Phantoms Part 12

"Yes. Dan and Sylvia Kanarsky."

The sheriff stared at her for a moment. "Friends?"

"Yes. Close friends."

"Then maybe we'd better not look in their apartment," he said.

Warm sympathy and understanding shone in his heavy-lidded blue eyes. Jenny was surprised by a sudden awareness of the kindness and intelligence that informed his face. During the past hour, watching him operate, she had gradually realized that he was considerably more alert and efficient than he had at first appeared to be. Now, looking into his sensitive, compa.s.sionate eyes, she realized he was perceptive, interesting, formidable.

"We can't just walk away," she said. "This place has to be searched sooner or later. The whole town has to be searched. We might as well get this part of it out of the way."

She lifted a hinged section of the wooden countertop and started to push through a gate into the office s.p.a.ce beyond.

"Please, Doctor," the sheriff said, "always let me or Lieutenant Whitman go first."

She backed out obediently, and he preceded her into Dan's and Sylvia's apartment, but they didn't find anyone. No dead bodies.

Thank G.o.d.

Back at the registration desk, Lieutenant Whitman paged through the guest log. "Only six rooms are being rented right now, and they're all on the second floor."

The sheriff located a pa.s.skey on a pegboard beside the mailboxes.

With almost monotonous caution, they went upstairs and searched the six rooms. In the first five, they found luggage and cameras and half-written postcards and other indications that there actually were guests at the inn, but they didn't find the guests themselves.

In the sixth room, when Lieutenant Whitman tried the door to the adjoining bath, he found it locked. He hammered on it and shouted, "Police! Is anyone there?"

No one answered.

Whitman looked at the doork.n.o.b, then at the sheriff. "No lock b.u.t.ton on this side, so someone must be in there. Break it down?"

"Looks like a solid-core door," Hammond said. "No use dislocating your shoulder. Shoot the lock."

Jenny took Lisa's arm and drew the girl aside, out of the path of any debris that might blow back.

Lieutenant Whitman called a warning to anyone who might be in the bathroom, then fired one shot. He kicked the door open and went inside fast. "n.o.body's here."

"Maybe they climbed out a window," the sheriff said.

"There aren't any windows in here," Whitman said, frowning.

"You're sure the door was locked?"

"Positive. And it could only be done from the inside."

"But how-if no one was in there?"

Whitman shrugged. "Besides that, there's something you ought to have a look at."

They all had a look at it, in fact, for the bathroom was large enough to accommodate four people. On the mirror above the sink, a message had been hastily printed in bold, greasy, black letters: In another apartment above another shop, Frank Autry and his men found another water-soaked carpet that squished under their feet. In the living room, dining room, and bedrooms, the carpet was dry, but in the hallway leading to the kitchen, it was saturated. And in the kitchen itself, three-quarters of the vinyl-tile floor was covered with water up to a depth of one inch in places.

Standing in the hallway, staring into the kitchen, Jake Johnson said, "Must be a plumbing leak."

"That's what you said at the other place," Frank reminded him. "Seems coincidental, don't you think?"

Gordy Brogan said, "It is just water. I don't see what it could have to do with... all the murders."

"s.h.i.t," Stu Wargle said, "we're wastin' time. There's nothin' here. Let's go."

Ignoring them, Frank stepped into the kitchen, treading carefully through one end of the small lake, heading for a dry area by a row of cupboards. He opened several cupboard doors before he found a small plastic tub used for storing leftovers. It was clean and dry, and it had a snap-on lid that made an airtight seal. In a drawer he found a measuring spoon, and he used it to scoop water into the plastic container.

"What're you doing?" Jake asked from the doorway.

"Collecting a sample."

"Sample? Why? It's only water."

"Yeah," Frank said, "but there's something funny about it."

The bathroom. The mirror. The bold, greasy, black letters.

Jenny stared at the five printed words.

Lisa said, "Who's Timothy Flyte?"

"Could be the guy who wrote this," Lieutenant Whitman said.

"Is the room rented to Flyte?" the sheriff asked.

"I'm sure I didn't see that name on the registry," the lieutenant said. "We can check it out when we go downstairs, but I'm really sure."

"Maybe Timothy Flyte is one of the killers," Lisa said. "Maybe the guy renting this room recognized him and left this message."

The sheriff shook his head. "No. If Flyte's got something to do with what's happened to this town, he wouldn't leave his name on the mirror like that. He would've wiped it off."

"Unless he didn't know it was there," Jenny said.

The lieutenant said, "Or maybe he knew it was there, but he's one of the rabid maniacs you talked about, so he doesn't care whether we catch him or not."

Bryce Hammond looked at Jenny. "Anyone in town named Flyte?"

"Never heard of him."

"Do you know everyone in Snowfield?"

"Yeah."

"All five hundred?"

"Nearly everyone," she said.

"Nearly everyone, huh? Then there could be a Timothy Flyte here?"

"Even if I'd never met him, I'd still have heard someone mention him. It's a small town, Sheriff, at least during the off season."

"Could be someone from over in Mount Larson, Shady Roost, or Pineville," the lieutenant suggested.

She wished they could go somewhere else to discuss the message on the mirror. Outside. In the open. Where nothing could creep close to them without revealing itself. She had the uncanny, unsupported, but undeniable feeling that something-something d.a.m.ned strange-was moving about in another part of the inn right this minute, stealthily carrying out some dreadful task of which she and the sheriff and Lisa and the deputy were dangerously unaware.

