Romance Part 26

Why not? He would understand me. I would tell him that in his own town, as he always called Rio Medio, there lurked a.s.sa.s.sination for his guest.

That would move him if anything could.

He was then walking with O'Brien after dinner, as he had walked with me on the day of my arrival. Only Seraphina had not appeared, and we three men had sat out the silent meal alone.

They stopped as I approached, and Don Balthasar listened to me benignantly. "Ah, yes, yes! Times have changed." But there was no reason for alarm. There were some undesirable persons. Had they not arrived lately? He turned to O'Brien, who stood by, in readiness to resume the walk, and answered, "Yes, quite lately. Very undesirable," in a matter-of-fact tone. The excellent Don Patricio would take measures to have them removed, the old man soothed me. But it was not really dangerous for any one to go out. Again he addressed O'Brien, who only smiled gently, as much as to say, "What an absurdity!" I must not forget, continued the old man, the veneration for the very name of Riego that still, thank Heaven, survived in these G.o.dless and revolutionary times in the Riegos' own town. He straightened his back a little, looking at me with dignity, and then glanced at the other, who inclined his head affirmatively. The utter and complete hopelessness of the position appalled me for a moment. The old man had not put foot outside his door for years, not even to go to church. Father Antonio said Ma.s.s for him every day in the little chapel next the dining room.

When O'Brien--for his own purposes, and the better to conceal his own connection with the Rio Medio piracies--had persuaded him to go to Jamaica officially, he had been rowed in state to the ship waiting outside. For many years now it had been impossible to enlighten him as to the true condition of affairs. He listened to people's talk as though it had been children's prattle. I have related how he received Carlos'

denunciations. If one insisted, he would draw himself up in displeasure.

But in his decay he had preserved a great dignity, a grave firmness that intimidated me a little.

I did not, of course, insist that evening, and, after giving me my dismissal in a gesture of blessing, he resumed his engrossing conversation with O'Brien. It related to the services commemorating his wife's death, those services that, once every twelve months, draped in black all the churches in Havana. A hundred ma.s.ses, no less, had to be said that day; a distribution of alms had to be made. O'Brien was charged with all the arrangements, and I caught, as they crept past me up and down the _patio_, s.n.a.t.c.hes of phrases relating to this mournful function, when all the capital was invited to pray for the soul of the ill.u.s.trious lady. The priest of the church of San Antonio had said this and that; the grand vicar of the diocese had made difficulties about something; however, by the archbishop's special grace, no less than three altars would be draped in the cathedral.

I saw Don Balthasar smile with an ineffable satisfaction; he thanked O'Brien for his zeal, and seemed to lean more familiarly on his arm. His voice trembled with eagerness. "And now, my excellent Don Patricio, as to the number of candles...."

I stood for a while as if rooted to the spot, overwhelmed by my insignificance. O'Brien never once looked my way. Then, hanging my head, I went slowly up the white staircase towards my room.

Cesar, going his rounds along the gallery, shuffled his silk-clad shanks smartly between two young negroes balancing lanthorns suspended on the shafts of their halberds. That little group had a mediaeval and outlandish aspect. Cesar carried a bunch of keys in one hand, his staff of office in the other. He stood aside, in his maroon velvet and gold lace, holding the three-cornered hat under his arm, bowing his gray, woolly head--the most venerable and deferential of majordomos. His attendants, backing against the wall, grounded their halberds heavily at my approach.

He stepped out to intercept me, and, with great discretion, "Senor, a word," he said in his subdued voice. "A moment ago I have been called within the door of our senorita's apartments. She has given me this for your worship, together with many compliments. It is a seal. The Senor will understand."

I took it; it was a tiny seal with her monogram on it. "Yes," I said.

"And Senorita Dona Seraphina has charged me to repeat"--he made a stealthy sign, as if to counteract an evil influence--"the words, 'Two lives--one death.' The Senor will understand."

"Yes," I said, looking away with a pang at my heart. He touched my elbow. "And to trust Cesar. Senor, I dandled her when she was quite little. Let me most earnestly urge upon your worship not to go near the windows, especially if there is light in your worship's room. Evil men are gazing upon the house, and I have seen myself the glint of a musket at the end of the street. The moon grows fast, too. The senorita begs you to trust Cesar."

