Peeps at People Part 12

I gave the landlord up as a difficult case; but the next day, when I called at the castle of the two famous singers, I perceived why it was that in their own land they were known chiefly as farmers.

"The De Reszkes?" said I, as I entered their castle, some ten miles out of Warsaw, and held out my hands for the brothers to clasp.

[Ill.u.s.tration: IT WAS A SUPERB BUILDING]

It was a superb building, with a facade of imposing quality, and not, as I had supposed, built of painted canvas, but of granite. To be sure, there were romantic little balconies distributed about it for Jean to practise on, with here and there a dark, forbidding cas.e.m.e.nt which suggested the most base of edouard's ba.s.s notes; but generally the castle suggested anything but the flimsy structure of a grand-opera scene.

Their reply was instant, and I shall never forget the magnificent harmony of their tones as they sang in unison:

"Miss Witherup--Miss Wi-hith-hith-erup?" they inquired.

"The sa-ha-ha-hay-hame!" I sang, and I haven't a bad voice at all.

"We are glad," sang Jean, in tenor tones.

"We are glad," echoed edouard, only in ba.s.s notes, and then they joined together in, "We are glad, we are glad, to see-hee-hee-hee you."

I wish I could write music, so that I could convey the delightful harmonies of the moment to the reader's ear, particularly the last phrase. If a typographical subterfuge may be employed, it went like this:

"To see-- hee-- hee-- hee you!"

Start on C, and go a note lower on each line, and you will get some idea of the exquisite musical phrasing of my greeting.

"Excuse me, Jean," said edouard, "but we are forgetting ourselves. It is only abroad that we are singers. Here we are farmers, and not even yodellists."

"True," said Jean. "Miss Witherup, we must apologize. We recognized in you a matinee girl from New York, and succ.u.mbed to the temptation to try to impress you; but here we are not operatic people. We run a farm. Do you come to interview us as singers or farmers?"

"I've come to interview you in any old way you please," said I. "I want to see you at home."

"Well, here we are," said edouard, with one of his most fascinating smiles. "Look at us."

"Tell me," said I, "how did you know I was a matinee girl? You just said you recognized me as one."

"Easy!" laughed Jean, with a wink at his brother. "By the size of your hat."

"Ah, but you said from the United States," I urged. "How did you know that? Don't English matinee girls wear large hats?"

"Yes," returned edouard, with a courteous bow, "but yours is in exquisite taste."

Just then the telephone-bell rang, and Jean ran to the receiver. edouard looked a trifle uneasy, and I kept silent.

"What is it, Jean?" edouard asked in a moment.

"It's a message from the Countess Poniatowska. She says the milk this morning was sour. Those cows must have been at the green apples again,"

replied the tenor, moodily.

"It's very annoying," put in edouard, impatiently. "That stage-carpenter we brought over from the Metropolitan isn't worth a cent. I told him to build a coop large enough for those cows to run around in, and strong enough to keep them from breaking out and eating the apples, and this is the third time they've done this. I really think we ought to send him back to New York. He'd make a good target for the gunners to shoot at over at the Navy Yard."

"What are the prospects for grand opera next year, Mr. De Reszke?" I asked, after a slight pause.

"Pretty good," replied Jean, absently. "Of course, if the milk was sour, we'll have to send another can over to the Countess."

"I suppose so," said edouard; "but the thing's got to stop. I don't mind losing a little money on this farm at the outset, but when it costs us $1500 a quart to raise milk, I don't much like having to provide subst.i.tute quarts, when it sours, at sixteen cents a gallon, just because a fool of a carpenter can't build a cow-coop strong enough to keep the beasts away from green apples."

I had to laugh quietly; for, as the daughter of a farmer, I could see that these spoiled children of fortune knew as much about farming as I knew about building light-houses.

"Perhaps," I suggested, "it wasn't the green apples that soured the milk. It may have been the thunder-storm last night that did it."

[Ill.u.s.tration: READY FOR THE STORM]

"That can't be," said Jean, positively. "We have provided against that.

All our cows have lightning-rods on them; we bought them from a Connecticut man, who was in here the other day, for $500 apiece, so you see no electrical disturbance could possibly affect them. It must have been the apples."

"I suppose I had better tell Plancon to take the extra quart over himself at once and explain to the Countess," said edouard.

"Plancon here too?" I cried, in sheer delight.

"Yes; but it's a secret," said Jean. "The whole troupe is here. Plancon has charge of the cows, but n.o.body knows it. I wouldn't send Plancon,"

he added, reverting to edouard's suggestion. "He'll stay over there all day singing duets with the ladies. Why not ask Scalchi to attend to it?

She's going to town after the turnip seed this morning, and she can stop on her way."

"All right," said edouard; "I imagine that will be better. Plancon's got all he can do to get the hay in, anyhow."

edouard looked at me and laughed.

"We are hard workers here, Miss Witherup," he cried. "And I can tell you what it is, there is no business on earth so exacting and yet so delightful as farming."

"And you are all in it together?" I said.

"Yes. You see, last time we were all in New York we were the most harmonious opera troupe there ever was," edouard explained, "and it was such a novel situation that Jean and I invited them all here for the farming season, and have put the various branches of the work into the hands of our guests, we two retaining executive control."

"Delightful!" I cried.

[Ill.u.s.tration: MELBA, THE DAIRY MAID]

"Melba has charge of the dairy, and does a great deal of satisfactory rehearsing while churning the b.u.t.ter. You should hear the Spinning Song from 'Faust' as she does it to the accompaniment of a churn.

Magnificent!"

"And you ought to see little Russitano and Cremonini rounding up the chickens every night, while Bauermeister collects the eggs," put in Jean; "and Plancon milking the cows after Maurel has called them home; and that huge old chap Tamagno pushing the lawn-mower up and down the hay-fields through the summer sun--those are sights that even the G.o.ds rarely witness."

"It must be a picture!" I e.j.a.c.u.l.a.t.ed, with enthusiasm. "And Ancona? Is he with you?"

"He is, and he's as useful a man as ever was," said edouard. "He is our head ploughboy. And Calve's vegetable garden--well, Jean and I do not wish to seem vain, Miss Witherup, but really if there is a vegetable garden in the world that produces cabbages that are cabbages, and artichokes that are artichokes, and Bermuda potatoes that are Bermuda potatoes, it is Calve's garden right here."

"And what becomes of all the product of your farm?" I asked.

"We sell it all," said Jean. "We supply the Czar of Russia with green pease and radishes. The Emperor of Germany buys all his asparagus from us; and we have secured the broiled-chicken contract for the Austrian court for the next five years."

"And you don't feel, Mr. De Reszke," I asked, "that all this interferes with your work?"