Pictures from Italy Part 10

At the head of the collections in the palaces of Rome, the Vatican, of course, with its treasures of art, its enormous galleries, and staircases, and suites upon suites of immense chambers, ranks highest and stands foremost. Many most n.o.ble statues, and wonderful pictures, are there; nor is it heresy to say that there is a considerable amount of rubbish there, too. When any old piece of sculpture dug out of the ground, finds a place in a gallery because it is old, and without any reference to its intrinsic merits: and finds admirers by the hundred, because it is there, and for no other reason on earth: there will be no lack of objects, very indifferent in the plain eyesight of any one who employs so vulgar a property, when he may wear the spectacles of Cant for less than nothing, and establish himself as a man of taste for the mere trouble of putting them on.

I unreservedly confess, for myself, that I cannot leave my natural perception of what is natural and true, at a palace-door, in Italy or elsewhere, as I should leave my shoes if I were travelling in the East.

I cannot forget that there are certain expressions of face, natural to certain pa.s.sions, and as unchangeable in their nature as the gait of a lion, or the flight of an eagle. I cannot dismiss from my certain knowledge, such commonplace facts as the ordinary proportion of men's arms, and legs, and heads; and when I meet with performances that do violence to these experiences and recollections, no matter where they may be, I cannot honestly admire them, and think it best to say so; in spite of high critical advice that we should sometimes feign an admiration, though we have it not.

Therefore, I freely acknowledge that when I see a jolly young Waterman representing a cherubim, or a Barclay and Perkins's Drayman depicted as an Evangelist, I see nothing to commend or admire in the performance, however great its reputed Painter. Neither am I partial to libellous Angels, who play on fiddles and ba.s.soons, for the edification of sprawling monks apparently in liquor. Nor to those Monsieur Tonsons of galleries, Saint Francis and Saint Sebastian; both of whom I submit should have very uncommon and rare merits, as works of art, to justify their compound multiplication by Italian Painters.

It seems to me, too, that the indiscriminate and determined raptures in which some critics indulge, is incompatible with the true appreciation of the really great and transcendent works. I cannot imagine, for example, how the resolute champion of undeserving pictures can soar to the amazing beauty of t.i.tian's great picture of the a.s.sumption of the Virgin at Venice; or how the man who is truly affected by the sublimity of that exquisite production, or who is truly sensible of the beauty of Tintoretto's great picture of the a.s.sembly of the Blessed in the same place, can discern in Michael Angelo's Last Judgment, in the Sistine chapel, any general idea, or one pervading thought, in harmony with the stupendous subject. He who will contemplate Raphael's masterpiece, the Transfiguration, and will go away into another chamber of that same Vatican, and contemplate another design of Raphael, representing (in incredible caricature) the miraculous stopping of a great fire by Leo the Fourth-and who will say that he admires them both, as works of extraordinary genius-must, as I think, be wanting in his powers of perception in one of the two instances, and, probably, in the high and lofty one.

It is easy to suggest a doubt, but I have a great doubt whether, sometimes, the rules of art are not too strictly observed, and whether it is quite well or agreeable that we should know beforehand, where this figure will be turning round, and where that figure will be lying down, and where there will be drapery in folds, and so forth. When I observe heads inferior to the subject, in pictures of merit, in Italian galleries, I do not attach that reproach to the Painter, for I have a suspicion that these great men, who were, of necessity, very much in the hands of monks and priests, painted monks and priests a great deal too often. I frequently see, in pictures of real power, heads quite below the story and the painter: and I invariably observe that those heads are of the Convent stamp, and have their counterparts among the Convent inmates of this hour; so, I have settled with myself that, in such cases, the lameness was not with the painter, but with the vanity and ignorance of certain of his employers, who would be apostles-on canvas, at all events.

The exquisite grace and beauty of Canova's statues; the wonderful gravity and repose of many of the ancient works in sculpture, both in the Capitol and the Vatican; and the strength and fire of many others; are, in their different ways, beyond all reach of words. They are especially impressive and delightful, after the works of Bernini and his disciples, in which the churches of Rome, from St. Peter's downward, abound; and which are, I verily believe, the most detestable cla.s.s of productions in the wide world. I would infinitely rather (as mere works of art) look upon the three deities of the Past, the Present, and the Future, in the Chinese Collection, than upon the best of these breezy maniacs; whose every fold of drapery is blown inside-out; whose smallest vein, or artery, is as big as an ordinary forefinger; whose hair is like a nest of lively snakes; and whose att.i.tudes put all other extravagance to shame.

