Don Leone, and you are the head of the house."

He made a gesture full of dignity, as though resigning then and there his name and the house in which he lived, to him who was lawfully ent.i.tled to both. The action was magnificent and worthy of the man. There was a superb disregard of consequences in his readiness to give up everything rather than keep for a moment what was not his, which affected San Giacinto strangely. In justice to the latter it must be remembered that he had not the faintest idea that he was the instrument of a gigantic fraud from which he was to derive the chief advantage. He instinctively bowed in acknowledgment of his cousin's generous conduct.

"I shall not take advantage of your magnanimity," he said, "until the law has sanctioned my doing so."

"As you please," answered the other. "I have nothing to conceal from the law, but I am prejudiced against lawyers. Do as you think best. A family council can settle the matter as well as the courts."

"Your confidence in me is generous and n.o.ble. I prefer, however, that the tribunal should examine the matter."

"As you please," repeated Saracinesca. There was no reason for prolonging an interview which could not be agreeable to either party. The old man remained standing. "No opposition will be made to the suit," he said. "You will simply produce your papers in proper form, and I will declare myself satisfied." He held out his hand.

"I trust you will bear me no ill-will," said San Giacinto rather awkwardly,

"For taking what is yours and not mine? Not in the least. Good- evening."

San Giacinto left the room. When he was gone, Saracinesca stood still for a moment, and then sank into a chair. His strong nature had sustained him through the meeting and would sustain him to the end, but he was terribly shaken, and felt a strange sensation of numbness in the back of his head, which was quite new to him. For some minutes he sat still as though dazed and only half conscious.

Then he rose again, shook himself as though to get rid of a bad dream and rang the bell. He sent for Giovanni, who appeared immediately.

"San Giacinto has been here," he said quickly. "He is the man. You had better tell your wife, as she will want to collect her things before we leave the house."

Giovanni was staggered by his father's impetuosity. He had realised that the danger existed, but it had always seemed indefinitely far removed.

"I suppose there will be some legal proceedings before everything is settled," he said with more calmness than he felt.

"What is that to us? We must go, sooner or later."

"And if the courts do not decide in his favour, what then?"

"There is no doubt about it," answered the prince, pacing the room as his excitement returned. "You and I are n.o.body. We had better go and live in an inn. That man is honest. I hate him, but he is honest. Why do you stand there staring at me? Were you not the first to say that if we are impostors we should give up everything of our own free-will? And now you seem to think that I will fight the suit! That is your logic! That is all the consistency you have acquired in your travels! Go and tell your wife that you are n.o.body, that I am n.o.body! Go and tell her to give you a t.i.tle, a name for men to call you by! Go into the market and see whether you can find a name for your father! Go and hire a house for us to live in, when that Neapolitan devil has brought Mavia Montevarchi to live in the palace where your mother died, where you were born--poor Giovanni! Not that I pity you any more than I pity myself.

Why should I? You are young and have done this house the honour to spend most of your life out of it. But after all--poor Giovanni!"

Saracinesca seized his son's hand and looked into his eyes. The young man's face was perfectly calm, almost serene in its expression of indifference to misfortune. His whole soul was preoccupied by greater and n.o.bler emotions than any which could be caused by worldly loss. He had been with Corona again, had talked with her and had seen that look in her face which he had learned to dread more than he had ever dreaded anything in his life. What was life itself without that which her eyes refused?

CHAPTER XIX.

Prince Montevarchi was very much surprised when he was told that Anastase Gouache wished to see him, and as he was very much occupied with the details of the suit his first impulse was to decline the visit. Although he had no idea that matters had already gone so far between the Zouave and Faustina, he was not, however, so blind as the young girl had supposed him to be. He was naturally observant, like most men who devote their lives to the pursuit of their own interests, and it had not escaped him that Faustina and Gouache were very often to be seen talking together in the world. Had he possessed a sense of humour he might possibly have thought that it would be inexpressibly comical if Gouache should take it into his head to fall in love with the girl; but the Italians are not a humorous people, and the idea did not suggest itself to the old gentleman. He consented to receive Gouache because he thought the opportunity would be a good one for reading the young man a lecture upon the humility of his station, and upon the arrogance he displayed in devoting himself thus openly to the daughter of Casa Montevarchi.

"Good-day, Monsieur Gouache," he said solemnly, as Anastase entered. "Pray be seated. To what do I owe the honour of your visit?"

Anastase had put on a perfectly new uniform for the interview, and his movements were more than usually alert and his manners a shade more elaborate and formal than on ordinary occasions. He felt and behaved as young men of good birth do who are serving their year in the army, and who, having put on their smartest tunic, hope that in a half light they may be taken for officers.

"Will you allow me to explain my position in the first place?" he asked, seating himself and twisting his cap slowly in his hands.

"Your position? By all means, if you desire to do so. It is an excellent rule in all discourses to put the definition before the argument. Nevertheless, if you would inform me of the nature of the affair, it might help me to understand you better."

"It is very delicate--but I will try to be plain. What I am, I think you know already. I am a painter and I have been successful.

For the present, I am a Zouave, but my military service does not greatly interfere with my profession. We have a good deal of time upon our hands. My pictures bring me a larger income than I can spend."

"I congratulate you," observed Montevarchi, opening his small eyes in some astonishment. "The pursuit of the fine arts is not generally very lucrative. For myself, I confess that I am satisfied with those treasures which my father has left me. I am very fond of pictures, it is true; but you will understand that, when a gallery is filled, it is full. You comprehend, I am sure?

Much as I might wish to own some of the works of the modern French school, the double disadvantage of possessing already so many canvases, and the still stronger consideration of my limited fortune--yes, limited, I a.s.sure you---"

"Pardon me," interrupted Gouache, whose face reddened suddenly, "I had no intention of proposing to sell you a picture. I am not in the habit of advertising myself nor of soliciting orders for my work."

"My dear sir!" exclaimed the prince, seeing that he was on a wrong tack, "have I suggested such a thing? If my words conveyed the idea, pray accept all my excuses. Since you had mentioned the subject of art, my thoughts naturally were directed to my gallery of pictures. I am delighted to hear of your success, for you know how much interest we all feel in him who was the victim of such an unfortunate accident, due doubtless to the carelessness of my men."

"Pray do not recall that! Your hospitality more than repaid me for the little I suffered. The matter concerning which I wish to speak to you is a very serious one, and I hope you will believe that I have considered it well before taking a step which may at first surprise you. To be plain, I come to ask you to confer upon me the honour of Donna Faustina Montevarchi's hand."

Montevarchi leaned back in his chair, speechless with amazement.

He seemed to gasp for breath as his long fingers pressed the green table-cover before him. His small eyes were wide open, and his toothless jaw dropped. Gouache feared that he was going to be taken ill.

"You!" cried the old man in a cracked voice, when he had recovered himself enough to be able to speak.

"Yes," answered Anastase, who was beginning to feel very nervous as he observed the first results of his proposal. He had never before quite realised how utterly absurd the match would seem to Montevarchi. "Yes," he repeated. "Is the idea so surprising? Is it inconceivable to you that I should love your daughter? Can you not understand--"

"I understand that you are wholly mad!" exclaimed the prince, still staring at his visitor in blank astonishment.