Our Village Part 5

Here we are at the entrance of the cornfield which leads to the dell, and which commands so fine a view of the Loddon, the mill, the great farm, with its picturesque outbuildings, and the range of woody hills beyond. It is impossible not to pause a moment at that gate, the landscape, always beautiful, is so suited to the season and the hour,--so bright, and gay, and spring-like. But May, who has the chance of another rabbit in her pretty head, has galloped forward to the dingle, and poor May, who follows me so faithfully in all my wanderings, has a right to a little indulgence in hers. So to the dingle we go.

At the end of the field, which when seen from the road seems terminated by a thick dark coppice, we come suddenly to the edge of a ravine, on one side fringed with a low growth of alder, birch, and willow, on the other mossy, turfy, and bare, or only broken by bright tufts of blossomed broom. One or two old pollards almost conceal the winding road that leads down the descent, by the side of which a spring as bright as crystal runs gurgling along. The dell itself is an irregular piece of broken ground, in some parts very deep, intersected by two or three high banks of equal irregularity, now abrupt and bare, and rocklike, now crowned with tufts of the feathery willow or magnificent old thorns.

Everywhere the earth is covered by short, fine turf, mixed with mosses, soft, beautiful, and various, and embossed with the speckled leaves and lilac flowers of the arum, the paler blossoms of the common orchis, the enamelled blue of the wild hyacinth, so splendid in this evening light, and large tufts of oxslips and cowslips rising like nosegays from the short turf.

The ground on the other side of the dell is much lower than the field through which we came, so that it is mainly to the labyrinthine intricacy of these high banks that it owes its singular character of wildness and variety. Now we seem hemmed in by those green cliffs, shut out from all the world, with nothing visible but those verdant mounds and the deep blue sky; now by some sudden turn we get a peep at an adjoining meadow, where the sheep are lying, dappling its sloping surface like the small clouds on the summer heaven. Poor harmless, quiet creatures, how still they are! Some socially lying side by side; some grouped in threes and fours; some quite apart. Ah! there are lambs amongst them--pretty, pretty lambs--nestled in by their mothers. Soft, quiet, sleepy things! Not all so quiet, though! There is a party of these young lambs as wide awake as heart can desire; half a dozen of them playing together, frisking, dancing, leaping, b.u.t.ting, and crying in the young voice, which is so pretty a diminutive of the full-grown bleat. How beautiful they are with their innocent spotted faces, their mottled feet, their long curly tails, and their light flexible forms, frolicking like so many kittens, but with a gentleness, an a.s.surance of sweetness and innocence, which no kitten, nothing that ever is to be a cat, can have. How complete and perfect is their enjoyment of existence!

Ah! little rogues! your play has been too noisy; you have awakened your mammas; and two or three of the old ewes are getting up; and one of them marching gravely to the troop of lambs has selected her own, given her a gentle b.u.t.t, and trotted off; the poor rebuked lamb following meekly, but every now and then stopping and casting a longing look at its playmates; who, after a moment's awed pause, had resumed their gambols; whilst the stately dame every now and then looked back in her turn, to see that her little one was following. At last she lay down, and the lamb by her side. I never saw so pretty a pastoral scene in my life.*

*I have seen one which affected me much more. Walking in the Church-lane with one of the young ladies of the vicarage, we met a large flock of sheep, with the usual retinue of shepherds and dogs. Lingering after them and almost out of sight, we encountered a straggling ewe, now trotting along, now walking, and every now and then stopping to look back, and bleating. A little behind her came a lame lamb, bleating occasionally, as if in answer to its dam, and doing its very best to keep up with her. It was a lameness of both the fore-feet; the knees were bent, and it seemed to walk on the very edge of the hoof--on tip-toe, if I may venture such an expression. My young friend thought that the lameness proceeded from original malformation, I am rather of opinion that it was accidental, and that the poor creature was wretchedly foot-sore. However that might be, the pain and difficulty with which it took every step were not to be mistaken; and the distress and fondness of the mother, her perplexity as the flock pa.s.sed gradually out of sight, the effort with which the poor lamb contrived to keep up a sort of trot, and their mutual calls and lamentations were really so affecting, that Ellen and I, although not at all lachrymose sort of people, had much ado not to cry. We could not find a boy to carry the lamb, which was too big for us to manage;--but I was quite sure that the ewe would not desert it, and as the dark was coming on, we both trusted that the shepherds on folding their flock would miss them and return for them;--and so I am happy to say it proved.

