Philo Vance - The Canary Murder Case Part 18

"No marriages?"

"None on the records. But see here: Cleaver's out of it. He was ticketed in Boonton that night at half past eleven."

"Is that, by any chance, the watertight alibi you mentioned a moment ago?"

"In any primitive legal way I considered it as such." Markham resented Vance's question. "The summons was handed him at half past eleven; it's so marked and dated. And Boonton is fifty miles from here, a good two hours' motor ride. Therefore, Cleaver unquestionably left New York about half past nine; and even if he'd driven directly back, he couldn't have reached here until long after the time the medical examiner declared the girl was dead. As a matter of routine, I investigated the summons and even spoke by phone to the officer who issued it. It was genuine enough, I ought to know: I had it quashed."

"Did this Boonton Dogberry know Cleaver by sight?"

"No, but he gave me an accurate description of him. And naturally he took the car's number."

Vance looked at Markham with open-eyed sorrow.

"My dear Markham, my very dear Markham, can't you see that all you've actually proved is that a bucolic traffic Nemesis handed a speed-violation summons to a smooth-faced, middle-aged, stout man who was driving Cleaver's car near Boonton at half past eleven on the night of the murder? . . . And, my word! Isn't that exactly the sort of alibi the old boy would arrange if he intended taking the lady's life at midnight or thereabouts?"

"Come, come!" laughed Markham. "That's a bit too far-fetched.

You'd give every lawbreaker credit for concocting schemes of the most diabolical cunning."

"So I would," admitted Vance apathetically. "And, d' ye know?, rather fancy that's just the kind of schemes a lawbreaker would concoct, if he was planning a murder, and his own life was at stake.

What really amazes me is the naive a.s.sumption of you investigators that a murderer gives no intelligent thought whatever to his future safety. It's rather touchin', y' know."

Markham grunted. "Well, you can take it from me, it was Cleaver himself who got the summons."

"I dare say you're right," Vance conceded. "I merely suggested the possibility of deception, don't y' know. The only point I really insist on is that the fascinatin' Miss Odell was killed by a man of subtle and superior mentality."

"And I, in turn," irritably rejoined Markham, "insist that the only men of that type who touched her life intimately enough to have had any reason to do it are Mannix, Cleaver, Lindquist, and Spotswoode.

And I further insist that not one of them can be regarded as a promising possibility."

"I fear I must contradict you, old dear," said Vance serenely.

"They're all possibilities, and one of them is guilty."

Markham glared at him derisively.

"Well, well! So the case is settled! Now, if you'll but indicate which is the guilty one, I'll arrest him at once and return to my other duties."

"You're always in such haste," Vance lamented. "Why leap and run?

The wisdom of the world's philosophers is against it. Festina lente, says Caesar; or, as Rufus has it, Festinatio tarda est. And the Koran says quite frankly that haste is of the Devil.

Shakespeare was constantly belittling speed: 'He tires betimes that spurs too fast betimes'; and, 'Wisely, and slow; they stumble that run fast.' Then there was Moliere, remember Sganarelle?, : 'Le trop de prompt.i.tude a l'erreur nous expose.' Chaucer also held similar views. 'He hasteth wel,' said he, 'that wysely can abyde.' Even G.o.d's common people have embalmed the idea in numberless proverbs: 'Good and quickly seldom meet'; and 'Hasty men never want woe, '"

Markham rose with a gesture of impatience.

"h.e.l.l! I'm going home before you start a bedtime story," he growled.

The ironical aftermath of this remark was that Vance did tell a "bedtime story" that night; but he told it to me in the seclusion of his own library; and the gist of it was this: "Heath is committed, body and soul, to a belief in Skeel's guilt; and Markham is as effectively strangled with legal red tape as the poor Canary was strangled with powerful hands. Eheu, Van! There's nothing left for me but to set forth tomorrow a cappella, like Gaboriau's Monsieur Lecoq, and see what can be done in the n.o.ble cause of justice. I shall ignore both Heath and Markham, and become as a pelican of the wilderness, an owl of the desert, a sparrow alone upon the housetop. . . . Really, y' know, I'm no avenger of society, but I do detest an unsolved problem."