Insomuch that I do honestly believe, there can be no place in the world, where such intolerable abortions, begotten of the sculptor's chisel, are to be found in such profusion, as in Rome.

There is a fine collection of Egyptian antiquities, in the Vatican; and the ceilings of the rooms in which they are arranged, are painted to represent a starlight sky in the Desert. It may seem an odd idea, but it is very effective. The grim, half-human monsters from the temples, look more grim and monstrous underneath the deep dark blue; it sheds a strange uncertain gloomy air on everything-a mystery adapted to the objects; and you leave them, as you find them, shrouded in a solemn night.

In the private palaces, pictures are seen to the best advantage. There are seldom so many in one place that the attention need become distracted, or the eye confused. You see them very leisurely; and are rarely interrupted by a crowd of people. There are portraits innumerable, by t.i.tian, and Rembrandt, and Vand.y.k.e; heads by Guido, and Domenichino, and Carlo Dolci; various subjects by Correggio, and Murillo, and Raphael, and Salvator Rosa, and Spagnoletto-many of which it would be difficult, indeed, to praise too highly, or to praise enough; such is their tenderness and grace; their n.o.ble elevation, purity, and beauty.

The portrait of Beatrice di Cenci, in the Palazzo Berberini, is a picture almost impossible to be forgotten. Through the transcendent sweetness and beauty of the face, there is a something shining out, that haunts me.

I see it now, as I see this paper, or my pen. The head is loosely draped in white; the light hair falling down below the linen folds. She has turned suddenly towards you; and there is an expression in the eyes-although they are very tender and gentle-as if the wildness of a momentary terror, or distraction, had been struggled with and overcome, that instant; and nothing but a celestial hope, and a beautiful sorrow, and a desolate earthly helplessness remained. Some stories say that Guido painted it, the night before her execution; some other stories, that he painted it from memory, after having seen her, on her way to the scaffold. I am willing to believe that, as you see her on his canvas, so she turned towards him, in the crowd, from the first sight of the axe, and stamped upon his mind a look which he has stamped on mine as though I had stood beside him in the concourse. The guilty palace of the Cenci: blighting a whole quarter of the town, as it stands withering away by grains: had that face, to my fancy, in its dismal porch, and at its black, blind windows, and flitting up and down its dreary stairs, and growing out of the darkness of the ghostly galleries. The History is written in the Painting; written, in the dying girl's face, by Nature's own hand. And oh! how in that one touch she puts to flight (instead of making kin) the puny world that claim to be related to her, in right of poor conventional forgeries!

I saw in the Palazzo Spada, the statue of Pompey; the statue at whose base Caesar fell. A stern, tremendous figure! I imagined one of greater finish: of the last refinement: full of delicate touches: losing its distinctness, in the giddy eyes of one whose blood was ebbing before it, and settling into some such rigid majesty as this, as Death came creeping over the upturned face.

The excursions in the neighbourhood of Rome are charming, and would be full of interest were it only for the changing views they afford, of the wild Campagna. But, every inch of ground, in every direction, is rich in a.s.sociations, and in natural beauties. There is Albano, with its lovely lake and wooded sh.o.r.e, and with its wine, that certainly has not improved since the days of Horace, and in these times hardly justifies his panegyric. There is squalid Tivoli, with the river Anio, diverted from its course, and plunging down, headlong, some eighty feet in search of it. With its picturesque Temple of the Sibyl, perched high on a crag; its minor waterfalls glancing and sparkling in the sun; and one good cavern yawning darkly, where the river takes a fearful plunge and shoots on, low down under beetling rocks. There, too, is the Villa d'Este, deserted and decaying among groves of melancholy pine and cypress trees, where it seems to lie in state. Then, there is Frascati, and, on the steep above it, the ruins of Tusculum, where Cicero lived, and wrote, and adorned his favourite house (some fragments of it may yet be seen there), and where Cato was born. We saw its ruined amphitheatre on a grey, dull day, when a shrill March wind was blowing, and when the scattered stones of the old city lay strewn about the lonely eminence, as desolate and dead as the ashes of a long extinguished fire.

One day we walked out, a little party of three, to Albano, fourteen miles distant; possessed by a great desire to go there by the ancient Appian way, long since ruined and overgrown. We started at half-past seven in the morning, and within an hour or so were out upon the open Campagna.

