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Public Speaking: Principles and Practice Part 14

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You may talk o' gin and beer When you're quartered safe out 'ere, An' you're sent to penny-fights an' Aldershot it; But when it comes to slaughter You will do your work on water, An' you'll lick the bloomin' boots of 'im that's got it.

Now in Injia's sunny clime, Where I used to spend my time A-servin' of 'Er Majesty the Queen, Of all them blackfaced crew The finest man I knew Was our regimental bhisti, Gunga Din.

He was "Din! Din! Din!

You limping lump o' brick-dust, Gunga Din!

Hi! slippery hitherao!



Water, get it! Panee lao! [Footnote: Bring water swiftly.]

You squidgy-nosed old idol, Gunga Din."

The uniform 'e wore Was nothin' much before, An' rather less than 'arf o' that be'ind, For a piece o' twisty rag An' a goatskin water-bag Was all the field-equipment 'e could find.

When the sweatin' troop-train lay In a sidin' through the day, Where the 'eat would make your bloomin' eyebrows crawl, We shouted "Harry By!" [Footnote: O Brother]

Till our throats were bricky-dry, Then we wopped 'im 'cause 'e couldn't serve us all.

It was "Din! Din! Din!

You 'eathen, where the mischief 'ave you been?

You put some juldee in it Or I'll marrow you this minute, [Footnote: Hit you]

If you don't fill up my helmet, Gunga Din!"

'E would dot an' carry one Till the longest day was done; An' 'e didn't seem to know the use o' fear.

If we charged or broke or cut, You could bet your bloomin' nut, 'E'd be waitin' fifty paces right flank rear.

With 'is mussick [Footnote: Water skin] on 'is back, 'E would skip with our attack, An' watch us till the bugles made "Retire,"

An' for all 'is dirty 'ide 'E was white, clear white, inside When 'e went to tend the wounded under fire!

It was "Din! Din! Din!"

With the bullets kickin' dust-spots on the green.

When the cartridges ran out, You could hear the front-files shout, "Hi! ammunition-mules an' Gunga Din!"

I sha'n't forgit the night When I dropped be'ind the fight With a bullet where my belt-plate should 'a' been.

I was chokin' mad with thirst, An' the man that spied me first Was our good old grinnin', gruntin' Gunga Din.

'E lifted up my 'ead, An' he plugged me where I bled, An' 'e guv me 'arf-a-pint o' water-green: It was crawlin' and it stunk, But of all the drinks I've drunk, I'm gratefullest to one from Gunga Din.

It was "Din! Din! Din!"

'Ere's a beggar with a bullet through 'is spleen; 'E's chawin' up the ground, An' 'e's kickin' all around: "For Gawd's sake git the water, Gunga Din!"

'E carried me away To where a dooli lay, An' a bullet come an' drilled the beggar clean.

'E put me safe inside, An' just before 'e died: "I 'ope you liked your drink," sez Gunga Din.

So I'll meet 'im later on At the place where 'e is gone-- Where it's always double drill and no canteen; 'E'll be squattin' on the coals, Givin' drink to poor d.a.m.ned souls, An' I'll get a swig in h.e.l.l from Gunga Din!

Yes, Din! Din! Din!

You Lazarushian-leather Gunga Din!

Though I've belted you and flayed you, By the living Gawd that made you, You're a better man than I am, Gunga Din!

ADDRESS OF SERGEANT BUZFUZ

From "The Pickwick Papers"

BY CHARLES d.i.c.kENS

Sergeant Buzfuz rose with all the majesty and dignity which the grave nature of the proceedings demanded, and having whispered to Dodson, and conferred briefly with Fogg, pulled his gown over his shoulders, settled his wig, and addressed the jury.

Sergeant Buzfuz began by saying that never, in the whole course of his professional experience,--never, from the very first moment of his applying himself to the study and practice of the law, had he approached a case with such a heavy sense of the responsibility imposed upon him,--a responsibility he could never have supported, were he not buoyed up and sustained by a conviction, so strong that it amounted to positive certainty, that the cause of truth and justice, or, in other words, the cause of his much-injured and most oppressed client, _must_ prevail with the high-minded and intelligent dozen of men whom he now saw in that box before him.

Counsel always begin in this way, because it puts the jury on the best terms with themselves, and makes them think what sharp fellows they must be. A visible effect was produced immediately; several jurymen beginning to take voluminous notes.

"The plaintiff is a widow; yes, gentlemen, a widow. The late Mr.