"Are there many men?" I asked.

"Not many in sight; I have seen only one. But by signs, open to a man of my experience, I suspect many more to be about." Then, as I looked down on the ground, he added parenthetically, "They are poor shots, one and all, lacking the very firmness of manhood necessary to discharge a piece with a good aim. Still, Senor, I am ordered to entreat you to be cautious. Strange it is that to-night, from the great revelry at the Aldea Bajo, one might think they had just visited an English ship outside."

A ship! a ship! of any sort. But how to get out of the Casa? Murder forbade me even as much as to look out of the windows. Was there a ship outside? Cesar was positive there was not--not since I had arrived.

Besides, the empty sea itself was unattainable, it seemed. I pressed the seal to my lips. "Tell the senorita how I received her gift," I said; and the old negro inclined his head lower still. "Tell her that as the letters of her name are graved on this, so are all the words she has spoken graven on my heart."

They went away busily, the lanthorns swinging about the ax-heads of the halberds, Cesar's staff tapping the stones.

I shut my door, and buried my face in the pillows of the state bed. My mental anguish was excessive; action, alone, could relieve it. I had been battling with my thoughts like a man fighting with shadows. I could see no issue to such a struggle, and I prayed for something tangible to encounter--something that one could overcome or go under to. I must have fallen suddenly asleep, because there was a lion in front of me. It lashed its tail, and beyond the indistinct agitation of the brute I saw Seraphina. I tried to shout to her; no voice came out of my throat. And the lion produced a strange noise; he opened his jaws like a door. I sat up. It was like a change of dream. A glare filled my eyes. In the wide doorway of my room, in a group of attendants, I saw a figure in a short black cloak standing, hat on head, and an arm outstretched. It was Don Balthasar. He held himself more erect than I had ever seen him before.

Stifled sounds of weeping, a vast, confused rumour of lamentations, running feet and flamming doors, came from behind him; his aged, dry voice, much firmer and very distinct, was speaking to me.

"You are summoned to attend the bedside of Don Carlos Riego at the hour of death, to help his soul struggling on the threshold of eternity, with your prayers--as a kinsman and a friend."

A great draught swayed the lights about that black and courtly figure.

All the windows and doors of the palace had been flung open for the departure of the struggling soul. Don Balthasar turned; the group of attendants was gone in a moment, with a tramp of feet and jostling of lights in the long gallery.

I ran out after them. A wavering glare came from under the arch, and, through the open gate, I saw the bulky shape of the bishop's coach waiting outside in the moonlight. A strip of cloth fell from step to step down the middle of the broad white stairs. The staircase was brilliantly lighted, and quite empty. The household was crowding the upper galleries; the sobbing murmurs of their voices fell into the deserted _patio_. The strip of crimson cloth laid for the bishop ran across it from the arch of the stairway to the entrance.

The door of Carlos' room stood wide open; I saw the many candles on a table covered with white linen, the side of the big bed, surpliced figures moving within the room. There was the ringing of small bells, and sighing groans from the kneeling forms in the gallery through which I was making my way slowly.

Castro appeared at my side suddenly. "Senor," he began, with saturnine stoicism, "he is dead. I have seen battlefields------" His voice broke.

I saw, through the large portal of the death-chamber, Don Balthasar and Seraphina standing at the foot of the bed; the bowed heads of two priests; the bishop, a tiny old man, in his vestments; and Father Antonio, burly and motionless, with his chin in his hand, as if left behind after leading that soul to the very gate of Eternity. All about me, women and men were crossing themselves; and Castro, who for a moment had covered his eyes with his hand, touched my elbow.

"And you live," he said, with sombre emphasis; then, warningly, "You are in great danger now."

I looked around, as if expecting to see an uplifted knife. I saw only a lot of people--household negroes and the women--rising from their knees.

Below, the _patio_ was empty.

