Representative Men: Seven Lectures Part 4

He exaggerates the circ.u.mstance of marriage; and, though he finds false marriages on the earth, fancies a wiser choice in heaven. But of progressive souls, all loves and friendships are momentary. Do you love me? means, Do you see the same truth? If you do, we are happy with the same happiness; but presently one of us pa.s.ses into the perception of new truth;--we are divorced, and no tension in nature can hold us to each other. I know how delicious is this cup of love,--I existing for you, you existing for me; but it is a child's clinging to his toy; an attempt to eternize the fireside and nuptial chamber; to keep the picture-alphabet through which our first lessons are prettily conveyed. The Eden of G.o.d is bare and grand: like the outdoor landscape, remembered from the evening fireside, it seems cold and desolate, whilst you cower over the coals; but, once abroad again, we pity those who can forego the magnificence of nature, for candle-light and cards. Perhaps the true subject of the "Conjugal Love" is conversation, whose laws are profoundly eliminated. It is false, if literally applied to marriage. For G.o.d is the bride or bridegroom of the soul. Heaven is not the pairing of two, but the communion of all souls. We meet, and dwell an instant under the temple of one thought, and part as though we parted not, to join another thought in other fellowships of joy. So far from there being anything divine in the low and proprietary sense of, Do you love me? it is only when you leave and lose me, by casting yourself on a sentiment which is higher than both of us, that I draw near, and find myself at your side; and I am repelled, if you fix your eye on me, and demand love. In fact, in the spiritual world, we change s.e.xes every moment. You love the worth in me; then I am your husband: but it is not me, but the worth, that fixes the love; and that worth is a drop of the ocean of worth that is beyond me. Meantime, I adore the greater worth in another, and so become his wife. He aspires to a higher worth in another spirit, and is wife of receiver of that influence.

Whether a self-inquisitorial habit, that he grew into, from jealousy of the sins to which men of thought are liable, he has acquired, in disentangling and demonstrating that particular form of moral disease, an ac.u.men which no conscience can resist. I refer to his feeling of the profanation of thinking to what is good "from scientifics." "To reason about faith, is to doubt and deny." He was painfully alive to the difference between knowing and doing, and this sensibility is incessantly expressed. Philosophers are, therefore, vipers, c.o.c.katrices, asps, hemorrhoids, presters, and flying serpents; literary men are conjurers and charlatans.

But this topic suggests a sad afterthought, that here we find the seat of his own pain. Possibly Swedenborg paid the penalty of introverted faculties. Success, or a fortunate genius, seems to depend on a happy adjustment of heart and brain; on a due proportion, hard to hit, of moral and mental power, which, perhaps, obeys the law of those chemical ratios which make a proportion in volumes necessary to combination, as when gases will combine in certain fixed rates, but not at any rate.

It is hard to carry a full cup: and this man, profusely endowed in heart and mind, early fell into dangerous discord with himself. In his Animal Kingdom, he surprises us, by declaring that he loved a.n.a.lysis, and not synthesis; and now, after his fiftieth year, he falls into jealousy of his intellect; and, though aware that truth is not solitary, nor is goodness solitary, but both must ever mix and marry, he makes war on his mind, takes the part of the conscience against it, and, on all occasions, traduces and blasphemes it. The violence is instantly avenged. Beauty is disgraced, love is unlovely, when truth, the half part of heaven, is denied, as much as when a bitterness in men of talent leads to satire, and destroys the judgment. He is wise, but wise in his own despite. There is an air of infinite grief, and the sound of wailing, all over and through this lurid universe. A vampyre sits in the seat of the prophet, and turns with gloomy appet.i.te to the images of pain. Indeed, a bird does not more readily weave its nest, or a mole bore into the ground, than this seer of souls substructs a new h.e.l.l and pit, each more abominable than the last, round every new crew of offenders. He was let down through a column that seemed of bra.s.s, but it was formed of angelic spirits, that he might descend safely amongst the unhappy, and witness the vastation of souls; and heard there, for a long continuance, their lamentations; he saw their tormentors, who increase and strain pangs to infinity; he saw the h.e.l.l of the jugglers, the h.e.l.l of the a.s.sa.s.sins, the h.e.l.l of the lascivious; the h.e.l.l of robbers, who kill and boil men; the infernal tun of the deceitful; the excrement.i.tious h.e.l.ls; the h.e.l.l of the revengeful, whose faces resembled a round, broad-cake, and their arms rotate like a wheel. Except Rabelais and Dean Swift, n.o.body ever had such science of filth and corruption.