Bardell, after enjoying, for many years, the esteem and confidence of his sovereign, as one of the guardians of his royal revenues, glided almost imperceptibly from the world, to seek elsewhere for that repose and peace which a custom-house can never afford."

This was a pathetic description of the decease of Mr. Bardell, who had been knocked on the head with a quart-pot in a public-house cellar.

"Of this man Pickwick I will say little; the subject presents but few attractions; and I, gentlemen, am not the man, nor are you, gentlemen, the men, to delight in the contemplation of revolting heartlessness and of systematic villainy."

Here Mr. Pickwick, who had been writhing in silence, gave a violent start, as if some vague idea of a.s.saulting Sergeant Buzfuz, in the august presence of justice and law, suggested itself to his mind.

"I say systematic villainy, gentlemen," said Sergeant Buzfuz, looking through Mr. Pickwick, and talking _at_ him, "and when I say systematic villainy, let me tell the defendant, Pickwick,--if he be in court, as I am informed he is,--that it would have been more decent in him, more becoming, in better judgment, and in better taste, if he had stopped away.

"I shall show you, gentlemen, that for two years Pickwick continued to reside without interruption or intermission at Mrs. Bardell's house. I shall show you that, on many occasions, he gave halfpence, and on some occasions even sixpences, to her little boy; and I shall prove to you, by a witness whose testimony it will be impossible for my learned friend to weaken or controvert, that on one occasion he patted the boy on the head, and, after inquiring whether he had won any _alley tors_ or _commoneys_ lately (both of which I understand to be a particular species of marbles much prized by the youth of this town), made use of this remarkable expression: 'How should you like to have another father?' I shall prove to you, gentlemen, on the testimony of three of his own friends,--most unwilling witnesses, gentlemen,--most unwilling witnesses,--that on that morning he was discovered by them holding the plaintiff in his arms, and soothing her agitation by his caresses and endearments.

"And now, gentlemen, but one word more. Two letters have pa.s.sed between these parties,--letters which are admitted to be in the handwriting of the defendant. Let me read the first:--'Garraway's, twelve o'clock.

Dear Mrs. B.--Chops and Tomato sauce. Yours, Pickwick.' Gentlemen, what does this mean? Chops! Gracious heavens! and Tomato sauce! Gentlemen, is the happiness of a sensitive and confiding female to be trifled away by such shallow artifices as these? The next has no date whatever, which is in itself suspicious. 'Dear Mrs. B., I shall not be at home till to-morrow. Slow coach.' And then follows this very remarkable expression. 'Don't trouble yourself about the warming-pan.' Why, gentlemen, who _does_ trouble himself about a warming-pan? Why is Mrs. Bardell so earnestly entreated not to agitate herself about this warming-pan, unless it is, as I a.s.sert it to be, a mere cover for hidden fire,--a mere subst.i.tute for some endearing word or promise, agreeably to a preconcerted system of correspondence, artfully contrived by Pickwick with a view to his contemplated desertion, and which I am not in a condition to explain?

"Enough of this. My client's hopes and prospects are ruined. But Pickwick, gentlemen,--Pickwick, the ruthless destroyer of this domestic oasis in the desert of Goswell Street,--Pickwick, who has choked up the well, and thrown ashes on the sward,--Pickwick, who comes before you to-day with his heartless Tomato sauce and warming-pans,--Pickwick still rears his head with unblushing effrontery, and gazes without a sigh on the ruin he has made. Damages, gentlemen, heavy damages, are the only punishment with which you can visit him, the only recompense you can award to my client. And for those damages she now appeals to an enlightened, a high-minded, a right-feeling, a conscientious, a dispa.s.sionate, a sympathizing, a contemplative jury of her civilized countrymen."

A NATURAL PHILOSOPHER

BY MACCABE

Ladies and Gentlemen: I see so many foine-lookin' people sittin' before me that if you'll excuse me I'll be after takin' a seat meself. You don't know me, I'm thinking, as some of yees 'ud be noddin' to me afore this. I'm a walkin' pedestrian, a travelin' philosopher. Terry O'Mulligan's me name. I'm from Dublin, where many philosophers before me was raised and bred. Oh, philosophy is a foine study! I don't know anything about it, but it's a foine study! Before I kirn over I attended an important meetin' of philosophers in Dublin, and the discussin' and talkin' you'd hear there about the world 'ud warm the very heart of Socrates or Aristotle himself. Well, there was a great many _imminent_ and learned _min_ there at the meetin', and I was there too, and while we was in the very thickest of a heated argument, one comes to me and says he, "Do you know what we're talkin'

about?" "I do," says I, "but I don't understand yees." "Could ye explain the sun's motion around the earth?" says he. "I could," says I, "but I'd not know could you understand or not." "Well," says he, "we'll see," says he. Sure'n I didn't know anything, how to get out of it then, so I piled in, "for," says I to myself, "never let on to any one that you don't know anything, but make them believe that you do know all about it." So says I to him, takin' up me shillalah this way (holding a very crooked stick perpendicular), "We'll take that for the straight line of the earth's equator"--how's that for gehography? (to the audience). Ah, that was straight till the other day I bent it in an argument. "Wery good," says he. "Well," says I, "now the sun rises in the east" (placing the disengaged hand at the eastern end of the stick). Well, he couldn't deny that. "And when he gets up he

