Our World Or the Slaveholder's Daughter Part 16

"Excuse me, my dear sir," M'Carstrow suddenly interrupts.

"Understand me, if you please. I want her for nothing that you contemplate,--nothing, I pledge you my honour as a southern gentleman!"

"'Ah,--bless me! Well, but there's nothin' in that. I see! I see! I see!" Mr. Sheriff brightens up, his very soul seems to expand with legal tenacity. "Well, ye see, there's a question of property raised about the gal, and her young 'un, too-nice young 'un 'tis; but it's mighty easy tellin' whose it is. About the law matter, though, you must get the consent of all the plaintiff's attorneys,--that's no small job. Lawyers are devilish slippery, rough a feller amazingly, once in a while; chance if ye don't have to get the critter valued by a survey. Graspum, though's ollers on hand, is first best good at that: can say her top price while ye'd say seven," says Mr. Sheriff, maintaining his wise dignity, as he reminds M'Carstrow that his name is Cur, commonly called Mr. Cur, sheriff of the county. It must not be inferred that Mr. Cur has any of the canine qualities about him.

The hour for the ceremony is close at hand. M'Carstrow, satisfied that rules of law are very arbitrary things in the hands of officials-that such property is difficult to get out of the meshes of legal technicality-that honour is neither marketable or pledgeable in such cases, must move quickly: he seeks the very conscientious attorneys, gets them together, pleads the necessity of the case: a convention is arranged, Graspum will value the property-as a weigher and gauger of human flesh. This done, M'Carstrow signs a bond in the sum of fifteen hundred dollars, making himself responsible for the property. The instrument contains a provision, that should any unforeseen disaster befall it, the question of property will remain subject to the decision of Court.

Upon these conditions, M'Carstrow procures an order for her release.

He is careful, however, that nothing herein set forth shall affect the suit already inst.i.tuted.

Love is an exhilarating medicine, moving and quickening the hearts of old and young. M'Carstrow felt its influence sensibly, as he hurried back to the prison-excited by the near approach of the ceremony-with the all-important order. Bolts, bars, and malarious walls, yield to it the pining captive whose presence will soothe Franconia's feelings.

Clotilda was no less elated at the hope of changing her prison for the presence of her young mistress; and yet, the previous summons had nearly unnerved her. She lingers at the grating, waiting M'Carstrow's return. Time seems to linger, until her feelings are nearly overwhelmed in suspense. Again, there is a mystery in the mission of the stranger; she almost doubts his sincerity. It may be one of those plots, so often laid by slave-traders, to separate her from her child,--perhaps to run her where all hope of regaining freedom will be for ever lost. One after another did these things recur to her mind, only to make the burden of her troubles more painful.

Her child has eaten its crust, fallen into a deep sleep, and, its little hands resting clasped on its bosom, lies calmly upon the coa.r.s.e blanket. She gazes upon it, as a mother only can gaze. There is beauty in that sweet face; it is not valued for its loveliness, its tenderness, its purity. How cursed that it is to be the prime object of her disgrace! Thus contemplating, M'Carstrow appears at the outer gate, is admitted into the prison, reaches the inner grating, is received by the warden, who smiles generously. "I'm as glad as anything! Hope you had a good time with his honour, Mr.

Cur?" he says, holding the big key in his hand, and leading the way into the office. He takes his seat at a table, commences preparing the big book. "Here is the entry," he says, with a smile of satisfaction. "We'll soon straighten the thing now." Puts out his hand for the order which M'Carstrow has been holding. "That's just the little thing," he says, reading it word by word carefully, and concluding with the remark that he has had a deal of trouble with it. M'Carstrow places some pieces of silver in his hand; they turn the man of keys into a subservient creature. He hastens to the cell, M'Carstrow following,--draws the heavy bolts,--bids the prisoner come forth. "Yes, come, girl; I've had a tough time to get you out of that place: it holds its prey like lawyers' seals," rejoins M'Carstrow.

"Not without my child?" she inquires quickly. She stoops down and kisses it. "My daughter,--my sweet child!" she mutters.

"Till to-morrow. You must leave her for to-night."

"If I must!" Again she kisses the child, adding, as she smoothed her hand over Annette, and parted her hair, "Mother will return soon."