These books should be used with caution. It is dangerous to sculpture these evanescing images of thought. True in transition, they become false if fixed. It requires, for his just apprehension, almost a genius equal to his own. But when his visions become the stereotyped language of mult.i.tudes of persons, of all degrees of age and capacity, they are perverted. The wise people of the Greek race were accustomed to lead the most intelligent and virtuous young men, as part of their education, through the Eleusinian mysteries, wherein, with much pomp and graduation, the highest truths known to ancient wisdom were taught.

An ardent and contemplative young man, at eighteen or twenty years, might read once these books of Swedenborg, these mysteries of love and conscience, and then throw them aside forever. Genius is ever haunted by similar dreams, when the h.e.l.ls and the heavens are opened to it.

But these pictures are to be held as mystical, that is, as a quite arbitrary and accidental picture of the truth--not as the truth. Any other symbol would be as good: then this is safely seen.

Swedenborg's system of the world wants central spontaneity; it is dynamic, not vital, and lacks power to generate life. There is no individual in it. The universe is a gigantic crystal, all those atoms and laminae lie in uninterrupted order, and with unbroken unity, but cold and still. What seems an individual and a will, is none. There is an immense chain of intermediation, extending from center to extremes, which bereaves every agency of all freedom and character.

The universe, in his poem, suffers under a magnetic sleep, and only reflects the mind of the magnetizer. Every thought comes into each mind by influence from a society of spirits that surround it, and into these from a higher society, and so on. All his types mean the same few things. All his figures speak one speech. All his interlocutors Swedenborgize. Be they who they may, to this complexion must they come at last. This Charon ferries them all over in his boat; kings, counselors, cavaliers, doctors, Sir Isaac Newton, Sir Hans Sloane, King George II., Mahomet, or whosoever, and all gather one grimness of hue and style. Only when Cicero comes by, our gentle seer sticks a little at saying he talked with Cicero, and, with a touch of human relenting, remarks, "one whom it was given me to believe was Cicero;"

and when the _soi disant_ Roman opens his mouth, Rome and eloquence have ebbed away,--it is plain theologic Swedenborg, like the rest. His heavens and h.e.l.ls are dull; fault of want of individualism. The thousand-fold relation of men is not there. The interest that attaches in nature to each man, because he is right by his wrong, and wrong by his right, because he defies all dogmatizing and cla.s.sification, so many allowances, and contingencies, and futurities, are to be taken into account, strong by his vices, often paralyzed by his virtues,--sinks into entire sympathy with his society. This want reacts to the center of the system. Though the agency of "the Lord" is in every line referred to by name, it never becomes alive. There is no l.u.s.tre in that eye which gazes from the center, and which should vivify the immense dependency of beings.

The vice of Swedenborg's mind is its theologic determination. Nothing with him has the liberality of universal wisdom, but we are always in a church. That Hebrew muse, which taught the lore of right and wrong to man, had the same excess of influence for him, it has had for the nations. The mode, as well as the essence, was sacred. Palestine is ever the more valuable as a chapter in universal history, and ever the less an available element in education. The genius of Swedenborg, largest of all modern souls in this department of thought, wasted itself in the endeavor to reanimate and conserve what had already arrived at its natural term, and, in the great secular Providence, was retiring from its prominence, before western modes of thought and expression. Swedenborg and Behmen both failed by attaching themselves to the Christian symbol, instead of to the moral sentiment, which carries innumerable christianities, humanities, divinities, in its bosom.