Darts his rosy beams Through the mornin' gleams."

Do you moind the poetry there? (to the audience with a smile). "And he keeps on risin' and risin' till he reaches his meriden." "What's that?"

says he. "His dinner-toime," says I; "sure'n that's my Latin for dinner-toime, and when he gets his dinner

He sinks to rest Behind the glorious hills of the west."

Oh, begorra, there's more poetry! I fail it creepin' out all over me.

"There," says I, well satisfied with myself, "will that do for ye?"

"You haven't got done with him yet," says he. "Done with him," says I, kinder mad like; "what more do you want me to do with him? Didn't I bring him from the east to the west? What more do you want?" "Oh," says he, "you'll have to bring him back again to the east to rise next mornin'." By Saint Patrick! and wasn't I near betrayin' me ignorance, Sure'n I thought there was a large family of suns, and they rise one after the other. But I gathered meself quick, and, says I to him, "Well," says I, "I'm surprised you axed me that simple question. I thought any man 'ud know," says I, "when the sun sinks to rest in the west--when the sun--" says I. "You said that before," says he. "Well, I want to press it stronger upon you," says I. "When the sun sinks to rest in the east--no--west, why he--why he waits till it grows dark, and then he goes _back in the noight toime_!"

RESPONSE TO A TOAST

From "A Charity Dinner"

BY LITCHFIELD MOSELEY

"Milors and Gentlemans!" commences the Frenchman, elevating his eyebrows and shrugging his shoulders. "Milors and Gentlemans--You excellent chairman, M. le Baron de Mount-Stuart, he have say to me, 'Make de toast.' Den I say to him dat I have no toast to make; but he nudge my elbow ver soft, and say dat dere is von toast dat n.o.body but von Frenchman can make proper; and, derefore, wid your kind permission, I vill make de toast. 'De brevete is de sole of de feet,' as you great philosophere, Dr. Johnson, do say, in dat amusing little vork of his, de p.r.o.nouncing Dictionnaire; and, derefore, I vill not say ver moch to de point. Ven I vas a boy, about so moch tall, and used for to promenade de streets of Ma.r.s.eilles et of Rouen, vid no feet to put onto my shoe, I nevare to have expose dat dis day vould to have arrive. I vas to begin de vorld as von garcon--or, vat you call in dis countrie, von vaitaire in a cafe--vere I vork ver hard, vid no habillemens at all to put onto myself, and ver little food to eat, excep' von old blue blouse vat vas give to me by de proprietaire, just for to keep myself fit to be showed at; but, tank goodness, tings dey have change ver moch for me since dat time, and I have rose myself, seulement par mon industrie et perseverance. Ah! mes amis! ven I hear to myself de flowing speech, de oration magnifique of you Lor' Maire, Monsieur Gobbledown, I feel dat it is von great privilege for von etrange to sit at de same table, and to eat de same food, as dat grand, dat majestique man, who are de terreur of de voleurs and de brigands of de metropolis; and who is also, I for to suppose, a halterman and de chef of you common scoundrel. Milors and gentlemans, I feel dat I can perspire to no greatare honneur dan to be von common scoundrelman myself; but, helas! dat plaisir are not for me, as I are not freeman of your great cite, not von liveryman servant of von of you compagnies joint-stock.

But I must not forget de toast. Milors and Gentlemans! De immortal Shakispeare he have write, 'De ting of beauty are de joy for nevermore.' It is de ladies who are de toast. Vat is more entrancing dan de charmante smile, de soft voice, der vinking eye of de beautiful lady! It is de ladies who do sweeten de cares of life. It is de ladies who are de guiding stars of our existence. It is de ladies who do cheer but not inebriate, and, derefore, vid all homage to de dear s.e.x, de toast dat I have to propose is, "De Ladies! G.o.d bless dem all!"

PARTRIDGE AT THE PLAY

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Public Speaking: Principles and Practice Part 14 summary

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