Pierre; or The Ambiguities Part 5

"Why, Pierre, thou art transfigured; thou now lookest as one who--why, Pierre?"

"As one who had just peeped in at paradise, Lucy; and----"

"Again wandering in thy mind, Pierre; no more--Come, you must leave me, now. I am quite rested again. Quick, call my aunt, and leave me. Stay, this evening we are to look over the book of plates from the city, you know. Be early;--go now, Pierre."

"Well, good-bye, till evening, thou height of all delight."

VII.

As Pierre drove through the silent village, beneath the vertical shadows of the noon-day trees, the sweet chamber scene abandoned him, and the mystical face recurred to him, and kept with him. At last, arrived at home, he found his mother absent; so pa.s.sing straight through the wide middle hall of the mansion, he descended the piazza on the other ride, and wandered away in reveries down to the river bank.

Here one primeval pine-tree had been luckily left standing by the otherwise unsparing woodmen, who long ago had cleared that meadow. It was once crossing to this n.o.ble pine, from a clump of hemlocks far across the river, that Pierre had first noticed the significant fact, that while the hemlock and the pine are trees of equal growth and stature, and are so similar in their general aspect, that people unused to woods sometimes confound them; and while both trees are proverbially trees of sadness, yet the dark hemlock hath no music in its thoughtful boughs; but the gentle pine-tree drops melodious mournfulness.

At its half-bared roots of sadness, Pierre sat down, and marked the mighty bulk and far out-reaching length of one particular root, which, straying down the bank, the storms and rains had years ago exposed.

"How wide, how strong these roots must spread! Sure, this pine-tree takes powerful hold of this fair earth! Yon bright flower hath not so deep a root. This tree hath outlived a century of that gay flower's generations, and will outlive a century of them yet to come. This is most sad. Hark, now I hear the pyramidical and numberless, flame-like complainings of this Eolean pine;--the wind breathes now upon it:--the wind,--that is G.o.d's breath! Is He so sad? Oh, tree! so mighty thou, so lofty, yet so mournful! This is most strange! Hark! as I look up into thy high secrecies, oh, tree, the face, the face, peeps down on me!--'Art thou Pierre? Come to me'--oh, thou mysterious girl,--what an ill-matched pendant thou, to that other countenance of sweet Lucy, which also hangs, and first did hang within my heart! Is grief a pendant then to pleasantness? Is grief a self-willed guest that _will_ come in? Yet I have never known thee, Grief;--thou art a legend to me. I have known some fiery broils of glorious frenzy; I have oft tasted of revery; whence comes pensiveness; whence comes sadness; whence all delicious poetic presentiments;--but thou, Grief! art still a ghost-story to me. I know thee not,--do half disbelieve in thee. Not that I would be without my too little cherished fits of sadness now and then; but G.o.d keep me from thee, thou other shape of far profounder gloom! I shudder at thee!

The face!--the face!--forth again from thy high secrecies, oh, tree! the face steals down upon me. Mysterious girl! who art thou? by what right s.n.a.t.c.hest thou thus my deepest thoughts? Take thy thin fingers from me;--I am affianced, and not to thee. Leave me!--what share hast thou in me? Surely, thou lovest not me?--that were most miserable for thee, and me, and Lucy. It can not be. What, _who_ art thou? Oh! wretched vagueness--too familiar to me, yet inexplicable,--unknown, utterly unknown! I seem to founder in this perplexity. Thou seemest to know somewhat of me, that I know not of myself,--what is it then? If thou hast a secret in thy eyes of mournful mystery, out with it; Pierre demands it; what is that thou hast veiled in thee so imperfectly, that I seem to see its motion, but not its form? It visibly rustles behind the concealing screen. Now, never into the soul of Pierre, stole there before, a m.u.f.fledness like this! If aught really lurks in it, ye sovereign powers that claim all my leal worshipings, I conjure ye to lift the veil; I must see it face to face. Tread I on a mine, warn me; advance I on a precipice, hold me back; but abandon me to an unknown misery, that it shall suddenly seize me, and possess me, wholly,--that ye will never do; else, Pierre's fond faith in ye--now clean, untouched--may clean depart; and give me up to be a railing atheist! Ah, now the face departs. Pray heaven it hath not only stolen back, and hidden again in thy high secrecies, oh tree! But 'tis gone--gone--entirely gone; and I thank G.o.d, and I feel joy again; joy, which I also feel to be my right as man; deprived of joy, I feel I should find cause for deadly feuds with things invisible. Ha! a coat of iron-mail seems to grow round, and husk me now; and I have heard, that the bitterest winters are foretold by a thicker husk upon the Indian corn; so our old farmers say. But 'tis a dark similitude. Quit thy a.n.a.logies; sweet in the orator's mouth, bitter in the thinker's belly.