The excess of influence shows itself in the incongruous importation of a foreign rhetoric. "What have I to do," asks the impatient reader, "with jasper and sardonyx, beryl and chalcedony; what with arks and pa.s.sovers, ephahs and ephods; what with lepers and emerods; what with heave-offerings and unleavened bread; chariots of fire, dragons crowned and horned, behemoth and unicorn? Good for orientals, these are nothing to me. The more learning you bring to explain them, the more glaring the impertinence. The more coherent and elaborate the system, the less I like it. I say, with the Spartan, 'Why do you speak so much to the purpose, of that which is nothing to the purpose?' My learning is such as G.o.d gave me in my birth and habit, in the delight and study of my eyes, and not of another man's. Of all absurdities, this of some foreigner, purposing to take away my rhetoric, and subst.i.tute his own, and amuse me with pelican and stork, instead of thrush and robin; palm-trees and s.h.i.ttim-wood, instead of sa.s.safras and hickory,--seems the most needless." Locke said, "G.o.d, when he makes the prophet, does not unmake the man." Swedenborg's history points the remark. The parish disputes, in the Swedish church, between the friends and foes of Luther and Melancthon, concerning "faith alone," and "works alone," intrude themselves into his speculations upon the economy of the universe, and of the celestial societies. The Lutheran bishop's son, for whom the heavens are opened, so that he sees with eyes, and in the richest symbolic forms, the awful truth of things, and utters again, in his books, as under a heavenly mandate, the indisputable secrets of moral nature,--with all these grandeurs resting upon him, remains the Lutheran bishop's son; his judgments are those of a Swedish polemic, and his vast enlargements purchased by adamantine limitations. He carries his controversial memory with him, in his visits to the souls. He is like Michel Angelo, who, in his frescoes, put the cardinal who had offended him to roast under a mountain of devils; or, like Dante, who avenged, in vindictive melodies, all his private wrongs; or, perhaps still more like Montaigne's parish priest, who, if a hailstorm pa.s.ses over the village, thinks the day of doom has come, and the cannibals already have got the pip. Swedenborg confounds us not less with the pains of Melancthon, and Luther, and Wolfius, and his own books, which he advertises among the angels.

Under the same theologic cramp, many of his dogmas are bound. His cardinal position in morals is, that evils should be shunned as sins.

But he does not know what evil is, or what good is, who thinks any ground remains to be occupied, after saying that evil is to be shunned as evil. I doubt not he was led by the desire to insert the element of personality of Deity. But nothing is added. One man, you say, dreads crysipelas,--show him that this dread is evil: or, one dreads h.e.l.l,--show him that dread is evil. He who loves goodness, harbors angels, reveres reverence, and lives with G.o.d. The less we have to do with our sins, the better. No man can afford to waste his moments in compunctions. "That is active duty," say the Hindoos, "which is not for our bondage; that is knowledge, which is for our liberation; all other duty is good only unto weariness."

Another dogma, growing out of this pernicious theologic limitation, is this Inferno. Swedenborg has devils. Evil, according to old philosophers, is good in the making. That pure malignity can exist, is the extreme proposition of unbelief. It is not to be entertained by a rational agent; it is atheism; it is the last profanation.

Euripides rightly said,--

"Goodness and being in the G.o.ds are one; He who imputes ill to them makes them none."

To what a painful perversion had Gothic theology arrived, that Swedenborg admitted no conversion for evil spirits! But the divine effort is never relaxed; the carrion in the sun will convert itself to gra.s.s and flowers; and man, though in brothels, or jails, or on gibbets, is on his way to all that is good and true. Burns, with the wild humor of his apostrophe to "poor old Nickie Ben,"

"O wad ye tak a thought, and mend!"

has the advantage of the vindictive theologian. Everything is superficial, and perishes, but love and truth only. The largest is always the truest sentiment, and we feel the more generous spirit of the Indian Vishnu,-"I am the same to all mankind. There is not one who is worthy of my love or hatred. They who serve me with adoration,--I am in them, and they in me. If one whose ways are altogether evil, serve me alone, he is as respectable as the just man; he is altogether well employed; he soon becometh of a virtuous spirit, and obtaineth eternal happiness."