"What about the second part of it?" Lisa asked, indicating THE ANCIENT ENEMY.

Jenny finally said, "Well, we're back to what Lisa first said. It looks as if the man who wrote this was telling us that Timothy Flyte was his enemy. Our enemy, too, I guess."

"Maybe," Bryce Hammond said dubiously. "But it seems like an unusual way to put it-'the ancient enemy.' Kind of awkward. Almost archaic. If he locked himself in the bathroom to escape Flyte and then wrote a hasty warning, why wouldn't he say, 'Timothy Flyte, my old enemy,' or something straightforward?"

Lieutenant Whitman agreed. "In fact, if he wanted to leave a message accusing Flyte, he'd have written, 'Timothy Flyte did it,' or maybe 'Flyte killed them all.' The last thing he'd want is to be obscure."

The sheriff began sorting through the articles on the deep shelf that was above the sink, just under the mirror: a bottle of Mennen's Skin Conditioner, lime-scented aftershave, a man's electric razor, a pair of toothbrushes, toothpaste, combs, hair-brushes, a woman's makeup kit. "From the looks of it, there were two people in this room. So maybe they both locked themselves in the bath-which means two of them vanished into thin air. But what did they write on the mirror with?"

"It looks as if it must've been an eyebrow pencil," Lisa said.

Jenny nodded. "I think so, too."

They searched the bathroom for a black eyebrow pencil. They couldn't find it.

"Terrific," the sheriff said exasperatedly. "So the eyebrow pencil disappeared along with maybe two people who locked themselves in here. Two people kidnapped out of a locked room."

They went downstairs to the front desk. According to the guest register, the room in which the message had been found was occupied by a Mr. and Mrs. Harold Ordnay of San Francisco.

"None of the other guests was named Timothy Flyte," Sheriff Hammond said, closing the register.

"Well," Lieutenant Whitman said, "I guess that's about all we can do here right now."

Jenny was relieved to hear him say that.

"Okay," Bryce Hammond said. "Let's catch up with Frank and the others. Maybe they've found something we haven't.'

They started across the lobby. After only a couple of steps, Lisa stopped them with a scream.

They all saw it a second after it caught the girl's attention. It was on an end table, directly in the fall of light from a rose-shaded lamp, so prettily lit that it seemed almost like a piece of artwork on display. A man's hand. A severed hand.

Lisa turned away from the macabre sight.

Jenny held her sister, looking over Lisa's shoulder with ghastly fascination. The hand. The d.a.m.ned, mocking, impossible hand.

It was holding an eyebrow pencil firmly between its thumb and first two fingers. The eyebrow pencil. The same one. It had to be.

Jenny's horror was as great as Lisa's, but she bit her lip and suppressed a scream. It wasn't merely the sight of the hand that repelled and terrified her. The thing that made the breath catch and burn in her chest was the fact that this hand hadn't been on this end table a short while ago. Someone had placed it here while they were upstairs, knowing that they would find it; someone was mocking them, someone with an extremely twisted sense of humor.

Bryce Hammond's hooded eyes were open farther than Jenny had yet seen them. "d.a.m.n it, this thing wasn't here before-was it?"

"No," Jenny said.

The sheriff and deputy had been carrying their revolvers with the muzzles pointed at the floor. Now they raised their weapons as if they thought the severed hand might drop the eyebrow pencil, launch itself off the table toward someone's face, and gouge out his eyes.

They were speechless.

The spiral patterns in the oriental carpet seemed to have become refrigeration coils, casting off waves of icy air.

Overhead, in a distant room, a floorboard or an unoiled door creaked, groaned, creaked.

Bryce Hammond looked up at the ceiling of the lobby.

Creeeeeaaak.

It could have been only a natural settling noise. Or it could have been something else.

"There's no doubt now," the sheriff said.

"No doubt about what?" Lieutenant Whitman asked, looking not at the sheriff but at other entrances to the lobby.

The sheriff turned to Jenny. "When you heard the siren and the church bell just before we arrived, you said you realized that whatever had happened to Snowfield might still be happening."

"Yes."

"And now we know you're right."

12.

Battleground Jake Johnson waited with Frank, Gordy, and Stu Wargle at the end of the block, on a brightly lighted stretch of sidewalk in front of Gilmartin's Market, a grocery store.

He watched Bryce Hammond coming out of the Candleglow Inn, and he wished to G.o.d the sheriff would move faster. He didn't like standing here in all this light. h.e.l.l, it was like being on stage. Jake felt vulnerable.

Of course, a few minutes ago, while conducting a search of some of the buildings along the street, they'd had to pa.s.s through dark areas where the shadows had seemed to pulse and move like living creatures, and Jake had looked with fierce longing toward this very same stretch of brightly lighted pavement. He had feared the darkness as much as he now feared the light.

He nervously combed one hand through his thick white hair. He kept his other hand on the b.u.t.t of his holstered revolver.

Jake Johnson not only believed in caution: He worshiped it; caution was his G.o.d. Better safe than sorry; a bird in the hand is worth two in the bush; fools rush in where angels fear to tread ... He had a million maxims. They were, to him, lightposts marking the one safe route, and beyond those lights lay only a cold void of risk, chance, and chaos.

Jake had never married. Marriage meant taking on a lot of new responsibilities. It meant risking your emotions and your money and your entire future.

Where finances were concerned, he had also lived a cautious, frugal existence. He had put away a rather substantial nest egg, spreading his funds over a wide variety of investments.