Pump Six and Other Stories Part 17

Three a.m. Another call, windows down, howling through the humidity and swelter of Newfoundland. Alice wants me to come home, come back, relax, but I can't. I don't want to. I'm not sure what I want, but it's not brunch with Belgian waffles or s.c.r.e.w.i.n.g on the living room floor or a trip to the movies or... anything, really.

I can't do it, anyway. We got home, and I couldn't do it. Nothing felt right. Alice said it didn't matter, that she wanted to practice.

Now I haven't seen her for more than a day.

I've been on duty, catching up on calls. I've been going for twenty-four hours straight, powered on coppers'-little-helpers and mainlined caffeine and my hat and trench coat and hands are pinp.r.i.c.k-sprayed with the residue of work.

Along the coastline the sea runs high and hot, splashing in over the breakwaters. Lights ahead, the glow of coalfoundries and gasification works. The call takes me up the glittering face of Palomino Cl.u.s.ter. Nice real estate. Up the ma.s.slifts and smashing through a door with Pentle backing me, knowing what we're going to find but never knowing how much these ones will fight.

Bedlam. A lady, this one a pretty brown girl who might have had a great life if she didn't decide she needed a baby, and a kid lying in the corner in a box screaming and screaming. And the lady's screaming too, screaming at the little kid in its box, like she's gone out of her mind.

As we come in through the door, she starts screaming at us. The kid keeps screaming. The lady keeps screaming. It's like a bunch of screwdrivers jamming in my ears; it goes on and on. Pentle grabs the lady and tries to hold her but she and the kid just keep screaming away and suddenly I can't breathe. I can barely stand. The kid screams and screams and screams: screwdrivers and gla.s.s and icepicks in my head.

So I shoot the thing. I pull out my Grange and put a bullet in the little sucker. Fragments of box and baby spray the air.

I don't do that, normally; it's against procedure to waste the kid in front of the mother.

But there we all are, staring at the body, bloodmist and gunpowder all over and my ears ringing from the shot and for one pristine crystal second, it's quiet.

Then the woman's screaming at me again and Pentle's screaming too because I screwed up the evidence before he could get a picture, and then the lady's all over me, trying to claw my eyes out. Pentle drags her off and then she's calling me a b.a.s.t.a.r.d and a killer and b.a.s.t.a.r.d and monkey man and a f.u.c.king pig and that I've got dead eyes.

And that really gets me: I've got dead eyes. This lady's headed into a rejoo collapse and won't last another twenty years and she'll spend all of it in a single-s.e.x work camp. She's young, a lot like Alice, maybe the last of them to cross the line into rejoo, right when she came of age-not an old workhorse like me who was already forty when it went generic-and now she'll be dead in an eye blink. But I'm the one with dead eyes.

I take my Grange and shove it into her forehead. "You want to die too?"

"Go ahead! Do it! Do it!" She doesn't stop for a second, just keeps howling and spitting. "f.u.c.king b.a.s.t.a.r.d! b.a.s.t.a.r.d f.u.c.kingf.u.c.kf.u.c.king-Do it! Do it!" She's crying.

Even though I want to see her brains pop out the back of her head, I don't have the heart. She'll die soon enough. Another twenty years and she's done for. The paperwork isn't worth it.

Pentle cuffs her while she babbles to the baby in the box, just a lump of blood and limp doll parts now. "My baby my poor baby I didn't know I'm sorry my baby my poor baby I'm sorry.... " Pentle muscles her out to the car.

For a while I can hear her in the hall. My baby my poor baby my poor baby.... My baby my poor baby my poor baby.... And then she's gone down the lifts and it's a relief just to be standing there with the wet smells of the apartment and the dead body. And then she's gone down the lifts and it's a relief just to be standing there with the wet smells of the apartment and the dead body.

She was using a dresser drawer as her ba.s.sinet.

I run my fingers along the splintered edge, fondle the bra.s.s pulls. If nothing else, these ladies are resourceful, making the things we can't buy anymore. If I close my eyes, I can almost remember a whole industry around these little guys. Little outfits. Little chairs. Little beds. Everything made little.

Little dinosaurs.

"She couldn't make it shut up."

I jerk my hands away from the baby box, startled. Pentle has come up behind me. "Huh?"

"She couldn't make it stop crying. Didn't know what to do with it. Didn't know how to make it calm down. That's how the neighbors heard."

"Dumb."

"Yeah. She didn't even have a tag-teamer. How the heck was she going to do grocery shopping?"

He gets out his camera and tries a couple shots of the baby. There's not a whole lot left. A 12mm Grange is built for junkies, nitheads going crazy, 'bot a.s.sa.s.sins. It's overkill for an unarmored thing like this. When the new Granges came out, Grange ran an ad campaign on the sides of our cruisers. "Grange: Unstoppable." Or something like that. There was this one that said "Point Blank Grange" with a photo of a completely mangled nithead. That one was in all our lockers.

