Prince Zaleski Part 4

'Of that, at least, I was certain from the first.'

'Great G.o.d!' I exclaimed, 'could any son of man so convert himself into a fiend, a beast of the wilderness....'

'You judge precisely in the manner of the mult.i.tude,' he answered somewhat petulantly. 'Illegal murder is always a mistake, but not necessarily a crime. Remember Corday. But in cases where the murder of one is really fiendish, why is it qualitatively less fiendish than the murder of many? On the other hand, had Brutus slain a thousand Caesars--each act involving an additional exhibition of the sublimest self-suppression--he might well have taken rank as a saint in heaven.'

Failing for the moment to see the drift or the connection of the argument, I contented myself with waiting events. For the rest of that day and the next Zaleski seemed to have dismissed the matter of the tragedies from his mind, and entered calmly on his former studies. He no longer consulted the news, or examined the figures on the tablet.

The papers, however, still arrived daily, and of these he soon afterwards laid several before me, pointing, with a curious smile, to a small paragraph in each. These all appeared in the advertis.e.m.e.nt columns, were worded alike, and read as follows:

'A true son of Lycurgus, _having news_, desires to know the _time_ and _place_ of the next meeting of his Phyle. Address Zaleski, at R---- Abbey, in the county of M----.'

I gazed in mute alternation at the advertis.e.m.e.nt and at him. I may here stop to make mention of a very remarkable sensation which my a.s.sociation with him occasionally produced in me. I felt it with intense, with unpleasant, with irritating keenness at this moment. It was the sensation of being borne aloft--aloft--by a force external to myself--such a sensation as might possibly tingle through an earthworm when lifted into illimitable airy heights by the strongly-daring pinions of an eagle. It was the feeling of being hurried out beyond one's depth--caught and whiffed away by the all-compelling sweep of some rabid vigour into a new, foreign element. Something akin I have experienced in an 'express' as it raged with me--winged, rocking, ecstatic, shrilling a dragon Aha!--round a too narrow curve. It was a sensation very far from agreeable.

'To that,' he said, pointing to the paragraph, 'we may, I think, shortly expect an answer. Let us only hope that when it comes it may be immediately intelligible.'

We waited throughout the whole of that day and night, hiding our eagerness under the pretence of absorption in our books. If by chance I fell into an uneasy doze, I found him on waking ever watchful, and poring over the great tome before him. About the time, however, when, could we have seen it, the first grey of dawn must have been peeping over the land, his impatience again became painful to witness; he rose and paced the room, muttering occasionally to himself. This only ceased, when, hours later, Ham entered the room with an envelope in his hand. Zaleski seized it--tore it open--ran his eye over the contents--and dashed it to the ground with an oath.

'Curse it!' he groaned. 'Ah, curse it! unintelligible--every syllable of it!'

I picked up the missive and examined it. It was a slip of papyrus covered with the design now so hideously familiar, except only that the two central figures were wanting. At the bottom was written the date of the 15th of November--it was then the morning of the 12th--and the name 'Morris.' The whole, therefore, presented the following appearance:

[Ill.u.s.tration]

My eyes were now heavy with sleep, every sense half-drunken with the vapourlike atmosphere of the room, so that, having abandoned something of hope, I tottered willingly to my bed, and fell into a profound slumber, which lasted till what must have been the time of the gathering in of the shades of night. I then rose. Missing Zaleski, I sought through all the chambers for him. He was nowhere to be seen. The negro informed me with an affectionate and anxious tremor in the voice that his master had left the rooms some hours before, but had said nothing to him. I ordered the man to descend and look into the sacristy of the small chapel wherein I had deposited my _caleche_, and in the field behind, where my horse should be. He returned with the news that both had disappeared. Zaleski, I then concluded, had undoubtedly departed on a journey.