For the anomalous pretension of Revelations of the other world,--only his probity and genius can ent.i.tle it to any serious regard. His revelations destroy their credit by running into detail. If a man say, that the Holy Ghost hath informed him that the Last Judgment (or the last of the judgments) took place in 1757; or, that the Dutch, in the other world, live in a heaven by themselves, and the English in a heaven by themselves; I reply, that the Spirit which is holy, is reserved, taciturn, and deals in laws. The rumors of ghosts and hobgoblins gossip and tell fortunes. The teachings of the high Spirit are abstemious, and, in regard to particulars, negative. Socrates'

Genius did not advise him to act or to find, but if he proposed to do somewhat not advantageous, it dissuaded him. "What G.o.d is," he said, "I know not; what he is not I know." The Hindoos have denominated the Supreme Being, the "Internal Check." The illuminated Quakers explained their Light, not as somewhat which leads to any action, but it appears as an obstruction to anything unfit. But the right examples are private experiences, which are absolutely at one on this point. Strictly speaking, Swedenborg's revelation is a confounding of planes,--a capital offence in so learned a categorist. This is to carry the law of surface into the plane of substance, to carry individualism and its fopperies into the realm of essences and generals, which is dislocation and chaos.

The secret of heaven is kept from age to age. No imprudent, no sociable angel ever dropt an early syllable to answer the longings of saints, the fears of mortals. We should have listened on our knees to any favorite, who, by stricter obedience, had brought his thoughts into parallelism with the celestial currents, and could hint to human ears the scenery and circ.u.mstance of the newly parted soul. But it is certain that it must tally with what is best in nature. It must not be inferior in tone to the already known works of the artist who sculptures the globes of the firmament, and writes the moral law. It must be fresher than rainbows, stabler than mountains, agreeing with flowers, with tides, and the rising and setting of autumnal stars. Melodious poets shall be hoa.r.s.e as street ballads, when once the penetrating key-note of nature and spirit is sounded,--the earth-beat, sea-beat, heart-beat which makes the tune to which the sun rolls, and the globule of blood, and the sap of trees.

In this mood, we hear the rumor that the seer has arrived, and his tale is told. But there is no beauty, no heaven: for angels, goblins.

The sad muse loves night and death, and the pit. His Inferno is mesmeric. His spiritual world bears the same relation to the generosities and joys of truth, of which human souls have already made us cognizant, as a man's bad dreams bear to his ideal life. It is indeed very like, in its endless power of lurid pictures, to the phenomena of dreaming, which nightly turns many an honest gentleman, benevolent but dyspeptic, into a wretch, skulking like a dog about the outer yards and kennels of creation. When he mounts into the heavens, I do not hear its language. A man should not tell me that he has walked among the angels; his proof is, that his eloquence makes me one. Shall the archangels be less majestic and sweet than the figures that have actually walked the earth? These angels that Swedenborg paints give us no very high idea of their discipline and culture; they are all country parsons; their heaven is a _fete champetre_, and evangelical picnic, or French distribution of prizes to virtuous peasants. Strange, scholastic, didactic, pa.s.sionless, bloodless man, who denotes cla.s.ses of souls as a botanist disposes of a carex, and visits doleful h.e.l.ls as a stratum of chalk or hornblende! He has no sympathy. He goes up and down the world of men, a modern Rhadamanthus in gold-headed cane and peruke, and with nonchalance, and the air of a referee, distributing souls. The warm, many-weathered, pa.s.sionate-peopled world is to him a grammar of hieroglyphs, or an emblematic freemason's procession. How different is Jacob Behmen! he is tremulous with emotion, and listens awe-struck, with the gentlest humanity, to the Teacher whose lessons he conveys; and when he a.s.serts that, "in some sort, love is greater than G.o.d," his heart beats so high that the thumping against his leathern coat is audible across the centuries. 'Tis a great difference. Behmen is healthily and beautifully wise, notwithstanding the mystical narrowness and incommunicableness. Swedenborg is disagreeably wise, and, with all his acc.u.mulated gifts, paralyzes and repels.