There was something so touching in the word mother, spoken while leaning over a sleeping babe. Clotilda reaches the door, having kept her eyes upon the child as she left her behind. A tremor comes over her,--she reluctantly pa.s.ses the threshold of the narrow arch; but she breathes the fresh air of heaven,--feels as if her life had been renewed. A mother's thoughts, a mother's anxieties, a mother's love, veil her countenance. She turns to take a last look as the cold door closes upon the dearest object of her life. How it grates upon its hinges! her hopes seem for ever extinguished.

The law is thus far satisfied-the legal gentlemen are satisfied, the warden is not the least generous; and Mr. Cur feels that, while the job was a very nice one, he has not transcended one jot of his importance. Such is highly gratifying to all parties. Clotilda is hurried into a carriage, driven at a rapid rate, and soon arrives at the mansion. Here she is ushered into a chamber, arrayed in a new dress, and conducted into the presence of Franconia. The meeting may be more easily imagined than described. Their congratulations were warm, affectionate, touching. Clotilda kisses Franconia's hand again and again; Franconia, in turn, lays her hand upon Clotilda's shoulder, and, with a look of commiseration, sets her eyes intently upon her, as if she detects in her countenance those features she cannot disown. She requests to be left alone with Clotilda for a short time. Her friends withdraw. She discloses the difficulties into which the family have suddenly fallen, the plan of escape she has arranged, the hopes she entertains of her regaining her freedom.

"Public opinion and the state of our difficulties prompted this course,--I prefer it to any other: follow my directions,--Maxwell has everything prepared, and to-night will carry you off upon the broad blue ocean of liberty. Enjoy that liberty, Clotilda,--be a woman,--follow the path G.o.d has strewn for your happiness; above all, let freedom be rewarded with your virtue, your example," says Franconia, as she again places her arm round Clotilda's neck.

"And leave my child, Franconia?" the other inquires, looking up imploringly in Franconia's face.

"To me," is the quick response. "I will be her guardian, her mother.

Get you beyond the grasp of slavery-get beyond its contaminating breath, and I will be Annette's mother. When you are safely there, when you can breathe the free air of liberty, write me, and she shall meet you. Leave her to me; think of her only in my care, and in my trust she will be happy. Meet Maxwell-he is your friend-at the centre corridor; he will be there as soon as the ceremony commences; he will have a pa.s.s from me; he will be your guide!" She overcomes Clotilda's doubts, reasons away her pleadings for her child, gives her a letter and small miniature (they are to be kept until she reaches her destination of freedom), and commences preparing for the ceremony.

Night arrives, the old mansion brightens and resounds with the bustle of preparation. Servants are moving about in great confusion.

Everything is in full dress; "yellow fellows," immersed in trim black coats, nicely-cut pantaloons, white vests and gloves, shirt-collars of extraordinary dimensions, and hair curiously crimped, are standing at their places along the halls, ready for reception. Another cla.s.s, equally well dressed, are running to and fro through the corridors in the despatch of business. Old mammas have a new shine on their faces, their best "go to church" fixings on their backs. Younger members of the same property species are gaudily attired-some in silk, some in missus's slightly worn cashmere. The colour of their faces grades from the purest ebony to the palest olive. A curious philosophy may be drawn from the mixture: it contrasts strangely with the flash and dazzle of their fantastic dresses, their large circular ear-rings, their curiously-tied bandanas, the large bow points of which lay crossed on the tufts of their crimpy hair. The whole scene has an air of bewitching strangeness. In another part of the mansion we find the small figures of the estate, all agog, toddling and doddling, with faces polished like black-balled shoes; they are as piquant and interesting as their own admiration of the dress master has provided them for the occasion.

The darkness increases as the night advances. The arbour leading from the great gate to the vaulted hall in the base of the mansion is hung with lanterns of grotesque patterns, emitting light and shade as variegated as the hues of the rainbow. The trees and shrubbery in the arena, hung with fantastic lanterns, enliven the picture-make it grand and imposing. It presents a fairy-like perspective, with spectre lights hung here and there, their mellow glows reflecting softly upon the luxuriant foliage.