I was deeply touched by the demeanour of Ham as the hours went by. He wandered stealthily about the rooms like a lost being. It was like matter sighing after, weeping over, spirit. Prince Zaleski had never before withdrawn himself from the _surveillance_ of this st.u.r.dy watchman, and his disappearance now was like a convulsion in their little cosmos. Ham implored me repeatedly, if I could, to throw some light on the meaning of this catastrophe. But I too was in the dark.

The t.i.tanic frame of the Ethiopian trembled with emotion as in broken, childish words he told me that he felt instinctively the approach of some great danger to the person of his master. So a day pa.s.sed away, and then another. On the next he roused me from sleep to hand me a letter which, on opening, I found to be from Zaleski. It was hastily scribbled in pencil, dated 'London, Nov. 14th,' and ran thus:

'For my body--should I not return by Friday night--you will, no doubt, be good enough to make search. _Descend_ the river, keeping constantly to the left; consult the papyrus; and stop at the _Descensus Aesopi._ Seek diligently, and you will find. For the rest, you know my fancy for cremation: take me, if you will, to the crematorium of _Pere-Lachaise._ My whole fortune I decree to Ham, the Lybian.'

Ham was all for knowing the contents of this letter, but I refused to communicate a word of it. I was dazed, I was more than ever perplexed, I was appalled by the frenzy of Zaleski. Friday night! It was then Thursday morning. And I was expected to wait through the dreary interval uncertain, agonised, inactive! I was offended with my friend; his conduct bore the interpretation of mental distraction. The leaden hours pa.s.sed all oppressively while I sought to appease the keenness of my unrest with the anodyne of drugged sleep. On the next morning, however, another letter--a rather ma.s.sive one--reached me. The covering was directed in the writing of Zaleski, but on it he had scribbled the words: 'This need not be opened unless I fail to reappear before Sat.u.r.day.' I therefore laid the packet aside unread.

I waited all through Friday, resolved that at six o'clock, if nothing happened, I should make some sort of effort. But from six I remained, with eyes strained towards the doorway, until ten. I was so utterly at a loss, my ingenuity was so entirely baffled by the situation, that I could devise no course of action which did not immediately appear absurd. But at midnight I sprang up--no longer would I endure the carking suspense. I seized a taper, and pa.s.sed through the door-way. I had not proceeded far, however, when my light was extinguished. Then I remembered with a shudder that I should have to pa.s.s through the whole vast length of the building in order to gain an exit. It was an all but hopeless task in the profound darkness to thread my way through the labyrinth of halls and corridors, of tumble-down stairs, of bat-haunted vaults, of purposeless angles and involutions; but I proceeded with something of a blind obstinacy, groping my way with arms held out before me. In this manner I had wandered on for perhaps a quarter of an hour, when my fingers came into distinct momentary contact with what felt like cold and humid human flesh. I shrank back, unnerved as I already was, with a murmur of affright.

'Zaleski?' I whispered with bated breath.

Intently as I strained my ears, I could detect no reply. The hairs of my head, catching terror from my fancies, erected themselves.

Again I advanced, and again I became aware of the sensation of contact.

With a quick movement I pa.s.sed my hand upward and downward.

It was indeed he. He was half-reclining, half-standing against a wall of the chamber: that he was not dead, I at once knew by his uneasy breathing. Indeed, when, having chafed his hands for some time, I tried to rouse him, he quickly recovered himself, and muttered: 'I fainted; I want sleep--only sleep.' I bore him back to the lighted room, a.s.sisted by Ham in the latter part of the journey. Ham's ecstasies were infinite; he had hardly hoped to see his master's face again. His garments being wet and soiled, the negro divested him of them, and dressed him in a tightly-fitting scarlet robe of Babylonish pattern, reaching to the feet, but leaving the lower neck and forearm bare, and girt round the stomach by a broad gold-orphreyed _ceinture_. With all the tenderness of a woman, the man stretched his master thus arrayed on the couch. Here he kept an Argus guard while Zaleski, in one deep unbroken slumber of a night and a day, reposed before him. When at last the sleeper woke, in his eye,--full of divine instinct,--flitted the wonted falchion-flash of the whetted, two-edged intellect; the secret, austere, self-conscious smile of triumph curved his lip; not a trace of pain or fatigue remained. After a substantial meal on nuts, autumn fruits, and wine of Samos, he resumed his place on the couch; and I sat by his side to hear the story of his wandering. He said:

'We have, Shiel, had before us a very remarkable series of murders, and a very remarkable series of suicides. Were they in any way connected?

