Parisians in the Country Part 28

"What!" said she. "Have I anything to do with your appointment?"

"Everything," said he. "Since you left Sancerre, it had become intolerable to me; I was dying--"

"Your sincere friendship does me good," replied she, holding out her hand. "I am in a position to make much of my true friends; I now know their value.--I feared I must have lost your esteem, but the proof you have given me by this visit touches me more deeply than your ten years'

attachment."

"You are an object of curiosity to the whole house," said the lawyer.

"Oh! my dear, is this a part for you to be playing? Could you not be happy and yet remain honored?--I have just heard that you are Monsieur Etienne Lousteau's mistress, that you live together as man and wife!--You have broken for ever with society; even if you should some day marry your lover, the time will come when you will feel the want of the respectability you now despise. Ought you not to be in a home of your own with your mother, who loves you well enough to protect you with her aegis?--Appearances at least would be saved."

"I am in the wrong to have come here," replied she, "that is all.--I have bid farewell to all the advantages which the world confers on women who know how to reconcile happiness and the proprieties. My abnegation is so complete that I only wish I could clear a vast s.p.a.ce about me to make a desert of my love, full of G.o.d, of _him_, and of myself.--We have made too many sacrifices on both sides not to be united--united by disgrace if you will, but indissolubly one. I am happy; so happy that I can love freely, my friend, and confide in you more than of old--for I need a friend."

The lawyer was magnanimous, nay, truly great. To this declaration, in which Dinah's soul thrilled, he replied in heartrending tones:

"I wanted to go to see you, to be sure that you were loved: I shall now be easy and no longer alarmed as to your future.--But will your lover appreciate the magnitude of your sacrifice; is there any grat.i.tude in his affection?"

"Come to the Rue des Martyrs and you will see!"

"Yes, I will call," he replied. "I have already pa.s.sed your door without daring to inquire for you.--You do not yet know the literary world.

There are glorious exceptions, no doubt; but these men of letters drag terrible evils in their train; among these I account publicity as one of the greatest, for it blights everything. A woman may commit herself with--"

"With a Public Prosecutor?" the Baronne put in with a smile.

"Well!--and then after a rupture there is still something to fall back on; the world has known nothing. But with a more or less famous man the public is thoroughly informed. Why look there! What an example you have close at hand! You are sitting back to back with the Comtesse Marie Vandenesse, who was within an ace of committing the utmost folly for a more celebrated man than Lousteau--for Nathan--and now they do not even recognize each other. After going to the very edge of the precipice, the Countess was saved, no one knows how; she neither left her husband nor her house; but as a famous man was scorned, she was the talk of the town for a whole winter. But her husband's great fortune, great name, and high position, but for the admirable management of that true statesman--whose conduct to his wife, they say, was perfect--she would have been ruined; in her position no other woman would have remained respected as she is."

"And how was Sancerre when you came away?" asked Madame de la Baudraye, to change the subject.

"Monsieur de la Baudraye announced that your expected confinement after so many years made it necessary that it should take place in Paris, and that he had insisted on your going to be attended by the first physicians," replied Monsieur de Clagny, guessing what it was that Dinah most wanted to know. "And so, in spite of the commotion to which your departure gave rise, you still have your legal status."

"Why!" she exclaimed, "can Monsieur de la Baudraye still hope----"

"Your husband, madame, did what he always does--made a little calculation."

The lawyer left the box when the journalist returned, bowing with dignity.

"You are a greater hit than the piece," said Etienne to Dinah.

This brief triumph brought greater happiness to the poor woman than she had ever known in the whole of her provincial existence; still, as they left the theatre she was very grave.

"What ails you, my Didine?" asked Lousteau.

"I am wondering how a woman succeeds in conquering the world?"

"There are two ways. One is by being Madame de Stael, the other is by having two hundred thousand francs a year."

"Society," said she, "a.s.serts its hold on us by appealing to our vanity, our love of appearances.--Pooh! We will be philosophers!"

That evening was the last gleam of the delusive well-being in which Madame de la Baudraye had lived since coming to Paris. Three days later she observed a cloud on Lousteau's brow as he walked round the little garden-plot smoking a cigar. This woman, who had acquired from her husband the habit and the pleasure of never owing anybody a sou, was informed that the household was penniless, with two quarters' rent owing, and on the eve, in fact, of an execution.