Entering the vaulted hall, its floor of antique tiles; frescoed walls with well-executed mythological designs, jetting lights flickering and dazzling through its arches, we find ourselves amidst splendour unsurpa.s.sed in our land. At the termination of the great hall a ma.s.sive flight of spiral steps, of Egyptian marble, ascends to the fourth story, forming a balcony at each, where ottomans are placed, and from which a fine view of the curvature presents itself, from whence those who have ascended may descry those ascending. On the second story is a corridor, with moulded juttings and fretwork overhead; these are hung with festoons of jasmines and other delicate flowers, extending its whole length, and lighted by globular lamps, the prismatic ornaments of which shed their soft glows on the fixtures beneath. They invest it with the appearance of a bower decorated with buds and blossoms. From this, on the right, a s.p.a.cious arched door, surmounted by a semi-circle of stained gla.s.s containing devices of the Muses and other allegorical figures, leads into an immense parlour, having a centre arch hung with heavy folds of maroon coloured velvet overspread with lace. Look where you will, the picture of former wealth and taste presents itself. Around the walls hang costly paintings, by celebrated Italian masters; some are portraits of the sovereigns of England, from that of Elizabeth to George the Third. Brilliant lights jet forth from ma.s.sive chandeliers and girandoles, lighting up the long line of chaste furniture beneath. The floor is spread with softest Turkey carpet; groups of figures in marble, skilfully executed, form a curiously arranged fire-place; Britannia's crest surmounting the whole. At each end of the room stand chastely designed pieces of statuary of heroes and heroines of past ages. Lounges, ottomans, reclines, and couches, elaborately carved and upholstered, stand here and there in all their antiqueness and grandeur. Pier-gla.s.ses, ma.s.sive tables inlaid with mosaic and pearl, are arranged along the sides, and overhung with flowing tapestry that falls carelessly from the large Doric windows. Over these windows are ma.s.sive cornices, richly designed and gilded. Quiet grandeur pervades the whole; even the fairy-like dais that has been raised for the nuptial ceremony rests upon four pieces of statuary, and is covered with crimson velvet set with sparkling crystals. And while this spectacle presents but the vanity of our nature, grand but not lasting, the sweet breath of summer is wafting its balmy odours to refresh and give life to its lifeless luxury.

The gay cortge begins to a.s.semble; the halls fill with guests; the beauty, grace, and intelligence of this little fashionable world, arrayed in its very best, will be here with its best face. Sparkling diamonds and other precious stones, dazzling, will enhance the gorgeous display. And yet, how much of folly's littleness does it all present! All this costly drapery-all this show of worldly voluptuousness-all this tempest of gaiety, is but the product of pain and sorrow. The cheek that blushes in the gay circle, that fair form born to revel in luxury, would not blush nor shrink to see a naked wretch driven with the lash. Yea! we have said it was the product of pain and sorrow; it is the force of oppression wringing from ignorance and degradation the very dregs of its life. Men say, what of that?-do we not live in a great good land of liberty?

The young affianced,--dressed in a flowing skirt of white satin, with richly embroidered train; a neat bodice of the same material, with incisions of lace tipped with brilliants; sleeves tapering into neat rufflets of lace clasped upon the wrist with diamond bracelets, a stomacher of chastely worked lace with brilliants in the centre, relieved by two rows of small unpolished pearls,--is ushered into the parlour, followed by groomsmen and bridesmaids as chastely dressed.

There is a striking contrast between the youth and delicacy of Franconia, blushing modestly and in her calmness suppressing that inert repugnance working in her mind, and the brusqueness of M'Carstrow, who a.s.sumes the free and easy dash, hoping thereby to lessen his years in the picture of himself. Clotilda, for the last time, has arranged Franconia's hair, which lies in simple braids across her polished brows, and folds upon the back, where it is secured and set off with a garland of wild flowers. The hand that laid it there, that arranged it so neatly, will never arrange it again. As a last token of affection for her young mistress, Clotilda has plucked a new-blown chiponique, white with crystal dew, and surrounded it with tiny buds and orange blossoms: this, Franconia holds in her left hand, the lace to which it is attached falling like mist to the ground.

