Phantoms Part 6

"Listen, Sheriff," Kale said, "can we just cut this c.r.a.p? You don't have to read me my rights again, for Christ's sake. Haven't we been through this a dozen times in the past three days?"

Bob Robine, Kale's attorney, quickly patted his client's arm to make him be quiet. Robine was pudgy, round-faced, with a sweet smile but with the hard eyes of a casino pit boss.

"Fletch," Robine said, "Sheriff Hammond knows he's held you on suspicion just about as long as the law allows, and he knows that I know it, too. So what he's going to do-he's going to settle this one way or the other within the next hour."

Kale blinked, nodded, and changed his tactics. He slumped in his chair as if a great weight of grief lay on his shoulders. When he spoke, there was a-faint tremor in his voice. "I'm sorry if I sort of lost my head there for a minute, Sheriff. I shouldn't have snapped at you like that. But it's so hard... so very, very hard for me." His face appeared to cave in, and the tremor in his voice became more p.r.o.nounced. "I mean, for G.o.d's sake, I've lost my family. My wife... my son... both gone."

Bryce Hammond said, "I'm sorry if you think I've treated you unfairly, Mr. Kale. I only try to do what I think is best. Sometimes, I'm right. Maybe I'm wrong this time."

Apparently deciding that he wasn't in too much trouble after all, and that he could afford to be magnanimous now, Fletcher Kale dabbed at the tears on his face, sat up straighter in his chair, and said, "Yeah... well, uh... I guess I can see your position, Sheriff."

Kale was underestimating Bryce Hammond.

Bob Robine knew the sheriff better than his client did. He frowned, glanced at Tal, then stared hard at Bryce.

In Tal Whitman's experience, most people who dealt with the sheriff underestimated him, just as Fletcher Kale had done. It was an easy thing to do. Bryce didn't look impressive. He was thirty-nine, but he seemed a lot younger than that. His thick sandy hair fell across his forehead, giving him a mussed, boyish appearance. He had a pug nose with a spatter of freckles across the bridge and across both cheeks. His blue eyes were clear and sharp, but they were hooded with heavy lids that made him seem bored, sleepy, maybe even a little bit dullwitted. His voice was misleading, too. It was soft, melodic, gentle. Furthermore, he spoke slowly at times, and always with measured deliberation, and some people took his careful speech to mean that he had difficulty forming his thoughts. Nothing could have been further from the truth. Bryce Hammond was acutely aware of how others perceived him, and when it was to his advantage, he reinforced their misconceptions with an ingratiating manner, with an almost witless smile, and with a further softening of speech that made him seem like the cla.s.sic hayseed cop.

Only one thing kept Tal from fully enjoying this confrontation: He knew the Kale investigation had affected Bryce Hammond on a deep, personal level. Bryce was hurting, sick at heart about the pointless deaths of Joanna and Danny Kale, because in a curious way this case echoed events in his own life. Like Fletcher Kale, the sheriff had lost a wife and a son, although the circ.u.mstances of his loss were considerably different from Kale's.

A year ago, Ellen Hammond had died instantly in a car crash. Seven-year-old Timmy, sitting on the front seat beside his mother, had suffered serious head injuries and had been in a coma for the past twelve months. The doctors didn't give Timmy much chance of regaining consciousness.

Bryce had nearly been destroyed by the tragedy. Only recently had Tal Whitman begun to feel that his friend was moving away from the abyss of despair.

The Kale case had opened Bryce Hammond's wounds again, but he hadn't allowed grief to dull his senses; it hadn't caused him to overlook anything. Tal Whitman had known the precise moment, last Thursday evening, when Bryce had begun to suspect that Fletcher Kale was guilty of two premeditated murders, for suddenly something cold and implacable had come into Bryce's heavy-lidded eyes.

Now, doodling on a yellow note pad as if only half his mind was on the interrogation, the sheriff said, "Mr. Kale, rather than ask you a lot of questions that you've already answered a dozen times, why don't I summarize what you've told us? If my summary sounds pretty much right to you, then we can get on with these new items I'd like to ask you about."

"Sure. Let's get it over with and get out of here," Kale said.

"Okay then," Bryce said. "Mr. Kale, according to your testimony, your wife, Joanna, felt she was trapped by marriage and motherhood, that she was too young to have so much responsibility. She felt she had made a terrible mistake and was going to have to pay for it for the rest of her life. She wanted some kicks, a way to escape, so she turned to dope. Would you say that's how you've described her state of mind?"

"Yes," Kale said. "Exactly."

"Good," Bryce said. "So she started smoking pot. Before long, she was stoned almost continuously. For two and a half years, you lived with a pothead, all the while hoping you could change her. Then a week ago she went berserk, broke a lot of dishes and threw some food around the kitchen, and you had h.e.l.l's own time calming her down. That was when you discovered she'd recently begun using PCP-what's sometimes called 'angel dust' on the street. You were shocked. You knew that some people became maniacally violent while under the influence of PCP, so you made her show you where she kept her stash, and you destroyed it. Then you told her that if she ever used drugs around little Danny again, you'd beat her within an inch of her life."