Now, then, I'll up with my own joyful will; and with my joy's face scare away all phantoms:--so, they go; and Pierre is Joy's, and Life's again.

Thou pine-tree!--henceforth I will resist thy too treacherous persuasiveness. Thou'lt not so often woo me to thy airy tent, to ponder on the gloomy rooted stakes that bind it. Hence now I go; and peace be with thee, pine! That blessed sereneness which lurks ever at the heart of sadness--mere sadness--and remains when all the rest has gone;--that sweet feeling is now mine, and cheaply mine. I am not sorry I was sad, I feel so blessed now. Dearest Lucy!--well, well;--'twill be a pretty time we'll have this evening; there's the book of Flemish prints--that first we must look over; then, second, is Flaxman's Homer--clear-cut outlines, yet full of unadorned barbaric n.o.bleness. Then Flaxman's Dante;--Dante!

Night's and h.e.l.l's poet he. No, we will not open Dante. Methinks now the face--the face--minds me a little of pensive, sweet Francesca's face--or, rather, as it had been Francesca's daughter's face--wafted on the sad dark wind, toward observant Virgil and the blistered Florentine.

No, we will not open Flaxman's Dante. Francesca's mournful face is now ideal to me. Flaxman might evoke it wholly,--make it present in lines of misery--bewitching power. No! I will not open Flaxman's Dante! d.a.m.ned be the hour I read in Dante! more d.a.m.ned than that wherein Paolo and Francesca read in fatal Launcelot!"

BOOK III.

THE PRESENTIMENT AND THE VERIFICATION.

I.

The face, of which Pierre and Lucy so strangely and fearfully hinted, was not of enchanted air; but its mortal lineaments of mournfulness had been visibly beheld by Pierre. Nor had it accosted him in any privacy; or in any lonely byeway; or beneath the white light of the crescent moon; but in a joyous chamber, bright with candles, and ringing with two score women's gayest voices. Out of the heart of mirthfulness, this shadow had come forth to him. Encircled by bandelets of light, it had still beamed upon him; vaguely historic and prophetic; backward, hinting of some irrevocable sin; forward, pointing to some inevitable ill. One of those faces, which now and then appear to man, and without one word of speech, still reveal glimpses of some fearful gospel. In natural guise, but lit by supernatural light; palpable to the senses, but inscrutable to the soul; in their perfectest impression on us, ever hovering between Tartarean misery and Paradisaic beauty; such faces, compounded so of h.e.l.l and heaven, overthrow in us all foregone persuasions, and make us wondering children in this world again.

The face had accosted Pierre some weeks previous to his ride with Lucy to the hills beyond Saddle Meadows; and before her arrival for the summer at the village; moreover it had accosted him in a very common and homely scene; but this enhanced the wonder.

On some distant business, with a farmer-tenant, he had been absent from the mansion during the best part of the day, and had but just come home, early of a pleasant moonlight evening, when Dates delivered a message to him from his mother, begging him to come for her about half-past seven that night to Miss Llanyllyn's cottage, in order to accompany her thence to that of the two Miss Pennies. At the mention of that last name, Pierre well knew what he must antic.i.p.ate. Those elderly and truly pious spinsters, gifted with the most benevolent hearts in the world, and at mid-age deprived by envious nature of their hearing, seemed to have made it a maxim of their charitable lives, that since G.o.d had not given them any more the power to hear Christ's gospel preached, they would therefore thenceforth do what they could toward practicing it.