To this extent, I think--that the mysterious, the unparalleled nature of the murders gave rise to a morbid condition in the public mind, which in turn resulted in the epidemic of suicide. But though such an epidemic has its origin in the instinct of imitation so common in men, you must not suppose that the mental process is a _conscious_ one. A person feels an impulse to go and do, and is not aware that at bottom it is only an impulse to go and do _likewise_. He would indeed repudiate such an a.s.sumption. Thus one man destroys himself, and another imitates him--but whereas the former uses a pistol, the latter uses a rope. It is rather absurd, therefore, to imagine that in any of those cases in which the slip of papyrus has been found in the mouth after death, the cause of death has been the slavish imitativeness of the suicidal mania,--for this, as I say, is never _slavish._ The papyrus then--quite apart from the unmistakable evidences of suicide invariably left by each self-destroyer--affords us definite and certain means by which we can distinguish the two cla.s.ses of deaths; and we are thus able to divide the total number into two nearly equal halves.

'But you start--you are troubled--you never heard or read of murder such as this, the simultaneous murder of thousands over wide areas of the face of the globe; here you feel is something outside your experience, deeper than your profoundest imaginings. To the question "by whom committed?" and "with what motive?" your mind can conceive no possible answer. And yet the answer must be, "by man, and for human motives,"--for the Angel of Death with flashing eye and flaming sword is himself long dead; and again we can say at once, by no _one_ man, but by many, a cohort, an army of men; and again, by no _common_ men, but by men h.e.l.lish (or heavenly) in cunning, in resource, in strength and unity of purpose; men laughing to scorn the flimsy prophylactics of society, separated by an infinity of self-confidence and spiritual integrity from the ordinary easily-crushed criminal of our days.

'This much at least I was able to discover from the first; and immediately I set myself to the detection of motive by a careful study of each case. This, too, in due time, became clear to me,--but to motive it may perhaps be more convenient to refer later on. What next engaged my attention was the figures on the papyrus, and devoutly did I hope that by their solution I might be able to arrive at some more exact knowledge of the mystery.

'The figures round the border first attracted me, and the mere _reading_ of them gave me very little trouble. But I was convinced that behind their meaning thus read lay some deep esoteric significance; and this, almost to the last, I was utterly unable to fathom. You perceive that these border figures consist of waved lines of two different lengths, drawings of snakes, triangles looking like the Greek delta, and a heart-shaped object with a dot following it. These succeed one another in a certain definite order on all the slips. What, I asked myself, were these drawings meant to represent,--letters, numbers, things, or abstractions? This I was the more readily able to determine because I have often, in thinking over the shape of the Roman letter S, wondered whether it did not owe its convolute form to an attempt on the part of its inventor to make a picture of the _serpent;_ S being the sibilant or hissing letter, and the serpent the hissing animal. This view, I fancy (though I am not sure), has escaped the philologists, but of course you know that all letters were originally _pictures of things,_ and of what was S a picture, if not of the serpent? I therefore a.s.sumed, by way of trial, that the snakes in the diagram stood for a sibilant letter, that is, either C or S. And thence, supposing this to be the case, I deduced: firstly, that all the other figures stood for letters; and secondly, that they all appeared in the form of pictures of the things of which those letters were originally meant to be pictures. Thus the letter "m," one of the four "_liquid_"

consonants, is, as we now write it, only a shortened form of a waved line; and as a waved line it was originally written, and was the character by which _a stream of running water_ was represented in writing; indeed it only owes its name to the fact that when the lips are pressed together, and "m" uttered by a continuous effort, a certain resemblance to the murmur of running water is produced. The longer waved line in the diagram I therefore took to represent "m"; and it at once followed that the shorter meant "n," for no two letters of the commoner European alphabets differ only in length (as distinct from shape) except "m" and "n", and "w" and "v"; indeed, just as the French call "w" "double-ve," so very properly might "m" be called "double-en."

