Puppet On A Chain Part 2

I turned down the side-street by the bar entrance. There was no figure lurking about adjacent doorways or in the entrance to the bar itself, nor had I expected to find any. I made my way round to the alley and the fire-escape, climbed up to the roof, crossed it and located the stretch of coaming that directly overhung my own balcony.

I peered over the edge. I could see nothing, but I could smell something. Cigarette smoke, but not emanating from a cigarette made by one of the more reputable tobacco companies, who don't include reefers among their marketable products. I leaned further out to almost the point of imbalance and then I could see things, not much, but enough: two pointed toe-caps and, for a moment, the arcing, glowing tip of a cigarette, obviously on the downswing of an arm.

I withdrew in caution and with silence, rose, recrossed to the fire-escape, descended to the sixth-floor, let myself through the fire-escape door, locked it again, walked quietly along to the door of Room 616 and listened. Nothing. I opened the door quietly with the skeleton I'd tried earlier and went inside, closing the door as quickly as I could: otherwise indetectable draughts can eddy cigarette smoke in a way to attract the attention of the alert smoker. Not that junkies are renowned for their alertness.

This one was no exception. Predictably enough, it was the floor-waiter. He was sitting comfortably in an armchair, feet propped up on the balcony sill, smoking a cigarette in his left hand: his right lay loosely on his knee and cradled a gun.

Normally, it is very difficult to approach anyone, no matter how soundlessly, from behind without some form of sixth sense giving them warning of your approach: but many drugs have a depressive influence on this instinct and what the floor-waiter was smoking was one of them.

I was behind him with my gun at his right ear and he still didn't know I was there. I touched him on the right shoulder. He swung round with a convulsive jerk of his body and cried out in pain as his movement gouged the barrel of my gun into his right eye. He lifted both hands to his momentarily injured eye and I took the gun from him without resistance, pocketed it, reached for his shoulder and jerked hard. The waiter catapulted over backwards, completing a somersault, and landing very heavily on his back and the back of his head. For maybe ten seconds he lay there, quite dazed, then propped himself up on one arm. He was making a curious hissing sound, his bloodless lips had vanished to reveal tobacco-stained teeth set in a vulpine snarl and his eyes were dark with hate. I didn't see much chance of our having a friendly get-together.

'We do play rough, don't we?' he whispered. Junkies are great patronizers of the violent cinema and their dialogue is faultless.

'Rough?' I was surprised. 'Oh, dear me, no. Later we play rough. If you don't talk.' Maybe I went to the same cinema as he did. I picked up the cigarette that lay smouldering on the carpet, sniffed at it in disgust and squashed it out in an ashtray. The waiter rose unsteadily, still shaken and unsteady on his feet, and I didn't believe any of it. When he spoke again, the snarl had gone from his face and voice. He had decided to play it cool, the calm before the storm, an old and worn-out script, maybe we should both start attending the opera instead.

'What would you like to talk about?' he asked.

'About what you're doing in my room for a start. And who sent you here.'

He smiled wearily. The law has already tried to make me tell things. I know the law. You can't make me talk. I've got my rights. The law says so.'

'The law stops right outside my front door here. This side of that door we're both beyond the law. You know that. In one of the great civilized cities of the world you and I are living in our own little jungle. But there's a law there too. Kill or be killed.'

Maybe it was my own fault for putting ideas in his head. He dived hard and low to get under my gun but not low enough for his chin to get under my knee. It hurt my knee quite badly and by that token should have laid him out, but he was tough, grabbed at the only leg I had left in contact with the ground and brought us both down. My gun went spinning and we rolled about on the floor for a bit, belabouring each other enthusiastically. He was a strong boy, too, as strong as he was tough, but he laboured under two disadvantages: a strict training on marijuana had blunted the honed edge of his physical fitness, and though he had a highly developed instinct for dirty fighting he'd never really been trained to it. By and by we were on our feet again with my left hand pushing his right wrist somewhere up between his shoulder-blades.

I pushed his wrist higher and he screamed as if in agony, which he might well have been as his shoulder was making a peculiar cracking noise, but I couldn't be sure so I pushed a bit higher and removed all doubt, then thrust him out on to the balcony in front of me and forced him over the bal.u.s.trade until his feet were clear of the ground and he was hanging on to the bal.u.s.trade with his free left hand as if his life depended on it, which indeed it did.

'You an addict or a pusher?' I enquired.

He mouthed an obscenity in Dutch, but I know Dutch, including all the words I shouldn't. I put my right hand over his mouth for the sort of sound he was about to make could be heard even above the roar of the traffic, and I didn't want to alarm the citizens of Amsterdam unnecessarily. I eased the pressure and removed my hand.