Wherefore, as a matter of no possible interest to them now, they abstained from church; and while with prayer-books in their hands the Rev. Mr. Falsgrave's congregation were engaged in worshiping their G.o.d, according to the divine behest; the two Miss Pennies, with thread and needle, were hard at work in serving him; making up shirts and gowns for the poor people of the parish. Pierre had heard that they had recently been at the trouble of organizing a regular society, among the neighboring farmers' wives and daughters, to meet twice a month at their own house (the Miss Pennies) for the purpose of sewing in concert for the benefit of various settlements of necessitous emigrants, who had lately pitched their populous shanties further up the river. But though this enterprise had not been started without previously acquainting Mrs.

Glendinning of it,--for indeed she was much loved and honored by the pious spinsters,--and their promise of solid a.s.sistance from that gracious manorial lady; yet Pierre had not heard that his mother had been officially invited to preside, or be at all present at the semi-monthly meetings; though he supposed, that far from having any scruples against so doing, she would be very glad to a.s.sociate that way, with the good people of the village.

"Now, brother Pierre"--said Mrs. Glendinning, rising from Miss Llanyllyn's huge cushioned chair--"throw my shawl around me; and good-evening to Lucy's aunt.--There, we shall be late."

As they walked along, she added--"Now, Pierre, I know you are apt to be a little impatient sometimes, of these sewing scenes; but courage; I merely want to peep in on them; so as to get some inkling of what they would indeed be at; and then my promised benefactions can be better selected by me. Besides, Pierre, I could have had Dates escort me, but I preferred you; because I want you to know who they are you live among; how many really pretty, and naturally-refined dames and girls you shall one day be lord of the manor of. I antic.i.p.ate a rare display of rural red and white."

Cheered by such pleasant promises, Pierre soon found himself leading his mother into a room full of faces. The instant they appeared, a gratuitous old body, seated with her knitting near the door, squeaked out shrilly--"Ah! dames, dames,--Madam Glendinning!--Master Pierre Glendinning!"

Almost immediately following this sound, there came a sudden, long-drawn, unearthly, girlish shriek, from the further corner of the long, double room. Never had human voice so affected Pierre before.

Though he saw not the person from whom it came, and though the voice was wholly strange to him, yet the sudden shriek seemed to split its way clean through his heart, and leave a yawning gap there. For an instant, he stood bewildered; but started at his mother's voice; her arm being still in his. "Why do you clutch my arm so, Pierre? You pain me. Pshaw!

some one has fainted,--nothing more."

Instantly Pierre recovered himself, and affecting to mock at his own trepidation, hurried across the room to offer his services, if such were needed. But dames and maidens had been all beforehand with him; the lights were wildly flickering in the air-current made by the flinging open of the cas.e.m.e.nt, near to where the shriek had come. But the climax of the tumult was soon past; and presently, upon closing the cas.e.m.e.nt, it subsided almost wholly. The elder of the spinster Pennies, advancing to Mrs. Glendinning, now gave her to understand, that one of the further crowd of industrious girls present, had been attacked by a sudden, but fleeting fit, vaguely imputable to some const.i.tutional disorder or other. She was now quite well again. And so the company, one and all, seemingly acting upon their natural good-breeding, which in any one at bottom, is but delicacy and charity, refrained from all further curiosity; reminded not the girl of what had pa.s.sed; noted her scarce at all; and all needles st.i.tched away as before.

