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Rhoda Fleming Part 43

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"He is very poor."

"Is he, or ain't he, a gentleman?"

Dahlia seemed torn by a new anguish.

"I see," said Anthony. "He goes and persuades you he is, and you've been and found out he's nothin' o' the sort--eh? That'd be a way of accounting for your queerness, more or less. Was it that fellow that Wicklow gal saw ye with?"

Dahlia signified vehemently, "No."

"Then, I've guessed right; he turns out not to be a gentleman--eh, Dahly? Go on noddin', if ye like. Never mind the shop people; we're well-conducted, and that's all they care for. I say, Dahly, he ain't a gentleman? You speak out or nod your head. You thought you'd caught a gentleman and 'taint the case. Gentlemen ain't caught so easy. They all of 'em goes to school, and that makes 'em knowin'. Come; he ain't a gentleman?"

Dahlia's voice issued, from a terrible inward conflict, like a voice of the tombs. "No," she said.

"Then, will you show him to me? Let me have a look at him."

Pushed from misery to misery, she struggled within herself again, and again in the same hollow manner said, "Yes."

"You will?"

"Yes."

"Seein's believin'. If you'll show him to me, or me to him..."

"Oh! don't talk of it." Dahlia struck her fingers in a tight lock.

"I only want to set eye on him, my gal. Whereabouts does he live?"

"Down--down a great--very great way in the West."

Anthony stared.

She replied to the look: "In the West of London--a long way down."

"That's where he is?"

"Yes."

"I thought--hum!" went the old man suspiciously. "When am I to see him?

Some day?"

"Yes; some day."

"Didn't I say, Sunday?"

"Next Sunday?"--Dahlia gave a m.u.f.fled cry.

"Yes, next Sunday. Day after to-morrow. And I'll write off to-morrow, and ease th' old farmer's heart, and Rhoda 'll be proud for you. She don't care about gentleman--or no gentleman. More do th' old farmer.

It's let us, live and die respectable, and not disgrace father nor mother. Old-fashioned's best-fashioned about them things, I think.

Come, you bring him--your husband--to me on Sunday, if you object to my callin' on you. Make up your mind to."

"Not next Sunday--the Sunday after," Dahlia pleaded. "He is not here now."

"Where is he?" Anthony asked.

"He's in the country."

Anthony pounced on her, as he had done previously.

"You said to me he was abroad."

"In the country--abroad. Not--not in the great cities. I could not make known your wishes to him."

She gave this cool explanation with her eyelids fluttering timorously, and rose as she uttered it, but with faint and ill-supporting limbs, for during the past hour she had gone through the sharpest trial of her life, and had decided for the course of her life. Anthony was witless thereof, and was mystified by his incapability of perceiving where and how he had been deluded; but he had eaten all the m.u.f.fin on the plate, and her rising proclaimed that she had no intention of making him call for another; which was satisfactory. He drank off her cup of tea at a gulp.

The waitress named the sum he was to pay, and receiving a meditative look in return for her air of expectancy after the amount had been laid on the table, at once accelerated their pa.s.sage from the shop by opening the door.

"If ever I did give pennies, I'd give 'em to you," said Anthony, when he was out of her hearing. "Women beat men in guessing at a man by his face. Says she--you're honourable--you're legal--but prodigal ain't your portion. That's what she says, without the words, unless she's a reader.

Now, then, Dahly, my la.s.s, you take my arm. Buckle to. We'll to the West. Don't th' old farmer p.r.o.nounce like 'toe' the West? We'll 'toe'

the West. I can afford to laugh at them big houses up there.

"Where's the foundation, if one of them's sound? Why, in the City.

"I'll take you by our governor's house. You know--you know--don't ye, Dahly, know we been suspecting his nephew? 'cause we saw him with you at the theatre.

"I didn't suspect. I knew he found you there by chance, somehow. And I noticed your dress there. No wonder your husband's poor. He wanted to make you cut a figure as one of the handsomes, and that's as ruinous as cabs--ha! ha!"

Anthony laughed, but did not reveal what had struck him.

"Sir William Blancove's house is a first-rater. I've been in it. He lives in the library. All the other rooms--enter 'em, and if 'taint like a sort of, a social sepulchre! Dashed if he can get his son to live with him; though they're friends, and his son'll get all the money, and go into Parliament, and cut a shine, never fear.

"By the way, I've seen Robert, too. He called on me at the Bank. Asked after you.

"'Seen her?' says he.

"'No,' I says.

"'Ever see Mr. Edward Blancove here?' he says.

"I told him, I'd heard say, Mr. Edward was Continentalling. And then Robert goes off. His opinion is you ain't in England; 'cause a policeman he spoke to can't find you nowhere.

"'Come," says I, 'let's keep our detectives to catch thieves, and not go distracting of 'em about a parcel o' women.'

"He's awfully down about Rhoda. She might do worse than take him. I don't think he's got a ounce of a chance now Religion's set in, though he's the mildest big 'un I ever come across. I forgot to haul him over about what he 'd got to say about Mr. Edward. I did remark, I thought--ain't I right?--Mr. Algernon's not the man?--eh? How come you in the theatre with him?"

Dahlia spoke huskily. "He saw me. He had seen me at home. It was an accident."

"Exactly how I put it to Robert. And he agreed with me. There's sense in that young man. Your husband wouldn't let you come to us there--eh?

because he...why was that?"

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Rhoda Fleming Part 43 summary

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