But, in this case, the longer not being "w," the shorter could not be "v": it was therefore "n." And now there only remained the heart and the triangle. I was unable to think of any letter that could ever have been intended for the picture of a heart, but the triangle I knew to be the letter #A.# This was originally written without the cross-bar from prop to prop, and the two feet at the bottom of the props were not separated as now, but joined; so that the letter formed a true triangle. It was meant by the primitive man to be a picture of his primitive house, this house being, of course, hut-shaped, and consisting of a conical roof without walls. I had thus, with the exception of the heart, disentangled the whole, which then (leaving a s.p.a.ce for the heart) read as follows:

{ ss 'mn { anan ... san.'

{ cc

But 'c' before 'a' being never a sibilant (except in some few so-called 'Romance' languages), but a guttural, it was for the moment discarded; also as no word begins with the letters 'mn'--except 'mnemonics' and its fellows--I concluded that a vowel must be omitted between these letters, and thence that all vowels (except 'a') were omitted; again, as the double 's' can never come after 'n' I saw that either a vowel was omitted between the two 's's,' or that the first word ended after the first 's.' Thus I got

'm ns sanan... san,'

or, supplying the now quite obvious vowels,

'mens sana in... sano.'

The heart I now knew represented the word 'corpore,' the Latin word for 'heart' being 'cor,' and the dot--showing that the word as it stood was an abbreviation--conclusively proved every one of my deductions.

'So far all had gone flowingly. It was only when I came to consider the central figures that for many days I spent my strength in vain. You heard my exclamation of delight and astonishment when at last a ray of light pierced the gloom. At no time, indeed, was I wholly in the dark as to the _general_ significance of these figures, for I saw at once their resemblance to the sepulchral reliefs of cla.s.sical times. In case you are not minutely acquainted with the _technique_ of these stones, I may as well show you one, which I myself removed from an old grave in Tarentum.'

He took from a niche a small piece of close-grained marble, about a foot square, and laid it before me. On one side it was exquisitely sculptured in relief.

'This,' he continued, 'is a typical example of the Greek grave-stone, and having seen one specimen you may be said to have seen almost all, for there is surprisingly little variety in the cla.s.s. You will observe that the scene represents a man reclining on a couch; in his hand he holds a _patera,_ or dish, filled with grapes and pomegranates, and beside him is a tripod bearing the viands from which he is banqueting.

At his feet sits a woman--for the Greek lady never reclined at table.

In addition to these two figures a horse's head, a dog, or a serpent may sometimes be seen; and these forms comprise the almost invariable pattern of all grave reliefs. Now, that this was the real model from which the figures on the papyrus were taken I could not doubt, when I considered the seemingly absurd fidelity with which in each murder the papyrus, smeared with honey, was placed under the tongue of the victim.

I said to myself: it can only be that the a.s.sa.s.sins have bound themselves to the observance of a strict and narrow ritual from which no departure is under any circ.u.mstances permitted--perhaps for the sake of signalling the course of events to others at a distance. But what ritual? That question I was able to answer when I knew the answer to these others,--why _under the tongue,_ and why _smeared with honey?_ For no reason, except that the Greeks (not the Romans till very late in their history) always placed an _obolos,_ or penny, beneath the tongue of the dead to pay his pa.s.sage across the Stygian river of ghosts; for no reason, except that to these same Greeks honey was a sacred fluid, intimately a.s.sociated in their minds with the mournful subject of Death; a fluid with which the bodies of the deceased were anointed, and sometimes--especially in Sparta and the Pelasgic South--embalmed; with which libations were poured to Hermes Psuchopompos, conductor of the dead to the regions of shade; with which offerings were made to all the chthonic deities, and the souls of the departed in general. You remember, for instance, the melancholy words of Helen addressed to Hermione in _Orestes:_

