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fury behind them. "I have to live with it every day. Do you think
talking about it helps, finding excuses, choosing reasons? What
difference does it make why it happened? It happened. I'm going for a
walk." She raced down the steps and headed toward the surf.
KATHERINE WAs A PANENT WOMAN. For two days she said nothing, made no
reference to the talk she and Emma had had. She waited, while Emma kept
a polite distance.
The days were anything but uneventful. Because it was her first trip to
the States, Stevie wanted to show Katherine everything. They spent
hours sightseeing, taking in all the tourist spots from the walk of the
stars to Disneyland and Knott's Berry Farm. There were clubs in the
evening. Sometimes they went alone, sometimes as a group. She liked
best the nights they spent at home, with Stevie sitting for hours making
love to his guitar.
But she thought incessantly about Emma. Stevie understood-perhaps that
was why Katherine had fallen in love with him-that she had to help, even
when help was rejected.
She took her chances when she heard Emma go downstairs before
dawn one morning. Following her down, Katherine found all the lights
shining. Emma was in the kitchen, sitting at the breakfast bar and
staring out the dark window.
"I wanted some tea," Katherine said easily and walked to the stove. "I
always find it comforting when I wake this early." She didn't comment on
the tears drying on Emma's cheeks, but busied herself with cups and
saucers. "I admire your mother. The way she adds a few touches and
makes the kitchen the coziest room in the house. With mine, I always
feel as though I'm standing in someone else's closet."
She measured out tea in a painted pot shaped like a cow.
"Stevie took me through the Universal Studios tour yesterday afternoon.
Have you ever been?" She waited only a beat for Emma's response, then
continued. "I got a close-up look at Jaws and wondered why the film had
terrified me. But then it's all image and illusion." She poured the
boiling water into the pot and let the tea steep. "The little tram rode
by Norman Bates's house-you know, from Psycho? It looks exactly the
same, just what you'd expect, but without the terror. It seems when you
lift something out of context, even something frightening, it loses
power. It becomes just an odd little house or a mechanical fish."
"Life isn't the same as films."
"No, but I've always thought there were interesting parallels. Would
you like cream?"
"No. No, thank you." She was silent while Katherine poured the tea.
Then the words came out before she could stop them. "Sometimes it's as
though the time I spent with Drew was a film. Something I can look at,
detached. And then, on mornings like this when I wake up before the
light, I think I'm back in New York, in the apartment, and he's sleeping
beside me. I can almost hear him breathing in the dark. Then the rest,
these last months, are the film. Does that make me crazy?"
"No. It makes you a woman who lived through a terrible ordeal."
"But he's gone. I know he's gone. Why should I still be afraid?"
"Are you?"