'Well?'

'A pusher.' His voice was a sobbing croak. 'I sell them.'

'Who sent you?'

'No! No! No!'

'Your decision. When they pick what's left of you from the pavement there they'll think you're just another cannabis smoker who got too high and took a trip into the wild blue yonder.'

'That's murder!' He was still sobbing, but his voice was only a husky whisper now, maybe the view was making him dizzy. 'You wouldn't -- '

'Wouldn't I? Your people killed a friend of mine this afternoon. Exterminating vermin can be a pleasure. Seventy feet's a long drop -- and not a mark of violence. Except that every bone in your body will be broken. Seventy feet. Look!'

I heaved him a bit further over the bal.u.s.trade so that he could have a better look and had to use both hands to haul him back again.

'Talk?'

He made a hoa.r.s.e sound in his throat, so I hauled him oif the bal.u.s.trade and pushed him inside to the centre of the room. I said, 'Who sent you?'

I've said he was tough, but he was a great deal tougher than I had ever imagined. He should have been fear-stricken and in agony, and I have no doubt that he was both, but that didn't stop him from whirling round convulsively to his right in a full circle and breaking free from my grip. The sheer unexpectedness of it had caught me off guard. He came at me again, a knife that had suddenly appeared in his left hand curving upwards in a wicked arc and aimed for a point just below the breastbone. Normally, he would probably have done a nice job of carving but the circ.u.mstances were abnormal: his timing and reactions were gone. I caught and clamped his knife wrist in both my hands, threw myself backwards, straightened a leg under him as I jerked his arm down and sent him catapulting over me. The thud of his landing shook the room and probably quite a few adjacent rooms at that.

I twisted and got to my feet in one motion but the need for haste was gone. He was on the floor on the far side of the room, his head resting on the balcony sill. I lifted him by his lapels and his head lolled back till it almost touched his shoulder-blades. I lowered him to the floor again. I was sorry he was dead, because he'd probably had information that could have been invaluable to me, but that was the only reason I was sorry.

I went through his pockets, which held a good number of interesting articles but only two that were of interest to me: a case half full of handmade reefers and a couple of sc.r.a.ps of paper. One paper bore the typed letters and figures MOO 144, the other two numbers -- 910020 and 2797. Neither meant a thing to me but on the reasonable a.s.sumption that the floor-waiter wouldn't have seen carrying them on his person unless they had some significance for him I put them away in a safe place that had been provided for me by my accommodating tailor, a small pocket that had been let into the inside of the right trouser-leg about six inches above the ankle.

I tidied up what few signs of struggle there had been, took the dead man's 'gun, went out on the balcony, leaned out over the bal.u.s.trade and spun the gun upwards and to the left. It cleared the coaming and landed soundlessly on the roof about twenty feet away. I went back inside, flushed the reefer end down the toilet, washed the ashtray and opened every door and window to let the sickly smell evaporate as soon as possible. Then I dragged the waiter across to the tiny hall and opened the door on to the pa.s.sage.

The hallway was deserted. I listened intently, but could hear nothing, no sound of approaching footfalls. I crossed to the lift, pressed the b.u.t.ton, waited for the lift to appear, opened the door a crack, inserted a matchbox between jamb and door so that the latter couldn't close and complete the electrical circuit then hurried back to my suite. I dragged the waiter across to the lift, opened the door, dumped him without ceremony on the lift floor, withdrew the matchbox and let the door swing to. The lift remained where it was: obviously, no one was pressing the b.u.t.ton of that particular lift at that particular moment.

I locked the outside door to my suite with the skeleton and made my way back to the fire-escape, by now an old and trusted friend. I reached street level un.o.bserved and made my way round to the main entrance. The ancient at the barrel-organ was playing Verdi now and Verdi was losing by a mile. The operator had his back to me as I dropped a guilder into his tin can. He turned to thank me, his lips parted in a toothless smile, then he saw who it was and his jaw momentarily dropped open. He was at the very bottom of the heap and no one had bothered to inform him that Sherman was abroad. I gave him a kindly smile and pa.s.sed into the foyer.

There were a couple of uniformed staff behind the desk, together with the manager, whose back was at the moment towards me. I said loudly: 'Six-one-six, please.'

The manager turned round sharply, his eyebrows raised high but not high enough. Then he gave me his warmhearted crocodile smile.

'Mr Sherman. I didn't know you were out.'

'Oh yes, indeed. Pre-dinner const.i.tutional. Old English custom, you know.'