It is the best sign of a great nature, that it opens a foreground, and, like the breath of morning landscapes, invites us onward.

Swedenborg is retrospective, nor can we divest him of his mattock and shroud. Some minds are forever restrained from descending into nature; others are forever prevented from ascending out of it. With a force of many men, he could never break the umbilical cord which held him to nature, and he did not rise to the platform of pure genius.

It is remarkable that this man, who, by his perception of symbols, saw the poetic construction of things, and the primary relation of mind to matter, remained entirely devoid of the whole apparatus of poetic expression, which that perception creates. He knew the grammar and rudiments of the Mother-Tongue,--how could he not read off one strain into music? Was he like Saadi, who, in his vision, designed to fill his lap with the celestial flowers, as presents for his friends; but the fragrance of the roses so intoxicated him, that the skirt dropped from his hands? or, is reporting a breach of the manners of that heavenly society? or, was it that he saw the vision intellectually, and hence that chiding of the intellectual that pervades his books?

Be it as it may, his books have no melody, no emotion, no humor, no relief to the dead prosaic level. In his profuse and accurate imagery is no pleasure, for there is no beauty. We wander forlorn in a lack- l.u.s.tre landscape. No bird ever sang in all these gardens of the dead.

The entire want of poetry in so transcendent a mind betokens the disease, and, like a hoa.r.s.e voice in a beautiful person, is a kind of warning. I think, sometimes, he will not be read longer. His great name will turn a sentence. His books have become a monument. His laurels so largely mixed with cypress, a charnel-breath so mingles with the temple incense, that boys and maids will shun the spot.

Yet, in this immolation of genius and fame at the shrine of conscience, is a merit sublime beyond praise. He lived to purpose: he gave a verdict. He elected goodness as the clue to which the soul must cling in all this labyrinth of nature. Many opinions conflict as to the true center. In the shipwreck, some cling to running rigging, some to cask and barrel, some to spars, some to mast; the pilot chooses with science,--I plant myself here; all will sink before this; "he comes to land who sails with me." Do not rely on heavenly favor, or on compa.s.sion to folly, or on prudence, on common sense, the old usage and main chance of men; nothing can keep you,--not fate, nor health, nor admirable intellect; none can keep you, but rect.i.tude only, rect.i.tude forever and ever!--and, with a tenacity that never swerved in all his studies, inventions, dreams, he adheres to this brave choice.

I think of him as of some transmigratory votary of Indian legend, who says, "Though I be dog, or jackal, or pismire, in the last rudiments of nature, under what integument or ferocity, I cleave to right, as the sure ladder that leads up to man and to G.o.d."

Swedenborg has rendered a double service to mankind, which is now only beginning to be known. By the science of experiment and use, he made his first steps; he observed and published the laws of nature; and, ascending by just degrees, from events to their summits and causes, he was fired with piety at the harmonies he felt, and abandoned himself to his joy and worship. This was his first service. If the glory was too bright for his eyes to bear, if he staggered under the trance of delight, the more excellent is the spectacle he saw, the realities of being which beam and blaze through him, and which no infirmities of the prophet are suffered to obscure; and he renders a second pa.s.sive service to men, not less than the first,--perhaps, in the great circle of being, and in the retributions of spiritual nature, not less glorious or less beautiful to himself.

IV. MONTAIGNE; OR, THE SKEPTIC.

Every fact is related on one side to sensation and, on the other, to morals. The game of thought is, on the appearance of one of these two sides, to find the other; given the upper, to find the under side.

Nothing so thin, but has these two faces; and, when the observer has seen the obverse, he turns it over to see the reverse.

Life is a pitching of this penny,--heads or tails. We never tire of this game, because there is still a slight shudder of astonishment at the exhibition of the other face, at the contrast of the two faces.