[Greek: _Kai labe choas tasd'en cheroin komas t'emas elthousa d'amphi ton Klutaimnaestras taphon melikrat'aphes galaktos oinopon t'achnaen._]

And so everywhere. The ritual then of the murderers was a _Greek_ ritual, their cult a Greek cult--preferably, perhaps, a South Greek one, a Spartan one, for it was here that the highly conservative peoples of that region clung longest and fondliest to this semi-barbarous worship. This then being so, I was made all the more certain of my conjecture that the central figures on the papyrus were drawn from a Greek model.

'Here, however, I came to a standstill. I was infinitely puzzled by the rod in the man's hand. In none of the Greek grave-reliefs does any such thing as a rod make an appearance, except in one well-known example where the G.o.d Hermes--generally represented as carrying the _caduceus_, or staff, given him by Phoebus--appears leading a dead maiden to the land of night. But in every other example of which I am aware the sculpture represents a man _living_, not dead, banqueting _on earth_, not in Hades, by the side of his living companion. What then could be the significance of the staff in the hand of this living man? It was only after days of the hardest struggle, the cruellest suspense, that the thought flashed on me that the idea of Hermes leading away the dead female might, in this case, have been carried one step farther; that the male figure might be no living man, no man at all, but _Hermes himself_ actually banqueting in Hades with the soul of his disembodied _protegee_! The thought filled me with a rapture I cannot describe, and you witnessed my excitement. But, at all events, I saw that this was a truly tremendous departure from Greek art and thought, to which in general the copyists seemed to cling so religiously. There must therefore be a reason, a strong reason, for vandalism such as this. And that, at any rate, it was no longer difficult to discover; for now I knew that the male figure was no mortal, but a G.o.d, a spirit, a DAEMON (in the Greek sense of the word); and the female figure I saw by the marked shortness of her drapery to be no Athenian, but a Spartan; no matron either, but a maiden, a la.s.s, a La.s.sIE; and now I had forced on me la.s.sie daemon, _Lacedaemon._

'This then was the badge, the so carefully-buried badge, of this society of men. The only thing which still puzzled and confounded me at this stage was the startling circ.u.mstance that a _Greek_ society should make use of a _Latin_ motto. It was clear that either all my conclusions were totally wrong, or else the motto _mens sana in corpore sano_ contained wrapped up in itself some acroamatic meaning which I found myself unable to penetrate, and which the authors had found no Greek motto capable of conveying. But at any rate, having found this much, my knowledge led me of itself one step further; for I perceived that, widely extended as were their operations, the society was necessarily in the main an _English,_ or at least an English-speaking one--for of this the word "la.s.sie" was plainly indicative: it was easy now to conjecture London, the monster-city in which all things lose themselves, as their head-quarters; and at this point in my investigations I despatched to the papers the advertis.e.m.e.nt you have seen.'

'But,' I exclaimed, 'even now I utterly fail to see by what mysterious processes of thought you arrived at the wording of the advertis.e.m.e.nt; even now it conveys no meaning to my mind.'

