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Peak and Prairie Part 11

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Quinn did not dance again that night; he withdrew to the piazza, where he kept guard at the window hour after hour. Joe danced with no one but Aggy, and sat beside her between whiles. Lem wandered about, trying not to watch Quinn. He knew his brother too well to remonstrate with him again by so much as a look.

As the night wore on, the hilarity of the company increased, nothing daunted by the sight of a man lying here and there under a bench with a telltale black bottle protruding from his pocket. When the favorite figure of the "Bird in the Cage" was danced, and the caller-out shouted, "Bird flies out, and the crow flies in," everybody in the room, cried "Caw! caw!" in excellent imitation of the sable-hued fowl thereby typified, and the dancers, conscious of an admiring public, "swung" and "sashayed" with increased vehemence. Toward three o'clock Joe was again dancing with Quinn's Aggy, and as the caller-out chanted:

"Swing that girl, that _pretty_ little girl, That _girl_ you left _behind you_!"

he advanced toward her with an air of mock gallantry. At the same moment Bub Quinn stalked into the middle of the set, a sombrero planted firmly on his head, a long cowhide whip in his hand. He seized Aggy by the arm with a grip that must have hurt her, and said, "I'm going home now; you can do as you d---- please." A pistol-shot could not have made half the sensation caused by this breach of etiquette; indeed, it would not have been half so unprecedented. Aggy turned with a startled defiance, but at sight of Quinn's face she recoiled.

"I'm all ready to go," she said sullenly; and too thoroughly cowed to cast even a parting glance at Joe, she hurried away to get ready for her twenty-mile drive. Joe, meanwhile, with perfect composure, provided himself with another partner, and the dance went on. And so the thunder-cloud had withdrawn, and the bolt had not fallen.

It was not until the gray dawn was in the sky that the last of the revellers drove through the cow-yard, and out across the prairie to meet the rising sun.

By the time a second dawn had come the daily routine at the Keith ranch was running in its accustomed grooves. The cows had already been milked, yesterday's b.u.t.ter already packed for shipment, and Joe, surrounded by bustling men and barking dogs, was attending to the departure of the milk-carts for the town. The Keith brothers had a young but thriving dairy-trade, and Joe was a great success in his character of "boss."

In a field bordering upon the highway, a mile away from the ranch-house, Lem Keith was plowing. There was something about this pastoral labor which was peculiarly congenial to Lem; perhaps because he did it well.

Not one of the ranch "hands" could guide the plow with such precision through the loose prairie soil. Certainly, very few of them would have taken the trouble to set up a stake at the end of the furrow with a flying bit of red flannel to steer by. Lem had the habit of plowing with his eyes fixed upon the stake, his shoulders slightly stooping. Yet the sense of what was going on in the sky and on the prairie was never lost.

To-day the sun rose as clear as a bell, flooding the fields with gold.

Lem was plowing from east to west, a quarter-mile furrow. Whether he faced the mountains, answering the sunrise with a crimson glow, or the yellow prairie sea, with bold b.u.t.tes standing out upon it like rock-bound islands, he could not go amiss. His eye met nothing, his thoughts touched upon nothing, which could jar upon his peaceful mood.

The horses plodded steadily on with hanging heads; the plow responded like a live thing to his guidance; he knew that the long narrow furrow he was leaving behind him was as straight as the wake of a boat in still water. After all, ranch life was a fine thing. A man must be the better for breathing such air; a man must be the wiser for living so close to good old Mother Earth; a man must be--hark! Was that Joe's pony galloping across the field? Lem turned. No; the pony was a strange one.

And the rider?

Bub Quinn had leaped to the ground not ten feet from him. He had flung the rein over the neck of his steaming bronco; but he himself was as calm and as cool as though he had not ridden twenty miles before sunrise at a break-neck gallop.

"I've come to settle accounts with you, mister," Quinn remarked in a drawling voice.

If the fellow had raged and cursed, if he had seemed to be in a pa.s.sion, if his fists had been clenched, or the muscles of his face set, it would not have been so appalling. But this deadly composure, the careless indifference with which he held his pistol in his right hand, while his left hung loosely at his side, was more than terrifying; it was fairly blood-curdling.