This reality of Paris life pierced Dinah's heart like a thorn; she repented of having tempted Etienne into the extravagances of love. It is so difficult to pa.s.s from pleasure to work, that happiness has wrecked more poems than sorrows ever helped to flow in sparkling jets.

Dinah, happy in seeing Etienne taking his ease, smoking a cigar after breakfast, his face beaming as he basked like a lizard in the sunshine, could not summon up courage enough to make herself the b.u.m-bailiff of a magazine.

It struck her that through the worthy Migeon, Pamela's father, she might p.a.w.n the few jewels she possessed, on which her "uncle," for she was learning to talk the slang of the town, advanced her nine hundred francs. She kept three hundred for her baby-clothes and the expenses of her illness, and joyfully presented the sum due to Lousteau, who was ploughing, furrow by furrow, or, if you will, line by line, through a novel for a periodical.

"Dearest heart," said she, "finish your novel without making any sacrifice to necessity; polish the style, work up the subject.--I have played the fine lady too long; I am going to be the housewife and attend to business."

For the last four months Etienne had been taking Dinah to the Cafe Riche to dine every day, a corner being always kept for them. The countrywoman was in dismay at being told that five hundred francs were owing for the last fortnight.

"What! we have been drinking wine at six francs a bottle! A sole _Normande_ costs five francs!--and twenty centimes for a roll?" she exclaimed, as she looked through the bill Lousteau showed her.

"Well, it makes very little difference to us whether we are robbed at a restaurant or by a cook," said Lousteau.

"Henceforth, for the cost of your dinner, you shall live like a prince."

Having induced the landlord to let her have a kitchen and two servants'

rooms, Madame de la Baudraye wrote a few lines to her mother, begging her to send her some linen and a loan of a thousand francs. She received two trunks full of linen, some plate, and two thousand francs, sent by the hand of an honest and pious cook recommended her by her mother.

Ten days after the evening at the theatre when they had met, Monsieur de Clagny came to call at four o'clock, after coming out of court, and found Madame de la Baudraye making a little cap. The sight of this proud and ambitious woman, whose mind was so accomplished, and who had queened it so well at the Chateau d'Anzy, now condescending to household cares and sewing for the coming infant, moved the poor lawyer, who had just left the bench. And as he saw the p.r.i.c.ks on one of the taper fingers he had so often kissed, he understood that Madame de la Baudraye was not merely playing at this maternal task.

In the course of this first interview the magistrate saw to the depths of Dinah's soul. This perspicacity in a man so much in love was a superhuman effort. He saw that Didine meant to be the journalist's guardian spirit and lead him into a n.o.bler road; she had seen that the difficulties of his practical life were due to some moral defects.

Between two beings united by love--in one so genuine, and in the other so well feigned--more than one confidence had been exchanged in the course of four months. Notwithstanding the care with which Etienne wrapped up his true self, a word now and then had not failed to enlighten Dinah as to the previous life of a man whose talents were so hampered by poverty, so perverted by bad examples, so thwarted by obstacles beyond his courage to surmount. "He will be a greater man if life is easy to him," said she to herself. And she strove to make him happy, to give him the sense of a sheltered home by dint of such economy and method as are familiar to provincial folks. Thus Dinah became a housekeeper, as she had become a poet, by the soaring of her soul towards the heights.

"His happiness will be my absolution."

These words, wrung from Madame de la Baudraye by her friend the lawyer, accounted for the existing state of things. The publicity of his triumph, flaunted by Etienne on the evening of the first performance, had very plainly shown the lawyer what Lousteau's purpose was. To Etienne, Madame de la Baudraye was, to use his own phrase, "a fine feather in his cap." Far from preferring the joys of a shy and mysterious pa.s.sion, of hiding such exquisite happiness from the eyes of the world, he found a vulgar satisfaction in displaying the first woman of respectability who had ever honored him with her affection.

The Judge, however, was for some time deceived by the attentions which any man would lavish on any woman in Madame de la Baudraye's situation, and Lousteau made them doubly charming by the ingratiating ways characteristic of men whose manners are naturally attractive. There are, in fact, men who have something of the monkey in them by nature, and to whom the a.s.sumption of the most engaging forms of sentiment is so easy that the actor is not detected; and Lousteau's natural gifts had been fully developed on the stage on which he had hitherto figured.