Pentle tries another angle on the drawer, going for a profile, trying to make the best of a bad situation. "I like how she used a drawer," he says.

"Yeah. Resourceful."

"I saw this one where the lady made a whole little table and chair set for her kid. Handmade it all. I couldn't believe how much energy she put into it." He makes shapes with his hand. "Little scalloped edges, shapes painted on the top: squares and triangles and things."

"If you're going to die doing something, I guess you want to do a good job of it."

"I'd rather be parasailing. Or go to a concert. I heard Alice was great the other night."

"Yeah. She was." I study the baby's body as Pentle takes some more shots. "If you had to do it, how do you think you'd make one of them be quiet?"

Pentle nods at my Grange. "I'd tell it to shut up."

I grimace and holster the gun. "Sorry about that. It's been a rough week. I've been up too long. Haven't been sleeping." Too many dinosaurs looking at me. Too many dinosaurs looking at me.

Pentle shrugs. "Whatever. It would have been better to get an intact image-" He snaps another picture. "-but even if she gets off this time, you got to figure in another year or two we'll be busting down her door again. These girls have a d.a.m.n high recidivism." He takes another photo.

I go to a window and open it. Salt air flows in like fresh life, cleaning out the wet s.h.i.t and body stinks. Probably the first fresh air the apartment's had since the baby was born. Got to keep the windows closed or the neighbors might hear. Got to stay locked in. I wonder if she's got a boyfriend, some rejoo dropout who's going to show up with groceries and find her gone. Probably worth staking out the apartment, just to see. Keep the feminists off us for only bagging the women. I take a deep breath of sea air to get something fresh in my lungs, then light a cigarette and turn back to the room with its clutter and stink.

Recidivism. Fancy word for girls with a compulsion. Like a nithead or a c.o.ke freak, but weirder, more self-destructive. At least being a junkie is fun. Who the h.e.l.l chooses to live in dark apartments with s.h.i.tty diapers, instant food, and no sleep for years on end? The whole breeding thing is an anachronism-twenty-first-century ritual torture we don't need anymore. But these girls keep trying to turn back the clock and pop out the pups, little lizard brains compelled to pa.s.s on some DNA. And there's a new batch every year, little burps of offspring cropping up here and there, the convulsions of a species trying to restart itself and get evolution rolling again, like we can't tell that we've already won.

I'm keying through the directory listings in my cruiser, fiddling through ads and keywords and search preferences, trying to zero in on something that doesn't come up no matter how I go after it.

Dinosaur.

Toys.

Stuffed animals.

Nothing. n.o.body sells stuff like that dinosaur. But I've run into two of them now.

Monkeys scamper over the roof of my car. One of them lands on my forward impact rails and looks at me, yellow eyes wide, before another jumps it and they fall off the carbon petal pullout where I'm parked. Somewhere down below, suburban crumble keeps small herds of them. I remember when this area was tundra. It was a long time ago. I've talked to techs in the carbon sink business who talk about flipping the climate and building an icecap, but it's a slow process, an accretion of centuries most likely. a.s.suming I don't get shot by a crazy mom or a nithead, I'll see it happen. But for now, it's monkeys and jungle.

Forty-eight hours on call and two more cleanups and Alice wants me to take the weekend off and play, but I can't. I'm living on perkies, now. She feels good about her work, and wants me all day. We've done it before. Lying together, enjoying the silence and our own company, the pleasure of just being together with nothing needing to be done. There's something wonderful about peace and silence and sea breezes twisting the curtains on the balcony.

I should go home. In a week, maybe, she'll be back at worrying, doubting herself, thrashing herself to work harder, to practice longer, to listen and feel and move inside of music that's so complex it might as well be the mathematics of chaos for anyone but her. But in reality, she has time. All the time in the world, and it makes me happy that she has it, that fifteen years isn't too long to prepare for something as heartstoppingly beautiful as what she did with Telogo.

I want to spend this time with her, to enjoy her bliss. But I don't want to go back and sleep with that dinosaur. I can't.

I call her from the cruiser.

"Alice?"

She looks out at me from the dash. "Are you coming home? I could meet you for lunch."

"Do you know where Maria got that dinosaur toy?"

She shrugs. "Maybe one of the shops on the Span? Why?"

"Just wondering." I pause. "Could you go get it for me?"

"Why? Why can't we do something fun? I'm on vacation. I just had my rejoo. I feel great. If you want to see my dinosaur, why don't you come home and get it?"

"Alice, please."

