Riders of the Silences Part 13

"It's beastly stuff; first I ever drank."

A roar of laughter answered him.

"Still I got an idea," broke in Jim Boone, "that he's worthy of takin'

the seventh chair. Draw it up lad."

Vaguely it reminded Pierre of a scene in some old play with himself in the role of the hero signing away his soul to the devil, but an interruption kept him from taking the chair. There was a racket at the door--a half-sobbing, half-scolding voice, and the laughter of a man; then Bud Mansie appeared carrying Jack in spite of her struggles. He placed her on the floor and held her hands to protect himself from her fury.

"I glimpsed her through the window," he explained. "She was lining out for the stable and then a minute later I saw her swing a saddle onto--what horse d'you think?"

"Out with it."

"Jim's big Thunder. Yep, she stuck the saddle on big black Thunder and had a rifle in the holster. I saw there was h.e.l.l brewing somewhere, so I went out and nabbed her."

"Jack!" called Jim Boone. "What were you started for?"

Bud Mansie released her arms and she stood with them stiffening at her sides and her fists clenched.

"Hal--he died, and there was nothing but talk about him--nothing done.

You got a live man in Hal's place."

She pointed an accusing finger at Pierre.

"Maybe he takes his place for you, but he's not my brother--I hate him. I went out to get another man to make up for Pierre."

"Well?"

"A dead man. I shoot straight enough for that."

A very solemn silence spread through the room; for every man was watching in the eyes of the father and daughter the same shining black devil of wrath.

"Jack, get into your room and don't move out of it till I tell you to.

D'you hear?"

She turned on her heel like a soldier and marched from the room.

"Jack."

She stopped in the door but would not turn back. "Jack, don't you love your old dad anymore?" She whirled and ran to him with outstretched arms and clung to him, sobbing. "Oh, dad," she groaned.

"You've broken my heart."

CHAPTER 12

The annals of the mountain-desert have never been written and can never be written. They are merely a vast ma.s.s of fact and tradition and imagining which floats from tongue to tongue from the Rockies to the Sierra Nevadas. A man may be a fact all his life and die only a local celebrity. Then again, he may strike sparks from that imagination which runs riot by camp-fires and at the bars of the crossroads saloons.

In that case he becomes immortal. It is not that lies are told about him or impossible feats ascribed to him, but every detail about him is seized upon and pa.s.sed on with a most scrupulous and loving care.

In due time he will become a tradition. That is, he will be known familiarly at widely separated parts of the range, places which he has never visited. It has happened to a few of the famous characters of the mountain-desert that they became traditions before their deaths.

It happened to McGurk, of course. It also happened to Red Pierre.

Oddly enough, the tradition of Red Pierre did not begin with his ride from the school of Father Victor to Morgantown, distant many days of difficult and dangerous travel. Neither did tradition seize on the gunfight that crippled Hurley and "put out" wizard Diaz. These things were unquestionably known to many, but they did not strike the popular imagination. What set men first on fire was the way Pierre le Rouge buried his father "at the point of the gun" in Morgantown.

That day Boone's men galloped out of the higher mountains down the trail toward Morgantown. They stole a wagon out of a ranch stable on the way and tied two lariats to the tongue. So they towed it, bounding and rattling, over the rough trail to the house where Martin Ryder lay dead.

His body was placed in state in the body of the wagon, pillowed with everything in the line of cloth which the house could furnish. Thus equipped they went on at a more moderate pace toward Morgantown.

What followed it is useless to repeat here. Tradition rehea.r.s.ed every detail of that day's work, and the purpose of this narrative is only to give the details of some of the events which tradition does not know, at least in their entirety.

They started at one end of Morgantown's street. Pierre guarded the wagon in the center of the street and kept the people under cover of his rifle. The rest of Boone's men cleaned out the houses as they went and sent the occupants piling out to swell the crowd.

And so they rolled the crowd out of town and to the cemetery, where "volunteers" dug the grave of Martin Ryder wide and deep, and Pierre paid for the corner plot three times over in gold.

Then a coffin--improvised hastily for the occasion out of a packing-box--was lowered reverently, also by "volunteer" mourners, and before the first sod fell on the dead. Pierre raised over his head the crucifix of Father Victor that brought good luck, and intoned a service in the purest Ciceronian Latin, surely, that ever regaled the ears of Morgantown's elect.

The moment he raised that cross the bull throat of Jim Boone bellowed a command, the poised guns of the gang enforced it, and all the crowd dropped to their knees, leaving the six outlaws scattered about the edges of the mob like sheep dogs around a folding flock, while in the center stood Pierre with white, upturned face and the raised cross.

So Martin Ryder was buried with "tr.i.m.m.i.n.gs," and the gang rode back, laughing and shouting, through the town and up into the safety of the mountains. Election day was fast approaching and therefore the rival candidates for sheriff hastily organized posses and made the usual futile pursuit.

In fact, before the pursuit was well under way, Boone and his men sat at their supper table in the cabin. The seventh chair was filled; all were present except Jack, who sulked in her room. Pierre went to her door and knocked. He carried under his arm a package which he had secured in the General Merchandise Store of Morgantown.

"We're all waiting for you at the table," he explained.

"Just keep on waiting," said the husky voice of Jacqueline.

"I've brought you a present."

"I hate your presents!"

"It's a thing you've wanted for a long time, Jacqueline."

Only a stubborn silence.

"I'm putting your door a little ajar."

"If you dare to come in I'll--"

"And I'm leaving the package right here at the entrance. I'm so sorry, Jacqueline, that you hate me."

And then he walked off down the hall--cunning Pierre--before she could send her answer like an arrow after him. At the table he arranged an eighth plate and drew up a chair before it. "If that's for Jack,"

remarked d.i.c.k Wilbur, "you're wasting your time. I know her and I know her type. She'll never come out to the table tonight--nor tomorrow, either. I know!"

In fact, he knew a good deal too much about girls and women also, did Wilbur, and that was why he rode the long trails of the mountain-desert with Boone and his men. Far south and east in the Bahamas a great mansion stood vacant because he was gone, and the dust lay thick on the carpets and powdered the curtains and tapestries with a common gray.

He had built it and furnished it for a woman he loved, and afterward for her sake he had killed a man and fled from a posse and escaped in the steerage of a west-bound ship. Still the law followed him, and he kept on west and west until he reached the mountain-desert, which thinks nothing of swallowing men and their reputations.