Over the Pass Part 16

"I hate to be lost!" Jack called back; "but that is just my natural luck."

"I suppose you've got your work cut out for you back East, same's everybody else, somewhere or other, 'less they're millionaires, who all stay in the city and try to run from microbes in their automobiles."

"Yes, I have work--lots of it," said Jack, ruefully. He shifted his weight on the crutches, paused and looked at the sky. The Eternal Painter was dipping his brush lightly and sweeping soft, silvery films, as a kind of glorified finger-exercise, over an intangible blue.

"Why care? Why care?" His Majesty was asking. "Why not leave all the problems of earthly existence to your lungs? Why not lie back and look on at things and breathe my air? That is enough to keep your whole being in tune with the Infinite."

It was his afternoon mood. At sunset he would have another. Then he would be crying out against the folly of wasting one precious moment in the eons, because that moment could never return to be lived over.

Jack kept on until he recognized the cement bridge where he had stopped when he came from the post-office with Mary. Left bare of its surroundings, the first habitation in Little Rivers, with the ell which had been added later, would have appeared a barracks. But Jasper Ewold had the oldest trees and the most luxuriant hedge and vines as the reward of his pioneerdom.

When Jack crossed the bridge and stood in the opening of the hedge there was no one on the porch in the inviting shade of the prodigal bougainvillea vines. So he hitched his way up the steps. Feeling that it was a formal occasion, he searched for the door-bell. There was none. He rapped on the casing and waited, while he looked at the cool, quiet interior, with the portrait of David facing him from the wall.

"David, you seem to be the only one at home," he remarked, for there had been no answer to his raps; "and you are too busy getting a bead on Goliath to answer the immaterial questions of a wayfarer."

Accepting the freedom of the Little Rivers custom on such occasions, he followed the path to the rear. His head knocked off the dead petals of a rambler rose blossom, scattering them at his feet. Rounding the corner of the house, he saw the arbor where he had dined the night of his arrival, and beyond this an old-fashioned flower garden separated by a path from a garden of roses. There was a sound of activity from the kitchen behind a trellis screen, but he did not call out for guidance. He would trust to finding his own way.

When he came to the broad path, its stretch lay under a crochet-work of shadows from the ragged leaves of two rows of palms which ran to the edge of an orange grove, and the centre of this path was in a straight line with the bottom of the V of Galeria.

Jasper Ewold had laid out his little domain according to a set plan before the water was first let go in laughing triumph over the parched earth, and this plan, as one might see on every hand, was expressive of the training of older civilizations in landscape gardening, which ages of men striving for harmonious forms of beauty in green and growing things had tested, and which the Doge, in all his unconventionalism of personality, was as little inclined to amend as he was to amend the cla.s.sic authors. An avenue of palms is the epic of the desert; a bougainvillea vine its sonnet.

Between the palms to the right and left Jack had glimpses of a vegetable garden; of rows of berry bushes; of a grove of young fig-trees; of rows of the sword-bundles of pineapple tops. Everything except the old-fashioned flower-bed, with its border of mignonette, and the generous beds of roses and other flowers of the bountiful sisterhood of petals of artificial cultivation, spoke of utility which must make the ground pay as well as please.

Jack took each step as if he were apprehensive of disturbing the quiet Midway of the avenue of palms ran a cross avenue, and at the meeting-point was a circle, which evidently waited till the oranges and the olives should pay for a statue and surrounding benches. Over the breadth of the cross avenue lay the glossy canopy of the outstretched branches of umbrella-trees. A table of roughly planed boards painted green and green rattan chairs were in keeping with the restful effect, while the world without was aglare with light.

Here Mary had brought her sewing for the afternoon. She was working so intently that she had not heard his approach. He had paused just as his line of vision came flush with the trunks of the umbrella-trees. For the first time he saw his companion in adventure in repose, her head bent, leaving clear the line of her neck from the roots of her hair to the collar, and the soft light bringing out the delicate brown of her skin.

There seemed no movement anywhere in the world at the moment, except the flash of her needle in and out.

