Sacred and Profane Love Part 9

The chatter from the other end of the room grew louder. Vicary was gazing critically at his chandeliers.

'Does love bring happiness?' I asked Lord Francis, carefully ignoring his remark.

'For forty years,' he quavered, 'I made love to every pretty woman I met, in the search for happiness. I may have got five per cent. return on my outlay, which is perhaps not bad in these hard times; but I certainly did not get even that in happiness. I got it in--other ways.'

'And if you had to begin afresh?'

He stood up, turned his back on the room, and looked down at me from his bent height. His knotted hands were shaking, as they always shook.

'I would do the same again,' he whispered.

'Would you?' I said, looking up at him. 'Truly?'

'Yes. Only the fool and the very young expect happiness. The wise merely hope to be interested, at least not to be bored, in their pa.s.sage through this world. Nothing is so interesting as love and grief, and the one involves the other. Ah! would I not do the same again!'

He spoke gravely, wistfully, and vehemently, as if employing the last spark of divine fire that was left in his decrepit frame. This undaunted confession of a faith which had survived twenty years of inactive meditation, this banner waved by an expiring arm in the face of the eternity that mocks at the transience of human things, filled me with admiration. My eyes moistened, but I continued to look up at him.

'What is the t.i.tle of the new book?' he demanded casually, sinking into a chair.

'_Burning Sappho_,' I answered. 'But the t.i.tle is very misleading.'

'Bright star!' he exclaimed, taking my hand. 'With such a t.i.tle you will surely beat the record of the Good Dame.'

'Hsh!' I enjoined him.

Jocelyn Sardis was coming towards us.

The Good Dame was the sobriquet which Lord Francis had invented to conceal--or to display--his courteous disdain of the ideals represented by Mrs. Sardis, that pillar long established, that stately dowager, that impeccable _doyenne_ of serious English fiction. Mrs. Sardis had captured two continents. Her novels, dealing with all the profound problems of the age, were read by philosophers and politicians, and one of them had reached a circulation of a quarter of a million copies. Her dignified and indefatigable pen furnished her with an income of fifteen thousand pounds a year.

Jocelyn Sardis was just entering her mother's world, and she had apparently not yet recovered from the surprise of the discovery that she was a woman; a simple and lovable young creature with brains amply sufficient for the making of apple-pies. As she greeted Lord Francis in her clear, innocent voice, I wondered sadly why her mother should be so anxious to embroider the work of Nature. I thought if Jocelyn could just be left alone to fall in love with some average, kindly stockbroker, how much more nearly the eternal purpose might be fulfilled....

'Yes, I remember,' Lord Francis was saying. 'It was at St. Malo. And what did you think of the Breton peasant?'

'Oh,' said Jocelyn, 'mamma has not yet allowed us to study the condition of the lower cla.s.ses in France. We are all so busy with the new Settlement.'

'It must be very exhausting, my dear child,' said Lord Francis.

I rose.

'I came to ask you to play something,' the child appealed to me. 'I have never heard you play, and everyone says--'

'Jocelyn, my pet,' the precise, prim utterance of Mrs. Sardis floated across the room.

'What, mamma?'

'You are not to trouble Miss Peel. Perhaps she does not feel equal to playing.'

My blood rose in an instant. I cannot tell why, unless it was that I resented from Mrs. Sardis even the slightest allusion to the fact that I was not entirely myself. The latent antagonism between us became violently active in my heart. I believe I blushed. I know that I felt murderous towards Mrs. Sardis. I gave her my most adorable smile, and I said, with sugar in my voice:

'But I shall be delighted to play for Jocelyn.'

It was an act of bravado on my part to attempt to play the piano in the mood in which I found myself; and that I should have begun the opening phrase of Chopin's first Ballade, that composition so laden with formidable memories--begun it without thinking and without apprehension--showed how far I had lost my self-control. Not that the silver sounds which shimmered from the Broadwood under my feverish hands filled me with sentimental regrets for an irrecoverable past. No! But I saw the victim of Diaz as though I had never been she. She was for me one of those ladies that have loved and are dead. The simplicity of her mind and her situation, compared with my mind and my situation, seemed unbearably piteous to me. Why, I knew not. The pathos of that brief and vanished idyll overcame me like some sad story of an antique princess.