'That,' he replied,' will grow clear when we come to a right understanding of the baleful _motive_ which inspired these men. I have already said that I was not long in discovering it. There was only one possible method of doing so--and that was, by all means, by any means, to find out some condition or other common to every one of the victims before death. It is true that I was unable to do this in some few cases, but where I failed, I was convinced that my failure was due to the insufficiency of the evidence at my disposal, rather than to the actual absence of the condition. Now, let us take almost any two cases you will, and seek for this common condition: let us take, for example, the first two that attracted the attention of the world--the poor woman of the slums of Berlin, and the celebrated man of science. Separated by as wide an interval as they are, we shall yet find, if we look closely, in each case the same pathetic tokens of the still uneliminated _striae_ of our poor humanity. The woman is not an old woman, for she has a "small young" family, which, had she lived, might have been increased: notwithstanding which, she has suffered from hemiplegia, "partial paralysis." The professor, too, has had not one, but two, large families, and an "army of grand-children": but note well the startling, the hideous fact, that _every one of his children is dead!_ The crude grave has gaped before the c.o.c.k to suck in _every one_ of those shrunk forms, so indigent of vital impulse, so pauper of civism, l.u.s.t, so draughty, so vague, so lean--but not before they have had time to dower with the ah and wo of their infirmity a whole wretched "army of grand-children." And yet this man of wisdom is on the point, in his old age, of marrying once again, of producing for the good of his race still more of this poor human stuff. You see the lurid significance, the point of resemblance,--you see it? And, O heaven, is it not too sad? For me, I tell you, the whole business has a tragic pitifulness too deep for words. But this brings me to the discussion of a large matter. It would, for instance, be interesting to me to hear what you, a modern European, saturated with all the notions of your little day, what _you_ consider the supreme, the all-important question for the nations of Europe at this moment. Am I far wrong in a.s.suming that you would rattle off half a dozen of the moot points agitating rival factions in your own land, select one of them, and call that "the question of the hour"? I wish I could see as you see; I wish to G.o.d I did not see deeper. In order to lead you to my point, what, let me ask you, what _precisely_ was it that ruined the old nations--that brought, say Rome, to her knees at last? Centralisation, you say, top-heavy imperialism, dilettante pessimism, the love of luxury. At bottom, believe me, it was not one of these high-sounding things--it was simply War; the sum total of the battles of centuries. But let me explain myself: this is a novel view to you, and you are perhaps unable to conceive how or why war was so fatal to the old world, because you see how little harmful it is to the new. If you collected in a promiscuous way a few millions of modern Englishmen and slew them all simultaneously, what, think you, would be the effect from the point of view of the State? The effect, I conceive, would be indefinitely small, wonderfully transitory; there would, of course, be a momentary lacuna in the boiling surge: yet the womb of humanity is full of sap, and uberant; Ocean-tide, wooed of that Ilithyia whose b.r.e.a.s.t.s are many, would flow on, and the void would soon be filled. But the effect would only be thus insignificant, if, as I said, your millions were taken promiscuously (as in the modern army), not if they were _picked_ men----in _that_ case the loss (or gain) would be excessive, and permanent for all time. Now, the war-hosts of the ancient commonwealths--not dependent on the mechanical contrivances of the modern army--were necessarily composed of the very best men: the strong-boned, the heart-stout, the sound in wind and limb. Under these conditions the State shuddered through all her frame, thrilled adown every filament, at the death of a single one of her sons in the field.

As only the feeble, the aged, bided at home, their number after each battle became larger _in proportion to the whole_ than before. Thus the nation, more and more, with ever-increasing rapidity, declined in bodily, and of course spiritual, quality, until the _end_ was reached, and Nature swallowed up the weaklings whole; and thus war, which to the modern state is at worst the blockhead and indecent _affaires d'honneur_ of persons in office--and which, surely, before you and I die will cease altogether--was to the ancient a genuine and remorselessly fatal scourge.

