Over the Pass Part 40

"Persiflage, sir, persiflage!"

"It is manna to me!" declared Jack, in the fulness and sweetness of the sensation of the atmosphere of Little Rivers reproduced in New York.

"And not a Velasquez in the Metropolitan!" mused the Doge, bustling along the aisle hurriedly. "Well, Mary, we have errands to do. There is no time to spare."

They were at the door, Jack in wistful insistence, hungry for their companionship, and the Doge and Mary in common hesitancy for a phrase before parting from him. He was ahead of the phrase.

"But there is a Velasquez, one of the greatest of Velasquezes, just a few steps from here! It would take only a minute to see it."

"A Velasquez a few steps from here!" cried the Doge. "Where? Be exact, before I let my hopes rise too high."

"The subject is an ancestor of mine. My father has it."

Jack had looked in the direction of the Wingfield house on the Madison Avenue corner as he spoke, and the Doge had followed his glance. The eagerness pa.s.sed from the Doge's face, but not its intensity. That was trans.m.u.ted into something staring and hard.

"A very great Velasquez!" Jack repeated.

"My _amour propre_!" the Doge said, in whispered abstraction, using the French which so exactly expresses the rightness of an inner feeling that will not let one do a thing however much he may wish to. Then a wave of confusion pa.s.sed over his face, evidently at the echo of his thoughts in the form of words come unwittingly from his lips. He tried to retrieve his exclamation in an effort at the forensic: "The _amour propre_ of any American is hurt by the thought that he must go to a private gallery to see a Velasquez in the greatest city of the land!"

But it was a lame explanation. Clearly, some old antipathy had been aroused in Jasper Ewold; and it made him hesitate to enter the big red brick house on the corner.

"And we have a wonderful Sargent, too, a Sargent of my mother!" Jack proceeded.

"Yes, yes!" said the Doge, and eagerness returned; a strange, moving eagerness that seemed to come from the same depths as the exclamation that had arrested his acceptance of the invitation at the outset. It held the monosyllables like drops of water trembling before they fell.

"I should like you to see them both," said Jack.

"Yes," said the Doge, the word an echo rather than consent.

"There is no one at home at this hour; you will have all the time you can spare for the pictures."

In the ascendency of his ardor to retain the joy of their company and in the perplexity of mystery injected afresh into his relations with Mary, Jack was hardly conscious that his urging was only another way of saying that his father was absent. And Mary had not thrown her influence either for or against going. She was watching her father, curiously and penetratingly, as if trying to understand the source of the emotion that he was seeking to control.

"Why, in that case," exclaimed the Doge, "why, you see," he went on to explain, "we desert folk, though we are used to galleries, are a little diffident about meeting people who live in big mansions. I mean, people who have not had the desert training that you have had, Sir Chaps. If it is only a matter of looking at a picture without any social responsibilities, and that picture a Velasquez, why, we must take the time, mustn't we, Mary?"

"Yes," Mary a.s.sented.

With Mary on one side of him and Jack on the other, the Doge was walking heavily and slowly.

"At what period of Velasquez's career?" he asked, vacantly.

"When he was young and the subject was middle-aged, a Northerner, with fair hair and lean muscles under a skin bronzed by the tropics, and the unquenchable fire of youth in his eyes."

"That ought to be a good Velasquez," said the Doge.

At the bottom step of the flight up to the entrance to the house he hesitated. He appeared to be very old and very tired. His face had gone quite pale. The lids hung heavily over his eyes. Jack dropped back in alarm to a.s.sist him; but his color quickly returned and the old challenge was in his glance as it met Jack's.

"Now for your Velasquez!" he exclaimed, with calm vigor.

Once in the hall, Jack stood to one side of the door of the drawing-room to let the Doge enter first. As the old man crossed the threshold his hands were clasped behind him; his shoulders had fallen together, not in weariness now, but in a kind of dazed, studious expectancy; and he faced the "Portrait of a Lady."

"This is the Sargent," he said slowly, his lips barely opening in mechanical and absent comment. "A good Sargent!"

He was as still as the picture in his bowed and earnest gaze into her eyes, except for an occasional nervous movement of the fingers. All the surroundings seemed to melt into a neutral background for the two; there was nothing else in the room but the scholar in his age and the "Portrait of a Lady" in her youth. Jack saw the Doge's face, its many lines expressive as through a mist of time, its hills and valleys in the sun and the shadow of emotions as variable as the mother's in life, speaking personal resentment and wrong, admiration and tenderness, grievous inquiry and philosophy, while the only answer was the radiant, "I give! I give!" Finally, the Doge tightened the clasp of his hands, with a quiver of his frame, as he turned toward Jack.

"Yes, a really great Sargent--a Sargent of supreme inspiration!" he said.

"Now for your Velasquez!"

Before the portrait of the first John Wingfield, Jasper Ewold's head and shoulders recovered their st.u.r.diness of outline and his features lighted with the veritable touch of the brush of genius itself. He was the connoisseur who understands, whose joy of possession is in the very tingling depths of born instinct, rich with training and ripened by time.