A man is flushed with success, and bethinks himself what this good luck signifies. He drives his bargain in the street; but it occurs that he also is bought and sold. He sees the beauty of a human face, and searches the cause of that beauty, which must be more beautiful.

He builds his fortunes, maintains the laws, cherishes his children; but he asks himself, why? and whereto? This head and this tail are called, in the language of philosophy, Infinite and Finite; Relative and Absolute; Apparent and Real; and many fine names beside.

Each man is born with a predisposition to one or the other of these sides of nature; and it will easily happen that men will be found devoted to one or the other. One cla.s.s has the perception of difference, and is conversant with facts and surfaces; cities and persons; and the bringing certain things to pa.s.s;--the men of talent and action. Another cla.s.s have the perception of ident.i.ty, and are men of faith and philosophy, men of genius.

Each of these riders drives too fast. Plotinus believes only in philosophers; Fenelon, in saints; Pindar and Byron, in poets. Read the haughty language in which Plato and the Platonists speak of all men who are not devoted to their own shining abstractions: other men are rats and mice. The literary cla.s.s is usually proud and exclusive. The correspondence of Pope and Swift describes mankind around them as monsters; and that of Goethe and Schiller, in our own time, is scarcely more kind.

It is easy to see how this arrogance comes. The genius is a genius by the first look he casts on any object. Is his eye creative? Does he not rest in angles and colors, but beholds the design--he will presently undervalue the actual object. In powerful moments, his thought has dissolved the works of art and nature into their causes, so that the works appear heavy and faulty. He has a conception of beauty which the sculptor cannot embody. Picture, statue, temple, railroad, steam-engine, existed first in an artist's mind, without flaw, mistake, or friction, which impair the executed models. So did the church, the state, college, court, social circle, and all the inst.i.tutions. It is not strange that these men, remembering what they have seen and hoped of ideas, should affirm disdainfully the superiority of ideas. Having at some time seen that the happy soul will carry all the arts in power, they say, Why c.u.mber ourselves with superfluous realizations? and, like dreaming beggars, they a.s.sume to speak and act as if these values were already substantiated.

On the other part, the men of toil and trade and luxury,--the animal world, including the animal in the philosopher and poet also,--and the practical world, including the painful drudgeries which are never excused to philosopher or poet any more than to the rest,--weigh heavily on the other side. The trade in our streets believes in no metaphysical causes, thinks nothing of the force which necessitated traders and a trading planet to exist; no, but sticks to cotton, sugar, wool, and salt. The ward meetings, on election days, are not softened by any misgivings of the value of these ballotings. Hot life is streaming in a single direction. To the men of this world, to the animal strength and spirits, to the men of practical power, whilst immersed in it, the man of ideas appears out of his reason. They alone have reason.

Things always bring their own philosophy with them, that is, prudence.

No man acquires property without acquiring with it a little arithmetic, also. In England, the richest country that ever existed, property stands for more, compared with personal ability, than in any other.

After dinner, a man believes less, denies more; verities have lost some charm. After dinner, arithmetic is the only science; ideas are disturbing, incendiary, follies of young men, repudiated by the solid portion of society; and a man comes to be valued by his athletic and animal qualities. Spence relates, that Mr. Pope was with Sir G.o.dfrey Kneller one day, when his nephew, a Guinea trader, came in. "Nephew,"

said Sir G.o.dfrey, "you have the honor of seeing the two greatest men in the world." "I don't know how great men you may be," said the Guinea man, "but I don't like your looks. I have often bought a man much better than both of you, all muscles and bones, for ten guineas. Thus, the men of the senses revenge themselves on the professors, and repay scorn for scorn. The first had leaped to conclusions not yet ripe, and say more than is true; the others make themselves merry with the philosopher, and weigh man by the pound.--They believe that mustard bites the tongue, that pepper is hot, friction-matches are incendiary, revolvers to be avoided, and suspenders hold up pantaloons; that there is much sentiment in a chest of tea; and a man will be eloquent, if you give him good wine. Are you tender and scrupulous,--you must eat more mince-pie. They hold that Luther had milk in him when he said,

"Wer nicht liebt Wein, Weib, und Gesang Der bleibt ein Narr sein Leben lang,"

and when he advised a young scholar perplexed with fore-ordination and free-will, to get well drunk. "The nerves," says Cabanis, "they are the man." My neighbor, a jolly farmer, in the tavern bar-room, thinks that the use of money is sure and speedy spending. "For his part," he says, "he puts his down his neck, and gets the good of it."

