Phantom Fortune Part 33

'Haselden,' he repeated musingly, 'I have heard that name before.'

And then he resumed his former att.i.tude, his chin resting on the handle of his crutch-stick, his eyes bent upon the gravel path, their unholy brightness hidden under the penthouse brows.

'Haselden,' he murmured, and repeated the name over and over again, slowly, dreamily, with a troubled tone, like some one trying to work out a difficult problem. 'Haselden--when? where?'

And then with a profound sigh he muttered, 'Harmless, quite harmless.

You may trust him anywhere. Memory a blank, a blank, a blank, my lord!'

His head sank lower upon his breast, and again he sighed, the sigh of a spirit in torment, Mary thought. Her vivid imagination was already interested, her quick sympathies were awakened.

She looked at him wonderingly, compa.s.sionately. So old, so infirm, and with a mind astray; and yet there were indications in his speech and manner that told of reason struggling against madness, like the light behind storm-clouds. He had tones that spoke of a keen sensitiveness to pain, not the lunatic's imbecile placidity. She observed him intently, trying to make out what manner of man he was.

He did not belong to the peasant cla.s.s: of that she felt a.s.sured. The shrunken, tapering hand had never worked at peasant's work. The profile turned towards her was delicate to effeminacy. The man's clothes were shabby and old-fashioned, but they were a gentleman's garments, the cloth of a finer texture than she had ever seen worn by her brother. The coat, with its velvet collar, was of an old-world fashion. She remembered having seen just such a coat in an engraved portrait of Count d'Orsay, a print nearly fifty years old. No Dalesman born and bred ever wore such a coat; no tailor in the Dales could have made it.

The old man looked up after a long pause, during which Mary felt afraid to move. He looked at her again with inquiring eyes, as if her presence there had only just become known to him.

'Who are you?' he asked again.

'I told you my name just now. I am Mary Haselden.'

'Haselden--that is a name I knew--once. Mary? I think my mother's name was Mary. Yes, yes, I remember that. You have a sweet face, Mary--like my mother's. She had brown eyes, like yours, and auburn hair. You don't recollect her, perhaps?'

'Alas! poor maniac,' thought Mary, 'you have lost all count of time.

Fifty years to you in the confusion of your distraught brain, are but as yesterday.'

'No, of course not, of course not,' he muttered; 'how should she recollect my mother, who died while I was a boy? Impossible. That must be half a century ago.'

'Good evening to you,' said Mary, rising with a great effort, so strong was her feeling of being spellbound by the uncanny old man, 'I must go indoors now.'

He stretched out his withered old hand, small, semi-transparent, with the blue veins showing darkly under the parchment-coloured skin, and grasped Mary's arm.

'Don't go,' he pleaded. 'I like your face, child; I like your voice--I like to have you here. What do you mean by going indoors? Where do you live?'

'There,' said Mary, pointing to the dead wall which faced them. 'In the new part of Fellside House. I suppose you are staying in the old part with James Steadman.'

She had made up her mind that this crazy old man must be a relation of Steadman's to whom he gave hospitality either with or without her ladyship's consent. All powerful as Lady Maulevrier had ever been in her own house, it was just possible that now, when she was a prisoner in her own rooms, certain small liberties might be taken, even by so faithful a servant as Steadman.

'Staying with James Steadman,' repeated the old man in a meditative tone. 'Yes, I stay with Steadman. A good servant, a worthy person. It is only for a little while. I shall be leaving Westmoreland next week. And you live in that house, do you?' pointing to the dead wall. 'Whose house?'

'Lady Maulevrier's. I am Lady Maulevrier's granddaughter.'

'Lady Mau-lev-rier.' He repeated the name in syllables. 'A good name--an old t.i.tle--as old as the conquest. A Norman race those Maulevriers. And you are Lady Maulevrier's granddaughter! You should be proud. The Maulevriers were always a proud race.'

'Then I am no true Maulevrier,' answered Mary gaily.

She was beginning to feel more at her ease with the old man. He was evidently mad, as mad as a March hare; but his madness seemed only the harmless lunacy of extreme old age. He had flashes of reason, too. Mary began to feel a friendly interest in him. To youth in its flush of life and vigour there seems something so unspeakably sad and pitiable in feebleness and age--the brief weak remnant of life, the wreck of body and mind, sunning itself in the declining rays of a sun that is so soon to shine upon its grave.

'What, are you not proud?' asked the old man.

'Not at all. I have been taught to consider myself a very insignificant person; and I am going to marry a poor man. It would not become me to be proud.'

'But you ought not to do that,' said the old man. 'You ought not to marry a poor man. Poverty is a bad thing, my dear. You are a pretty girl, and ought to marry a man with a handsome fortune. Poor men have no pleasure in this world--they might just as well be dead. I am poor, as you see. You can tell by this threadbare coat'--he looked down at the sleeve from which the nap was worn in places--'I am as poor as a church mouse.'