For twelve miles we went climbing on, over an unbroken succession of mounds, and heaps, and hills, of ruin. Tombs and temples, overthrown and prostrate; small fragments of columns, friezes, pediments; great blocks of granite and marble; mouldering arches, gra.s.s-grown and decayed; ruin enough to build a s.p.a.cious city from; lay strewn about us. Sometimes, loose walls, built up from these fragments by the shepherds, came across our path; sometimes, a ditch between two mounds of broken stones, obstructed our progress; sometimes, the fragments themselves, rolling from beneath our feet, made it a toilsome matter to advance; but it was always ruin. Now, we tracked a piece of the old road, above the ground; now traced it, underneath a gra.s.sy covering, as if that were its grave; but all the way was ruin. In the distance, ruined aqueducts went stalking on their giant course along the plain; and every breath of wind that swept towards us, stirred early flowers and gra.s.ses, springing up, spontaneously, on miles of ruin. The unseen larks above us, who alone disturbed the awful silence, had their nests in ruin; and the fierce herdsmen, clad in sheepskins, who now and then scowled out upon us from their sleeping nooks, were housed in ruin. The aspect of the desolate Campagna in one direction, where it was most level, reminded me of an American prairie; but what is the solitude of a region where men have never dwelt, to that of a Desert, where a mighty race have left their footprints in the earth from which they have vanished; where the resting-places of their Dead, have fallen like their Dead; and the broken hour-gla.s.s of Time is but a heap of idle dust! Returning, by the road, at sunset! and looking, from the distance, on the course we had taken in the morning, I almost feel (as I had felt when I first saw it, at that hour) as if the sun would never rise again, but looked its last, that night, upon a ruined world.

To come again on Rome, by moonlight, after such an expedition, is a fitting close to such a day. The narrow streets, devoid of footways, and choked, in every obscure corner, by heaps of dunghill-rubbish, contrast so strongly, in their cramped dimensions, and their filth, and darkness, with the broad square before some haughty church: in the centre of which, a hieroglyphic-covered obelisk, brought from Egypt in the days of the Emperors, looks strangely on the foreign scene about it; or perhaps an ancient pillar, with its honoured statue overthrown, supports a Christian saint: Marcus Aurelius giving place to Paul, and Trajan to St. Peter.

Then, there are the ponderous buildings reared from the spoliation of the Coliseum, shutting out the moon, like mountains: while here and there, are broken arches and rent walls, through which it gushes freely, as the life comes pouring from a wound. The little town of miserable houses, walled, and shut in by barred gates, is the quarter where the Jews are locked up nightly, when the clock strikes eight-a miserable place, densely populated, and reeking with bad odours, but where the people are industrious and money-getting. In the day-time, as you make your way along the narrow streets, you see them all at work: upon the pavement, oftener than in their dark and frouzy shops: furbishing old clothes, and driving bargains.

Crossing from these patches of thick darkness, out into the moon once more, the fountain of Trevi, welling from a hundred jets, and rolling over mimic rocks, is silvery to the eye and ear. In the narrow little throat of street, beyond, a booth, dressed out with flaring lamps, and boughs of trees, attracts a group of sulky Romans round its smoky coppers of hot broth, and cauliflower stew; its trays of fried fish, and its flasks of wine. As you rattle round the sharply-twisting corner, a lumbering sound is heard. The coachman stops abruptly, and uncovers, as a van comes slowly by, preceded by a man who bears a large cross; by a torch-bearer; and a priest: the latter chaunting as he goes. It is the Dead Cart, with the bodies of the poor, on their way to burial in the Sacred Field outside the walls, where they will be thrown into the pit that will be covered with a stone to-night, and sealed up for a year.

But whether, in this ride, you pa.s.s by obelisks, or columns ancient temples, theatres, houses, porticoes, or forums: it is strange to see, how every fragment, whenever it is possible, has been blended into some modern structure, and made to serve some modern purpose-a wall, a dwelling-place, a granary, a stable-some use for which it never was designed, and a.s.sociated with which it cannot otherwise than lamely a.s.sort. It is stranger still, to see how many ruins of the old mythology: how many fragments of obsolete legend and observance: have been incorporated into the worship of Christian altars here; and how, in numberless respects, the false faith and the true are fused into a monstrous union.