Leaving his mother to speak with whom she pleased, and attend alone to her own affairs with the society; Pierre, oblivious now in such a lively crowd, of any past unpleasantness, after some courtly words to the Miss Pennies,--insinuated into their understandings through a long coiled trumpet, which, when not in use, the spinsters wore, hanging like a powder-horn from their girdles:--and likewise, after manifesting the profoundest and most intelligent interest in the mystic mechanism of a huge woolen sock, in course of completion by a spectacled old lady of his more particular acquaintance; after all this had been gone through, and something more too tedious to detail, but which occupied him for nearly half an hour, Pierre, with a slightly blushing, and imperfectly balanced a.s.surance, advanced toward the further crowd of maidens; where, by the light of many a well-snuffed candle, they clubbed all their bright contrasting cheeks, like a dense bed of garden tulips. There were the shy and pretty Maries, Marthas, Susans, Betties, Jennies, Nellies; and forty more fair nymphs, who skimmed the cream, and made the b.u.t.ter of the fat farms of Saddle Meadows.

a.s.surance is in presence of the a.s.sured. Where embarra.s.sments prevail, they affect the most disembarra.s.sed. What wonder, then, that gazing on such a thick array of wreathing, roguish, half-averted, blushing faces--still audacious in their very embarra.s.sment--Pierre, too, should flush a bit, and stammer in his att.i.tudes a little? Youthful love and graciousness were in his heart; kindest words upon his tongue; but there he stood, target for the transfixing glances of those ambushed archers of the eye.

But his abashments last too long; his cheek hath changed from blush to pallor; what strange thing does Pierre Glendinning see? Behind the first close, busy breast-work of young girls, are several very little stands, or circular tables, where sit small groups of twos and threes, sewing in small comparative solitudes, as it were. They would seem to be the less notable of the rural company; or else, for some cause, they have voluntarily retired into their humble banishment. Upon one of these persons engaged at the furthermost and least conspicuous of these little stands, and close by a cas.e.m.e.nt, Pierre's glance is palely fixed.

The girl sits steadily sewing; neither she nor her two companions speak.

Her eyes are mostly upon her work; but now and then a very close observer would notice that she furtively lifts them, and moves them sideways and timidly toward Pierre; and then, still more furtively and timidly toward his lady mother, further off. All the while, her preternatural calmness sometimes seems only made to cover the intensest struggle in her bosom. Her unadorned and modest dress is black; fitting close up to her neck, and clasping it with a plain, velvet border. To a nice perception, that velvet shows elastically; contracting and expanding, as though some choked, violent thing were risen up there within from the teeming region of her heart. But her dark, olive cheek is without a blush, or sign of any disquietude. So far as this girl lies upon the common surface, ineffable composure steeps her. But still, she sideways steals the furtive, timid glance. Anon, as yielding to the irresistible climax of her concealed emotion, whatever that may be, she lifts her whole marvelous countenance into the radiant candlelight, and for one swift instant, that face of supernaturalness unreservedly meets Pierre's. Now, wonderful loveliness, and a still more wonderful loneliness, have with inexplicable implorings, looked up to him from that henceforth immemorial face. There, too, he seemed to see the fair ground where Anguish had contended with Beauty, and neither being conqueror, both had laid down on the field.

Recovering at length from his all too obvious emotion, Pierre turned away still farther, to regain the conscious possession of himself. A wild, bewildering, and incomprehensible curiosity had seized him, to know something definite of that face. To this curiosity, at the moment, he entirely surrendered himself; unable as he was to combat it, or reason with it in the slightest way. So soon as he felt his outward composure returned to him, he purposed to chat his way behind the breastwork of bright eyes and cheeks, and on some parlor pretense or other, hear, if possible, an audible syllable from one whose mere silent aspect had so potentially moved him. But at length, as with this object in mind, he was crossing the room again, he heard his mother's voice, gayly calling him away; and turning, saw her shawled and bonneted. He could now make no plausible stay, and smothering the agitation in him, he bowed a general and hurried adieu to the company, and went forth with his mother.

They had gone some way homeward, in perfect silence, when his mother spoke.

"Well, Pierre, what can it possibly be!"

"My G.o.d, mother, did you see her then!"