XIV

"HOW FAST YOU SEW!"

And she had not seen him! He was touched with a sense of guilt for having looked so long; for not having at once called to her; and rather than give her the shock of calling now, he moved toward her, the scuff of his limp, pendent foot attracting her attention. Her start at the sound was followed, when she saw him, with amazement and a flush and a movement as if she would rise. But she controlled the movement, if not the flush, and fell back into her chair, picking up her sewing, which had dropped on the table.

It was like him, she might well think, to come unexpectedly, without invitation or announcement. She was alert, ready to take the offensive as the best means of defence, and wishing, in devout futility, that he had stayed away. He was smiling happily at everything in cosmos and at her as a part of it.

"Good afternoon!"

"Good afternoon!"

"That last lot of jelly was better than the first," he said softly.

"Was it? You must favor vintage jelly!"

"I came to call--my p.p.c. call--and to see your garden," he added.

"Is there any particular feature that interests you?" she asked. "The date-trees? The aviary? The nursery?"

"No," he answered, "not just yet. It is very cool here under the umbrella-trees, isn't it? I have walked all the way from the Galways and I'll rest a while, if I may."

He was no longer the play cavalier in overornamented _chaparejos_ and cart-wheel spurs, but a lame fellow in overalls, who was. .h.i.tching toward her on crutches, his cowpuncher hat held by the brim and flopping with every step. But he wore the silk shirt and the string tie, and somehow he made even the overalls seem "dressy."

"Pray sit down," she said politely.

Standing his crutches against the table, he accepted the invitation. She resumed her sewing, eyes on the needle, lips pressed into a straight line and head bending low. He might have been a stranger on a bench in a public park for all the attention she was paying to him. She realized that she was rude and took satisfaction in it as the only way of expressing her determination not to reopen a closed incident.

"It's wonderful--wonderful!" he observed, in a voice of contemplative awe.

"What is?" she asked.

"Why, how fast you sew!"

"Yes?" she said, as automatically as she st.i.tched. "Your wound is quite all right? No danger of infection?"

"I don't blame you!" he burst out. His tone had turned sad and urgent.

She looked up quickly, with the flare of a frown. His remark had brought her out of her pose and she became vivid and real.

"Blame me!" she demanded, sharply, as one who flies to arms.

But she met a new phase--neither banter, nor fancy, nor unvarying coolness in the face of fire. He was all contrition and apology. Must she be the audience to some fresh exhibition of his versatility?

"I do not blame you for feeling the way that you do," he said.

"How do you know how I feel?" she asked; and as far as he could see into her eyes there was nothing but the flash of sword-points.

"I don't. I only know how I think you feel--how you might well feel," he answered delicately. "After Pete let his gun drop in the store I should not have named terms for an encounter. I should have turned to the law for protection for the few hours that I had to remain in town."

"But to you that would have been avoiding battle!" she exclaimed.

"Which may take courage," he rejoined. "What I did was selfish. It was bravado, with no thought of your position."

"It is late to worry about that now. What does it matter? I did not want anyone killed on my account, and no one was," she insisted. "Besides, you should not be blue," this with a ripple of satire; "it is not quite all bravado to face Pete Leddy's gun at twenty yards."

"And it is not courage. Courage is a force of will driving you into danger for some high purpose. I want you to realize that I am not such a barbarian that I do not know that I could have kept you out of it all if I had had proper self-control. Though probably, on the impulse, I would do the fool thing over again! Yes, that's the worst of it!"

"There is a devil in him!" Ignacio's words were sounding in her ears. To how many men had he said, "I am going to kill you?" What other quarrels had he known in his wanderings from Colorado to Chihuahua?

"If you really want my opinion, I am glad, so far as I am concerned, that you did fight," she said lightly. "Aren't you a hero? Isn't the town free of Leddy? And you take the train in the morning!"

"Yes."

The monosyllable was drawn out rather faintly. For the first time since they had met on the pa.s.s she felt she was mistress of the situation.