The inconvenience of this way of thinking is, that it runs into indifferentism, and then into disgust. Life is eating us up. We shall be fables presently. Keep cool: it will be all one a hundred years hence. Life's well enough; but we shall be glad to get out of it, and they will all be glad to have us. Why should we fret and drudge? Our meat will taste to-morrow as it did yesterday, and we may at last have had enough of it. "Ah," said my languid gentleman at Oxford, "there's nothing new or true,--and no matter."

With a little more bitterness, the cynic moans: our life is like an a.s.s led to market by a bundle of hay being carried before him: he sees nothing but the bundle of hay. "There is so much trouble in coming into the world," said Lord Bolingbroke, "and so much more, as well as meanness, in going out of it, that 'tis hardly worth while to be here at all." I knew a philosopher of this kidney, who was accustomed briefly to sum up his experience of human nature in saying, "Mankind is a d.a.m.ned rascal:" and the natural corollary is pretty sure to follow,--"The world lives by humbug, and so will I."

The abstractionist and the materialist thus mutually exasperating each other, and the scoffer expressing the worst of materialism, there arises a third party to occupy the middle ground between these two, the skeptic, namely. He finds both wrong by being in extremes. He labors to plant his feet, to be the beam of the balance. He will not go beyond his card. He sees the one-sidedness of these men of the street; he will not be a Gibeonite; he stands for the intellectual faculties, a cool head, and whatever serves to keep it cool; no unadvised industry, no unrewarded self-devotion, no loss of the brains in toil. Am I an ox, or a dray?--You are both in extremes, he says.

You that will have all solid, and a world of pig-lead, deceive yourselves grossly. You believe yourselves rooted and grounded on adamant; and, yet, if we uncover the last facts of our knowledge, you are spinning like bubbles in a river, you know not whither or whence, and you are bottomed and capped and wrapped in delusions.

Neither will he be betrayed to a book, and wrapped in a gown. The studious cla.s.s are their own victims; they are thin and pale, their feet are cold, their heads are hot, the night is without sleep, the day a fear of interruption,--pallor, squalor, hunger, and egotism. If you come near them, and see what conceits they entertain,--they are abstractionists, and spend their days and nights in dreaming some dreams; in expecting the homage of society to some precious scheme built on a truth, but dest.i.tute of proportion in its presentment, of justness in its application, and of all energy of will in the schemer to embody and vitalize it.

But I see plainly, he says, that I cannot see. I know that human strength is not in extremes, but in avoiding extremes. I, at least, will shun the weakness of philosophizing beyond my depth. What is the use of pretending to powers we have not? What is the use of pretending to a.s.surances we have not, respecting the other life? Why exaggerate the power of virtue? Why be an angel before your time? These strings, wound up too high, will snap. If there is a wish for immortality, and no evidence, why not say just that? If there are conflicting evidences, why not state them? If there is not ground for a candid thinker to make up his mind, yea or nay,--why not suspend the judgment? I weary of these dogmatizers. I tire of these hacks of routine, who deny the dogmas. I neither affirm nor deny. I stand here to try the case. I am here to consider,--to consider how it is. I will try to keep the balance true. Of what use to take the chair, and glibly rattle off theories of societies, religion, and nature, when I know that practical objections lie in the way, insurmountable by me and by my mates? Why so talkative in public, when each of my neighbors can pin me to my seat by arguments I cannot refute? Why pretend that life is so simple a game, when we know how subtle and elusive the Proteus is? Why think to shut up all things in your narrow coop, when we know there are not one or two only, but ten, twenty, a thousand things, and unlike? Why fancy that you have all the truth in your keeping? There is much to say on all sides.