From one part of the city, looking out beyond the walls, a squat and stunted pyramid (the burial-place of Caius Cestius) makes an opaque triangle in the moonlight. But, to an English traveller, it serves to mark the grave of Sh.e.l.ley too, whose ashes lie beneath a little garden near it. Nearer still, almost within its shadow, lie the bones of Keats, 'whose name is writ in water,' that shines brightly in the landscape of a calm Italian night.

The Holy Week in Rome is supposed to offer great attractions to all visitors; but, saving for the sights of Easter Sunday, I would counsel those who go to Rome for its own interest, to avoid it at that time. The ceremonies, in general, are of the most tedious and wearisome kind; the heat and crowd at every one of them, painfully oppressive; the noise, hubbub, and confusion, quite distracting. We abandoned the pursuit of these shows, very early in the proceedings, and betook ourselves to the Ruins again. But, we plunged into the crowd for a share of the best of the sights; and what we saw, I will describe to you.

At the Sistine chapel, on the Wednesday, we saw very little, for by the time we reached it (though we were early) the besieging crowd had filled it to the door, and overflowed into the adjoining hall, where they were struggling, and squeezing, and mutually expostulating, and making great rushes every time a lady was brought out faint, as if at least fifty people could be accommodated in her vacant standing-room. Hanging in the doorway of the chapel, was a heavy curtain, and this curtain, some twenty people nearest to it, in their anxiety to hear the chaunting of the Miserere, were continually plucking at, in opposition to each other, that it might not fall down and stifle the sound of the voices. The consequence was, that it occasioned the most extraordinary confusion, and seemed to wind itself about the unwary, like a Serpent. Now, a lady was wrapped up in it, and couldn't be unwound. Now, the voice of a stifling gentleman was heard inside it, beseeching to be let out. Now, two m.u.f.fled arms, no man could say of which s.e.x, struggled in it as in a sack. Now, it was carried by a rush, bodily overhead into the chapel, like an awning. Now, it came out the other way, and blinded one of the Pope's Swiss Guard, who had arrived, that moment, to set things to rights.

Being seated at a little distance, among two or three of the Pope's gentlemen, who were very weary and counting the minutes-as perhaps his Holiness was too-we had better opportunities of observing this eccentric entertainment, than of hearing the Miserere. Sometimes, there was a swell of mournful voices that sounded very pathetic and sad, and died away, into a low strain again; but that was all we heard.

At another time, there was the Exhibition of Relics in St. Peter's, which took place at between six and seven o'clock in the evening, and was striking from the cathedral being dark and gloomy, and having a great many people in it. The place into which the relics were brought, one by one, by a party of three priests, was a high balcony near the chief altar. This was the only lighted part of the church. There are always a hundred and twelve lamps burning near the altar, and there were two tall tapers, besides, near the black statue of St. Peter; but these were nothing in such an immense edifice. The gloom, and the general upturning of faces to the balcony, and the prostration of true believers on the pavement, as shining objects, like pictures or looking-gla.s.ses, were brought out and shown, had something effective in it, despite the very preposterous manner in which they were held up for the general edification, and the great elevation at which they were displayed; which one would think rather calculated to diminish the comfort derivable from a full conviction of their being genuine.

On the Thursday, we went to see the Pope convey the Sacrament from the Sistine chapel, to deposit it in the Capella Paolina, another chapel in the Vatican;-a ceremony emblematical of the entombment of the Saviour before His Resurrection. We waited in a great gallery with a great crowd of people (three-fourths of them English) for an hour or so, while they were chaunting the Miserere, in the Sistine chapel again. Both chapels opened out of the gallery; and the general attention was concentrated on the occasional opening and shutting of the door of the one for which the Pope was ultimately bound. None of these openings disclosed anything more tremendous than a man on a ladder, lighting a great quant.i.ty of candles; but at each and every opening, there was a terrific rush made at this ladder and this man, something like (I should think) a charge of the heavy British cavalry at Waterloo. The man was never brought down, however, nor the ladder; for it performed the strangest antics in the world among the crowd-where it was carried by the man, when the candles were all lighted; and finally it was stuck up against the gallery wall, in a very disorderly manner, just before the opening of the other chapel, and the commencement of a new chaunt, announced the approach of his Holiness. At this crisis, the soldiers of the guard, who had been poking the crowd into all sorts of shapes, formed down the gallery: and the procession came up, between the two lines they made.