Scowling, she disappears from the screen. In a few minutes she's back, holding it up to the screen, shoving it in my face. I can feel my heart beating faster. It's cool in the cruiser, but I break into a sweat when I see the dinosaur on the screen. I clear my throat. "What's it say on the tag?"

Frowning, she turns the thing over, runs her fingers through its fur. She holds up the tag to the camera. It comes in blurry as the camera focuses, then it's there, clear and sharp. "Ipswitch Collectibles." "Ipswitch Collectibles."

Of course. Not a toy at all.

The woman who runs Ipswitch is old, as old a rejoo as I've ever met. The wrinkles on her face look so much like plastic that it's hard to tell what's real and what may be a mask. Her eyes are sunken little blue coals and her hair is so white I think of weddings and silk. She must have been ninety when rejoo hit.

Whatever the name of it, Ipswitch Collectibles is full of toys: dolls staring down from their racks, different faces and shapes and colors of hair, some of them soft, some of them made of hard bright plastics; tiny trains that run around miniature tracks and spout steam from their pinky-sized smokestacks; figurines from old-time movies and comics in action poses: Superman, Dolphina, Rex Mutinous. And, under a shelf of hand-carved wooden cars, a bin full of stuffed dinosaurs in green and blue and red. A tyrannosaurus rex. A pterodactyl. The brontosaurus.

"I've got a few stegosauruses in the back."

I look up, startled. The old woman watches me from behind the counter, a strange wrinkly buzzard, studying me with those sharp blue eyes, examining me like I'm carrion.

I pick out the brontosaurus and hold it up by the neck. "No. These're fine."

A bell rings. The shop's main doors to the concourse slide open. A woman steps through, hesitant. Her hair is pulled back in a ponytail and she hasn't applied any makeup, and I can tell, even before she's all the way through the door, that she's one of them: a mom.

She hasn't been off rejoo long; she still looks fresh and young, despite the plumpness that comes with kids. She still looks good. But even without rejoo-collapse telltales, I know what she's done to herself. She's got the tired look of a person at war with the world. None of us look like that. No one has to look like that. Nitheads look less besieged. She's trying to act like the person she was before, like the actress or the financial advisor or the code engineer or the biologist or the waitress or whatever, putting on clothes from her life before, that used to fit perfectly and don't now, making herself look like a person who walks without fear in the open air, and who doesn't now.

As she wanders the aisles, I spy a stain on her shoulder. It's small but obvious if you know what to look for, a light streak of green on a creamy blouse. The kind of thing that never happens to anyone except women with children. No matter how hard she tries, she doesn't fit anymore. Not with us.

Ipswitch Collectibles, like others of its ilk, is a trap door of sorts-a rabbit hole down into the land of illicit motherhood: the place of mashed pea stains, sound-proofed walls, and furtive forays into daylight for resupply and survival. If I stand here long enough, holding my magic brontosaurus by the neck, I'll slip through entirely and see their world as it overlaps with my own, see it with the queer double vision of these women who have learned to turn a drawer into a crib, and know how to fold and pin an old shirt into a diaper, and know that "collectibles" "collectibles" really means really means "toys." "toys."

The woman slips in the direction of the train sets. She chooses one and places it on the counter. It's a bright wooden thing, each car a different color, each connected by a magnet.

The old woman takes the train and says, "Oh yes, this is a fine piece. I had grandchildren who played with trains like this when they were just a little more than one."

The mother doesn't say anything, just holds out her wrist for the charge, her eyes down on the train. She fingers the blue and yellow engine nervously.

I come up to the counter. "I'll bet you sell a lot of them."

The mother jerks. For a second she looks like she'll run, but she steadies. The old woman's eyes turn on me. Dark sunken blue cores, infinitely knowledgeable. "Not many. Not now. Not many collectors around for this sort of thing. Not now."

The transaction clears. The woman hustles out of the store, not looking back. I watch her go.

The old woman says, "That dinosaur is forty-seven, if you want it." Her tone says that she already knows I won't be buying.

I'm not a collector.

Nighttime. More dark-of-night encounters with illicit motherhood. The babies are everywhere, popping up like toadstools after rain. I can't keep up with them. I had to leave my last call before the cleanup crew came. Broke the chain of evidence, but what can you do? Everywhere I go, the baby world is ripping open around me, melons and seedpods and fertile wombs splitting open and vomiting babies onto the ground. We're drowning in babies. The jungle seems to seethe with them, the hidden women down in the suburb swelter, and as I shoot along the maglines on my way to b.l.o.o.d.y errands, the jungle's tendril vines curl up from below, reaching out to me.