And then, magically, I saw the pathos of my present position in it as in a truth-revealing mirror. My fame, and my knowledge and my experience, my trained imagination, my skill, my social splendour, my wealth, were stripped away from me as inessential, and I was merely a woman in love, to whom love could not fail to bring calamity and grief; a woman expecting her lover, and yet to whom his coming could only be disastrous; a woman with a heart divided between tremulous joy and dull sorrow; who was at once in heaven and in h.e.l.l; the victim of love. How often have I called my dead Carlotta the victim of Diaz! Let me be less unjust, and say that he, too, was the victim of love. What was Diaz but the instrument of the G.o.d?

Jocelyn stood near me by the piano. I glanced at her as I played, and smiled. She answered my smile; her eyes glistened with tears; I bent my gaze suddenly to the keyboard. 'You too!' I thought sadly, 'You too!...

One day! One day even you will know what life is, and the look in those innocent eyes will never be innocent again!'

Then there was a sharp crack at the other end of the room; the handle of the door turned, and the door began to open. My heart bounded and stopped. It must be he, at last! I perceived the fearful intensity of my longing for his presence. But it was only a servant with a tray. My fingers stammered and stumbled. For a few instants I forced them to obey me; my pride was equal to the strain, though I felt sick and fainting.

And then I became aware that my guests were staring at me with alarmed and anxious faces. Mrs. Sardis had started from her chair. I dropped my hands. It was useless to fight further; the battle was lost.

'I will not play any more,' I said quickly. 'I ought not to have tried to play from memory. Excuse me.'

And I left the piano as calmly as I could. I knew that by an effort I could walk steadily and in a straight line across the room to Vicary and the others, and I succeeded. They should not learn my secret.

'Poor thing!' murmured Mrs. Sardis sympathetically. 'Do sit down, dear.'

'Won't you have something to drink?' said Vicary.

'I am perfectly all right,' I said. 'I'm only sorry that my memory is not what it used to be.' And I persisted in standing for a few moments by the mantelpiece. In the gla.s.s I caught one glimpse of a face as white as milk, Jocelyn remained at her post by the piano, frightened by she knew not what, like a young child.

'Our friend finished a new work only yesterday,' said Lord Francis shakily. He had followed me. 'She has wisely decided to take a long holiday. Good-bye, my dear.'

These were the last words he ever spoke to me, though I saw him again. We shook hands in silence, and he left. Nor would the others stay. I had ruined the night. We were all self-conscious, diffident, suspicious. Even Vicary was affected. How thankful I was that my silent lover had not come! My secret was my own--and his. And no one should surprise it unless we chose. I cared nothing what they thought, or what they guessed, as they filed out of the door, a brilliant procession of which I had the right to be proud; they could not guess my secret. I was sufficiently woman of the world to baffle them as long as I wished to baffle them.

Then I noticed that Mrs. Sardis had stayed behind; she was examining some l.u.s.tre ware in the further drawing-room.

'I'm afraid Jocelyn has gone without her mother,' I said, approaching her.

'I have told Jocelyn to go home alone,' replied Mrs. Sardis. 'The carriage will return for me. Dear friend, I want to have a little talk with you. Do you permit?'

'I shall be delighted,' I said.

'You are sure you are well enough?'

'There is nothing whatever the matter with me,' I answered slowly and distinctly. 'Come to the fire, and let us be comfortable. And I told Emmeline Palmer, my companion and secretary, who just then appeared, that she might retire to bed.

Mrs. Sardis was nervous, and this condition, so singular in Mrs. Sardis, naturally made me curious as to the cause of it. But my eyes still furtively wandered to the door.

'My dear co-worker,' she began, and hesitated.

'Yes,' I encouraged her.

She put her matron's lips together:

'You know how proud I am of your calling, and how jealous I am of its honour and its good name, and what a great mission I think we novelists have in the work of regenerating the world.'

I nodded. That kind of eloquence always makes me mute. It leaves nothing to be said.