"The house is defenceless," Castro continued. We heard tumultuous voices under the gate. O'Brien appeared in the doorway of Carlos' room with an attentive and dismayed expression on his face. I do not really think he had anything to do with what then took place. He meant to have me killed outside; but the rabble, excited by Manuel's inflammatory speeches, had that night started from the villages below with the intention of clamouring for my life. Many of their women were with them. Some of the __Lugarenos__ carried torches, others had pikes; most of them, however, had nothing but their long knives. They came in a disorderly, shouting mob along the beach, intending this not for an attack, but as a simple demonstration.

The sight of the open gate struck them with wonder. The bishop's coach blocked the entrance, and for a time they hesitated, awed by the mystery of the house and by the rites going on in there. Then two or three bolder spirits stole closer. The bishop's people, of course, did not think of offering any resistance. The very defencelessness of the house restrained the mob for a while. A few more men from outside ran in.

Several women began to clamour scoldingly to them to bring the _Inglez_ out. Then the men, encouraging each other in their audacity, advanced further under the arch.

A solitary black, the only guard left at the gate, shouted at them, "_Arria!_ Go back!" It had no effect. More of them crowded in, though, of course, the greater part of that mob remained outside. The black rolled big eyes. He could not stop them; he did not like to leave his post; he dared not fire. "Go back! Go back!" he repeated.

"Not without the _Inglez_," they answered.

The tumult we had heard arose when the _Lugarenos_ suddenly fell upon the sentry, and wrenched his musket from him.

This man, when disarmed, ran away. I saw him running across the _patio_, on the crimson pathway, to the foot of the staircase. His shouting, "The _Lugarenos_ have risen!" broke upon the hush of mourning.

Father Antonio made a brusque movement, and Seraphina sent a startled glance in my direction.

The cloistered court, with its marble basin and a jet of water in the centre, remained empty for a moment after the negro had run across; a growing clamour penetrated into it. In the midst of it I heard O'Brien's voice saying, "Why don't they shut the gate?" Immediately afterwards a woman in the gallery cried out in surprise, and I saw the _Lugarenos_ pour into the _patio_.

For a time that motley group of bandits stood in the light, as if intimidated by the great dignity of the house, by the mysterious prestige of the Casa whose interior, probably, none of them had ever seen before. They gazed about silently, as if surprised to find themselves there.

It looked as if they would have retired if they had not caught sight of me. A murmur of "the _Inglez_" arose at once. By that time the household negroes had occupied the staircase with what weapons they could find upstairs.

Father Antonio pushed past O'Brien out of the room, and shook his arms over the bal.u.s.trade.

"Impious men," he cried, "begone from this house of death." His eyes flashed at the ruffians, who stared stupidly from below.

"Give us the _Inglez_," they growled. Seraphina, from within, cried, "Juan." I was then near the door, but not within the room.

"The _Inglez!_ The heretic! The traitor!" came in sullen, subdued mutter. A hoa.r.s.e, reckless voice shouted, "Give him to us, and we shall go!"

"You are putting in danger all the lives in this house!" O'Brien hissed at me. "Senorita, pray do not." He stood in the way of Seraphina, who wished to come out.

"It is you!" she cried. "It is you! It is your voice, it is your hand, it is your iniquity!"

He was confounded by her vehemence.

"Who brought him here?" he stammered. "Am I to find one of that accursed brood forever in my way? I take him to witness that for your sake------"

A formidable roar, "Throw us down the _Inglez!_" filled the _patio_.

They were gaining a.s.surance down there; and the ferocious clamouring of the mob outside came faintly upon our ears.

O'Brien barred the way. Don Balthasar leaned on his daughter's arm--she very straight, with tears still on her face and indignation in her eye, he bowed, and with his immovable fine features set in the calmness of age. Behind that group there were two priests, one with a scared, white face, another, black-browed, with an exalted and fanatical aspect. The light of the candles from the improvised altar fell on the bishop's small, bald head, emerging with a patient droop from the wide spread of his cope, as though he had been inclosed in a portable gold shrine. He was ready to go.

Don Balthasar, who seemed to have heard nothing, as if suddenly waking up to his duty, left his daughter, and muttering to O'Brien, "Let me precede the bishop," came out, bare-headed, into the gallery. Father Antonio had turned away, and his heavy hand fell on O'Brien's shoulder.

"Have you no heart, no reverence, no decency?" he said. "In the name of everything you respect, I call upon you to stop this sacrilegious outbreak."