'And now let me apply these facts to the Europe of our own time. We no longer have world-serious war--but in its place we have a scourge, the effect of which on the modern state is _precisely the same_ as the effect of war on the ancient, only,--in the end,--far more destructive, far more subtle, sure, horrible, disgusting. The name of this pestilence is Medical Science. Yes, it is most true, shudder --shudder--as you will! Man's best friend turns to an asp in his bosom to sting him to the basest of deaths. The devastating growth of medical, and especially surgical, science--that, if you like, for us all, is "the question of the hour!" And what a question! of what surpa.s.sing importance, in the presence of which all other "questions"

whatever dwindle into mere academic triviality. For just as the ancient State was wounded to the heart through the death of her healthy sons in the field, just so slowly, just so silently, is the modern receiving deadly hurt by the botching and tinkering of her unhealthy children.

The net result is in each case the same--the altered ratio of the total amount of reproductive health to the total amount of reproductive disease. They recklessly spent their best; we sedulously conserve our worst; and as they pined and died of anaemia, so we, unless we repent, must perish in a paroxysm of black-blood apoplexy. And this prospect becomes more certain, when you reflect that the physician as we know him is not, like other men and things, a being of gradual growth, of slow evolution: from Adam to the middle of the last century the world saw nothing even in the least resembling him. No son of Paian _he_, but a fatherless, full-grown birth from the incessant matrix of Modern Time, so motherly of monstrous litters of "Gorgon and Hydra and Chimaeras dire"; you will understand what I mean when you consider the quite recent date of, say, the introduction of anaesthetics or antiseptics, the discovery of the knee-jerk, bacteriology, or even of such a doctrine as the circulation of the blood. We are at this very time, if I mistake not, on the verge of new insights which will enable man to laugh at disease--laugh at it in the sense of over-ruling its natural tendency to produce death, not by any means in the sense of destroying its ever-expanding _existence_. Do you know that at this moment your hospitals are crammed with beings in human likeness suffering from a thousand obscure and subtly-ineradicable ills, all of whom, if left alone, would die almost at once, but ninety in the hundred of whom will, as it is, be sent forth "cured," like missionaries of h.e.l.l, and the horrent shapes of Night and Acheron, to mingle in the pure river of humanity the poison-taint of their protean vileness? Do you know that in your schools one-quarter of the children are already purblind? Have you gauged the importance of your tremendous consumption of quack catholicons, of the fortunes derived from their sale, of the spread of modern nervous disorders, of toothless youth and thrice loathsome age among the helot-cla.s.ses? Do you know that in the course of my late journey to London, I walked from Piccadilly Circus to Hyde Park Corner, during which time I observed some five hundred people, of whom twenty-seven only were perfectly healthy, well-formed men, and eighteen healthy, beautiful women? On every hand--with a thrill of intensest joy, I say it!--is to be seen, if not yet commencing civilisation, then progress, progress--wide as the world--toward it: only here--at the heart--is there decadence, fatty degeneration. Brain-evolution--and favouring airs--and the ripening time--and the silent Will of G.o.d, of G.o.d--all these in conspiracy seem to be behind, urging the whole ship's company of us to some undreamable luxury of glory--when lo, this check, artificial, evitable. Less death, more disease--that is the sad, the unnatural record; children especially--so sensitive to the physician's art--living on by hundreds of thousands, bearing within them the germs of wide-spreading sorrow, who in former times would have died. And if you consider that the proper function of the doctor is the strictly limited one of curing the curable, rather than of self-gloriously perpetuating the incurable, you may find it difficult to give a quite rational answer to this simple question: _why?_ Nothing is so sure as that to the unit it is a cruelty; nothing so certain as that to humanity it is a wrong; to say that such and such an one was sent by the All Wise, and must _therefore_ be not merely permitted, but elaborately coaxed and forced, to live, is to utter a blasphemy against Man at which even the ribald tongue of a priest might falter; and as a matter of fact, society, in just contempt for this species of argument, never hesitates to hang, for its own imagined good, its heaven-sent catholics, protestants, sheep, sheep-stealers, etc. What then, you ask, would I do with these unholy ones? To save the State would I pierce them with a sword, or leave them to the slow throes of their agonies? Ah, do not expect me to answer that question--I do not know what to answer. The whole spirit of the present is one of a broad and beautiful, if quite thoughtless, humanism, and I, a child of the present, cannot but be borne along by it, coerced into sympathy with it. "Beautiful" I say: for if anywhere in the world you have seen a sight more beautiful than a group of hospital _savants_ bending with endless scrupulousness over a little pauper child, concentering upon its frailty the whole human skill and wisdom of ages, so have not I. Here have you the full realisation of a parable diviner than that of the man who went down from Jerusalem to Jericho. Beautiful then; with at least surface beauty, like the serpent _lachesis mutus_; but, like many beautiful things, deadly too, _in_human. And, on the whole, an answer will have to be found. As for me, it is a doubt which has often agitated me, whether the central dogma of Judaism and Christianity alike can, after all, be really one of the inner verities of this our earthly being--the dogma, that by the shedding of the innocent blood, and by that alone, shall the race of man find cleansing and salvation. Will no agony of reluctance overcome the necessity that one man die, "so that the whole people perish not"?