Between the months of April and July, when Dinah expected her confinement, she discovered why it was that Lousteau had not triumphed over poverty; he was idle and had no power of will. The brain, to be sure, must obey its own laws; it recognizes neither the exigencies of life nor the voice of honor; a man cannot write a great book because a woman is dying, or to pay a discreditable debt, or to bring up a family; at the same time, there is no great talent without a strong will.

These twin forces are requisite for the erection of the vast edifice of personal glory. A distinguished genius keeps his brain in a productive condition, just as the knights of old kept their weapons always ready for battle. They conquer indolence, they deny themselves enervating pleasures, or indulge only to a fixed limit proportioned to their powers. This explains the life of such men as Walter Scott, Cuvier, Voltaire, Newton, Buffon, Bayle, Bossuet, Leibnitz, Lopez de Vega, Calderon, Boccacio, Aretino, Aristotle--in short, every man who delighted, governed, or led his contemporaries.

A man may and ought to pride himself more on his will than on his talent. Though Talent has its germ in a cultivated gift, Will means the incessant conquest of his instincts, of proclivities subdued and mortified, and difficulties of every kind heroically defeated. The abuse of smoking encouraged Lousteau's indolence. Tobacco, which can lull grief, inevitably numbs a man's energy.

Then, while the cigar deteriorated him physically, criticism as a profession morally stultified a man so easily tempted by pleasure.

Criticism is as fatal to the critic as seeing two sides to a question is to a pleader. In these professions the judgment is undermined, the mind loses its lucid rect.i.tude. The writer lives by taking sides. Thus, we may distinguish two kinds of criticism, as in painting we may distinguish art from practical dexterity. Criticism, after the pattern of most contemporary leader-writers, is the expression of judgments formed at random in a more or less witty way, just as an advocate pleads in court on the most contradictory briefs. The newspaper critic always finds a subject to work up in the book he is discussing. Done after this fashion, the business is well adapted to indolent brains, to men devoid of the sublime faculty of imagination, or, possessed of it indeed, but lacking courage to cultivate it. Every play, every book comes to their pen as a subject, making no demand on their imagination, and of which they simply write a report, seriously or in irony, according to the mood of the moment. As to an opinion, whatever it may be, French wit can always justify it, being admirably ready to defend either side of any case. And conscience counts for so little, these _bravi_ have so little value for their own words, that they will loudly praise in the greenroom the work they tear to tatters in print.

Nay, men have been known to transfer their services from one paper to another without being at the pains to consider that the opinions of the new sheet must be diametrically antagonistic to those of the old. Madame de la Baudraye could smile to see Lousteau with one article on the Legitimist side and one on the side of the new dynasty, both on the same occasion. She admired the maxim he preached:

"We are the attorneys of public opinion."

The other kind of criticism is a science. It necessitates a thorough comprehension of each work, a lucid insight into the tendencies of the age, the adoption of a system, and faith in fixed principles--that is to say, a scheme of jurisprudence, a summing-up, and a verdict. The critic is then a magistrate of ideas, the censor of his time; he fulfils a sacred function; while in the former case he is but an acrobat who turns somersaults for a living so long as he had a leg to stand on. Between Claude Vignon and Lousteau lay the gulf that divides mere dexterity from art.

Dinah, whose mind was soon freed from rust, and whose intellect was by no means narrow, had ere long taken literary measure of her idol. She saw Lousteau working up to the last minute under the most discreditable compulsion, and scamping his work, as painters say of a picture from which sound technique is absent; but she would excuse him by saying, "He is a poet!" so anxious was she to justify him in her own eyes. When she thus guessed the secret of many a writer's existence, she also guessed that Lousteau's pen could never be trusted to as a resource.

Then her love for him led her to take a step she would never had thought of for her own sake. Through her mother she tried to negotiate with her husband for an allowance, but without Etienne's knowledge; for, as she thought, it would be an offence to his delicate feelings, which must be considered. A few days before the end of July, Dinah crumbled up in her wrath the letter from her mother containing Monsieur de la Baudraye's ultimatum:

"Madame de la Baudraye cannot need an allowance in Paris when she can live in perfect luxury at her Chateau of Anzy: she may return."