Plays: Comrades; Facing Death; Pariah; Easter Part 38

ELIS. I meant--my Peter.--But--look--he is here again, woe unto us!

[One can see the shadow of Lindkvist on the curtain, who is nearing slowly. The shadow gets larger and larger, until it is giant-like. They stand in fear and tremble.]

ELIS. Look,--the giant--the giant that wants to swallow us.

CHRISTINE. Now it's time to laugh, as when reading fairy-tales.

ELIS. I can't laugh any more.

[The shadow slowly disappears.]

CHRISTINE. Look at the stick and you must laugh. [Pause.]

ELIS [Brightly]. He's gone--he's gone--yes, I can breathe again now, as he won't return until tomorrow. Oh, the relief!

CHRISTINE. Yes, and tomorrow the sun will be shining,--the snow will be gone and the birds will be singing--eve of the resurrection!

ELIS. Yes, tell me more like that--I can see everything you say.

CHRISTINE. If you could but see what is in my heart, if you could see my thoughts and my good intentions, my inmost prayer, Elis--Elis--when I now ask--[Hesitates.]

ELIS. What? Tell me.

CHRISTINE. When I beg you now to--

ELIS [Alarmed]. Tell me--

CHRISTINE. It's a test. Will you look at it as a test?

ELIS. A test? Well then.

CHRISTINE. Let me--do let me--No, I daren't. [Eleonora listens.]

ELIS. Why do you torture me?

CHRISTINE. I'll regret it, I know. So be it! Elis, let me go to the recital this evening.

ELIS. What recital?

CHRISTINE. Haydn's "Seven Words on the Cross," at the cathedral.

ELIS. With whom?

CHRISTINE. Alice.

ELIS. And?

CHRISTINE. Peter!

ELIS. With Peter?

CHRISTINE. See, now you frown. I regret telling you, but it's too late now.

ELIS. Yes. It is somewhat late now, but explain--

CHRISTINE. I prepared you, told you that I couldn't explain, and that's the reason I begged your boundless faith.

ELIS [Mildly]. Go. I trust you. But I suffer to know that you seek the company of a traitor.

CHRISTINE. I realize that, but this is to be a test.

ELIS. Which I cannot endure.

CHRISTINE. You must.

ELIS. I would like to, but I cannot. But you must go nevertheless.

CHRISTINE. Your hand!

ELIS [Giving his hand]. There--[The telephone rings; Elis goes to it.] h.e.l.lo!--No answer. h.e.l.lo!--No answer but my own voice.--Who is it?--That's strange. I only hear the echo of my own words.

CHRISTINE. That might be possible.

ELIS [Still at 'phone]. h.e.l.lo!--But this is terrible! [Hangs up receiver.] Go now, Christine, and without any explanations, without conditions. I shall endure the test.

CHRISTINE. Yes, do that and all will be well.

ELIS. I will.--[Christine starts R.] Why do you go that way?

CHRISTINE. My coat and hat are in there. Good bye for now. [Goes out R.]

ELIS. Good-bye, my friend, [Pause] forever. [He rushes out L.]

ELEONORA. G.o.d help us, what have I done now? The police are after the guilty one, and if I am discovered--then--[With a shriek] they'll send me back there. [Pause.] But I mustn't be selfish. Oh, poor mother and poor Elis!

BENJAMIN [Childishly]. Eleonora, you must tell them that I did it.

ELEONORA. Could you make another's guilt yours, you child?

BENJAMIN. That's easy, when one knows he's innocent.

ELEONORA. One should never deceive.

BENJAMIN. No, but let me telephone to the florist and explain to him.

ELEONORA. No, I did wrong, and I must take the consequences. I have awakened their fear of burglars, and I must be punished.

BENJAMIN. But what if the police come in?