There were a few choristers, and then a great many priests, walking two and two, and carrying-the good-looking priests at least-their lighted tapers, so as to throw the light with a good effect upon their faces: for the room was darkened. Those who were not handsome, or who had not long beards, carried _their_ tapers anyhow, and abandoned themselves to spiritual contemplation. Meanwhile, the chaunting was very monotonous and dreary. The procession pa.s.sed on, slowly, into the chapel, and the drone of voices went on, and came on, with it, until the Pope himself appeared, walking under a white satin canopy, and bearing the covered Sacrament in both hands; cardinals and canons cl.u.s.tered round him, making a brilliant show. The soldiers of the guard knelt down as he pa.s.sed; all the bystanders bowed; and so he pa.s.sed on into the chapel: the white satin canopy being removed from over him at the door, and a white satin parasol hoisted over his poor old head, in place of it. A few more couples brought up the rear, and pa.s.sed into the chapel also. Then, the chapel door was shut; and it was all over; and everybody hurried off headlong, as for life or death, to see something else, and say it wasn't worth the trouble.

I think the most popular and most crowded sight (excepting those of Easter Sunday and Monday, which are open to all cla.s.ses of people) was the Pope washing the feet of Thirteen men, representing the twelve apostles, and Judas Iscariot. The place in which this pious office is performed, is one of the chapels of St. Peter's, which is gaily decorated for the occasion; the thirteen sitting, 'all of a row,' on a very high bench, and looking particularly uncomfortable, with the eyes of Heaven knows how many English, French, Americans, Swiss, Germans, Russians, Swedes, Norwegians, and other foreigners, nailed to their faces all the time. They are robed in white; and on their heads they wear a stiff white cap, like a large English porter-pot, without a handle. Each carries in his hand, a nosegay, of the size of a fine cauliflower; and two of them, on this occasion, wore spectacles; which, remembering the characters they sustained, I thought a droll appendage to the costume.

There was a great eye to character. St. John was represented by a good-looking young man. St. Peter, by a grave-looking old gentleman, with a flowing brown beard; and Judas Iscariot by such an enormous hypocrite (I could not make out, though, whether the expression of his face was real or a.s.sumed) that if he had acted the part to the death and had gone away and hanged himself, he would have left nothing to be desired.

As the two large boxes, appropriated to ladies at this sight, were full to the throat, and getting near was hopeless, we posted off, along with a great crowd, to be in time at the Table, where the Pope, in person, waits on these Thirteen; and after a prodigious struggle at the Vatican staircase, and several personal conflicts with the Swiss guard, the whole crowd swept into the room. It was a long gallery hung with drapery of white and red, with another great box for ladies (who are obliged to dress in black at these ceremonies, and to wear black veils), a royal box for the King of Naples and his party; and the table itself, which, set out like a ball supper, and ornamented with golden figures of the real apostles, was arranged on an elevated platform on one side of the gallery. The counterfeit apostles' knives and forks were laid out on that side of the table which was nearest to the wall, so that they might be stared at again, without let or hindrance.

The body of the room was full of male strangers; the crowd immense; the heat very great; and the pressure sometimes frightful. It was at its height, when the stream came pouring in, from the feet-washing; and then there were such shrieks and outcries, that a party of Piedmontese dragoons went to the rescue of the Swiss guard, and helped them to calm the tumult.

The ladies were particularly ferocious, in their struggles for places.

One lady of my acquaintance was seized round the waist, in the ladies'

box, by a strong matron, and hoisted out of her place; and there was another lady (in a back row in the same box) who improved her position by sticking a large pin into the ladies before her.

The gentlemen about me were remarkably anxious to see what was on the table; and one Englishman seemed to have embarked the whole energy of his nature in the determination to discover whether there was any mustard.

'By Jupiter there's vinegar!' I heard him say to his friend, after he had stood on tiptoe an immense time, and had been crushed and beaten on all sides. 'And there's oil! I saw them distinctly, in cruets! Can any gentleman, in front there, see mustard on the table? Sir, will you oblige me! _Do_ you see a Mustard-Pot?'

The apostles and Judas appearing on the platform, after much expectation, were marshalled, in line, in front of the table, with Peter at the top; and a good long stare was taken at them by the company, while twelve of them took a long smell at their nosegays, and Judas-moving his lips very obtrusively-engaged in inward prayer. Then, the Pope, clad in a scarlet robe, and wearing on his head a skull-cap of white satin, appeared in the midst of a crowd of Cardinals and other dignitaries, and took in his hand a little golden ewer, from which he poured a little water over one of Peter's hands, while one attendant held a golden basin; a second, a fine cloth; a third, Peter's nosegay, which was taken from him during the operation. This his Holiness performed, with considerable expedition, on every man in the line (Judas, I observed, to be particularly overcome by his condescension); and then the whole Thirteen sat down to dinner.