Another turning of the dell gives a glimpse of the dark coppice by which it is backed, and from which we are separated by some marshy, rushy ground, where the springs have formed into a pool, and where the moor-hen loves to build her nest. Ay, there is one scudding away now;--I can hear her plash into the water, and the rustling of her wings amongst the rushes. This is the deepest part of the wild dingle. How uneven the ground is! Surely these excavations, now so thoroughly clothed with vegetation, must originally have been huge gravel pits; there is no other way of accounting for the labyrinth, for they do dig gravel in such capricious meanders; but the quant.i.ty seems incredible. Well! there is no end of guessing! We are getting amongst the springs, and must turn back. Round this corner, where on ledges like fairy terraces the orchises and arums grow, and we emerge suddenly on a new side of the dell, just fronting the small homestead of our good neighbour Farmer Allen.

This rustic dwelling belongs to what used to be called in this part of the country 'a little bargain': thirty or forty acres, perhaps, of arable land, which the owner and his sons cultivated themselves, whilst the wife and daughters a.s.sisted in the husbandry, and eked out the slender earnings by the produce of the dairy, the poultry yard, and the orchard;--an order of cultivators now pa.s.sing rapidly away, but in which much of the best part of the English character, its industry, its frugality, its sound sense, and its kindness might be found. Farmer Allen himself is an excellent specimen, the cheerful venerable old man with his long white hair, and his bright grey eye, and his wife is a still finer. They have had a hard struggle to win through the world and keep their little property undivided; but good management and good principles, and the a.s.sistance afforded them by an admirable son, who left our village a poor 'prentice boy, and is now a partner in a great house in London have enabled them to overcome all the difficulties of these trying times, and they are now enjoying the peaceful evenings of a well-spent life as free from care and anxiety as their best friends could desire.

Ah! there is Mr. Allen in the orchard, the beautiful orchard, with its glorious gardens of pink and white, its pearly pear-blossoms and coral apple-buds. What a flush of bloom it is! How brightly delicate it appears, thrown into strong relief by the dark house and the weather-stained barn, in this soft evening light! The very gra.s.s is strewed with the snowy petals of the pear and the cherry. And there sits Mrs. Allen, feeding her poultry, with her three little grand-daughters from London, pretty fairies from three years old to five (only two-and-twenty months elapsed between the birth of the eldest and the youngest) playing round her feet.

Mrs. Allen, my dear Mrs. Allen, has been that rare thing a beauty, and although she be now an old woman I had almost said that she is so still. Why should I not say so? n.o.bleness of feature and sweetness of expression are surely as delightful in age as in youth. Her face and figure are much like those which are stamped indelibly on the memory of every one who ever saw that grand specimen of woman--Mrs. Siddons. The outline of Mrs. Allen's face is exactly the same; but there is more softness, more gentleness, a more feminine composure in the eye and in the smile. Mrs. Allen never played Lady Macbeth. Her hair, almost as black as at twenty, is parted on her large fair forehead, and combed under her exquisitely neat and snowy cap; a muslin neckerchief, a grey stuff gown and a white ap.r.o.n complete the picture.

There she sits under an old elder-tree which flings its branches over her like a canopy, whilst the setting sun illumines her venerable figure and touches the leaves with an emerald light; there she sits, placid and smiling, with her spectacles in her hand and a measure of barley on her lap, into which the little girls are dipping their chubby hands and scattering the corn amongst the ducks and chickens with unspeakable glee. But those ingrates the poultry don't seem so pleased and thankful as they ought to be; they mistrust their young feeders. All domestic animals dislike children, partly from an instinctive fear of their tricks and their thoughtlessness; partly, I suspect, from jealousy.

