Romance Island Part 34

It was a little vase of rock-crystal, ornamented with gold medallions, covered with exquisite and precise engraving of great beauty and variety of design--gryphons, serpents, winged discs, men contending with lions. St. George stared at it uncomprehendingly. In the press of events of the last eight-and-forty hours Amory had quite forgotten to mention to him the prince's intended gift of wine, almost three thousand years old, sealed in Phoenicia.

St. George drew the stopper. In an instant an odour, spicy, penetrating, delicious, saluted him and gave life to the dead air of the room. For a moment he hesitated. He knew that the flask had not been among Amory's belongings and that he himself had never seen it before. But the odour was, he thought, unmistakable, and so powerful that already he felt as if the liquor were racing through his own veins. He touched it to his lips; it was like a full draught of some marvelous elixir. Sudden confidence sat upon St. George, and thanking his guiding stars for the fortunate chance, he unhesitatingly set the flask to the old man's lips.

There was a long-drawn, shuddering breath, a fluttering of the eyelids, a movement of the limbs, and after that old Malakh lay quite still upon the stones. Once more St. George thrust his hand within the bosom of the loose robe, and the heart was beating rapidly and regularly and with amazing force. In a moment deep breaths succeeded one another, filling the breast of the unconscious man; but the eyelids did not unclose, and St. George took up the taper and bent to scan the quiet face.

St. George looked, and sank to his knees and looked again, holding the light now here, now there, and peering in growing bewilderment.

What he saw he was wholly unable to define. It was as if a mask were slowly to dissolve and yet to lie upon the features which it had covered, revealing while it still made mock of concealing. Colour was in the lips, colour was stealing into the changed face. The _changed_ face--changed, St. George could not tell how; and the longer he looked, and though he rubbed his eyes and turned them toward the dark and then looked again, moving the taper, he could neither explain nor define what had happened.

He set the candle on the floor and sprang away from the quiet figure, searching the dark. The great silent place, with its shoulders of sarcophagi jutting from the gloom was black save for the little ring of pallid light about that prostrate form. St.

George sent his hand to his forehead, and shook himself a bit, and straightened his shoulders with a smile.

"It must be the stuff you've tasted," he addressed himself solemnly.

"Heaven knows what it was. It's the stuff you've tasted."

Though he had barely touched his lips to the rock-crystal vase St.

George's blood was pounding through his veins, and a curious exhilaration filled him. He looked about at the rims and corners of the tombs caught by the light, and he laughed a little--though this was not in the least what he intended--because it pa.s.sed through his mind that if King Abibaal and Queen Mitygen, for example, might be treated with the contents of the mysterious vase they would no doubt come forth, Abibaal with memories of the Queen of Sheba in his eyes, and Queen Mitygen with her casket of Alexander's letters. Then St. George went down on his knees again, and raised the old man's head until it rested upon his own breast, and he pa.s.sed the candle before his face, his hand trembling so that the light flickered and leaped up.

This time there was no mistaking. The tissues of old Malakh's ashen face and throat and pallid hands were undergoing some subtle transfiguration. It was as if new blood had come encroaching in their veins. It was as if the muscles were become firm and full, as if the wrinkled skin had been made smooth, the lips grown fresh, as if--the word came to St. George as he stared, spell-stricken--as if _youth_ had returned.

St. George slipped down upon the stones and sat motionless. There was a little blue, forked vein on the man's forehead, and upon this he fastened his eyes, mechanically following it downward and back.

Lines had crossed it, and there had been a deep cleft between the eyes, but these had disappeared, leaving the brow almost smooth. The cheeks were now tinged with colour, and the throat, where he had pulled aside the robe, showed firm and white. Mechanically St.

George pa.s.sed his hand along the inert arm, and it was no more withered than his own--the arm of no greybeard, but of a man in the prime of life. What did it mean--what did it mean? St. George waited, the blood throbbing in his temples, a mist before his eyes.