'But you have kind friends, I dare say,' Mary said, soothingly. 'You are well taken care of, I am sure.'

'Yes, I am well taken care of--very well taken care of. How long is it, I wonder--how many weeks, or months, or years, since they have taken care of me? It seems a long, long time; but it is all like a dream--a long dream. Once I used to try and wake myself. I used to try and struggle out of that weary dream. But that was ages ago. I am satisfied now--I am quite content now--so long as the weather is warm, and I can sit out here in the sun.'

'It is growing chilly now,' said Mary, 'and I think you ought to go indoors. I know that I must go.'

'Yes, I must go in now--I am getting shivery,' answered the old man, meekly. 'But I want to see you again, Mary--I like your face--and I like your voice. It strikes a chord here,' touching his breast, 'which has long been silent. Let me see you again, child. When can I see you again?'

'Do you sit here every afternoon when it is fine?'

'Yes, every day--all day long sometimes when the sun is warm.'

'Then I will come here to see you.'

'You must keep it a secret, then,' said the old man, with a crafty look.

'If you don't they will shut me up in the house, perhaps. They don't like me to see people, for fear I should talk. I have heard Steadman say so. Yet what should I talk about, heaven help me? Steadman says my memory is quite gone, and that I am childish and harmless--childish and harmless. I have heard him say that. You'll come again, won't you, and you'll keep it a secret?'

Mary deliberated for a few minutes.

'I don't like secrets,' she said, 'there is generally something dishonourable in them. But this would be an innocent secret, wouldn't it? Well, I'll come to see you somehow, poor old man; and if Steadman sees me here I will make everything right with him.'

'He mustn't see you here,' said the old man. 'If he does he will shut me up in my own rooms again, as he did once, years and years ago.'

'But you have not been here long, have you?' Mary asked, wonderingly.

'A hundred years, at least. That's what it seems to me sometimes. And yet there are times when it seems only a dream. Be sure you come again to-morrow.'

'Yes, I promise you to come; good-night.'

'Good-night.'

Mary went back to the stable. The door was still open, but how could she be sure that it would be open to-morrow? There was no other access that she knew of to the quadrangle, except through the old part of the house, and that was at times inaccessible to her.

She found a key--a big old rusty key--in the inside of the door, so she shut and locked it, and put the key in her pocket. The door she supposed had been left open by accident; at any rate this key made her mistress of the situation. If any question should arise as to her conduct she could have an explanation with Steadman; but she had pledged her word to the poor mad old man, and she meant to keep her promise, if possible.

As she left the stable she saw Steadman riding towards the gate on his grey cob. She pa.s.sed him as she went back to the house.

Next day, and the day after that, and for many days, Mary used her key, and went into the quadrangle at sundown to sit for half an hour or so with the strange old man, who seemed to take an intense pleasure in her company. The weather was growing warmer as May wore on towards June, and this evening hour, between six and seven, was deliciously bright and balmy. The seat by the sundial was screened on every side by the clipped yew hedge, dense and tall, surrounding the circular, gravelled s.p.a.ce, in the centre of which stood the old granite dial, with its octagonal pedestal and moss-grown steps. There, as in a closely-shaded arbour, Lady Mary and her old friend were alone and un.o.bserved. The yew-tree boundary was at least eight feet high, and Mary and her companion could hardly have been seen even from the upper windows of the low, old house.

Mary had fallen into the habit of going for her walk or her ride at five o'clock every day, when she was not in attendance on Lady Maulevrier, and after her walk or ride she slipped through the stable, and joined her ancient friend. Stables and courtyard were generally empty at this hour, the men only appearing at the sound of a big bell, which summoned them from their snuggery when they were wanted. Most of Lady Maulevrier's servants had arrived at that respectable stage of long service in which fidelity is counted as a subst.i.tute for hard work.

The old man was not particularly conversational, and was apt to repeat the same things over and over again, with a sublime unconsciousness of being prosy; but he liked to hear Mary talk, and he listened with seeming intelligence. He questioned her about the world outside his cloistered life--the wars and rumours of wars--and, although the names of the questions and the men of the day seemed utterly strange to him, and he had to have them repeated to him again and again, he seemed to take an intelligent interest in the stirring facts of the time, and listened intently when Mary gave him a synopsis of her last newspaper reading.

When the news was exhausted, Mary hit upon a more childish form of amus.e.m.e.nt, and that was to tell the story of any novel or poem she had been lately reading. This was so successful that in this manner Mary related the stories of most of Shakespeare's plays; of Byron's Bride of Abydos, and Corsair; of Keats's Lamia; of Tennyson's Idylls; and of a heterogenous collection of poetry and romance, in all of which stories the old man took a vivid interest.