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"But how?"
"Say you won't act with Ryde."
"You can't expect me to make myself laughable in that way."
"Then _I'll_ do it."
"And so make me laughable in another way. I can't see what right you have to interfere," she breaks out suddenly, standing before him, wilful but lovely. "What are you to me, or I to you, that you should order me about like this?"
"You are all the world to me,--you are _my wife_," says the young man, in a solemn tone, but with pa.s.sionately angry eyes. "You can refuse me if you like, but I shall go to my grave with your image only in my heart. As to what I am to _you_, that is quite another thing,--less than nothing, I should say."
"And no wonder, too, considering your _awful_ temper," says Monica, viciously; but her tone trembles.
At this he seems to lose heart. A very sad look creeps into his dark eyes and lingers there.
"Well, do what you like about these wretched tableaux," he says, so wearily that Monica, though victorious, feels inclined to cry. "If they give you a moment's pleasure, why should I rebel? As you say, I am nothing to you. Come, let us go and look at this famous pear-tree."
But she does not stir. They are inside the orchard, standing in a very secluded spot, with only some green apples and an ivied wall to see them. Her eyes are downcast, and her slender fingers are playing nervously with a ribbon on her gown. Her lips have taken a remorseful curve. Now, as though unable to restrain the impulse, she raises her eyes to his for a brief second, but, brief as it is, he can see that they are full of tears.
"Brian," she says, nervously.
It is the first time she has ever called him by his Christian name, and he turns to her a face still sad indeed, but altogether surprised and pleased.
"Now, that is good of you," he says.
"There is nothing good about me," says Monica, tearfully. "I am as horrid as I well can be, and you are----Brian, I will give up that tableau. I will not be Dolly Varden; no, not if Mr. Ryde went on his _knees_ to me."
"My dear, _dear_ love!" says Mr. Desmond.
"Do you indeed love me," says Monica, softly, "in spite of all I do?"
"I love you _because_ of all you do. What is there not commendable in every action of yours? I love you; I live always in the hope that some day you will be more to me than you are to-day. A presumptuous hope perhaps," with a rather forced smile, "but one I _will_ not stifle. I suppose every one lives in a visionary world at times, where some 'not impossible she' reigns as queen. I dare say you think my queen _is_ impossible, yet you little know what dreams have been my playmates, night and day."
"Am I your queen?" sweetly.
"Yes, darling."
"And you are glad I have given up this tableau?"
"I don't know what I should have done if you hadn't."
"Then, now you will do something for me," says Miss Beresford, promptly.
"Anything," with enthusiasm.
"Then to-morrow you are to come here _without_ the roses I heard you promising Miss Fitzgerald this afternoon."
Her tone is quite composed, but two little brilliant flecks of color have risen hurriedly and are now flaunting themselves on either pretty cheek. She is evidently very seriously in earnest.
"She asked me for them: she will think it so ungenerous, so rude," says Desmond.
"Not ungenerous. She will never think you that, or rude either," says Monica, gauging the truth to a nicety. "_Careless_ if you will, but no more; and--I _want_ you to seem careless where she is concerned."
"But why, my dearest?"
"Because I don't like her; she always treats me as though I were some insignificant little girl still in short petticoats," says Miss Beresford, with rising indignation. "And because--because, too----"
She pauses in some confusion.
"Go on: because what?" with gentle encouragement.
"Well, then, because I know she wants to _marry_ you," says Monica, vehemently, but in a choked voice.
"What an extraordinary idea to come into your head!" says Desmond, in a choked tone also, but from a different emotion.
"What are you laughing at?" severely. "At me?"
"My darling, it seems so absurd, and----"
"I _forbid_ you to laugh," in a tone replete with anger but highly suggestive of tears. "Don't do it."
"I'll never laugh again, my pet, if it offends you so dreadfully."
"But your eyes are laughing; I can see them. I can see a great deal more than you think, and I know that hateful girl has made up her mind to marry you as soon as ever she can."
"That will be never."
"Not if you go on bringing her roses and things."
"What harm can a simple rose do?"
"If you are going to look at it in that light, I shall say no more. But in a very little time you will find she has married you, and _then_ where will you be?"
Her jealousy is too childishly open to be misunderstood. Mr. Desmond's spirits are rising with marvellous rapidity; indeed, for the past two minutes he feels as if he is treading on air.
"As you won't have me, I don't much care _where_ I shall be," he says with the mean hope of reducing her to submission by a threat. In this hope he is doomed to be disappointed, as she meets his base insinuation with an unlowered front.
"Very good, _go_ and marry her," she says, calmly, as if church, parson, and Miss Fitzgerald are all waiting for him, in anxious expectation, round the corner.
"No, I shan't," says Desmond, changing his tactics without a blush.
"Catch me at it! As you persist in refusing me, I shall never marry, but remain a bachelor forever, for your sweet sake."
"Then say you will not bring those roses to-morrow. Or, better still, say you will bring them, and"--all women, even the best are cruel--"give them to me _before_ her."
"My darling! what an unreasonable thing to ask me!"
"Oh! I daresay! when people don't _love_ people they always think everything they do unreasonable."
This rather involved sentence seems to cut Mr. Desmond to the heart.