Can it be true that by nothing less than the "three days of pestilence"

shall the land be purged of its stain, and is this old divine alternative about to confront us in new, modern form? Does the inscrutable Artemis indeed demand offerings of human blood to suage her anger? Most sad that man should ever need, should ever have needed, to foul his hand in the [Greek: musaron aima] of his own veins! But what is, is. And can it be fated that the most advanced civilisation of the future shall needs have in it, as the first and chief element of its glory, the most barbarous of all the rituals of barbarism--the immolation of hecatombs which wail a muling human wail? Is it indeed part of man's strange destiny through the deeps of Time that he one day bow his back to the duty of pruning himself as a garden, so that he run not to a waste wilderness? Shall the physician, the _accoucheur,_ of the time to come be expected, and commanded, to do on the ephod and breast-plate, anoint his head with the oil of gladness, and add to the function of healer the function of Sacrificial Priest? These you say, are wild, dark questions. Wild enough, dark enough. We know how Sparta--the "man-taming Sparta" Simonides calls her--answered them.

Here was the complete subordination of all unit-life to the well-being of the Whole. The child, immediately on his entry into the world, fell under the control of the State: it was not left to the judgment of his parents, as elsewhere, whether he should be brought up or not, but a commission of the Phyle in which he was born decided the question. If he was weakly, if he had any bodily unsightliness, he was exposed on a place called Taygetus, and so perished. It was a consequence of this that never did the sun in his course light on man half so G.o.dly stalwart, on woman half so houri-lovely, as in stern and stout old Sparta. Death, like all mortal, they must bear; disease, once and for all, they were resolved to have done with. The word which they used to express the idea "ugly," meant also "hateful," "vile," "disgraceful"

--and I need hardly point out to you the significance of that fact alone; for they considered--and rightly--that there is no sort of natural reason why every denizen of earth should not be perfectly hale, integral, sane, beautiful--if only very moderate pains be taken to procure this divine result. One fellow, indeed, called Nancleidas, grew a little too fat to please the sensitive eyes of the Spartans: I believe he was periodically whipped. Under a system so very barbarous, the super-sweet, egoistic voice of the club-footed poet Byron would, of course, never have been heard: one brief egoistic "lament" on Taygetus, and so an end. It is not, however, certain that the world could not have managed very well without Lord Byron. The one thing that admits of no contradiction is that it cannot manage without the holy citizen, and that disease, to men and to nations, can have but one meaning, annihilation near or ultimate. At any rate, from these remarks, you will now very likely be able to arrive at some understanding of the wording of the advertis.e.m.e.nts which I sent to the papers.'

Zaleski, having delivered himself of this singular _tirade_, paused: replaced the sepulchral relief in its niche: drew a drapery of silver cloth over his bare feet and the hem of his antique garment of Babylon: and then continued:

'After some time the answer to the advertis.e.m.e.nt at length arrived; but what was my disgust to find that it was perfectly unintelligible to me.