Prince Eugene and His Times Part 66

Eugene looked up, and the face of the emperor was beaming with kindness. "Whatever betide, my liege," returned he, "I am yours for life, and Austria is my land of adoption."

"I am glad to hear it; and now there is but one thing wanting to make you a subject after my own heart. You must marry an Austrian wife that shall make you as happy a husband as myself, and transform earth into heaven, as her majesty has done for me. It is in commemoration of my own happiness that I have chosen the opera of 'Il p.o.r.no d'Oro' to celebrate the empress's festival. 'Il p.o.r.no d'Oro'--that is, a happy union--the golden apple of paradise."

And the emperor, enchanted to have turned the conversation to a subject which was to him of supreme interest, offered his arm to the empress, and conducted her to the front of the box.

As soon as their majesties appeared, the spectators rose and cheered them enthusiastically. The imperial pair took their seats, and behind them stood Prince Eugene, the only other occupant of the box.

The emperor now waved his hand as a signal to the marshal of the household, who, raising his gilded staff, conveyed the imperial command to the leader of the orchestra. "His majesty is graciously pleased that the opera shall commence," cried the lord-chamberlain.

The leader bowed to the emperor, and took his place, which was conspicuously raised above that of the other musicians.

"His majesty is graciously pleased to allow all present to be seated," was the second cry of the emperor's mouth-piece. And now was heard a rustling of ladies' silks, and of cavaliers' velvets, and the grateful spectators took their seats, while the emperor, with a look of extreme satisfaction, opened the score of the p.o.r.no d'Oro, laid it on the ledge of the box, and began to hum the overture.

"Have you your text-book?" asked he of the empress. "I ordered one for your especial use; a synopsis of the opera, with the princ.i.p.al airs only. I hope that you received it. This one is too heavy for you."

The empress pointed to a purple-velvet book at her side, and slightly bowed her head.

Leopold nodded, much pleased, and then gave his attention to the stage.

The audience breathlessly awaited the opening. The leader flourished his baton. The violins raised their bows, the haut-boys and horns were clapped to the mouths of their respective performers, ba.s.s- viols were seized, harps were clutched, and drumsticks were raised in the air.

Nevertheless, not a sound was heard from the orchestra!

The emperor looked up from his score, and there, to be sure, was the leader, his baton going from left to right--there were the violins busy with their bows; the wind instruments were blowing for dear life; the harpists were tugging at their strings; the drumsticks were going with all their might--and not a sound! The musicians might just as well have been so many phantoms.

The emperor, in his bewilderment, turned to the empress, who was so profoundly engaged with her score, that she murmured the words thereof half aloud.

"Do you hear the music?" asked her husband.

She started a little, and, blushing deeply, looked very much confused. "Yes, yes," replied she, absently; "it is very fine."

"I must then have lost my hearing," said Leopold; "for I hear nothing." And a second time ho glanced at the orchestra, where the music was proceeding with the utmost energy.

"I cannot unriddle the mystery," thought the emperor, "for the empress hears the music and p.r.o.nounces it fine. Prince Eugene,"

added he, aloud, "Do YOU hear any thing?"

"Not a sound, your majesty."

The emperor, looking very much relieved, beckoned to the lord- chamberlain, and sent him to inquire into the matter.

The audience, meanwhile, were quite as astounded as their sovereign.

However, after a time they began to whisper and smile; and finally, as the drummer performed an extra flourish with his drumsticks, a voice was heard to cry out, "Bravo! bravo!"

This was the signal for a general burst of laughter, which the marshal of the household, though he shook his baton furiously, was impotent to quell. While the merriment was at its height the lord- chamberlain returned, and his countenance was expressive of extreme indignation.

Leopold, who for a moment had forgotten his Spanish formality, and had retired to the back of the box, advanced eagerly to meet him.

"What says the leader?" asked he, hastily.

"The leader, your majesty, is in despair, and is as much at a loss to account for the eccentricity of his orchestra as the audience themselves. He says that the last rehearsal was perfectly satisfactory."