Grace said by the Pope. Peter in the chair.

There was white wine, and red wine: and the dinner looked very good. The courses appeared in portions, one for each apostle: and these being presented to the Pope, by Cardinals upon their knees, were by him handed to the Thirteen. The manner in which Judas grew more white-livered over his victuals, and languished, with his head on one side, as if he had no appet.i.te, defies all description. Peter was a good, sound, old man, and went in, as the saying is, 'to win;' eating everything that was given him (he got the best: being first in the row) and saying nothing to anybody.

The dishes appeared to be chiefly composed of fish and vegetables. The Pope helped the Thirteen to wine also; and, during the whole dinner, somebody read something aloud, out of a large book-the Bible, I presume-which n.o.body could hear, and to which n.o.body paid the least attention. The Cardinals, and other attendants, smiled to each other, from time to time, as if the thing were a great farce; and if they thought so, there is little doubt they were perfectly right. His Holiness did what he had to do, as a sensible man gets through a troublesome ceremony, and seemed very glad when it was all over.

The Pilgrims' Suppers: where lords and ladies waited on the Pilgrims, in token of humility, and dried their feet when they had been well washed by deputy: were very attractive. But, of all the many spectacles of dangerous reliance on outward observances, in themselves mere empty forms, none struck me half so much as the Scala Santa, or Holy Staircase, which I saw several times, but to the greatest advantage, or disadvantage, on Good Friday.

This holy staircase is composed of eight-and-twenty steps, said to have belonged to Pontius Pilate's house and to be the identical stair on which Our Saviour trod, in coming down from the judgment-seat. Pilgrims ascend it, only on their knees. It is steep; and, at the summit, is a chapel, reported to be full of relics; into which they peep through some iron bars, and then come down again, by one of two side staircases, which are not sacred, and may be walked on.

On Good Friday, there were, on a moderate computation, a hundred people, slowly shuffling up these stairs, on their knees, at one time; while others, who were going up, or had come down-and a few who had done both, and were going up again for the second time-stood loitering in the porch below, where an old gentleman in a sort of watch-box, rattled a tin canister, with a slit in the top, incessantly, to remind them that he took the money. The majority were country-people, male and female.

There were four or five Jesuit priests, however, and some half-dozen well-dressed women. A whole school of boys, twenty at least, were about half-way up-evidently enjoying it very much. They were all wedged together, pretty closely; but the rest of the company gave the boys as wide a berth as possible, in consequence of their betraying some recklessness in the management of their boots.

I never, in my life, saw anything at once so ridiculous, and so unpleasant, as this sight-ridiculous in the absurd incidents inseparable from it; and unpleasant in its senseless and unmeaning degradation.

There are two steps to begin with, and then a rather broad landing. The more rigid climbers went along this landing on their knees, as well as up the stairs; and the figures they cut, in their shuffling progress over the level surface, no description can paint. Then, to see them watch their opportunity from the porch, and cut in where there was a place next the wall! And to see one man with an umbrella (brought on purpose, for it was a fine day) hoisting himself, unlawfully, from stair to stair!

And to observe a demure lady of fifty-five or so, looking back, every now and then, to a.s.sure herself that her legs were properly disposed!

There were such odd differences in the speed of different people, too.

Some got on as if they were doing a match against time; others stopped to say a prayer on every step. This man touched every stair with his forehead, and kissed it; that man scratched his head all the way. The boys got on brilliantly, and were up and down again before the old lady had accomplished her half-dozen stairs. But most of the penitents came down, very sprightly and fresh, as having done a real good substantial deed which it would take a good deal of sin to counterbalance; and the old gentleman in the watch-box was down upon them with his canister while they were in this humour, I promise you.

As if such a progress were not in its nature inevitably droll enough, there lay, on the top of the stairs, a wooden figure on a crucifix, resting on a sort of great iron saucer: so rickety and unsteady, that whenever an enthusiastic person kissed the figure, with more than usual devotion, or threw a coin into the saucer, with more than common readiness (for it served in this respect as a second or supplementary canister), it gave a great leap and rattle, and nearly shook the attendant lamp out: horribly frightening the people further down, and throwing the guilty party into unspeakable embarra.s.sment.

