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Rhoda Fleming Part 41

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"Ain't we standing together?"

"Oh! pray, out of the crowd!"

"Come home with me, if my lodgings ain't too poor for you," said Anthony.

"Uncle, I can't. I have been unwell. I cannot walk far. Will you take me to some quiet place?"

"Will you treat me to a cab?" Anthony sneered vehemently.

"I have left off riding, uncle."

"What! Hulloa!" Anthony sang out. "Cash is down in the mouth at home, is it? Tell me that, now?"

Dahlia dropped her eyelids, and then entreated him once more to conduct her to a quiet place where they might sit together, away from noise. She was very earnest and very sad, not seeming to have much strength.

"Do you mind taking my arm?" said Anthony.

She leaned her hand on his arm, and he dived across the road with her, among omnibuses and cabs, shouting to them through the roar,--

"We're the Independence on two legs, warranted sound, and no compet.i.tion;" and saying to Dahlia: "Lor' bless you! there's no retort in 'em, or I'd say something worth hearing. It's like poking lions in cages with raw meat, afore you get a chaffing-match out o' them. Some of 'em know me. They'd be good at it, those fellows. I've heard of good things said by 'em. But there they sit, and they've got no circulation--ain't ready, except at old women, or when they catch you in a mess, and getting the worst of it. Let me tell you; you'll never get manly chaff out of big bundles o' fellows with ne'er an atom o'

circulation. The river's the place for that. I've heard uncommon good things on the river--not of 'em, but heard 'em. T' other's most part invention. And, they tell me, horseback's a prime thing for chaff.

Circulation, again. Sharp and lively, I mean; not bawl, and answer over your back--most part impudence, and nothing else--and then out of hearing. That sort o' chaff's cowardly. Boys are stiff young parties--circulation--and I don't tackle them pretty often, 'xcept when I'm going like a ball among nine-pins. It's all a matter o' circulation.

I say, my dear," Anthony addressed her seriously, "you should never lay hold o' my arm when you see me going my pace of an afternoon. I took you for a thief, and worse--I did. That I did. Had you been waiting to see me?"

"A little," Dahlia replied, breathless.

"You have been ill?"

"A little," she said.

"You've written to the farm? O' course you have!"

"Oh! uncle, wait," moaned Dahlia.

"But, ha' you been sick, and not written home?"

"Wait; please, wait," she entreated him.

"I'll wait," said Anthony; "but that's no improvement to queerness; and 'queer''s your motto. Now we cross London Bridge. There's the Tower that lived in times when no man was safe of keeping his own money, 'cause of grasping kings--all claws and crown. I'm Republican as far as 'none o'

them'--goes. There's the ships. The sun rises behind 'em, and sets afore 'em, and you may fancy, if you like, there's always gold in their rigging. Gals o' your sort think I say, come! tell me, if you are a lady?"

"No, uncle, no!" Dahlia cried, and then drawing in her breath, added: "not to you."

"Last time I crossed this bridge with a young woman hanging on my arm, it was your sister; they say she called on you, and you wouldn't see her; and a gal so good and a gal so true ain't to be got for a sister every day in the year! What are you pulling me for?"

Dahlia said nothing, but clung to him with a drooping head, and so they hurried along, until Anthony stopped in front of a shop displaying cups and m.u.f.fins at the window, and leprous-looking strips of bacon, and sausages that had angled for appet.i.tes till they had become pallid sodden things, like washed-out bait.

Into this shop he led her, and they took possession of a compartment, and ordered tea and m.u.f.fins.

The shop was empty.

"It's one of the expenses of relationship," Anthony sighed, after probing Dahlia unsatisfactorily to see whether she intended to pay for both, or at least for herself; and finding that she had no pride at all.

"My sister marries your father, and, in consequence--well! a m.u.f.fin now and then ain't so very much. We'll forget it, though it is a breach, mind, in counting up afterwards, and two-pences every day's equal to a good big cannonball in the castle-wall at the end of the year. Have you written home?"

Dahlia's face showed the bright anguish of unshed tears.

"Uncle-oh! speak low. I have been near death. I have been ill for so long a time. I have come to you to hear about them--my father and Rhoda.

Tell me what they are doing, and do they sleep and eat well, and are not in trouble? I could not write. I was helpless. I could not hold a pen.

Be kind, dear uncle, and do not reproach me. Please, tell me that they have not been sorrowful."

A keenness shot from Anthony's eyes. "Then, where's your husband?" he asked.

She made a sad attempt at smiling. "He is abroad."

"How about his relations? Ain't there one among 'em to write for you when you're ill?"

"He... Yes, he has relatives. I could not ask them. Oh! I am not strong, uncle; if you will only leave following me so with questions; but tell me, tell me what I want to know."

"Well, then, you tell me where your husband banks," returned Anthony.

"Indeed, I cannot say."

"Do you," Anthony stretched out alternative fingers, "do you get money from him to make payments in gold, or, do you get it in paper?"

She stared as in terror of a pit-fall. "Paper," she said at a venture.

"Well, then, name your Bank."

There was no cunning in her eye as she answered: "I don't know any bank, except the Bank of England."

"Why the deuce didn't you say so at once--eh?" cried Anthony. "He gives you bank-notes. Nothing better in the world. And he a'n't been givin'

you many lately--is that it? What's his profession, or business?"

"He is...he is no profession."

"Then, what is he? Is he a gentleman?"

"Yes," she breathed plaintively.

"Your husband's a gentleman. Eh?--and lost his money?"

"Yes."

"How did he lose it?"

The poor victim of this pertinacious interrogatory now beat about within herself for succour. "I must not say," she replied.

"You're going to try to keep a secret, are ye?" said Anthony; and she, in her relief at the pause to her torment, said: "I am," with a little infantile, withering half-smile.

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Rhoda Fleming Part 41 summary

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