16 SIGNIFICANT DISCLOSURES (Thursday, September 13; forenoon) Greatly to Currie's astonishment Vance gave instructions to be called at nine o'clock the following morning; and at ten o'clock we were sitting on his little roof garden having breakfast in the mellow mid-September sunshine.

"Van," he said to me, when Currie had brought us our second cup of coffee, "however secretive a woman may be, there's always someone to whom she unburdens her soul. A confidant is an essential to the feminine temperament. It may be a mother, or a lover, or a priest, or a doctor, or, more generally, a girl chum. In the Canary's case we haven't a mother or a priest. Her lover, the elegant Skeel, was a potential enemy; and we're pretty safe in ruling out her doctor, she was too shrewd to confide in such a creature as Lindquist. The girl chum, then, remains. And today we seek her." He lit a cigarette and rose. "But, first, we must visit Mr. Benjamin Browne of Seventh Avenue."

Benjamin Browne was a well-known photographer of stage celebrities, with galleries in the heart of the city's theatrical district; and as we entered the reception room of his luxurious studio later that morning my curiosity as to the object of our visit was at the breaking point. Vance went straight to the desk, behind which sat a young woman with flaming red hair and mascaro-shaded eyes, and bowed in his most dignified manner. Then, taking a small unmounted photograph from his pocket, he laid it before her.

"I am producing a musical comedy, mademoiselle," he said, "and I wish to communicate with the young lady who left this picture of herself with me. Unfortunately I've misplaced her card; but as her photograph bore the imprint of Browne's, I thought you might be good enough to look in your files and tell me who she is and where I may find her."

He slipped a five-dollar bill under the edge of the blotter, and waited with an air of innocent expectancy.

The young woman looked at him quizzically, and I thought I detected the hint of a smile at the corners of her artfully rouged lips. But after a moment she took the photograph without a word and disappeared through a rear door. Ten minutes later she returned and handed Vance the picture. On the back of it she had written a name and address.

"The young lady is Miss Alys La Fosse, and she lives at the Belafield Hotel." There was now no doubt as to her smile. "You really shouldn't be so careless with the addresses of your applicants, some poor girl might lose an engagement." And her smile suddenly turned into soft laughter.

"Mademoiselle," replied Vance, with mock seriousness, "in the future I shall be guided by your warning." And with another dignified bow, he went out.

"Good Lord!" he said, as we emerged into Seventh Avenue. "Really, y' know, I should have disguised myself as an impresario, with a gold-headed cane, a derby, and a purple shirt. That young woman is thoroughly convinced that I'm contemplating an intrigue. . . . A jolly smart tete-rouge, that."

He turned into a florist's shop at the corner, and selecting a dozen American Beauties, addressed them to "Benjamin Browne's Receptionist."

"And now," he said, "let us stroll to the Belafield, and seek an audience with Alys."

As we walked across town Vance explained.

"That first morning, when we were inspecting the Canary's rooms, I was convinced that the murder would never be solved by the usual elephantine police methods. It was a subtle and well-planned crime, despite its obvious appearances. No routine investigation would suffice. Intimate information was needed. Therefore, when I saw this photograph of the xanthous Alys half hidden under the litter of papers on the escritoire, I reflected: 'Ah! A girl friend of the departed Margaret's. She may know just the things that are needed.' So, when the Sergeant's broad back was turned, I put the picture in my pocket. There was no other photograph about the place, and this one bore the usual sentimental inscription. 'Ever thine,' and was signed 'Alys.' I concluded, therefore, that Alys had played Anactoria to the Canary's Sappho. Of course I erased the inscription before presenting the picture to the penetrating sibyl at Browne's. . . . And here we are at the Belafield, hopin' for a bit of enlightenment."

The Belafield was a small, expensive apartment-hotel in the East Thirties, which, to judge from the guests to be seen in the Americanized Queen Anne lobby, catered to the well-off sporting set.

Vance sent his card up to Miss La Fosse, and received the message that she would see him in a few minutes. The few minutes, however, developed into three-quarters of an hour, and it was nearly noon when a resplendent bellboy came to escort us to the lady's apartment.