Kale cleared his throat. "But she just laughed at me. She said I wasn't a woman-beater and I shouldn't pretend to be Mr. Macho. She said, 'h.e.l.l, Fletch, if I kicked you in the b.a.l.l.s, you'd thank me for livening up your day.'"

"And that was when you broke down and cried?" Bryce asked.

Kale said, "I just... well, I realized I didn't have any influence with her."

From his window seat, Tal Whitman watched Kale's face twist with grief-or with a reasonable facsimile. The b.a.s.t.a.r.d was good.

"And when she saw you cry," Bryce said, "that sort of brought her to her senses."

"Right," Kale said. "I guess it... affected her... a big ox like me bawling like a baby. She cried, too, and she promised not to take any more PCP. We talked about the past, about what we had expected from marriage, said a lot of things maybe we should have said before, and we felt closer than we had in a couple of years. At least I felt closer. I thought she did, too. She swore she'd start cutting down on the pot."

Still doodling, Bryce said, "Then last Thursday you came home early from work and found your little boy, Danny, dead in the master bedroom. You heard something behind you. It was Joanna, holding a meat cleaver, the one she'd used to kill Danny."

"She was stoned," Kale said. "PCP. I could see it right away. That wildness in her eyes, that animal look."

"She screamed at you, a lot of irrational stuff about snakes that lived inside people's heads, about people being controlled by evil snakes. You circled away from her, and she followed. You didn't try to take the cleaver away from her-"

"I figured I'd be killed. I tried to talk her down."

"So you kept circling until you reached the nightstand where you kept a .38 automatic."

"I warned her to drop the cleaver. I warned her."

"Instead, she rushed at you with the cleaver raised. So you shot her. Once. In the chest."

Kale was leaning forward now, his face in his hands.

The sheriff put down his pen. He folded his hands on his stomach and laced his fingers. "Now, Mr. Kale, I hope you can bear with me a little bit longer. Just a few more questions, and then we can all get out of here and get on with our lives."

Kale lowered his hands from his face. It was clear to Tal Whitman that Kale figured "getting on with our lives" meant he would be released at last. "I'm all right, Sheriff. Go ahead."

Bob Robine didn't say a word.

Slouched in his chair, looking loose and boneless, Bryce Hammond said, "While we've been holding you on suspicion, Mr. Kale, we've come up with a few questions we need to have answered, so we can set our minds to rest about this whole terrible thing. Now, some of these things may seem awful trivial to you, hardly worth my time or yours. They are little things. I admit that. The reason I'm putting you through more trouble... well, it's because I want to get reelected next year, Mr. Kale. If my opponents catch me out on one technicality, on even one tiny little d.a.m.ned thing, they'll huff and puff and blow it into a scandal; they'll say I'm slipping or lazy or something." Bryce grinned at Kale-actually grinned at him. Tal couldn't believe it.

"I understand, Sheriff," Kale said.

On his window seat, Talbert Whitman tensed and leaned forward.

And Bryce Hammond said, "First thing is-I was wondering why you shot your wife and then did a load of laundry before calling us to report what had happened."

8.

Barricades Severed hands. Severed heads.

Jenny couldn't get those gruesome images out of her mind as she hurried along the sidewalk with Lisa.

Two blocks east of Skyline Road, on Vail Lane, the night was as still and as quietly threatening as it was everywhere else in Snowfield. The trees here were bigger than those on the main street; they blocked out most of the moonlight. The streetlamps were more widely s.p.a.ced, too, and the small pools of amber light were separated by ominous lakes of darkness.

Jenny stepped between two gateposts, onto a brick walk that led to a one-story English cottage set on a deep lot. Warm light radiated through leaded gla.s.s windows with diamond-shaped panes.

Tom and Karen Oxley lived in the deceptively small-looking cottage, which actually had seven rooms and two baths. Tom was the accountant for most of the lodges and motels in town. Karen ran a charming French cafe during the season. Both were amateur radio operators, and they owned a shortwave set, which was why Jenny had come here.

"If someone sabotaged the radio at the sheriff's office," Lisa said, "what makes you think they didn't get this one, too?"

"Maybe they didn't know about it. It's worth taking a look."

She rang the bell, and when there was no response, she tried the door. It was locked.

They went around to the rear of the property, where brandyhued light flowed out through the windows. Jenny looked warily at the rear lawn, which was left moonless by tree shadows. Their footsteps echoed hollowly on the wooden floor of the back porch. She tried the kitchen door and found it was locked, too.

At the nearest window, the curtains were drawn aside. Jenny looked in and saw only an ordinary kitchen: green counters, cream-colored walls, oak cabinets, gleaming appliances, no signs of violence.

Other cas.e.m.e.nt windows faced onto the porch, and one of these, Jenny knew, was a den window. Lights were on, but the curtains were drawn. Jenny rapped on the gla.s.s, but no one responded. She tested the window, found that it was latched. Gripping the pistol by the barrel, she smashed a diamond-shaped pane adjacent to the center post. The sound of shattering gla.s.s was jarringly loud. Although this was an emergency, she felt like a thief. She reached through the broken pane, threw open the latch, pulled the halves of the window apart, and went over the sill, into the house. She fumbled through the drapes, then drew them aside, so that Lisa could enter more easily.