On Easter Sunday, as well as on the preceding Thursday, the Pope bestows his benediction on the people, from the balcony in front of St. Peter's.

This Easter Sunday was a day so bright and blue: so cloudless, balmy, wonderfully bright: that all the previous bad weather vanished from the recollection in a moment. I had seen the Thursday's Benediction dropping damply on some hundreds of umbrellas, but there was not a sparkle then, in all the hundred fountains of Rome-such fountains as they are!-and on this Sunday morning they were running diamonds. The miles of miserable streets through which we drove (compelled to a certain course by the Pope's dragoons: the Roman police on such occasions) were so full of colour, that nothing in them was capable of wearing a faded aspect. The common people came out in their gayest dresses; the richer people in their smartest vehicles; Cardinals rattled to the church of the Poor Fishermen in their state carriages; shabby magnificence flaunted its thread-bare liveries and tarnished c.o.c.ked hats, in the sun; and every coach in Rome was put in requisition for the Great Piazza of St. Peter's.

One hundred and fifty thousand people were there at least! Yet there was ample room. How many carriages were there, I don't know; yet there was room for them too, and to spare. The great steps of the church were densely crowded. There were many of the Contadini, from Albano (who delight in red), in that part of the square, and the mingling of bright colours in the crowd was beautiful. Below the steps the troops were ranged. In the magnificent proportions of the place they looked like a bed of flowers. Sulky Romans, lively peasants from the neighbouring country, groups of pilgrims from distant parts of Italy, sight-seeing foreigners of all nations, made a murmur in the clear air, like so many insects; and high above them all, plashing and bubbling, and making rainbow colours in the light, the two delicious fountains welled and tumbled bountifully.

A kind of bright carpet was hung over the front of the balcony; and the sides of the great window were bedecked with crimson drapery. An awning was stretched, too, over the top, to screen the old man from the hot rays of the sun. As noon approached, all eyes were turned up to this window.

In due time, the chair was seen approaching to the front, with the gigantic fans of peac.o.c.k's feathers, close behind. The doll within it (for the balcony is very high) then rose up, and stretched out its tiny arms, while all the male spectators in the square uncovered, and some, but not by any means the greater part, kneeled down. The guns upon the ramparts of the Castle of St. Angelo proclaimed, next moment, that the benediction was given; drums beat; trumpets sounded; arms clashed; and the great ma.s.s below, suddenly breaking into smaller heaps, and scattering here and there in rills, was stirred like parti-coloured sand.

What a bright noon it was, as we rode away! The Tiber was no longer yellow, but blue. There was a blush on the old bridges, that made them fresh and hale again. The Pantheon, with its majestic front, all seamed and furrowed like an old face, had summer light upon its battered walls.

Every squalid and desolate hut in the Eternal City (bear witness every grim old palace, to the filth and misery of the plebeian neighbour that elbows it, as certain as Time has laid its grip on its patrician head!) was fresh and new with some ray of the sun. The very prison in the crowded street, a whirl of carriages and people, had some stray sense of the day, dropping through its c.h.i.n.ks and crevices: and dismal prisoners who could not wind their faces round the barricading of the blocked-up windows, stretched out their hands, and clinging to the rusty bars, turned _them_ towards the overflowing street: as if it were a cheerful fire, and could be shared in, that way.

But, when the night came on, without a cloud to dim the full moon, what a sight it was to see the Great Square full once more, and the whole church, from the cross to the ground, lighted with innumerable lanterns, tracing out the architecture, and winking and shining all round the colonnade of the piazza! And what a sense of exultation, joy, delight, it was, when the great bell struck half-past seven-on the instant-to behold one bright red ma.s.s of fire, soar gallantly from the top of the cupola to the extremest summit of the cross, and the moment it leaped into its place, become the signal of a bursting out of countless lights, as great, and red, and blazing as itself, from every part of the gigantic church; so that every cornice, capital, and smallest ornament of stone, expressed itself in fire: and the black, solid groundwork of the enormous dome seemed to grow transparent as an egg-sh.e.l.l!

A train of gunpowder, an electric chain-nothing could be fired, more suddenly and swiftly, than this second illumination; and when we had got away, and gone upon a distant height, and looked towards it two hours afterwards, there it still stood, shining and glittering in the calm night like a jewel! Not a line of its proportions wanting; not an angle blunted; not an atom of its radiance lost.