Nature had endowed Miss La Fosse with many of its arts, and those that Nature had omitted, Miss La Fosse herself had supplied. She was slender and blond. Her large blue eyes were heavily lashed, but though she looked at one with a wide-eyed stare, she was unable to disguise their sophistication. Her toilet had been made with elaborate care; and as I looked at her, I could not help thinking what an excellent model she would have been for Cheret's pastel posters.

"So you are Mr. Vance," she cooed. "I've often seen your name in Town Topics."

Vance gave a shudder.

"And this is Mr. Van Dine," he said sweetly, ", a mere attorney, who, thus far, has been denied the pages of that fashionable weekly."

"Won't you sit down?" (I am sure Miss La Fosse had spoken the line in a play; she made of the invitation an impressive ceremonial.) "I really don't know why I should have received you. But I suppose you called on business. Perhaps you wish me to appear at a society bazaar, or something of the kind. But I'm so busy, Mr. Vance. You simply can't imagine how occupied I am with my work. . . . I just love my work," she added, with an ecstatic sigh.

"And I'm sure there are many thousands of others who love it, too returned Vance, in his best drawing-room manner. "But unfortunately I have no bazaar to be graced by your charming presence. I have come on a much more serious matter. . . . You were a very close friend of Miss Margaret Odell's, "

The mention of the Canary's name brought Miss La Fosse suddenly to her feet. Her ingratiating air of affected elegance had quickly disappeared. Her eyes flashed, and their lids drooped harshly. A sneer distorted the lines of her cupid's-bow mouth, and she tossed her head angrily.

"Say, listen! Who do you think you are? I don't know nothing, and I got nothing to say. So run along, you and your lawyer."

But Vance made no move to obey. He took out his cigarette case and carefully selected a Regie.

"Do you mind if I smoke? And won't you have one? I import them direct from my agent in Constantinople. They're exquisitely blended."

The girl snorted, and gave him a look of cold disdain. The doll baby had become a virago.

"Get yourself outa my apartment, or I'll call the house detective."

She turned to the telephone on the wall at her side.

Vance waited until she had lifted the receiver.

"If you do that, Miss La Fosse, I'll order you taken to the district attorney's office for questioning," he told her indifferently, lighting his cigarette and leaning back in his chair.

Slowly she replaced the receiver and turned. "What's your game, anyway? . . . Suppose I did know Margy, then what? And where do you fit into the picture?"

"Alas! I don't fit in at all." Vance smiled pleasantly. "But, for that matter, n.o.body seems to fit in. The truth is, they're about to arrest a poor blighter for killing your friend, who wasn't in the tableau, either. I happen to be a friend of the district attorney's; and I know exactly what's being done. The police are scouting round in a perfect frenzy of activity, and it's hard to say what trail they'll strike next. I thought, don't y' know, I might save you a lot of unpleasantness by a friendly little chat. . ..

Of course," he added, "if you prefer to have me give your name to the police, I'll do so, and let them hold the audience in their own inimitable but crude fashion. I might say, however, that, as yet, they are blissfully unaware of your relationship with Miss Odell, and that, if you are reasonable, I see no reason why they should be informed of it."

The girl had stood, one hand on the telephone, studying Vance intently. He had spoken carelessly and with a genial inflection; and she at length resumed her seat.

"Now, won't you have one of my cigarettes?" he asked, in a tone of gracious reconciliation.

Mechanically she accepted his offer, keeping her eyes on him all the time, as if attempting to determine how far he was to be trusted.

"Who are they thinking of arresting?" She asked the question with scarcely a movement of her features.

"A johnny named Skeel. Silly idea, isn't it?"

"Him!" Her tone was one of mingled contempt and disgust. "That cheap crook? He hasn't got nerve enough to strangle a cat."

"Precisely. But that's no reason for sending him to the electric chair, what?" Vance leaned forward and smiled engagingly. "Miss La Fosse, if you will talk to me for five minutes, and forget I'm a stranger, I'll give you my word of honor not to let the police or the district attorney know anything about you. I'm not connected with the authorities, but somehow I dislike the idea of seeing the wrong man punished. And I'll promise to forget the source of any information you will be kind enough to give me. If you will trust me, it will be infinitely easier for you in the end."