Two bodies were in the small den. Tom and Karen Oxley.

Karen was lying on the floor, on her side, legs drawn up toward her belly, shoulders curled forward, arms crossed over her b.r.e.a.s.t.s-a fetal position. She was bruised and swollen. Her bulging eyes stared in terror. Her mouth hung open, frozen forever in a scream.

"Their faces are the worst thing," Lisa said.

"I can't understand why the facial muscles didn't relax upon death. I don't see how they can remain taut like that."

"What did they see?" Lisa wondered.

Tom Oxley was sitting in front of the shortwave radio. He was slumped over the radio, his head turned to one side. He was sheathed in bruises and swollen hideously, just as Karen was. His right hand was clenched around a table-model microphone, as if he had perished while refusing to relinquish it. Evidently, however, he had not managed a call for help. If he had gotten a message out of Snowfield, the police would have arrived by now.

The radio was dead.

Jenny had figured as much as soon as she had seen the bodies.

However, neither the condition of the radio nor the condition of the corpses was as interesting as the barricade. The den door was closed and, presumably, locked. Karen and Tom had dragged a heavy cabinet in front of it. They had pushed a pair of easy chairs hard against the cabinet, then had wedged a television set against the chairs.

"They were determined to keep something from getting in here," Lisa said.

"But it got in anyway."

"How?"

They both looked at the window through which they'd come.

"It was locked from the inside," Jenny said.

The room had only one other window.

They went to it and pulled back the drapes.

It was also latched securely on the inside.

Jenny stared out at the night, until she felt that something hidden in the darkness was staring back at her, getting a good look at her as she stood unprotected in the lighted window. She quickly closed the drapes.

"A locked room," Lisa said.

Jenny turned slowly around and studied the den. There was a small outlet from a heating duct, covered with a metal vent plate full of narrow slots, and there was perhaps a half-inch of air s.p.a.ce under the barricaded door. But there was no way anyone could have gained access to the room.

She said, "As far as I can see, only bacteria or toxic gas or some kind of radiation could've gotten in here to kill them."

"But none of those things killed the Liebermanns."

Jenny nodded. "Besides, you wouldn't build a barricade to keep out radiation, gas, or germs."

How many of Snowfield's people had locked themselves in, thinking they had found defensible havens-only to die as suddenly and mysteriously as those who'd had no time to run? And what was it that could enter locked rooms without opening doors or windows? What had pa.s.sed through this barricade without disturbing it?

The Oxleys' house was as silent as the surface of the moon.

Finally, Lisa said, "Now what?"

"I guess maybe we have to risk spreading a contagion. We'll drive out of town only as far as the nearest pay phone, call the sheriff in Santa Mira, tell him the situation, and let him decide how to handle it. Then we'll come back here to wait. We won't have any direct contact with anyone, and they can sterilize the telephone booth if they think that's necessary."

"I hate the idea of coming back here once we've gotten out," Lisa said anxiously.

"So do I. But we've got to act responsibly. Let's go," Jenny said, turning toward the open window through which they had entered.

The phone rang.

Startled, Jenny turned toward the strident sound.

The phone was on the same table as the radio.

It rang again.

She s.n.a.t.c.hed up the receiver. "h.e.l.lo?"

The caller didn't respond.

"h.e.l.lo?"

Icy silence.

Jenny's hand tightened on the receiver.

Someone was listening intently, remaining utterly silent, waiting for her to speak. She was determined not to give him that satisfaction. She just pressed the receiver to her ear and strained to hear something, anything, if even nothing more than the faint sealike ebb and flow of his breathing. He didn't make the slightest sound, but still she could feel, at the other end of the line, the presence that she had felt when she'd picked up the phone in the Santinis' house and in the sheriff's substation.

Standing in the barricaded room, in that silent house where Death had crept in with impossible stealth, Jenny Paige felt an odd transformation overtaking her. She was well-educated, a woman of reason and logic, not even mildly superst.i.tious. Thus far, she had attempted to solve the mystery of Snowfield by applying the tools of logic and reason. But for the first time in her life, they had utterly failed her. Now deep in her mind, something ... shifted. as if an enormously heavy iron cover were being slid off a dark pit in her subconscious. In that pit, within ancient chambers of the mind, there lay a host of primitive sensations and perceptions, a superst.i.tious awe that was new to her. Virtually on the level of racial memory stored in the genes, she sensed what was happening in Snowfield. The knowledge was within her; however, it was so alien, so fundamentally illogical, that she resisted it, fighting hard to suppress the superst.i.tious terror that boiled up.

Clutching the telephone receiver, she listened to the silent presence on the line, and she argued with herself: * It isn't a man; it's a thing.

* Nonsense.

* It's not human, but it's aware.

* You're hysterical.

* Unspeakably malevolent; perfectly, purely evil.

* Stop it, stop it, stop it!