What did it mean?

The minutes dragged by and still the unconscious man did not stir or unclose his eyes. From time to time St. George pressed his hand to the heart, and found it beating on rhythmically, powerfully. When he found himself sitting with averted head, as if he were afraid to look back at that changing face, a fear seized him that he had lost his reason and that what he imagined himself to see was a phase of madness. So he left the old man's side and st.u.r.dily tramped away into the huge dark of the room, resolutely explaining to himself that this was all very natural; the old man had been ill, improperly nourished, and the powerful stimulant of the wine had partly restored him. But even while he went over it St. George knew in his heart that what had happened was nothing that could be so explained, nothing that could be explained at all by anything within his ken.

His footsteps echoed startlingly on the stones, and the chill breath of the place smote his face as he moved. He stumbled on a displaced tile and pitched forward upon a jagged corner of sarcophagus, and reeled as if at a blow from some arm of the darkness. The taper rays struck a length of wall before him, minting from the gloom a sheet of pale orchids clinging to the unclean rock. St. George remembered a green slope, spangled with crocuses and wild strawberries, coloured like the orchids but lying under free sky, in free air. It seemed only a trick of Chance that he was not now lying on that far slope, wherever it was, instead of facing these ghost blooms in this ghost place. Back there, where the light glimmered beside the tomb of King Abibaal, n.o.body could tell what awaited him. If the man could change like this, might he not take on some shape too hideous to bear in the silence? St. George stood still, suddenly clenching his hands, trying to reach out through the dark and to grasp--himself, the self that seemed slipping away from him. But was he mad already, he wondered angrily, and hurried back to the far flickering light, stumbling, panting, not daring to look at the figure on the floor, not daring not to look.

He resolutely caught up the candle and peered once more at the face.

As steadily and swiftly as change in the aspect of the sky the face had gone on changing. St. George had followed to the chamber an old tottering man; the figure before him was a man of not more than fifty years.

St. George let fall the candle, which flickered down, upright in its socket; and he turned away, his hand across his eyes. Since this was manifestly impossible he must be mad, something in the stuff that he had tasted had driven him mad. He felt strong as a lion, strong enough to lift that prostrate figure and to carry it through the winding pa.s.sages into the midst of those above stairs, and to beg them in mercy to tell him how the man looked. What would _she_ say?

He wondered what Olivia would say. Dinner would be over and they would be in the drawing-room--Olivia and Amory and Antoinette Frothingham; already the white room and the lights and Antoinette's laughter seemed to him of another world, a world from which he had irrevocably pa.s.sed. Yet there they were above, the same roof covering them, and they did not know that down here in this place of the dead he, St. George, was beyond all question going mad.

With a cry he pulled off Amory's coat, flung it over the unconscious man, and rushed out into the blackness of the corridor. He would not take the light--the man must not die alone there in the dark--and besides he had heard that the mad could see as well in the dark as in the light. Or was it the blind who could see in the dark? No doubt it was the blind. However, he could find his way, he thought triumphantly, and ran on, dragging his hand along the slippery stones of the wall--he could find his way. Only he must call out, to tell them who it was that was lost. So he called himself by name, aloud and sternly, and after that he kept on quietly enough, serene in the conviction that he had regained his self-control, fighting to keep his mind from returning to the face that changed before his eyes, like the appearances in the puppet shows. But suddenly he became conscious that it was his own name that he went shouting through the pa.s.sages; and that was openly absurd, he reasoned, since if he wanted to be found he must call some one else's name. But he must hurry--hurry--hurry; no one could tell what might be happening back there to that face that changed.

"Olivia!" he shouted, "Amory! Jarvo--oh, Jarvo! Rollo, you scoundrel--"

Whereat the memory that Rollo was somewhere on a yacht a.s.sailed him, and he pressed on, blindly and in silence, until glimmering before him he saw a light shining from an open door. Then he rushed forward and with a groan of relief threw himself into the room. Opposite the door loomed the grim sarcophagus of King Abibaal, and beside it on the floor lay the figure with the face that changed. He had gone a circle in those tortuous pa.s.sages, and this was the room of the tombs of the kings.