'Of course, of course.' He smiled at me archly as if there was something vaguely reprehensible about this old English custom, then allowed a slightly puzzled look to replace the smile. He was as phoney as they come. 'I don't remember seeing you go out.'

'Well, now,' I said reasonably, 'you can't be expected to attend to all of your guests all of the time, can you?' I gave him his own phoney smile back again, took the key and walked towards the bank of lifts. I was less than half-way there when I brought up short as a piercing scream cut through the foyer and brought instant silence, which lasted only long enough for the woman who had screamed to draw a deep breath and start in again. The source of this racket was a middle-aged, flamboyantly dressed female, a caricature of the American tourist abroad, who was standing in front of a lift, her mouth opened in a rounded 'O', her eyes like saucers. Beside her a portly character in a seer-sucker suit was trying to calm her, but he didn't look any too happy himself and gave the impression that he wouldn't have minded doing a little screaming himself.

The a.s.sistant manager rushed past me and I followed more leisurely. By the time I reached the lift the a.s.sistant manager was on his knees, bent over the sprawled-out form of the dead waiter.

'My goodness,' I said. 'Is he ill, do you think?'

'Ill? Ill?' The a.s.sistant manager glared at me. 'Look at the way his neck is. The man's dead.'

'Good G.o.d, I do believe you're right.' I stooped and peered more closely at the waiter. 'Haven't I seen this man somewhere before?'

'He was your floor-waiter,' the a.s.sistant manager said, which is not an easy remark to make with your teeth clamped together.

'I thought he looked familiar. In the midst of life -- ' I shook my head sadly. 'Where's the restaurant?'

'Where's the -- where's the -- '

'Never mind,' I said soothingly, 'I can see you're upset. I'll find it myself.'

The restaurant of the Hotel Rembrandt may not be, as the owners claim, the best in Holland, but I wouldn't care to take them to court on a charge of misrepresentation. From the caviare to the fresh out-of-season strawberries -- I wondered idly whether to charge this in the expense account as entertainment or bribes -- the food was superb. I thought briefly, but not guiltily, about Maggie and Belinda, but such things had to be. The red plush sofa on which I was sitting was the ultimate in dining comfort, so I leaned back in it, lifted my brandy gla.s.s and said, 'Amsterdam!'

'Amsterdam!' said Colonel Van de Graaf. The Colonel, deputy head of the city's police, had joined me, without invitation, only five minutes previously. He was sitting in a large chair which seemed too small for him. A very broad man of only medium height, he had iron-grey hair, a deeply-trenched, tanned face, the unmistakable cast of authority and an air about him of almost dismaying competence. He went on dryly: 'I'm glad to see you enjoying yourself, Major Sherman, after such an, eventful day.'

'Gather ye rosebuds while you may, Colonel -- life is all too short. What events?'

'We have been unable to discover very much about this man, James Duclos, who was shot and killed at the airport today.' A patient man and not one to be easily drawn, was Colonel de Graaf. 'We know only that he arrived from England three weeks ago, that he checked into the Hotel Schiller for one night and then disappeared. He seems, Major Sherman, to have been meeting your plane. Was this, one asks, just coincidence?'

'He was meeting me.' De Graaf was bound to find out sooner or later. 'One of my men. I think he must have got hold of a forged police pa.s.s from somewhere -- to get past immigration, I mean.'

'You surprise me.' He sighed heavily and didn't seem in the least surprised. 'My friend, it makes it very difficult for us if we don't know those things. I should have been told about Duclos. As we have instructions from Interpol in Paris to give you every possible a.s.sistance, don't you think it would be better if we can work together? We can help you -- you can help us.' He sipped some brandy. His grey eyes were verv direct. 'One would a.s.sume that this man of yours had information -- and now we have lost it.'

'Perhaps. Well, let's start by you helping me. Can you see if you have a Miss Astrid Lemay on your files? Works in a nightclub but she doesn't sound Dutch and she doesn't look Dutch so you may have something on her.'

The girl you knocked down at the airport? How do you know she works in a nightclub.'

'She told me,' I said unblushingly.

He frowned. 'The airport officials made no mention of any such remark to me.'

The airport officials are a bunch of old women.'

'Ah!' It could have meant anything. 'This information I can obtain. Nothing more?'

'Nothing more.'

'One other little event we have not referred to.'

Tell me.'

'The sixth-floor waiter- -- an unsavoury fellow about whom we know a little -- was not one of your men?'

'Colonel!'

'I didn't for a moment think he was. Did you know that he died of a broken neck?'

'He must have had a very heavy fall,' I said sympathetically.