It was superior to any bought t.i.tle of ownership. In the presence of a supreme standard, every shade of discriminative criticism and appraisal became threads woven into a fabric of rapture.

"Mary," he said, his voice having the mellowness of age in its deep appreciation, "Mary, wherever you saw this--skied or put in a corner among a thousand other pictures, in a warehouse, a Quaker meetinghouse, anywhere, whatever its surroundings--should you feel its compelling power? Should you pause, incapable of a.n.a.lysis, in a spell of tribute?"

"Yes, I don't think I am quite so insensible as not to realize the greatness of this portrait, or that of the Sargent, either," she answered.

"Good! I am glad, Mary, very glad. You do me credit!"

Now he turned from the artist to the subject. He divined the kind of man the first John Wingfield was; divined it almost as written in the chronicle which Jack kept in his room in hallowed fraternity. Only he bore hard on the unremitting, callous, impulsive aggressiveness of a fierce past age, with its survival of the fittest swordsmen and buccaneers, which had no heroes for him except the painters, poets, and thinkers it gave to posterity.

"Fire-eating old devil! And the best thing he ever did, the best luck he ever had, was attracting the attention of a young artist. It's immortality just to be painted by Velasquez; the only immortality many a famous man of the time will ever know!"

He looked away from the picture to Jack's face keenly and back at the picture and back at Jack and back at the picture once more.

"Yes, yes!" he mused, corroboratively; and Jack realized that at the same time Mary had been making the same comparison.

"Very like!" she said, with that impersonal exactness which to him was always the most exasperating of her phases.

Then the Doge returned to the Sargent. He was standing nearer the picture, but in the same position as before, while Jack and Mary waited silently on his pleasure; and all three were as motionless as the furniture, had it not been for the nervous twitching of the Doge's fingers. He seemed unconscious of the pa.s.sing of time; a man in a maze of absorption with his thoughts. Jack was strangely affected. His brain was marking time at the double-quick of fruitless energy. He felt the atmosphere of the room surcharged with the hostility of the unknown. He was gathering a mult.i.tude of impressions which only contributed more chaos to chaos. His sensibilities abnormally alive to every sound, he heard the outside door opened with a latch-key; he heard steps in the hall, and saw his father's figure in the doorway of the drawing-room.

John Wingfield, Sr. appeared with a smile that was gone in a flash.

His face went stark and gray as stone under a frown from the Doge to Jack; and with an exclamation of the half-articulate "Oh!" of confusion, he withdrew.

Jack looked around to see the Doge half turned in the direction of the door, gripping the back of a chair to steady himself, while Mary was regarding this sudden change in him in answer to the stricken change in the intruder with some of Jack's own paralysis of wonder. The Doge was the first to speak. He fairly rocked the chair as he jerked his hand free of its support, while he shook with a palsy which was not that of fear, for there was raging color in his cheeks. The physical power of his great figure was revealed. For the first time Jack was able to think of him as capable of towering militancy. His anger gradually yielded to the pressure of will and the situation. At length he said faintly, with a kind of abyssmal courtesy:

"Thank you, Sir Chaps! Now I shall not go back to the desert without having seen a Velasquez. Thank you! And we must be going."

Jack had an impulse, worthy of the tempestuous buccaneer of the picture, to call to his father to come down; and then to bar the front door until his burning questions were heard. The still light in Mary's eyes would have checked him, if not his own proper second thought and the fear of precipitating an ungovernable crisis. There had been shadows, real shadows, he was thinking wildly; they were not born of desert imaginings; and out of the quandary of his anguish came only the desire not to part from the Doge and Mary in this fashion! No, not until in some way equilibrium of mind was restored.

Though he knew that they did not expect or want his company, he went out into the street with them. He would go as far as their hotel, he remarked, in the bravery of simulated ease. The three were walking in the same relative positions that they had before, with the Doge's bulk hiding Mary from Jack's sight. The Doge set a rapid pace, as if under the impetus of a desire to escape from the neighborhood of the Wingfield house.

"Well, Sir Chaps," he said, after a while, "it will be a long time before the provincials come to New York again. Why, in this New York you can spend a patrimony in two weeks"--this with an affected amus.e.m.e.nt at his own extravagance--"and I've pretty nearly done it. So we fly from temptation. Yes, Mary, we will take the morning train."

"The morning train!" Mary exclaimed; and her surprise left no doubt that her father's decision was new to her. Was it due to an exchange of glances between a stark face and a face crimson with indignation which Jack had already connected with the working out of his own destiny?

"Yes, that is better than spending our orange crop again!" she hastened to add, with rea.s.suring humor. "I'm fairly homesick for our oasis."

"We've had our fill of the big city," said the Doge, feelingly, "and we are away to our little city of peace where we turned our pasts under with the first furrows in the virgin soil."