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Robert Elsmere Part 43

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'Humph!' said her questioner again, rather disconcerted by the obvious missishness of the answer. 'You do, do you? More's the pity. No woman who respects herself ought to play the piano nowadays. A professional told me the other day that until nineteen-twentieths of the profession were strung up, there would be no chance for the rest; and as for amateurs, there is simply _no_ room for them whatever. I can't conceive anything more _pa.s.se_ than amateur pianoforte playing!'

'I don't play the piano,' said Rose meekly.

'What--the fashionable instrument, the banjo?' laughed Lady Charlotte.

'That would be really striking.'

Rose was silent again, the corners of her mouth twitching.

'Mrs. Darcy,' said her neighbour, raising her voice, 'this young lady tells me she plays something; what is it?'

Mrs. Darcy looked in a rather helpless way at Catherine. She was dreadfully afraid of Lady Charlotte.

Catherine, with a curious reluctance, gave the required information; and then Lady Charlotte insisted that the violin should be sent for, as it had not been brought.

'Who accompanies you?' she inquired of Rose.

'Mr. Langham plays very well,' said Rose indifferently.

Lady Charlotte raised her eyebrows. 'That dark, Byronic-looking creature who came with you? I should not have imagined him capable of anything sociable. Let.i.tia, shall I send my maid to the rectory, or can you spare a man?'

Mrs. Darcy hurriedly gave orders, and Rose, inwardly furious, was obliged to submit. Then Lady Charlotte, having gained her point, and secured a certain amount of diversion for the evening, lay back on the sofa, used her fan, and yawned till the gentlemen appeared.

When they came in, the precious violin which Rose never trusted to any other hands but her own without trepidation had just arrived, and its owner, more erect than usual, because more nervous, was trying to prop up a dilapidated music-stand which Mrs. Darcy had unearthed for her. As Langham came in, she looked up and beckoned to him.

'Do you see?' she said to him impatiently, 'they have made me play.

Will you accompany me? I am very sorry, but there is no one else.'

If there was one thing Langham loathed on his own account, it was any sort of performance in public. But the half-plaintive look which accompanied her last words showed that she knew it, and he did his best to be amiable.

'I am altogether at your service,' he said, sitting down with resignation.

'It is all that tiresome woman, Lady Charlotte Wynnstay,' she whispered to him behind the music-stand. 'I never saw such a person in my life.'

'Macaulay's Lady Holland without the brains,' suggested Langham with languid vindictiveness as he gave her the note.

Meanwhile Mr. Wynnstay and the squire sauntered in together.

'A village Norman-Neruda?' whispered the guest to the host. The squire shrugged his shoulders.

'Hush!' said Lady Charlotte, looking severely at her husband. Mr.

Wynnstay's smile instantly disappeared; he leant against the doorway and stared sulkily at the ceiling. Then the musicians began, on some Hungarian melodies put together by a younger rival of Brahms. They had not played twenty bars before the attention of every one in the room was more or less seized--unless we except Mr. Bickerton, whose children, good soul, were all down with some infantile ailment or other, and who was employed in furtively watching the clock all the time to see when it would be decent to order round the pony-carriage which would take him back to his pale overweighted spouse.

First came wild s.n.a.t.c.hes of march music, primitive, savage, non-European; then a waltz of the lightest, maddest rhythm, broken here and there by strange barbaric clashes; then a song, plaintive and clinging, rich in the subtlest shades and melancholies of modern feeling.

'Ah, but _excellent_!' said Lady Charlotte once, under her breath, at a pause; 'and what _entrain_--what beauty!'

For Rose's figure was standing thrown out against the dusky blue of the tapestried walls, and from that delicate relief every curve, every grace, each tint--hair and cheek and gleaming arm gained an enchanting picture-like distinctness. There was jessamine at her waist and among the gold of her hair; the crystals on her neck, and on the little shoe thrown forward beyond her dress, caught the lamplight.