Thus arrayed, they appear at the altar: the good man of modest cloth takes his place, the ceremony commences; and as it proceeds, and the solemn words fall upon her ear, "Those whom G.o.d hath joined together let no man put asunder," she raises her eyes upwards, with a look of melancholy, as tears, like pearls, glisten in her soft expressive eyes. Her heart is moved with deeper emotion than this display of southern galaxy can produce. The combination of circ.u.mstances that has brought her to the altar, the decline of fortune, perhaps disgrace, worked upon her mind. It is that which has consigned her to the arms of one she cannot love, whose feelings and a.s.sociations she never can respect. Was she to be the ransom?-was she to atone for the loss of family fortune, family pride, family inconsistency?

kept forcing itself upon her. There was no gladness in it-no happiness. And there was the captive, the victim of foul slavery-so foul that h.e.l.l yearns for its abettors-whose deliverance she prayed for with her earnest soul. She knew the oppressor's grasp-she had, with womanly pride, come forward to relieve the wronged, and she had become sensible of the ties binding her to Clotilda. Unlike too many of her s.e.x, she did not suppress her natural affections; she could not see only the slave in a disowned sister; she acknowledged the relationship, and hastened to free her, to send her beyond slavery's grasp, into the glad embrace of freedom.

The ceremony ends; the smiles and congratulations of friends, as they gather round Franconia, shower upon her; she receives them coldly, her heart has no love for them, it throbs with anxiety for that slave whose liberty she has planned, and for whose safety she invokes the all-protecting hand of heaven.

CHAPTER XVI.

ANOTHER PHASE OF THE PICTURE.

WHILE the ceremony we have described in the foregoing chapter was proceeding, Clotilda, yielding to the earnest request of Franconia, dresses herself in garments she has provided, and awaits the commencement of the scene. A little schooner from one of the Bahama Islands lies moored in the harbour awaiting a fair wind to return.

We need scarcely tell the reader that a plan of escape had been previously arranged between Franconia and Maxwell; but why she took so earnest a part in carrying it out, we must reserve for another chapter.

Maxwell had sought the captain of this schooner, found him of a generous disposition, ready to act in behalf of freedom. Having soon gained his confidence, and enlisted his good services, it took no great amount of persuasion to do this, his feelings having already been aroused against slavery, the giant arms of which, stretched out between fear and injustice, had interfered with his rights. He had seen it grasp the bones and sinews of those who were born in freedom-he had seen men laugh at his appeals for justice-he had seen one of his free-born British seamen manacled and dragged to prison at noonday, merely because his skin was slightly coloured; he had been compelled to pay tribute to keep alive the oppressor's power, to compensate the villainy rogues practise upon honest men.

"Yes!" says the captain, a st.u.r.dy son of the sea, in answer to Maxwell; "bring her on board; and with a heart's best wishes, if I don't land her free and safe in Old Bahama I'll never cross the gulf stream again." And the mode of getting the boats ready was at once arranged.

The night was still and dark; picturesque illuminations in and around the mansion glittered in contrast with the starry arch of heaven; the soft south breeze fans to life the dark foliage that cl.u.s.ters around-nature has clothed the scene with her beauties.

Clotilda-she has eagerly awaited the coming time-descends to the bal.u.s.trade in the rear of the mansion. Here she meets a band of musicians; they have a.s.sembled to serenade, and wait the benediction, a signal for which will be made from one of the balconies. She fears they may recognise her, hesitates at the entrance, paces backward and forward in the colonnade, and professes to be awaiting some message from her mistress. Again scanning the scene, she watches intently, keeping her eyes fixed in the direction Franconia has suggested. "I was to meet Maxwell there!" works upon her mind until she becomes nervous and agitated. "I was, and must meet him there;" and she walks slowly back to the entrance, turns and returns, watches until her soul has nearly sickened, at length espies the joyous signal. Franconia did not deceive her. Oh, no! he stands there in the glare of a lamp that hangs from a willow-tree.

She vaults over the path, grasps his hand with a sister's affection, and simultaneously the soft swelling music of "Still so gently o'er me stealing!" floats in the air, as dulcet and soul-stirring as ever touched the fancy, or clothed with holy inspiration the still repose of a southern landscape at midnight. But she is with Maxwell; they have pa.s.sed the serenaders,--liberty is the haven of her joy, it gives her new hopes of the future. Those hopes dispel the regrets that hover over her mind as she thinks of her child.

For several minutes they stand together, listening to the music, and watching the familiar faces of old friends as they come upon the balcony in the second story. Southern life had its pleasant a.s.sociations-none would attempt to deny them; but the evil brooded in the uncertainty that hung over the fate of millions, now yielding indulgence to make life pleasant, then sinking them for ever in the cruelties of a tyrant's power. It is the crushing out of the mind's force,--the subduing the mental and physical man to make the chattel complete,--the shutting out of all the succinct virtues that nurture freedom, that incite us to improve the endowments of nature, that proves the rankling poison. And this poison spreads its baneful influence in and around good men's better desires.