Lem's hands had let the reins drop, and the horses had gone plodding on, the plow lurching and swaying at their heels.

For an instant Lem's brain whirled.

Swing that girl, that _pretty_ little girl, That _girl_ you left _behind you_!

His brain seemed to be whirling to the tune of that jingle.

"If you've got anything to say," drawled Quinn, fingering the trigger, the pistol pointed at Lem's forehead--"if you've got anything to say, now's your chance. Sorry I can't allow you time to make a will," he added facetiously, "but I've got to get back to my work."

Lem's brain was clear now. There were no more jingles in it. Nothing was there but an overwhelming conviction that, if the man did not shoot quickly, Joe might arrive, and show Quinn his mistake. That must not be.

Joe was too fine a fellow to end like this--like this!

Lem Keith was shuddering from head to foot, and his lips were stiff and blue, yet there was an odd, masterful ring in his voice as he cried, "Make haste, will you, and shoot!"

A shot rang out, and Lem fell, pierced, not by Bub Quinn's bullet, but by the living horror of death. On the furrows beside him Bub Quinn lay stretched, with blood oozing from his right shoulder.

That shot of Joe Keith's, as his pony tore across the plowed field, was long talked of on the prairie. The echo was still ringing in his ears when he sprang to the ground, and knelt beside his brother, searching for a wound. He could find none. He pressed his hand to Lem's heart; his own pulse was pounding so that he could feel no other motion. He lifted his brother's head and laid it against his own breast; he loosened his shirt and chafed his hands. The sun shone straight into the white face, and the eyelids moved.

"Lem! Dear old pal! Speak! Do speak!"

Lem's consciousness returned slowly, reluctantly; but he knew his brother's voice.

"Joe!" he muttered; "Joe!"

He made an effort to look about him; and first his eyes followed vaguely the wanderings of Quinn's bronco, which had strayed far afield, and he strove feebly to account for the pang that the sight gave him. Suddenly his consciousness adjusted itself, as a lock falls into place. He turned his eyes on Quinn, lying where he had fallen, the blood still flowing from his wound; and then he knew that he himself had only swooned.

He sat upright, clasping his knees with his two hands, and Joe stood over him, tenderly brushing the earth from his shoulder. At last Lem spoke, while a dark flush mounted slowly up into his temples.

"Joe!" he said, "I'm not hurt. You may as well despise me. I _am_ a coward."

A look went across Joe's face, half-a.s.senting, half-indulgent.

"Never mind, old boy," he said, with patronizing good-will; "we can't all be cut after the same pattern."

He extended his hand to help his brother to his feet. A movement caused him to turn. Quinn had gathered strength to speak. He was leaning on his left elbow, staring at the two brothers. His face was ghastly, but his voice had lost none of its drawling scorn as he said to Joe, slowly and distinctly, "You in-fernal idiot!"

Then a great light broke in upon Joe Keith's mind, and he knew the truth.

V.

THE RUMPETY CASE.

When Sandoria is s...o...b..und it is not so very much quieter, even in its outer aspect, than at any other time; for the monotony of snow is no more complete than the monotony of yellow-gray prairie. Even when, at rare intervals, the snow covers the fences, it is no characteristic landmark which is thus obliterated; no picturesque rustic bars are thus lost to the landscape, no irregular and venerable stone walls. At the best a prairie fence offers nothing more distinctive to the view than a succession of scrawny upright stakes connected by wires invisible at a few rods' distance.

One feature Sandoria boasts, to be sure, which lends a certain distinction to the landscape at every season: namely, a long line of cottonwood-trees following the course of a halfhearted stream known as "the creek." The water-supply is but a grudging one, yet it has proved sufficient not only to induce the growth of cottonwoods, but to raise the tiny collection of houses known as Sandoria to the rank and dignity of a county-seat. For who could doubt the future growth and prosperity of a prairie town rejoicing in the unique advantage of a watercourse?