Who shall forbid a wise skepticism, seeing that there is no practical question on which anything more than an approximate solution can be had? Is not marriage an open question when it is alleged, from the beginning of the world, that such as are in the inst.i.tution wish to get out, and such as are out wish to get in? And the reply of Socrates, to him who asked whether he should choose a wife, still remains reasonable, "that, whether he should choose one or not, he would repent it." Is not the state a question? All society is divided in opinion on the subject of the state. n.o.body loves it; great numbers dislike it, and suffer conscientious scruples to allegiance: and the only defense set up, is, the fear of doing worse in disorganizing. Is it otherwise with the church? Or, to put any of the questions which touch mankind nearest,--shall the young man aim at a leading part in law, in politics, in trade? It will not be pretended that a success in either of these kinds is quite coincident with what is best and inmost in his mind. Shall he, then, cutting the stays that hold him fast to the social state, put out to sea with no guidance but his genius? There is much to say on both sides. Remember the open question between the present order of "compet.i.tion," and the friends of "attractive and a.s.sociated labor." The generous minds embrace the proposition of labor shared by all; it is the only honesty; nothing else is safe. It is from the poor man's hut alone, that strength and virtue come; and yet, on the other side, it is alleged that labor impairs the form, and breaks the spirit of man, and the laborers cry unanimously, "We have no thoughts." Culture, how indispensable! I cannot forgive you the want of accomplishment; and yet, culture will instantly destroy that chiefest beauty of spontaneousness. Excellent is culture for a savage; but once let him read in the book, and he is no longer able not to think of Plutarch's heroes. In short, since true fort.i.tude of understanding consists "in not letting what we know be embarra.s.sed by what we do not know," we ought to secure those advantages which we can command, and not risk them by clutching after the airy and unattainable.

Come, no chimeras! Let us go abroad; let us mix in affairs; let us learn, and get, and have, and climb. "Men are a sort of moving plants, and, like trees, receive a great part of their nourishment from the air. If they keep too much at home, they pine." Let us have a robust, manly life; let us know what we know, for certain; what we have, let it be solid, and seasonable, and our own. A world in the hand is worth two in the bush. Let us have to do with real men and women, and not with skipping ghosts.

This, then, is the right ground of the skeptic,--this of consideration, of self-containing; not at all of unbelief; not at all of universal denying, nor of universal doubting,--doubting even that he doubts; least of all, of scoffing and profligate jeering at all that is stable and good. These are no more his moods than are those of religion and philosophy. He is the considerer, the prudent, taking in sail, counting stock, husbanding his means, believing that a man has too many enemies, than that he can afford to be his own; that we cannot give ourselves too many advantages, in this unequal conflict, with powers so vast and unweariable ranged on one side, and this little, conceited, vulnerable popinjay that a man is, bobbing up and down into every danger, on the other. It is a position taken up for better defense, as of more safety, and one that can be maintained; and it is one of more opportunity and range; as, when we build a house, the rule is, to set it not too high nor too low, under the wind, but out of the dirt.

The philosophy we want is one of fluxions and mobility. The Spartan and Stoic schemes are too stark and stiff for our occasion. A theory of Saint John, and of non-resistance, seems, on the other hand, too thin and aerial. We want some coat woven of elastic steel, stout as the first, and limber as the second. We want a ship in these billows we inhabit. An angular, dogmatic house would be rent to chips and splinters, in this storm of many elements. No, it must be tight, and fit to the form of man, to live at all; as a sh.e.l.l is the architecture of a house founded on the sea. The soul of man must be the type of our scheme, just as the body of man is the type after which a dwelling-house is built. Adaptiveness is the peculiarity of human nature. We are golden averages, volitant stabilities, compensated or periodic errors, houses founded on the sea. The wise skeptic wishes to have a near view of the best game, and the chief players; what is best in the planet; art and nature, places and events, but mainly men. Everything that is excellent in mankind,--a form of grace, an arm of iron, lips of persuasion, a brain of resources, every one skilful to play and win,--he will see and judge.