"My son!" cried Mrs. Glendinning, instantly stopping in terror, and withdrawing her arm from Pierre, "what--what under heaven ails you? This is most strange! I but playfully asked, what you were so steadfastly thinking of; and here you answer me by the strangest question, in a voice that seems to come from under your great-grandfather's tomb! What, in heaven's name, does this mean, Pierre? Why were you so silent, and why now are you so ill-timed in speaking! Answer me;--explain all this;--_she_--_she_--what _she_ should you be thinking of but Lucy Tartan?--Pierre, beware, beware! I had thought you firmer in your lady's faith, than such strange behavior as this would seem to hint. Answer me, Pierre, what may this mean? Come, I hate a mystery; speak, my son."

Fortunately, this prolonged verbalized wonder in his mother afforded Pierre time to rally from his double and aggravated astonishment, brought about by first suspecting that his mother also had been struck by the strange aspect of the face, and then, having that suspicion so violently beaten back upon him, by her apparently unaffected alarm at finding him in some region of thought wholly unshared by herself at the time.

"It is nothing--nothing, sister Mary; just nothing at all in the world.

I believe I was dreaming--sleep-walking, or something of that sort. They were vastly pretty girls there this evening, sister Mary, were they not?

Come, let us walk on--do, sister mine."

"Pierre, Pierre!--but I will take your arm again;--and have you really nothing more to say? were you really wandering, Pierre?"

"I swear to you, my dearest mother, that never before in my whole existence, have I so completely gone wandering in my soul, as at that very moment. But it is all over now." Then in a less earnest and somewhat playful tone, he added: "And sister mine, if you know aught of the physical and sanitary authors, you must be aware, that the only treatment for such a case of harmless temporary aberration, is for all persons to ignore it in the subject. So no more of this foolishness.

Talking about it only makes me feel very unpleasantly silly, and there is no knowing that it may not bring it back upon me."

"Then by all means, my dear boy, not another word about it. But it's pa.s.sing strange--very, very strange indeed. Well, about that morning business; how fared you? Tell me about it."

II.

So Pierre, gladly plunging into this welcome current of talk, was enabled to attend his mother home without furnishing further cause for her concern or wonderment. But not by any means so readily could he allay his own concern and wonderment. Too really true in itself, however evasive in its effect at the time, was that earnest answer to his mother, declaring that never in his whole existence had he been so profoundly stirred. The face haunted him as some imploring, and beauteous, impa.s.sioned, ideal Madonna's haunts the morbidly longing and enthusiastic, but ever-baffled artist. And ever, as the mystic face thus rose before his fancy's sight, another sense was touched in him; the long-drawn, unearthly, girlish shriek pealed through and through his soul; for now he knew the shriek came from the face--such Delphic shriek could only come from such a source. And wherefore that shriek? thought Pierre. Bodes it ill to the face, or me, or both? How am I changed, that my appearance on any scene should have power to work such woe? But it was mostly the face--the face, that wrought upon him. The shriek seemed as incidentally embodied there.

The emotions he experienced seemed to have taken hold of the deepest roots and subtlest fibres of his being. And so much the more that it was so subterranean in him, so much the more did he feel its weird inscrutableness. What was one unknown, sad-eyed, shrieking girl to him?

There must be sad-eyed girls somewhere in the world, and this was only one of them. And what was the most beautiful sad-eyed girl to him?

Sadness might be beautiful, as well as mirth--he lost himself trying to follow out this tangle. "I will no more of this infatuation," he would cry; but forth from regions of irradiated air, the divine beauty and imploring sufferings of the face, stole into his view.

Hitherto I have ever held but lightly, thought Pierre, all stories of ghostly mysticalness in man; my creed of this world leads me to believe in visible, beautiful flesh, and audible breath, however sweet and scented; but only in visible flesh, and audible breath, have I hitherto believed. But now!--now!--and again he would lose himself in the most surprising and preternatural ponderings, which baffled all the introspective cunning of his mind. Himself was too much for himself. He felt that what he had always before considered the solid land of veritable reality, was now being audaciously encroached upon by bannered armies of hooded phantoms, disembarking in his soul, as from flotillas of specter-boats.

The terrors of the face were not those of Gorgon; not by repelling hideousness did it smite him so; but bewilderingly allured him, by its nameless beauty, and its long-suffering, hopeless anguish.