He dragged himself across the chamber toward the still form. He must look again; no one could tell what might have happened. He pulled down the coat and looked. And there was surely nothing in the delicate, handsome, English-looking face upturned to his to give him new horror. It was only that he had come down here in the wake of a tottering old creature, and that here in his place lay a man who was not he. Which was manifestly impossible.

Mechanically St. George's hand went to the man's heart. It was beating regularly and powerfully, and deep breaths were coming from the full, healthily-coloured lips. For a moment St. George knelt there, his blood tingling and p.r.i.c.king in his veins and pulsing in his temples. Then he swayed and fell upon the stones.

When St. George opened his eyes it was ten o'clock of the following morning, though he felt no interest in that. There was before him a great rectangle of light. He lifted his head and saw that the light appeared to flow from the interior of the tomb of King Abibaal. The next moment Amory's cheery voice, pitched high in consternation and relief, made havoc among the echoes with a background of Jarvo's smooth thanksgiving for the return of adon.

St. George, coatless, stiff from the hours on the mouldy stones, dragged himself up and turned his eyes in fear upon the figure beside him. It flashed hopefully through his mind that perhaps it had not changed, that perhaps he had dreamed it all, that perhaps ...

By his first glance that hope was dispelled. From beneath Amory's coat on the floor an arm came forth, pushing the coat aside, and a man slenderly built, with a youthful, sensitive face and somewhat critically-drooping lids, sat up leisurely and looked about him in slow surprise, kindling to distinct amus.e.m.e.nt.

"Upon my soul," he said softly, "what an admission--what an admission! I can not have made such a night of it in years."

Upon which Jarvo dropped unhesitatingly to his knees.

"Melek! Melek!" he cried, prostrating himself again and again. "The King! The King! The G.o.ds have permitted the possible."

CHAPTER XVIII

A MORNING VISIT

In an upper room in the Palace of the Litany, fair with all the burnished devices of the early light, Prince Tabnit paced on that morning of mornings of his marriage day. Because of his great happiness the whole world seemed to him like some exquisite intaglio of which this day was the design.

The room, "walled with soft splendours of Damascus tiles," was laid with skins of forgotten animals and was hung with historic tapestries dyed by ancient fingers in the spiral veins of the Murex.

There were frescoes uniting the dream with its actuality, columns carved with both lines and names of beauty, pilasters decorated with chain and checker-work and golden nets. A stairway led to a high shrine where hung the crucified Tyrian sphinx. The room was like a singing voice summoning one to delights which it described. But whatever way one looked all the lines neither pointed nor seemed to have had beginning, but being divorced from source and direction expressed merely beauty, like an altar "where none cometh to pray."

Prince Tabnit, in his trailing robe of white embroidered by a thousand needles, looked so akin to the room that one suspected it of having produced him, Athena-wise, from, say, the great black shrine. When he paused before the shrine he seemed like a child come to beseech some last word concerning the Riddle, rather than a man who believed himself to have mastered all wisdom and to have nailed the world-sphinx to her cross.

"Surely there is a vein for the silver And a place for the gold where they fine it.

Iron is taken out of the earth And bra.s.s is moulton out of the stone.

Man setteth an end to darkness And searcheth out all perfection: The stones of darkness and of the shadow of death,"

he was repeating softly. "So it is," he added, "'and searcheth to the farthest bound.' Have I not done so? And do I not triumph?"

Then the youth who had once admitted St. George and his friends to that far-away house in McDougle Street--with the hokey-pokey man outside the door--entered with the poetry of deference; and if, as he bent low, there was a lift and droop of his eyelids which tokened utter bewilderment, not to say agitation, he was careful that the prince should not see that.