'How can that man play with her and not fall in love with her?' thought Lady Charlotte to herself, with a sigh, perhaps, for her own youth. 'He looks cool enough, however; the typical don with his nose in the air!'

Then the slow pa.s.sionate sweetness of the music swept her away with it, she being in her way a connoisseur, and she ceased to speculate. When the sounds ceased there was silence for a moment. Mrs. Darcy, who had a piano in her sitting-room whereon she strummed every morning with her tiny rheumatic fingers, and who had, as we know, strange little veins of sentiment running all about her, stared at Rose with open mouth. So did Catherine. Perhaps it was then for the first time that, touched by this publicity, this contagion of other people's feeling, Catherine realised fully against what a depth of stream she had been building her useless barriers.

'More! more!' cried Lady Charlotte.

The whole room seconded the demand save the squire and Mr. Bickerton.

They withdrew together into a distant oriel. Robert, who was delighted with his little sister-in-law's success, went smiling to talk of it to Mrs. Darcy, while Catherine with a gentle coldness answered Mr.

Longstaffe's questions on the same theme.

'Shall we?' said Rose, panting a little, but radiant, looking down on her companion.

'Command me!' he said, his grave lips slightly smiling, his eyes taking in the same vision that had charmed Lady Charlotte's. What a 'child of grace and genius!'

'But do you like it?' she persisted.

'Like it--like accompanying your playing?'

'Oh no!'--impatiently; 'showing off, I mean. I am quite ready to stop.'

'Go on; go on!' he said, laying his finger on the A. 'You have driven all my _mauvaise honte_ away. I have not heard you play so splendidly yet.'

She flushed all over. 'Then we will go on,' she said briefly.

So they plunged again into an Andante and Scherzo of Beethoven. How the girl threw herself into it, bringing out the wailing love-song of the Andante, the dainty tripping mirth of the Scherzo, in a way which set every nerve in Langham vibrating! Yet the art of it was wholly unconscious. The music was the mere natural voice of her inmost self. A comparison full of excitement was going on in that self between her first impressions of the man beside her, and her consciousness of him, as he seemed to-night, human, sympathetic, kind. A blissful sense of a mission filled the young silly soul. Like David, she was pitting herself and her gift against those dark powers which may invade and paralyse a life.

After the shouts of applause at the end had yielded to a burst of talk, in the midst of which Lady Charlotte, with exquisite infelicity, might have been heard laying down the law to Catherine as to how her sister's remarkable musical powers might be best perfected, Langham turned to his companion,--

'Do you know that for years I have enjoyed nothing so much as the music of the last two days?'

His black eyes shone upon her, transfused with something infinitely soft and friendly. She smiled. 'How little I imagined that first evening that you cared for music!'

'Or about anything else worth caring for?' he asked her, laughing, but with always that little melancholy note in the laugh.

'Oh, if you like,' she said, with a shrug of her white shoulders. 'I believe you talked to Catherine the whole of the first evening, when you weren't reading _Hamlet_ in the corner, about the arrangements for women's education at Oxford.'

'Could I have found a more respectable subject?' he inquired of her.

'The adjective is excellent,' she said with a little face, as she put her violin into its case. 'If I remember right, Catherine and I felt it personal. None of us were ever educated, except in arithmetic, sewing, English history, the Catechism, and _Paradise Lost_. I taught myself French at seventeen, because one Moliere wrote plays in it, and German because of Wagner. But they are _my_ French and _my_ German. I wouldn't advise anybody else to steal them!'

Langham was silent, watching the movements of the girl's agile fingers.

'I wonder,' he said at last, slowly, 'when I shall play that Beethoven again?'

'To-morrow morning if you have a conscience,' she said drily; 'we murdered one or two pa.s.sages in fine style.'

He looked at her, startled. 'But I go by the morning train!' There was an instant's silence. Then the violin case shut with a snap.

'I thought it was to be Sat.u.r.day,' she said abruptly.

'No,' he answered with a sigh, 'it was always Friday. There is a meeting in London I must get to to-morrow afternoon.'

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Robert Elsmere Part 43 summary

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