De Graaf drained his brandy and stood up.

'We are not acquainted with you. Major Sherman, but you have been too long in Interpol and gained too much of a European reputation for us not to be acquainted with your methods. May I remind you that what goes in Istanbul and Ma.r.s.eilles and Palermo -- to name but a few places -- does not go in Amsterdam?'

'My word,' I said. 'You are well informed.'

'Here, in Amsterdam, we are all subject to the law.' He might not have heard me. 'Myself included. You are no exception.'

'Nor would I expect to be,' I said virtuously. 'Well then, co-operation. The purpose of my visit. When can I talk to you?'

'My office, ten o'clock.' He looked around the restaurant without enthusiasm. 'Here is hardly the time and place.'

I raised an eyebrow.

'The Hotel Rembrandt,' said de Graaf heavily, 'is a listening-post of international renown.'

'You astonish me,' I said.

De Graaf left. I wondered why the h.e.l.l he thought I'd chosen to stay in the Hotel Rembrandt.

Colonel de Graaf's office wasn't in the least like the Hotel Rembrandt. It was a large enough room, but bleak and bare and functional, furnished mainly with steel-grey filing cabinets, a steel-grey table and steel-grey seats which were as hard as steel. But at least the decor had the effect of making you concentrate on the matter on hand: there was nothing to distract the mind or eye. De Graaf and I, after ten minutes preliminary discussion, were concentrating, although I think it came more easily to de Graaf than it did to me. I had lain awake to a late hour the previous night and am never at my. best at ten a.m. on a cold and bl.u.s.tery morning.

'All drugs,' de Graaf agreed. 'Of course we're concerned with all drugs -- opium, cannabis, amphetamine, LSD, STP, cocaine, amyl acetate -- you name it, Major Sherman, and we're concerned in it. They all destroy or lead on to destruction. But in this instance we are confining ourselves to the really evil one -- heroin. Agreed?'

'Agreed.' The deep incisive voice came from the doorway. I turned round and looked at the man who stood there, a tall man in a well-cut dark business suit, cool penetrating grey eyes, a pleasant face that could stop being pleasant very quickly, very professional-looking. There was no mistaking his profession. Here was a cop and not one to be taken lightly either.

He closed the door and walked across to me with the light springy step of a man much younger than one in his middle forties, which he was at least. He put out his hand and said: 'Van Gelder. I've heard a lot about you, Major Sherman.'

I thought this one over, briefly but carefully. decided to refrain from comment. I smiled and shook his hand.

'Inspector van Gelder,' de Graaf said. 'Head of our narcotics bureau. He will be working with you, Sherman. He will offer you the best co-operation possible.'

'I sincerely hope we can work well together.' Van Gelder smiled and sat down. 'Tell me, what progress your end? Do you think you can break the supply ring in England?'

'I think we could. It's a highly organized distributive pipeline, very highly integrated with almost no cut-offs -- and it's because of that that we have been able to identify dozens of their pushers and the half-dozen or so main distributors.'

'You could break the ring but you won't. You're leaving it strictly alone?'

'What else, Inspector? We break them up and the next distribution ring will be driven so far underground that we'll never find it. As it is, we can pick them up when and if we want to. The thing we really want to find out is how the d.a.m.ned stuff gets in -- and who's supplying it.'

'And you think -- obviously, or you wouldn't be here -- that the supplies come from here? Or hereabouts?'

'Not hereabouts. Here. And I don't think. I know. Eighty per cent of those under surveillance -- and I refer to the distributors and their intermediaries -- have links with this country. To be precise, with Amsterdam -- nearly all of them. They have relatives here, or they have friends. They have business contacts here or personally conduct business here or they come here on holiday. We've spent five years on building up this dossier.'

De Graaf smiled. 'On this place called "here".'

'On Amsterdam, yes.'

Van Gelder asked: 'There are copies of this dossier?'

'One.'

'With you?'

'Yes.'

'On you?'

'In the only safe place.' I tapped my head.

'As safe a place as any,' de Graaf approved, then added thoughtfully: 'As long, of course, that you don't meet up with people who might be inclined to treat you the way you treat them.'

'I don't understand, Colonel.'

'I speak in riddles,' de Graaf said affably. 'Ah right, I agree. At the moment the finger points at the Netherlands. Not to put too fine a point on it, as you don't put too fine a point on it, at Amsterdam. We, too, know our unfortunate reputation. We wish it was untrue. But it isn't. We know the stuff comes in in bulk. We know it goes out again all broken up -- but from where or how we have no idea.'

'It's your bailiwick,' I said mildly.

'It's what?'