There is, however, in the modern scheme of things, one agent more potent than running water, and that is the arbitrary, omnipotent, indispensable railroad; and the railroad in its erratic course saw fit to give the cold shoulder to the ambitious little county-seat, left it ten miles to the eastward, and then went zigzagging up to Denver with a conscience as dead as that of the corporation whose creature it was.

[Ill.u.s.tration: "A HALF-HEARTED STREAM KNOWN AS 'THE CREEK.'"]

Sandoria, unable to retaliate, took its reverses philosophically, and straightway fell into a profound slumber, from which it is thoroughly aroused but once a year. Once a year, in the depth of winter, the much-injured county-seat a.s.serts its rightful dignity; for once a year the court convenes within its borders, and then the whole county becomes a meek tributary to its proper head. With indisputable authority the citizens of the two upstart railroad towns are summoned as jurors; ranchman and cowboy from all the countryside make daily trips in the service of the law to the neglected little county-seat, leaving, as is but just, many a ponderous silver dollar in "sample-room" or "store." At such times the visitors admit that Sandoria is a snug little place, and the new frame court-house a credit to the county, only why did they build a town where you can't see the mountains? Then the Sandorians reply that from the slight elevation west of the town there is a view of the Peak itself,--neither critic nor apologist taking into consideration how rarely men and women ascend their little hills to contemplate the wider glories of life.

To-day the court was sitting, and the town rejoiced. Every man, woman, and child felt the pleasing exhilaration of knowing that something was going forward. The square two-story false fronts of the peak-roofed buildings looked with one-eyed approval upon the thronging men and women, horses and dogs, enlivening the single street of the town. A fervent sun shone gratefully upon the loungers in front of the court-house, where the snow was trodden to the solid consistency of a pavement. The noon recess was nearly over, and all were waiting for the judge and his galaxy of legal lights.

Ed Rankin, a young ranchman from over beyond Emmaville, finding himself among strangers, and being as shy as a coyote, turned in at the court-house door, and was making his way toward the big air-tight stove, when he observed that the room was not empty, as he supposed it would be. In a remote corner sat a sorry-looking group, a woman and three children, their shrinking figures thinly clad, their eyes, red with crying or exposure, glancing apprehensively from side to side. The youngest of the group was a boy of ten; he, like all the others, had the look of a hunted creature.

Rankin walked across the room, his footsteps m.u.f.fled by the sawdust with which the floor was plentifully strewn. Yet, soft as his tread was, the four shivering creatures were visibly startled by it. The young ranchman pa.s.sed within "the bar" and stood with his back to the stove. He tried to whistle, but he could not do it. He looked about the room, seeking some object to divert his thoughts. Bare walls and rows of empty benches outside the bar; within that mystic boundary all the usual furnishings of the immediate precincts of justice. Three days' steadfast contemplation of these humble stage-properties had pretty well exhausted their interest, and Rankin's attention again wandered to the group in the corner. The more the dry scorching heat of the stove penetrated his own person the colder the woman and children looked. At last he blurted out, in the manner peculiar to him when suffering from embarra.s.sment, "Say, ma'am, why don't you come and get warm?"

The woman started and looked over her shoulder before she answered.

"I guess we'd rather stay where we are," she said.

Incapable of withstanding such a rebuff, Rankin slouched across the room and stood in the open doorway. A three-seated ranch-wagon, drawn by a pair of ill-matched but brisk little broncos, was just coming along the street. The heavy wheels creaked and groaned over the snow, and then stopped before the court-house. The whole "court," which was sojourning with a well-to-do ranchman a couple of miles out of town, had arrived, plentifully wrapped up in m.u.f.flers of every color of the rainbow. As judge and lawyers descended before the temple of justice, it was curious to observe how, in spite of bem.u.f.flered heads and crimson noses, these representatives of a different civilization contrasted with the prairie people. There was the grave, keen-eyed judge, of humane and dignified bearing; there was the district attorney, shrewd and alert, a rising man; and there were lawyers from the city of Springtown: all this ability and training placed at the service of the remote little prairie community.

"What's on this afternoon, judge?" asked Merriam the storekeeper, with the well-bred familiarity of a prominent citizen.

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Peak and Prairie Part 11 summary

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