Rodman the Keeper Part 9

"A subdued monotone of coloring has ever been a characteristic of our family, Theodore. But I do not quite understand your story. Who is this person, and was she alone on the beach?"

"There were others, but I did not notice them; I only looked at her."

"And she sang?"

"O aunt, so heavenly sweet--so strange, so new her song, that I was carried away up into the blue sky as if on strong wings--I seemed to float in melody. But I can not talk of it; it takes my breath away, even in thought!"

Miss Elisabetha sat perplexed.

"Was it one of our _romanzas_, Theodore, or a ballad?" she said, running over the list in her mind.

"It was something I never heard before," replied Doro, in a low voice; "it was not like anything else--not even the mocking-bird, for, though it went on and on, the same strain floated back into it again and again; and the mocking-bird, you know, has a light and fickle soul. Aunt, I can not tell you what it was like, but it seemed to tell me a new story of a new world."

"How many beats had it to the measure?" asked Miss Elisabetha, after a pause.

"I do not know," replied the boy dreamily.

"You do not know! All music is written in some set time, Theodore. At least, you can tell me about the words. Were they French?"

"No."

"Nor English?"

"No."

"What then?"

"I know not; angel-words, perhaps.

"Did she speak to you?"

"Yes," replied Doro, clasping his hands fervently. "She asked me if I liked the song, and I said, 'Lady, it is of the angels.' Then she smiled, and asked my name, and I told her,'Doro'--"

"You should have said, 'Theodore,'" interrupted Miss Elisabetha; "do I not always call you so?"

"And she said it was a lovely name; and could I sing? I took her guitar, and sang to her--"

"And she praised your method, I doubt not?"

"She said, 'Oh, what a lovely voice!' and she touched my hair with her little hands, and I--I thought I should die, aunt, but I only fell at her feet."

"And where--where is this person now?" said the perplexed maiden, catching at something definite.

"She has gone--gone! I stood and watched the little flag on the mast until I could see it no more. She has gone! Pity me, aunt, dear aunt.

What shall I do? How shall I live?"

The boy broke into sobs, and would say no more. Miss Elisabetha was strangely stirred; here was a case beyond her rules; what should she do?

Having no precedent to guide her, she fell back into her old beliefs gained from studies of the Daarg family, as developed in boys. Doro was excused from lessons, and the hours were made pleasant to him. She spent many a morning reading aloud to him; and old Viny stood amazed at the variety and extravagance of the dishes ordered for him.

"What! chickens ebery day, Miss 'Lisabeet? 'Pears like Ma.s.s' Doro hab eberyting now!"

"Theodore is ill, Lavinia," replied the mistress; and she really thought so.

Music, however, there was none; the old charmed afternoons and evenings were silent.

"I can not bear it," the boy had said, with trembling lips.

But one evening he did not return: the dinner waited for him in vain; the orange after-glow faded away over the pine-barrens; and in the pale green of the evening sky arose the star of the twilight; still he came not.

Miss Elisabetha could eat nothing.

"Keep up the fire, Lavinia," she said, rising from the table at last.

"Keep up de fire, Miss 'Lisabeet! Till when?"

"Till Theodore comes!" replied the mistress shortly.

"De worl' mus' be coming to de end," soliloquized the old black woman, carrying out the dishes; "sticks of wood no account!"

Late in the evening a light footstep sounded over the white path, and the strained, watching eyes under the stone arches saw at last the face of the missing one.

"O aunt, I have seen her--I have seen her! I thought her gone for ever.

O aunt--dear, dear aunt, she has sung for me again!" said the boy, flinging himself down on the stones, and laying his flushed face on her knee. "This time it was over by the old lighthouse, aunt. I was sailing up and down in the very worst breakers I could find, half hoping they would swamp the boat, for I thought perhaps I could forget her down there under the water--when I saw figures moving over on the island-beach. Something in the outlines of one made me tremble; and I sailed over like the wind, the little boat tilted on its side within a hair's-breadth of the water, cutting it like a knife as it flew. It was she, aunt, and she smiled! 'What, my young Southern nightingale,' she said, 'is it you?' And she gave me her hand--her soft little hand."

The thin fingers, hardened by much braiding of palmetto, withdrew themselves instinctively from the boy's dark curls. He did not notice it, but rushed on with his story unheeding:

"She let me walk with her, aunt, and hold her parasol, decked with lace, and she took off her hat and hung it on my arm, and it had a long, curling plume. She gave me sweet things--oh, so delicious! See, I kept some," said Doro, bringing out a little package of bonbons. "Some are of sugar, you see, and some have nuts in them; those are chocolate. Are they not beautiful?"

"Candies, I think," said Miss Elisabetha, touching them doubtfully with the end of her quill.

"And she sang for me, aunt, the same angel's music; and then, when I was afar in heaven, she brought me back with a song about three fishermen who sailed out into the west; and I wept to hear her, for her voice then was like the sea when it feels cruel. She saw the tears, and, bidding me sit by her side, she struck a few chords on her guitar and sang to me of a miller's daughter who grew so dear, so dear. Do you know it, aunt?"

"A miller's daughter? No; I have no acquaintance with any such person,"

said Miss Elisabetha, considering.

"Wait, I will sing it to you," said Doro, running to bring his guitar; "she taught it to me herself!"

And then the tenor voice rose in the night air, bearing on the lovely melody the impa.s.sioned words of the poet. Doro sang them with all his soul, and the ancient maiden felt her heart disquieted within her--why, she knew not. It seemed as though her boy was drifting away whither she could not follow.

"Is it not beautiful, aunt? I sang it after her line by line until I knew it all, and then I sang her all my songs; and she said I must come and see her the day after to-morrow, and she would give me her picture and something else. What do you suppose it is, aunt? She would not tell me, but she smiled and gave me her hand for good-by. And now I can live, for I am to see her at Martera's house, beyond the convent, the day after to-morrow, the day after to-morrow--oh, happy day, the day after to-morrow!"

"Come and eat your dinner, Theodore," said Miss Elisabetha, rising. Face to face with a new world, whose possibilities she but dimly understood, and whose language was to her an unknown tongue, she grasped blindly at the old anchors riveted in years of habit; the boy had always been something of an epicure in his fastidious way, and one of his favorite dishes was on the table.

"You may go, Lavinia," she said, as the old slave lingered to see if her darling enjoyed the dainties; she could not bear that even Viny's faithful eyes should notice the change, if change there was.

The boy ate nothing.

"I am not hungry, aunt," he said, "I had so many delicious things over on the beach. I do not know what they were, but they were not like our things at all." And, with a slight gesture of repugnance, he pushed aside his plate.