After watching in silence for a few moments, Clotilda gives vent to her feelings. "I should like to see old Daddy Bob once more, I should! And my poor Annette; she is celled to be sold, I'm afraid; but I must yield to the kindness of Franconia. I have seen some good times among the old folks on the plantation. And there's Aunt Rachel,--a good creature after all,--and Harry. Well; I mustn't think of these things; freedom is sweetest," she says. Maxwell suggests that they move onward. The music dies away in the stillness, as they turn from the scene to flee beyond the grasp of men who traffic in human things called property,--not by a great const.i.tution, but under a const.i.tution's freedom giving power. Would that a great and glorious nation had not sold its freedom to the d.a.m.ning stain of avarice! would that it had not perverted that holy word, for the blessings of which generations have struggled in vain! would that it had not subst.i.tuted a freedom that mystifies a jurisprudence,--that brings forth the strangest fruit of human pa.s.sions,--that makes prison walls and dreary cells death-beds of the innocent;-that permits human beings to be born for the market, and judged by the ripest wisdom! "Has G.o.d ordained such freedom lasting?" will force itself upon us.-We must return to our humble adventurers.

The fugitives reached the back gate, leading into a narrow lane, from whence they cross into the main street. Clotilda has none of the African about her; the most observing guardsman would not stop her for a slave. They pa.s.s along unmolested; the guardsmen, some mounted and some walking at a slow pace, bow politely. No one demands a pa.s.s. They arrive in safety at a point about two miles from the city, where the captain and his boat await them. No time is lost in embarking: the little bark rides at anchor in the stream; the boat quietly glides to her; they are safely on board. A few minutes more, and the little craft moves seaward under the pressure of a gentle breeze. There is no tragic pursuit of slave-hunters, no tramp of horses to terrify the bleeding victim, no howlings of ravenous bloodhounds,--nothing that would seem to make the issue freedom or death. No! all is as still as a midsummer night in the same clime. The woman--this daughter of slavery's vices--cherishes a love for freedom; the hope of gaining it, and improving those endowments nature has bestowed upon her, freshens her spirits and gives her life to look forward without desponding. Maxwell is her friend; he has witnessed the blighting power of slavery-not alone in its workings upon the black man, but upon the lineal offspring of freemen-and has resolved to work against its mighty arm. With him it is the spontaneous action of a generous heart sympathising for the wrongs inflicted upon the weak, and loving to see right respected.

The fair Franconia, who has just been forced to accept the hand of a mere charlatan, disclosed the secrets of her mind to him; it was she who incited him to an act which might have sacrificed his freedom, perhaps his life. But mankind is possessed of an innate feeling to do good; and there is a charm added when the object to be served is a fair creature about to be dragged into the miseries of slavery.

Even the rougher of our kind cannot resist it; and at times-we except the servile opinion which slavery inflicts upon a people through its profitable issues-prompts the ruffian to generous acts.

The little bark, bound for the haven of freedom, sailed onward over the blue waters, and when daylight dawned had crossed the bar separating the harbour from the ocean. Clotilda ascends to the deck, sits on the companion-seat, and in a pensive mood watches the fading hills where slavery stains the fair name of freedom,--where oppression rears its dark monuments to for ever torture and disgrace a harmless race. She looks intently upon them, as one by one they fade in the obscure horizon, seeming to recall the many a.s.sociations, pleasant and painful, through which she has pa.s.sed.

She turns from the contemplation to the deep blue sea, and the unclouded arch of heaven, as they spread out before her: they are G.o.d's own, man cannot pollute them; they are like a picture of glory inspiring her with emotions she cannot suppress. As the last dim sight of land is lost in the distance, she waves a handkerchief, as if to bid it adieu for ever; then looking at Maxwell, who sits by her side, she says, with a sigh, "I am beyond it! Free,--yes, free!

But, have I not left a sufferer behind? There is my poor Annette, my child; I will clasp her to my bosom,--I will love her more when I meet her again. Good-bye, Franconia-dear Franconia! She will be a mother to my little one; she will keep her word." Thus saying, she casts a look upward, invokes heaven to be merciful to her persecutors,--to protect her child,--to guard Franconia through life.

Tears stream down her cheeks as she waves her hand and retires to the cabin.

CHAPTER XVII.

PLEASANT DEALINGS WITH HUMAN PROPERTY.