"Go, then, to the musicians. See the first violin, Baron von Rietmann, and tell him that the overture must commence."

The lord-chamberlain went off on his mission, while Leopold, in undisguised impatience, stood at the door of his box waiting. The empress, apparently not cognizant of any thing around her, kept her eyes steadfastly riveted on her book. Prince Eugene had risen, and stood behind the emperor.

"What think you of this opera comique?" asked Leopold.

"It is past my comprehension, your majesty. I cannot conceive how they presume to--"

The emperor suddenly interrupted him. "I begin to apprehend the difficulty," said he, laughing. "My musicians are all of high rank, and, as n.o.blemen and artistes, they have a twofold pride. They know perfectly well that I cannot do without them, and they occasionally take advantage of the fact to annoy me. They have some cause of complaint, I confess, and--Ah! What says Baron Rietmann?"

"My liege,"--replied the chamberlain, pale and breathless.

"Do not look so terrified," said Leopold; "what says the baron?"

"Your majesty, I am ashamed to be the bearer of his message," sighed the chamberlain. "He says their instruments will be dumb until the arrears due the orchestra for the last three months are paid!"

At this the emperor burst into an audible fit of laughter; then, remembering himself, he glanced anxiously at his impa.s.sible empress, to see if she had overheard him. No; she was perfectly unconscious of any thing but her book.

"Rietmann is a bold fellow," said Leopold at length, "but he is a great artiste, and I forgive his presumption. He is quite correct, however, as regards the orchestra. The imperial treasury has been drained for the army, and nothing remains for my musicians."

"Your majesty must order the army to refill the treasury at the expense of the enemy," said Eugene, with a smile. "It is said that the grand-vizier has immense treasures in Belgrade."

"Capture them all, field-marshal, for we are sorely in need of them.

But let us try first to compromise with these musical rebels here.-- Go, my lord-chamberlain, to Baron Rietmann, and say that the arrears due the orchestra shall be paid to-morrow, and thereunto I pledge my imperial word.--Now, Prince Eugene, let us resume our seats. I presume that my golden promises will restore the dumb to speech."

And so they did. Scarcely had the lord-chamberlain whispered the emperor's dulcet words into the baron's ear, before a signal pa.s.sed between the musicians, and the overture began. [Footnote: This scene is historical.--See "Life and Deeds of Leopold the Great."]

The scenic effect of the opera was beautiful. The fountains were of real water, and graceful naiads disported within their marble basins; and there was lightning and thunder; there were transformations of men into animals, and finally, there was a golden apple which fructified into a bewitching fairy. She sang so delightfully that the emperor, in his enthusiasm, let fall his score, and applauded with all his might.

The fairy was encored, and as she was about to repeat her aria, the emperor turned to the empress and requested leave to be allowed the use of her text-book for a few minutes. In his eagerness he did not remark her exceeding confusion; but as, taking the book from her hands, he gave a glance at its pages, lie uttered an exclamation of surprise.

And no wonder! For, instead of an opera-score, he found a prayer- book!

"I hope your majesty will excuse me," stammered the empress. "In absence of mind, I brought my prayer-book instead of the score."

"And your majesty was praying for us," replied Leopold, half-vexed, half-amused. "But in our sinful way, we, too, are praying; for surely music such as this is both prayer and praise; and He who taught the nightingale her song, must surely rejoice to hear from human tongues the strains which He has revealed to inspired human genius!"

CHAPTER III.

THE RETIREMENT OF THE COMMANDER-IN-CHIEF.

The imperial army, in five divisions, had marched to the Turkish frontier. They had traversed Transylvania, taking, on their way, the fortresses of Grosswardein, Sziget, and Canischa; and, farther on their victorious march, Peterwardein and Illock.

The Turks had pursued their usual mode of vengeful retreat, tracing their march with fire and blood, and, wheresoever they were forced to surrender, leaving to the victors naught but the smouldering ruins of the strongholds from which they had been driven.