I've got the mom's address in my cruiser. She's hidden now. Back down the rabbit hole. Pulled the lid down tight over her head. Lying low with her brood, reconnected with the underground of women who have all decided to kill themselves for the sake of squeezing out pups. Back in the swelter of locked doors and p.o.o.py diapers amongst the sorority who give train sets to little creatures who actually play with them instead of putting them on an end table and making you look at them every d.a.m.n day...The woman. The collector. collector. I've been holding off on hitting her. It doesn't seem fair. It seems like I should wait for her to make her mistake before I pop her kids. But knowing that she's out there tickles my mind. I catch myself again and again, reaching to key in the homing on her address. I've been holding off on hitting her. It doesn't seem fair. It seems like I should wait for her to make her mistake before I pop her kids. But knowing that she's out there tickles my mind. I catch myself again and again, reaching to key in the homing on her address.

But then another call comes, another cleanup, and I let myself pretend I don't know about her, that I haven't perforated her hidey-hole and can now peer in on her whenever I like. The woman we don't know about-yet. Who hasn't made a mistake-yet. Instead I barrel down the rails to another call, slicing through jungle overstory where it impinges around the tracks, blasting toward another woman's destiny who was less lucky and less clever than the one who likes to collect. And these other women hold me for a little while. But in the end, parked on the edge of the sea, with monkeys screeching from the jungle and rain s.p.a.ckling my windshield, I punch in the collector's address.

I'll just drive by.

It could have been a rich house, before carbon sequestration. Before we all climbed into the bright air of the spires and supercl.u.s.ters. But now it exists at the very edge of what is left of suburbs. I'm surprised it even has electric or any services running to it at all. The jungle surrounds it, envelopes it. The road to it, off the maglines and off the maintenance routes, is heaved and split and perforated with encroaching trees. She's smart. She's as close to wilderness as it is possible to live. Beyond is only shadow tangle and green darkness. Monkeys scamper away from the spray of my headlights. The houses around her have already been abandoned. Any day now, they'll stop serving this area entirely. In another couple years, this portion will be completely overgrown. We'll cut off services and the last of the spires will go online and the jungle will swallow this place completely.

I sit outside the house for a while, looking at it. She's a smart one. To live this far out. No neighbors to hear the screaming. But if I think about it, she would have been smarter to move into the jungle entirely, and live with all the other monkeys that just can't keep themselves from breeding. I guess at the end of the day, even these crazy ladies are still human. They can't leave civilization totally behind. Or don't know how, anyway.

I get out of my car, pull my Grange, and hit the door.

As I slam through, she looks up from where she sits at her kitchen table. She isn't even surprised. A little bit of her seems to deflate, and that's all. Like she knew it was going to happen all along. Like I said: a smart one.

A kid runs in from the other room, attracted by the noise of me coming through the door. Maybe one and a half or two years old. It stops and stares, little tow-headed thing, its hair already getting long like hers. We stare at each other. Then it turns and scrambles into its mother's lap.

The woman closes her eyes. "Go on, then. Do it."

I point my Grange, my 12mm hand cannon. Zero in on the kid. The lady wraps her arms around it. It's not a clear shot. It'll rip right through and take out the mom. I angle differently, looking for the shot. Nothing.

She opens her eyes. "What are you waiting for?"

We stare at each other. "I saw you in the toy store. A couple days ago."

She closes her eyes again, regretful, understanding her mistake. She doesn't let go of the kid. I could just take it out of her arms, throw it on the floor and shoot it. But I don't. Her eyes are still closed.

"Why do you do it?" I ask.

Her eyes open again. She's confused. I'm breaking the script. She's mapped this out in her own mind. Probably a thousand times. Had to. Had to know this day would be coming. But here I am, all alone, and her kid's not dead yet. And I keep asking her questions.

"Why do you keep having these kids?"

She just stares at me. The kid squirms around on her and tries to start nursing. She lifts her blouse a little and the kid dives under. I can see the hanging bulges of the lady's b.r.e.a.s.t.s, these heavy swinging mammaries, so much larger than I remember them from the store when they were hidden under bra and blouse. They sag while the kid sucks. The woman just stares at me. She's on some kind of autopilot, feeding the kid. Last meal.

I take my hat off and put it on the table and sit. I put my Grange down, too. It just doesn't seem right to blow the sucker away while it's nursing. I take out a cigarette and light it. Take a drag. The woman watches me the way anyone watches a predator. I take another drag on my cigarette and offer it to her.

"Smoke?"

"I don't." She jerks her head toward her kid.

I nod. "Ah. Right. Bad for the new lungs. I heard that, once. Can't remember where." I grin. "Can't remember when."

She stares at me. "What are you waiting for?"

I look down at my pistol, lying on the table. The heavy machine weight of slugs and steel, a monster weapon. Grange 12mm Recoilless Hand Cannon. Standard issue. Stop a nitfitter in his tracks. Take out the whole d.a.m.n heart if you hit them right. Pulverize a baby. "You had to stop taking rejoo to have the kid, right?"