Jealousy seems a strange tragic pa.s.sion to attribute to the inmates of the ba.s.se cour,--but only look at that strutting fellow of a bantam c.o.c.k (evidently a favourite), who sidles up to his old mistress with an air half affronted and half tender, turning so scornfully from the barley-corns which Annie is flinging towards him, and say if he be not as jealous as Oth.e.l.lo? Nothing can pacify him but Mrs. Allen's notice and a dole from her hand. See, she is calling to him and feeding him, and now how he swells out his feathers, and flutters his wings, and erects his glossy neck, and struts and crows and pecks, proudest and happiest of bantams, the pet and glory of the poultry yard!

In the meantime my own pet May, who has all this while been peeping into every hole, and penetrating every nook and winding of the dell, in hopes to find another rabbit, has returned to my side, and is sliding her snake-like head into my hand, at once to invite the caress which she likes so well, and to intimate, with all due respect, that it is time to go home. The setting sun gives the same warning; and in a moment we are through the dell, the field, and the gate, past the farm and the mill, and hanging over the bridge that crosses the Loddon river.

What a sunset! how golden! how beautiful! The sun just disappearing, and the narrow liny clouds, which a few minutes ago lay like soft vapoury streaks along the horizon, lighted up with a golden splendour that the eye can scarcely endure, and those still softer clouds which floated above them wreathing and curling into a thousand fantastic forms, as thin and changeful as summer smoke, now defined and deepened into grandeur, and edged with ineffable, insufferable light! Another minute and the brilliant orb totally disappears, and the sky above grows every moment more varied and more beautiful as the dazzling golden lines are mixed with glowing red and gorgeous purple, dappled with small dark specks, and mingled with such a blue as the egg of the hedge-sparrow. To look up at that glorious sky, and then to see that magnificent picture reflected in the clear and lovely Loddon water, is a pleasure never to be described and never forgotten. My heart swells and my eyes fill as I write of it, and think of the immeasurable majesty of nature, and the unspeakable goodness of G.o.d, who has spread an enjoyment so pure, so peaceful, and so intense before the meanest and the lowliest of His creatures.

THE COWSLIP-BALL.

May 16th.--There are moments in life when, without any visible or immediate cause, the spirits sink and fail, as it were, under the mere pressure of existence: moments of unaccountable depression, when one is weary of one's very thoughts, haunted by images that will not depart--images many and various, but all painful; friends lost, or changed, or dead; hopes disappointed even in their accomplishment; fruitless regrets, powerless wishes, doubt and fear, and self-distrust, and self-disapprobation. They who have known these feelings (and who is there so happy as not to have known some of them?) will understand why Alfieri became powerless, and Froissart dull; and why even needle-work, the most effectual sedative, that grand soother and composer of woman's distress, fails to comfort me to-day. I will go out into the air this cool, pleasant afternoon, and try what that will do. I fancy that exercise or exertion of any kind, is the true specific for nervousness.

'Fling but a stone, the giant dies.' I will go to the meadows, the beautiful meadows! and I will have my materials of happiness, Lizzy and May, and a basket for flowers, and we will make a cowslip-ball. 'Did you ever see a cowslip-ball, my Lizzy?'--'No.'--'Come away, then; make haste! run, Lizzy!'

And on we go, fast, fast! down the road, across the lea, past the workhouse, along by the great pond, till we slide into the deep narrow lane, whose hedges seem to meet over the water, and win our way to the little farmhouse at the end. 'Through the farmyard, Lizzy; over the gate; never mind the cows; they are quiet enough.'--'I don't mind 'em,'

said Miss Lizzy, boldly and truly, and with a proud affronted air, displeased at being thought to mind anything, and showing by her att.i.tude and manner some design of proving her courage by an attack on the largest of the herd, in the shape of a pull by the tail. 'I don't mind 'em.'--'I know you don't, Lizzy; but let them alone, and don't chase the turkey-c.o.c.k. Come to me, my dear!' and, for a wonder, Lizzy came.

In the meantime, my other pet, Mayflower, had also gotten into a sc.r.a.pe.

She had driven about a huge unwieldy sow, till the animal's grunting had disturbed the repose of a still more enormous Newfoundland dog, the guardian of the yard. Out he sallied, growling, from the depth of his kennel, erecting his tail, and shaking his long chain. May's attention was instantly diverted from the sow to this new playmate, friend or foe, she cared not which; and he of the kennel, seeing his charge unhurt, and out of danger, was at leisure to observe the charms of his fair enemy, as she frolicked round him, always beyond the reach of his chain, yet always, with the natural instinctive coquetry of her s.e.x, alluring him to the pursuit which she knew to be vain. I never saw a prettier flirtation. At last the n.o.ble animal, wearied out, retired to the inmost recesses of his habitation, and would not even approach her when she stood right before the entrance. 'You are properly served, May. Come along, Lizzy. Across this wheatfield, and now over the gate. Stop! let me lift you down. No jumping, no breaking of necks, Lizzy!' And here we are in the meadows, and out of the world. Robinson Crusoe, in his lonely island, had scarcely a more complete, or a more beautiful solitude.

These meadows consist of a double row of small enclosures of rich gra.s.s-land, a mile or two in length, sloping down from high arable grounds on either side, to a little nameless brook that winds between them with a course which, in its infinite variety, clearness, and rapidity, seems to emulate the bold rivers of the north, of whom, far more than of our lazy southern streams, our rivulet presents a miniature likeness. Never was water more exquisitely tricksy:--now darting over the bright pebbles, sparkling and flashing in the light with a bubbling music, as sweet and wild as the song of the woodlark; now stretching quietly along, giving back the rich tufts of the golden marsh-marigolds which grow on its margin; now sweeping round a fine reach of green gra.s.s, rising steeply into a high mound, a mimic promontory, whilst the other side sinks softly away, like some tiny bay, and the water flows between, so clear, so wide, so shallow, that Lizzy, longing for adventure, is sure she could cross unwetted; now dashing through two sand-banks, a torrent deep and narrow, which May clears at a bound; now sleeping, half hidden, beneath the alders, and hawthorns, and wild roses, with which the banks are so profusely and variously fringed, whilst flags,* lilies, and other aquatic plants, almost cover the surface of the stream. In good truth, it is a beautiful brook, and one that Walton himself might have sitten by and loved, for trout are there; we see them as they dart up the stream, and hear and start at the sudden plunge when they spring to the surface for the summer flies. Izaak Walton would have loved our brook and our quiet meadows; they breathe the very spirit of his own peacefulness, a soothing quietude that sinks into the soul. There is no path through them, not one; we might wander a whole spring day, and not see a trace of human habitation. They belong to a number of small proprietors, who allow each other access through their respective grounds, from pure kindness and neighbourly feeling; a privilege never abused: and the fields on the other side of the water are reached by a rough plank, or a tree thrown across, or some such homely bridge. We ourselves possess one of the most beautiful; so that the strange pleasure of property, that instinct which makes Lizzy delight in her broken doll, and May in the bare bone which she has pilfered from the kennel of her recreant admirer of Newfoundland, is added to the other charms of this enchanting scenery; a strange pleasure it is, when one so poor as I can feel it! Perhaps it is felt most by the poor, with the rich it may be less intense--too much diffused and spread out, becoming thin by expansion, like leaf-gold; the little of the poor may be not only more precious, but more pleasant to them: certain that bit of gra.s.sy and blossomy earth, with its green knolls and tufted bushes, its old pollards wreathed with ivy, and its bright and babbling waters, is very dear to me. But I must always have loved these meadows, so fresh, and cool, and delicious to the eye and to the tread, full of cowslips, and of all vernal flowers: Shakspeare's 'Song of Spring'

bursts irrepressibly from our lips as we step on them.

*Walking along these meadows one bright sunny afternoon, a year or two back, and rather later in the season, I had an opportunity of noticing a curious circ.u.mstance in natural history. Standing close to the edge of the stream, I remarked a singular appearance on a large tuft of flags.

It looked like bunches of flowers, the leaves of which seemed dark, yet transparent, intermingled with brilliant tubes of bright blue or shining green. On examining this phenomenon more closely, it turned out to be several cl.u.s.ters of dragon-flies, just emerged from their deformed chrysalis state, and still torpid and motionless from the wetness of their filmy wings. Half an hour later we returned to the spot and they were gone. We had seen them at the very moment when beauty was complete and animation dormant. I have since found nearly a similar account of this curious process in Mr. Bingley's very entertaining work, called 'Animal Biography.'

'When daisies pied and violets blue And lady-smocks all silver-white And cuckoo-buds of yellow hue Do paint the meadows with delight, The cuckoo then, on every tree--'

'Cuckoo! cuckoo!' cried Lizzy, breaking in with her clear childish voice; and immediately, as if at her call, the real bird, from a neighbouring tree (for these meadows are dotted with timber like a park), began to echo my lovely little girl, 'cuckoo! cuckoo!' I have a prejudice very unpastoral and unpoetical (but I cannot help it, I have many such) against this 'harbinger of spring.' His note is so monotonous, so melancholy; and then the boys mimic him; one hears 'cuckoo! cuckoo!' in dirty streets, amongst smoky houses, and the bird is hated for faults not his own. But prejudices of taste, likings and dislikings, are not always vanquishable by reason; so, to escape the serenade from the tree, which promised to be of considerable duration (when once that eternal song begins, on it goes ticking like a clock)--to escape that noise I determined to excite another, and challenged Lizzy to a cowslip-gathering; a trial of skill and speed, to see which should soonest fill her basket. My stratagem succeeded completely. What scrambling, what shouting, what glee from Lizzy! twenty cuckoos might have sung unheard whilst she was pulling her own flowers, and stealing mine, and laughing, screaming, and talking through all.

At last the baskets were filled, and Lizzy declared victor: and down we sat, on the brink of the stream, under a spreading hawthorn, just disclosing its own pearly buds, and surrounded with the rich and enamelled flowers of the wild hyacinth, blue and white, to make our cowslip-ball. Every one knows the process: to nip off the tuft of flowerets just below the top of the stalk, and hang each cl.u.s.ter nicely balanced across a riband, till you have a long string like a garland; then to press them closely together, and tie them tightly up. We went on very prosperously, CONSIDERING; as people say of a young lady's drawing, or a Frenchman's English, or a woman's tragedy, or of the poor little dwarf who works without fingers, or the ingenious sailor who writes with his toes, or generally of any performance which is accomplished by means seemingly inadequate to its production. To be sure we met with a few accidents. First, Lizzy spoiled nearly all her cowslips by snapping them off too short; so there was a fresh gathering; in the next place, May overset my full basket, and sent the blossoms floating, like so many fairy favours, down the brook; then, when we were going on pretty steadily, just as we had made a superb wreath, and were thinking of tying it together, Lizzy, who held the riband, caught a glimpse of a gorgeous b.u.t.terfly, all brown and red and purple, and, skipping off to pursue the new object, let go her hold; so all our treasures were abroad again. At last, however, by dint of taking a branch of alder as a subst.i.tute for Lizzy, and hanging the basket in a pollard-ash, out of sight of May, the cowslip-ball was finished. What a concentration of fragrance and beauty it was! golden and sweet to satiety! rich to sight, and touch, and smell! Lizzy was enchanted, and ran off with her prize, hiding amongst the trees in the very coyness of ecstasy, as if any human eye, even mine, would be a restraint on her innocent raptures.

In the meanwhile I sat listening, not to my enemy the cuckoo, but to a whole concert of nightingales, scarcely interrupted by any meaner bird, answering and vying with each other in those short delicious strains which are to the ear as roses to the eye: those s.n.a.t.c.hes of lovely sound which come across us as airs from heaven. Pleasant thoughts, delightful a.s.sociations, awoke as I listened; and almost unconsciously I repeated to myself the beautiful story of the Lutist and the Nightingale, from Ford's 'Lover's Melancholy.' Here it is. Is there in English poetry anything finer?

'Pa.s.sing from Italy to Greece, the tales Which poets of an elder time have feign'd To glorify their Tempe, bred in me Desire of visiting Paradise.

To Thessaly I came, and living private, Without acquaintance of more sweet companions Than the old inmates to my love, my thoughts, I day by day frequented silent groves And solitary walks. One morning early This accident encounter'd me: I heard The sweetest and most ravishing contention That art and nature ever were at strife in.

A sound of music touch'd mine ears, or rather Indeed entranced my soul; as I stole nearer, Invited by the melody, I saw This youth, this fair-faced youth, upon his lute With strains of strange variety and harmony Proclaiming, as it seem'd, so bold a challenge To the clear choristers of the woods, the birds, That as they flock'd about him, all stood silent, Wondering at what they heard. I wonder'd too.

A nightingale, Nature's best skill'd musician, undertakes The challenge; and for every several strain The well-shaped youth could touch, she sang him down.

He could not run divisions with more art Upon his quaking instrument than she, The nightingale, did with her various notes Reply to.

Some time thus spent, the young man grew at last Into a pretty anger, that a bird, Whom art had never taught cliffs, moods, or notes Should vie with him for mastery, whose study Had busied many hours to perfect practice.

To end the controversy, in a rapture Upon his instrument he plays so swiftly, So many voluntaries, and so quick, That there was curiosity and cunning, Concord in discord, lines of differing method Meeting in one full centre of delight.

The bird (ordain'd to be Music's first martyr) strove to imitate These several sounds; which when her warbling throat Fail'd in, for grief down dropt she on his lute, And brake her heart. It was the quaintest sadness To see the conqueror upon her hea.r.s.e To weep a funeral elegy of tears.

He look'd upon the trophies of his art, Then sigh'd, then wiped his eyes; then sigh'd, and cry'd "Alas! poor creature, I will soon revenge This cruelty upon the author of it.

Henceforth this lute, guilty of innocent blood, Shall never more betray a harmless peace To an untimely end:" and in that sorrow, As he was pashing it against a tree, I suddenly stept in.'

When I had finished the recitation of this exquisite pa.s.sage, the sky, which had been all the afternoon dull and heavy, began to look more and more threatening; darker clouds, like wreaths of black smoke, flew across the dead leaden tint; a cooler, damper air blew over the meadows, and a few large heavy drops splashed in the water. 'We shall have a storm. Lizzy! May! where are ye? Quick, quick, my Lizzy! run, run!

faster, faster!'

And off we ran; Lizzy not at all displeased at the thoughts of a wetting, to which indeed she is almost as familiar as a duck; May, on the other hand, peering up at the weather, and shaking her pretty ears with manifest dismay. Of all animals, next to a cat, a greyhound dreads rain. She might have escaped it; her light feet would have borne her home long before the shower; but May is too faithful for that, too true a comrade, understands too well the laws of good-fellowship; so she waited for us. She did, to be sure, gallop on before, and then stop and look back, and beckon, as it were, with some scorn in her black eyes at the slowness of our progress. We in the meanwhile got on as fast as we could, encouraging and reproaching each other. 'Faster, my Lizzy! Oh, what a bad runner!'--'Faster, faster! Oh, what a bad runner!' echoed my saucebox. 'You are so fat, Lizzy, you make no way!'--'Ah! who else is fat?' retorted the darling. Certainly her mother is right; I do spoil that child.

By this time we were thoroughly soaked, all three. It was a pelting shower, that drove through our thin summer clothing and poor May's short glossy coat in a moment. And then, when we were wet to the skin, the sun came out, actually the sun, as if to laugh at our plight; and then, more provoking still, when the sun was shining, and the shower over, came a maid and a boy to look after us, loaded with cloaks and umbrellas enough to fence us against a whole day's rain. Never mind! on we go, faster and faster; Lizzy obliged to be most ign.o.bly carried, having had the misfortune to lose a shoe in the mud, which we left the boy to look after.

Here we are at home--dripping; but glowing and laughing, and bearing our calamity most manfully. May, a dog of excellent sense, went instantly to bed in the stable, and is at this moment over head and ears in straw; Lizzy is gone to bed too, coaxed into that wise measure by a promise of tea and toast, and of not going home till to-morrow, and the story of Little Red Riding Hood; and I am enjoying the luxury of dry clothing by a good fire. Really getting wet through now and then is no bad thing, finery apart; for one should not like spoiling a new pelisse, or a handsome plume; but when there is nothing in question but a white gown and a straw bonnet, as was the case to-day, it is rather pleasant than not. The little chill refreshes, and our enjoyment of the subsequent warmth and dryness is positive and absolute. Besides, the stimulus and exertion do good to the mind as well as body. How melancholy I was all the morning! how cheerful I am now! Nothing like a shower-bath--a real shower-bath, such as Lizzy and May and I have undergone, to cure low spirits. Try it, my dear readers, if ever ye be nervous--I will answer for its success.

THE OLD HOUSE AT ABERLEIGH.

June 25th.--What a glowing glorious day! Summer in its richest prime, noon in its most sparkling brightness, little white clouds dappling the deep blue sky, and the sun, now partially veiled, and now bursting through them with an intensity of light! It would not do to walk to-day, professedly to walk,--we should be frightened at the very sound! and yet it is probable that we may be beguiled into a pretty long stroll before we return home. We are going to drive to the old house at Aberleigh, to spend the morning under the shade of those balmy firs, and amongst those luxuriant rose trees, and by the side of that br.i.m.m.i.n.g Loddon river. 'Do not expect us before six o'clock,' said I, as I left the house; 'Six at soonest!' added my charming companion; and off we drove in our little pony chaise, drawn by our old mare, and with the good humoured urchin, Henry's successor, a sort of younger Scrub, who takes care of horse and chaise, and cow and garden, for our charioteer.

My comrade in this homely equipage was a young lady of high family and higher endowments, to whom the novelty of the thing, and her own naturalness of character and simplicity of taste, gave an unspeakable enjoyment. She danced the little chaise up and down as she got into it, and laughed for very glee like a child, Lizzy herself could not have been more delighted. She praised the horse and the driver, and the roads and the scenery, and gave herself fully up to the enchantment of a rural excursion in the sweetest weather of this sweet season. I enjoyed all this too; for the road was pleasant to every sense, winding through narrow lanes, under high elms, and between hedges garlanded with woodbine and rose trees, whilst the air was scented with the delicious fragrance of blossomed beans. I enjoyed it all,--but, I believe, my princ.i.p.al pleasure was derived from my companion herself.

Emily I. is a person whom it is a privilege to know. She is quite like a creation of the older poets, and might pa.s.s for one of Shakspeare's or Fletcher's women stepped into life; just as tender, as playful, as gentle, and as kind. She is clever too, and has all the knowledge and accomplishments that a carefully-conducted education, acting on a mind of singular clearness and ductility, matured and improved by the very best company, can bestow. But one never thinks of her acquirements. It is the charming artless character, the bewitching sweetness of manner, the real and universal sympathy, the quick taste and the ardent feeling, that one loves in Emily. She is Irish by birth, and has in perfection the melting voice and soft caressing accent by which her fair countrywomen are distinguished. Moreover she is pretty--I think her beautiful, and so do all who have heard as well as seen her,--but pretty, very pretty, all the world must confess; and perhaps that is a distinction more enviable, because less envied, than the 'palmy state'

of beauty. Her prettiness is of the prettiest kind--that of which the chief character is youthfulness. A short but pleasing figure, all grace and symmetry, a fair blooming face, beaming with intelligence and good-humour; the prettiest little feet and the whitest hands in the world;--such is Emily I.

She resides with her maternal grandmother, a venerable old lady, slightly shaken with the palsy; and when together (and they are so fondly attached to each other that they are seldom parted), it is one of the loveliest combinations of youth and age ever witnessed. There is no seeing them without feeling an increase of respect and affection for both grandmother and granddaughter--always one of the tenderest and most beautiful of natural connections--as Richardson knew when he made such exquisite use of it in his matchless book. I fancy that grandmamma Shirley must have been just such another venerable lady as Mrs. S., and our sweet Emily--Oh no! Harriet Byron is not half good enough for her!

There is nothing like her in the whole seven volumes.

But here we are at the bridge! Here we must alight! 'This is the Loddon, Emily. Is it not a beautiful river? rising level with its banks, so clear, and smooth, and peaceful, giving back the verdant landscape and the bright blue sky, and bearing on its pellucid stream the snowy water-lily, the purest of flowers, which sits enthroned on its own cool leaves, looking chast.i.ty itself, like the lady in Comus. That queenly flower becomes the water, and so do the stately swans who are sailing so majestically down the stream, like those who

"'On St. Mary's lake Float double, swan and shadow."

We must dismount here, and leave Richard to take care of our equipage under the shade of these trees, whilst we walk up to the house:--See, there it is! We must cross this stile; there is no other way now.'

And crossing the stile we were immediately in what had been a drive round a s.p.a.cious park, and still retained something of the character, though the park itself had long been broken into arable fields,--and in full view of the Great House, a beautiful structure of James the First's time, whose gla.s.sless windows and dilapidated doors form a melancholy contrast with the strength and entireness of the rich and ma.s.sive front.

The story of that ruin--for such it is--is always to me singularly affecting. It is that of the decay of an ancient and distinguished family, gradually reduced from the highest wealth and station to actual poverty. The house and park, and a small estate around it, were entailed on a distant cousin, and could not be alienated; and the late owner, the last of his name and lineage, after long struggling with debt and difficulty, farming his own lands, and clinging to his magnificent home with a love of place almost as tenacious as that of the younger Foscari, was at last forced to abandon it, retired to a paltry lodging in a paltry town, and died there about twenty years ago, broken-hearted.

His successor, bound by no ties of a.s.sociation to the spot, and rightly judging the residence to be much too large for the diminished estate, immediately sold the superb fixtures, and would have entirely taken down the house, if, on making the attempt, the masonry had not been found so solid that the materials were not worth the labour. A great part, however, of one side is laid open, and the splendid chambers, with their carving and gilding, are exposed to the wind and rain--sad memorials of past grandeur! The grounds have been left in a merciful neglect; the park, indeed, is broken up, the lawn mown twice a year like a common hayfield, the grotto mouldering into ruin, and the fishponds choked with rushes and aquatic plants; but the shrubs and flowering trees are undestroyed, and have grown into a magnificence of size and wildness of beauty, such as we may imagine them to attain in their native forests.

Nothing can exceed their luxuriance, especially in the spring, when the lilac, and laburnum, and double-cherry put forth their gorgeous blossoms. There is a sweet sadness in the sight of such floweriness amidst such desolation; it seems the triumph of nature over the destructive power of man. The whole place, in that season more particularly, is full of a soft and soothing melancholy, reminding me, I scarcely know why, of some of the descriptions of natural scenery in the novels of Charlotte Smith, which I read when a girl, and which, perhaps, for that reason hang on my memory.