"Her Highness, the Princess of Yaque, Mrs. Hastings, Mr. Augustus Frothingham and Miss Frothingham ask audience, your Highness," he announced clearly.

Prince Tabnit turned swiftly.

"Whom do you say, Matten?" he questioned and when the boy had repeated the names, meditated briefly. He was at a loss to fathom what this strange visit might portend; beyond doubt, he reflected (in a world which was an intaglio of his own designing) it portended nothing at all. He hastened forward to wait upon them and paused midway the room, for the highest tribute that a Prince of the Litany could pay to another was to receive him in this chamber of the Crucified Sphinx.

"Conduct them here, Matten," he commanded, and took up his station beside an hundred-branched candlestick made in Curium. There he stood when, having been led down corridors of ivory and through shining anterooms, Mrs. Hastings and Olivia and Antoinette appeared on the threshold of the chamber, followed by Mr. Frothingham. As the prince hastened forward to meet them with sweepings of his gown embroidered by a thousand needles and bent above their hands uttering gracious words, a.s.suredly in all the history of Med and of the Litany the room of the Crucified Sphinx had never presented a more peculiar picture.

Into that tranquil atmosphere, dream-pervaded, Mrs. Medora Hastings swept with all the certainty of an opinion bludgeoning the frail security of a fact. She had refused to have her belongings sent to the apartments in the House of the Litany placed that day at her disposal, preferring to dress for the coronation before she descended from Mount Khalak. She was therefore in a robe of black samite, trimmed with the fur of a whole chapter of extinct animals, and bangles and pendants of jewels bobbed and ticked all about her.

But on her head she wore the bonnet trimmed with a parrot, set, as usual, frightfully awry. Beside her, with all the timidity of charming reality in the presence of fantasy, came Olivia and Antoinette--Olivia in a walking frock of white broadcloth, with an auto coat of hunting pink, and a cap held down by yards of cloudy veiling; Antoinette in a blue cloth gown, and about them both--stout little boots and suede gloves and smart shirt-waists--such an air of actuality as this chamber, prince and Sphinx and tradition and all, could not approach. Mr. Augustus Frothingham had struck his usual incontestable middle-ground by appearing in the blue velvet of a robe of State, over which he had slipped his light covert top-coat, and he carried his immaculate top-hat and a silver-headed stick.

"Prince Tabnit," said Mrs. Medora Hastings without ceremony, "what have they done with that poor young man? Ask him, Olivia," she besought, sinking down upon a chair of verd antique and extending a limp, plump hand to the niece who always did everything executive.

Olivia was very pale. She had hardly slept, night-long. Alarm at the inexplicable disappearance of St. George at dinner-time the day before and at the discovery that old Malakh was nowhere about had, by morning, deepened to unreasoning fear among them all. And then Olivia, knowing nothing of what had taken place in the room of the tombs, had resolved upon a desperate expedient, had bundled into an airship her almost prostrate aunt, Mr. Frothingham and his excited little daughter, and had borne down upon the Palace of the Litany two hours before noon. Amory, frantic with apprehension, had stayed behind with Jarvo, certain that St. George could not have left the mountain. But now that Olivia stood before the prince it required but a moment to convince her that Prince Tabnit really knew nothing of St. George's whereabouts. Indeed, since his gift of Phoenician wine, sealed three thousand years ago, and the immediate evanishment of the two Americans, his Highness had no longer vexed his thought with them, and he was genuinely amazed to know that (in a world which was an intaglio of his own designing) these two had actually spent yesterday at the king's palace on Mount Khalak. He perceived that he must give them more definite attention than his half-idle device of the wine--intended as that had been as a mere hyperspatial practical joke, not in the least irreconcilable with his office of host.

"Mr. St. George came to Yaque to help me find my father," Olivia was concluding earnestly, "and if anything has happened to him, Prince Tabnit, I alone am responsible."

The prince reflected for a moment, his eyes fixed upon the hundred-branched candlestick. Then: