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Out of the Hurly-Burly Part 5

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"I want to ask you a question," observed Mr. Parker, as we sat out upon the porch after tea with Mrs. Adeler. "I notice that you always say 'is being done,' and not 'is doing.' Now, which is correct? I think you're wrong. Some of those big guns who write upon such subjects think so too.

Grind us out an opinion."

"The subject has been much discussed, Bob, and a good many smart things have been said in support of both theories. But I stick to 'is being done,' first, because it is more common, and therefore handier, and second, because it is the only form that is really available in all cases. Suppose, for instance, you wished to express the idea that our boy Agamemnon is enduring chastis.e.m.e.nt; you would say, 'Agamemnon is being spanked,' not 'Agamemnon is spanking.' The difference may seem to you very slight, but it would be a matter of considerable importance to Agamemnon; and if a choice should be given him, it is probable that he would suddenly select the latter form."

"Just so," exclaimed Mr. Parker.

"You say again, 'Captain Cook is being eaten.' Certainly this expresses a very different fact from that which is conveyed by the form, 'Captain Cook is eating.' I venture to say that Captain Cook would have insisted upon the latter as by far the more agreeable of the two things."

"Precisely," said Mr. Parker.

"And equally diverse are the two ideas expressed by the phrases 'The mule is being kicked' and 'The mule is kicking.' But it is to be admitted that there are occasions when the two forms indicate a precisely similar act. You a.s.sert, I will say, that 'Hannah is hugging.'"

"Which would be a very improper thing for Hannah to do," suggested Mr.

P.

"Of course it would; but there is an extreme probability that you would indicate Hannah's action under the circ.u.mstances if you should say, 'Hannah is being hugged.' It is in most cases a reciprocal act. Or suppose I say, 'Jane is kissing'?"

"And her mother ought to know about it if she is," remarked Bob.

"It is nearly the same as if I should say, 'Jane is being kissed,' for one performance in most cases presupposes the other. It will not, however, be necessary for you to attempt to prove this fact by practice anywhere in the neighborhood of the Magruder mansion. If you find it necessary to explain to Miss Magruder my views of this grammatical question, it will be better to confine your ill.u.s.trations to the case of Captain Cook. But you can safely continue to say, 'is being built.'

n.o.body will object to that but a few superfine people who are so far ahead of you in such matters that they will be tolerably sure to regard you as an idiot whichever form you happen to use, while if you adopt the other form in conversation with your unfastidious acquaintances, you will be likely to confuse your meaning very often in such a manner as to impress them with the conviction that your reason is dethroned."

[Ill.u.s.tration]

CHAPTER VI.

THE EDITOR OF OUR DAILY PAPER--THE APPEARANCE AND PERSONAL CHARACTERISTICS OF COLONEL BANGS--THE AFFAIR WITH THE TOMBSTONE--ART NEWS--COLONEL BANGS IN THE HEAT OF A POLITICAL CAMPAIGN--PECULIAR TROUBLES OF PUBLIC SINGERS--THE PHENOMENA OF MENAGERIES--EXTRAORDINARY SAGACITY OF THE ANIMALS--THE WILD MAN OF AFGHANISTAN.

[Ill.u.s.tration]

The editor of our daily paper, _The Morning Argus_, is Col.

Bangs--Colonel Mortimer J. Bangs. The colonel is an exceedingly important personage in the village, and he bears about him the air of a man who is acutely conscious of the fact. The gait of the colonel, the peculiar way in which he carries his head, the manner in which he swings his cane, and the art he has of impressing any one he happens to address with a feeling that he is performing an act of sublime condescension in permitting himself to hold communication with an inferior being, combine to excite in the vulgar mind a sentiment of awe. The eminent journalist manifests in his entire bearing his confidence in the theory that upon him devolves the responsibility of forming the public opinion of the place; and there is a certain grandeur in the manner in which he conveys to the public mind, through the public eye, the fact that while he appreciates the difficulties of what seemed to be an almost superhuman task, which would surely overwhelm men of smaller intellectual calibre, the work presents itself to his mind as something not much more formidable than pastime.

The appearance of Colonel Bangs is not only imposing, but sometimes it inclines to be almost ferocious. The form in which he wears his whiskers, added to the military nature of his t.i.tle, would be likely to give to timid strangers an idea not only that the colonel has a raging and insatiable thirst for blood and an almost irresistible appet.i.te for the horrors of war, but that upon very slight provocation he would suddenly grasp his sword, fling away the scabbard, and then proceed to wade through slaughter to a throne and shut the gates of mercy on mankind. But I rejoice to say that the colonel has not really such murderous and revolutionary inclinations. His t.i.tle was obtained in those early years of peace when he led the inoffensive forces of the militia upon parade, and marshaled them as they braved the perils of the target-shooting excursion.

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I think I am warranted in saying that Colonel Bangs would never voluntarily stand in the imminent deadly breach if there happened to be a man there with a gun who wanted him to leave, and that he will never seek the bubble reputation at the cannon's mouth unless the cannon happens to be unloaded. Place Colonel Bangs in front of an empty cannon, and for a proper consideration he would remain there for years without the quiver of a muscle. Charge that piece of ordnance with powder and ball, and not all the wealth of the world would induce him to stand anywhere but in the rear of the artillery.

The _Argus_ has never appeared to me to be an especially brilliant journal. To the intelligent and critical reader, indeed, the controlling purpose of the colonel seems to be to endeavor to ascertain how near he can bring the paper to imbecility without actually reaching that condition; and it is surprising how close a shave he makes of it. When we first came to the village, a gleam of intelligence now and then appeared in the editorial columns of the _Argus_, and this phenomenon was generally attributed to the circ.u.mstance that Colonel Bangs had permitted his a.s.sistant editor to spread his views before the public. On such occasions it was entertaining to observe in what manner the colonel would a.s.sume the honors of the authorship of his a.s.sistant's articles.

Cooley, for instance, meeting him upon the street would observe:

[Ill.u.s.tration]

"That was an uncommonly good thing, colonel, which appeared in the _Argus_ this morning on The Impending Struggle; whose was it?"

COLONEL BANGS (with an air of mingled surprise and indignation). "Whose was it? Whose was that article? I suppose you are aware, sir, that _I_ am the editor of THE MORNING ARGUS!"

COOLEY. "Yes; but I thought perhaps--"

COLONEL (with grandeur). "No matter, sir, what you thought. When an article appears in my own paper, Mr. Cooley, there is but a single inference to be drawn. When I find myself unable to edit the _Argus_, I will sell out, sir--I will sell out!"

COOLEY (calmly). "Well, but Murphy, your a.s.sistant, told me distinctly that he wrote that editorial himself."

COLONEL (coming down). "Ah! yes, yes! that is partly true, now I remember. I believe Murphy did scratch off the body of the article, but I overhauled it; it was necessary for me to revise it, to touch it up, to throw it into shape, as it were, before it went into type. Murphy means well, and with a little guidance--just a l-e-e-t-l-e careful training--he will do."

[Ill.u.s.tration]

But Murphy did not remain long. One of the colonel's little nephews died, and a man who kept a marble-yard in Wilmington thought he might obtain a gratuitous advertis.e.m.e.nt by giving to the afflicted uncle a substantial expression of his sympathy. So he got up a gravestone for the departed child. The design, cut upon the stone in bas-relief, represented an angel carrying the little one in his arms and flying away with it, while a woman sat weeping upon the ground. It was executed in a most dreadful manner. The tombstone was sent to the colonel, with a simple request that he would accept it. As he was absent, Mr. Murphy determined to acknowledge the gift, although he had not the slightest idea what it meant. So the next morning he burst out in the _Argus_ with the following remarks:

"ART NEWS.

[Ill.u.s.tration]

"We have received from the eminent sculptor, Mr. Felix Mullins of Wilmington, a comic _bas-relief_ designed for an ornamental fireboard.

It represents an Irishman in his night-shirt running away with the little G.o.d Cupid, while the Irishman's sweetheart demurely hangs her head in the corner. Every true work of art tells its own story; and we understand, as soon as we glance at this, that our Irish friend has been coqueted with by the fair one, and is pretending to transfer his love to other quarters. There is a lurking smile on the Irishman's lips which expresses his mischievous intentions perfectly. We think it would have been better, however, to have clothed him in something else than a night-shirt, and to have smoothed down his hair. We have placed this _chef d'oeuvre_ upon a shelf in our office, where it will undoubtedly be admired by our friends when they call. We are glad to encourage such progress in Delaware art."

This was painful. When the colonel returned next day, Mr. Mullins called on him and explained the tombstone to him, and that very night Mr.

Murphy retired from the _Morning Argus_, and began to seek fresh fields for the exercise of his talents.

[Ill.u.s.tration]

Colonel Bangs affords me most entertainment in the _Argus_ when an election is approaching.

Your city editor often displays a certain amount of vehemence at such times, but his wildest frenzy is calmness, is absolute slumberous repose itself, when compared with the frantic enthusiasm manifested by Colonel Bangs. The latter succeeds in getting up as much fury over a candidate for constable as a city editor does over an aspirant for the Presidency.

He will turn out column after column of double-leaded type, in which he will demonstrate with a marvelous profusion of adjectives that if you should roll all the prophets, saints and martyrs into one, you would have a much smaller amount of virtue than can be found in that one humble man who wants to be constable. He will prove to you that unless that particular person is elected, the entire fabric of American inst.i.tutions will totter to its base and become a bewildering and hopeless ruin, while the merciless despots who grind enslaved millions beneath their iron heels will greet the hideous and irreclaimable chaos with fiendish laughter, and amid the remnants of a once proud republic they will erect bastiles in which they will forge chains to fetter the wrists of dismayed and heart-broken patriots. He will ask you to take your choice between electing that man constable and witnessing the annihilation of the proud work for which the Revolutionary patriots bled and died.

The man who runs against the candidate of the _Argus_ will be proved to be a moral and intellectual wreck, and it will be shown that all the vices which have corrupted the race since the fall of man are concentrated in that one individual. The day after election, if his man wins, Colonel Bangs will decorate his paper with a whole array of roosters and a menagerie of 'c.o.o.ns, and inform a breathless world that the nation is once more saved. If he loses, he will omit any reference to the frightful prophecies uttered during the campaign, keep his roosters in the closet, and mildly a.s.sert that the opposition man is not so bad, after all, and that the right party must triumph next time for certain. Then Colonel Bangs will keep his enthusiasm cool for a year, and during that period will rest his overwrought brain, while he edits his paper with a pair of predatory shears and a dishonest paste-pot.

It is extremely probable that we shall lose our servant-girl. She was the victim of a very singular catastrophe a night or two since, in consequence of which she has acquired a prejudice against the house of Adeler. We were troubled with dampness in our cellar, and in order to remove the difficulty we got a couple of men to come and dig the earth out to the depth of twelve or fifteen inches and fill it in with a cement-and-mortar floor. The material was, of course, very soft, and the workmen laid boards upon the surface, so that access to the furnace and the coal-bin was possible. That night, just after retiring, we heard a woman screaming for help, but after listening at the open window, we concluded that Cooley and his wife were engaged in an altercation, and so we paid no more attention to the noise. Half an hour afterward there was a violent ring at the front-door bell, and upon going to the window again, I found Pitman standing upon the door-step below. When I spoke to him, he said:

"Max" (the judge is inclined sometimes, especially during periods of excitement, to be unnecessarily familiar), "there's somethin' wrong in your cellar. There's a woman down there screechin' and carryin' on like mad. Sounds 's if somebody's a-murderin' her."

[Ill.u.s.tration]

I dressed and descended; and securing the a.s.sistance of Pitman, so that I would be better prepared in the event of burglars being discovered, I lighted a lamp and we went into the cellar.

[Ill.u.s.tration]

There we found the maid-servant standing by the refrigerator, knee-deep in the cement, and supporting herself with the handle of a broom, which was also half submerged. In several places about her were air-holes marking the spot where the milk-jug, the cold veal, the lima beans and the silver-plated b.u.t.ter-dish had gone down. We procured some additional boards, and while Pitman seized the sufferer by one arm I grasped the other. It was for some time doubtful if she would come to the surface without the use of more violent means, and I confess that I was half inclined to regard with satisfaction the prospect that we would have to blast her loose with gunpowder. After a desperate struggle, during which the girl declared that she would be torn in pieces, Pitman and I succeeded in getting her safely out, and she went up stairs with half a barrel of cement on each leg, declaring that she would leave the house in the morning.

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Out of the Hurly-Burly Part 5 summary

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