Our Mutual Friend Part 22

Mary Anne immediately hooked her right arm behind her in her left hand--an att.i.tude absolutely necessary to the situation--and replied: 'One is indicative mood, present tense, third person singular, verb active to say. Other is indicative mood, present tense, third person plural, verb active to say.'

'Why verb active, Mary Anne?'

'Because it takes a p.r.o.noun after it in the objective case, Miss Peecher.'

'Very good indeed,' remarked Miss Peecher, with encouragement. 'In fact, could not be better. Don't forget to apply it, another time, Mary Anne.' This said, Miss Peecher finished the watering of her flowers, and went into her little official residence, and took a refresher of the princ.i.p.al rivers and mountains of the world, their breadths, depths, and heights, before settling the measurements of the body of a dress for her own personal occupation.

Bradley Headstone and Charley Hexam duly got to the Surrey side of Westminster Bridge, and crossed the bridge, and made along the Middles.e.x sh.o.r.e towards Millbank. In this region are a certain little street called Church Street, and a certain little blind square, called Smith Square, in the centre of which last retreat is a very hideous church with four towers at the four corners, generally resembling some petrified monster, frightful and gigantic, on its back with its legs in the air. They found a tree near by in a corner, and a blacksmith's forge, and a timber yard, and a dealer's in old iron. What a rusty portion of a boiler and a great iron wheel or so meant by lying half-buried in the dealer's fore-court, n.o.body seemed to know or to want to know. Like the Miller of questionable jollity in the song, They cared for n.o.body, no not they, and n.o.body cared for them.

After making the round of this place, and noting that there was a deadly kind of repose on it, more as though it had taken laudanum than fallen into a natural rest, they stopped at the point where the street and the square joined, and where there were some little quiet houses in a row. To these Charley Hexam finally led the way, and at one of these stopped.

'This must be where my sister lives, sir. This is where she came for a temporary lodging, soon after father's death.'

'How often have you seen her since?'

'Why, only twice, sir,' returned the boy, with his former reluctance; 'but that's as much her doing as mine.'

'How does she support herself?'

'She was always a fair needlewoman, and she keeps the stockroom of a seaman's outfitter.'

'Does she ever work at her own lodging here?'

'Sometimes; but her regular hours and regular occupation are at their place of business, I believe, sir. This is the number.'

The boy knocked at a door, and the door promptly opened with a spring and a click. A parlour door within a small entry stood open, and disclosed a child--a dwarf--a girl--a something--sitting on a little low old-fashioned arm-chair, which had a kind of little working bench before it.

'I can't get up,' said the child, 'because my back's bad, and my legs are queer. But I'm the person of the house.'

'Who else is at home?' asked Charley Hexam, staring.

'n.o.body's at home at present,' returned the child, with a glib a.s.sertion of her dignity, 'except the person of the house. What did you want, young man?'

'I wanted to see my sister.'

'Many young men have sisters,' returned the child. 'Give me your name, young man?'

The queer little figure, and the queer but not ugly little face, with its bright grey eyes, were so sharp, that the sharpness of the manner seemed unavoidable. As if, being turned out of that mould, it must be sharp.

'Hexam is my name.'

'Ah, indeed?' said the person of the house. 'I thought it might be. Your sister will be in, in about a quarter of an hour. I am very fond of your sister. She's my particular friend. Take a seat. And this gentleman's name?'

'Mr Headstone, my schoolmaster.'

'Take a seat. And would you please to shut the street door first? I can't very well do it myself; because my back's so bad, and my legs are so queer.'

They complied in silence, and the little figure went on with its work of gumming or gluing together with a camel's-hair brush certain pieces of cardboard and thin wood, previously cut into various shapes. The scissors and knives upon the bench showed that the child herself had cut them; and the bright sc.r.a.ps of velvet and silk and ribbon also strewn upon the bench showed that when duly stuffed (and stuffing too was there), she was to cover them smartly. The dexterity of her nimble fingers was remarkable, and, as she brought two thin edges accurately together by giving them a little bite, she would glance at the visitors out of the corners of her grey eyes with a look that out-sharpened all her other sharpness.

'You can't tell me the name of my trade, I'll be bound,' she said, after taking several of these observations.

'You make pincushions,' said Charley.

'What else do I make?'

'Pen-wipers,' said Bradley Headstone.

'Ha! ha! What else do I make? You're a schoolmaster, but you can't tell me.'

'You do something,' he returned, pointing to a corner of the little bench, 'with straw; but I don't know what.'

'Well done you!' cried the person of the house. 'I only make pincushions and pen-wipers, to use up my waste. But my straw really does belong to my business. Try again. What do I make with my straw?'

'Dinner-mats?'

'A schoolmaster, and says dinner-mats! I'll give you a clue to my trade, in a game of forfeits. I love my love with a B because she's Beautiful; I hate my love with a B because she is Brazen; I took her to the sign of the Blue Boar, and I treated her with Bonnets; her name's Bouncer, and she lives in Bedlam.--Now, what do I make with my straw?'

'Ladies' bonnets?'

'Fine ladies',' said the person of the house, nodding a.s.sent. 'Dolls'. I'm a Doll's Dressmaker.'

'I hope it's a good business?'

The person of the house shrugged her shoulders and shook her head. 'No. Poorly paid. And I'm often so pressed for time! I had a doll married, last week, and was obliged to work all night. And it's not good for me, on account of my back being so bad and my legs so queer.'

They looked at the little creature with a wonder that did not diminish, and the schoolmaster said: 'I am sorry your fine ladies are so inconsiderate.'

'It's the way with them,' said the person of the house, shrugging her shoulders again. 'And they take no care of their clothes, and they never keep to the same fashions a month. I work for a doll with three daughters. Bless you, she's enough to ruin her husband!' The person of the house gave a weird little laugh here, and gave them another look out of the corners of her eyes. She had an elfin chin that was capable of great expression; and whenever she gave this look, she hitched this chin up. As if her eyes and her chin worked together on the same wires.

'Are you always as busy as you are now?'

'Busier. I'm slack just now. I finished a large mourning order the day before yesterday. Doll I work for, lost a canary-bird.' The person of the house gave another little laugh, and then nodded her head several times, as who should moralize, 'Oh this world, this world!'

'Are you alone all day?' asked Bradley Headstone. 'Don't any of the neighbouring children--?'

'Ah, lud!' cried the person of the house, with a little scream, as if the word had p.r.i.c.ked her. 'Don't talk of children. I can't bear children. I know their tricks and their manners.' She said this with an angry little shake of her tight fist close before her eyes.

Perhaps it scarcely required the teacher-habit, to perceive that the doll's dressmaker was inclined to be bitter on the difference between herself and other children. But both master and pupil understood it so.

'Always running about and screeching, always playing and fighting, always skip-skip-skipping on the pavement and chalking it for their games! Oh! I know their tricks and their manners!' Shaking the little fist as before. 'And that's not all. Ever so often calling names in through a person's keyhole, and imitating a person's back and legs. Oh! I know their tricks and their manners. And I'll tell you what I'd do, to punish 'em. There's doors under the church in the Square--black doors, leading into black vaults. Well! I'd open one of those doors, and I'd cram 'em all in, and then I'd lock the door and through the keyhole I'd blow in pepper.'

'What would be the good of blowing in pepper?' asked Charley Hexam.

'To set 'em sneezing,' said the person of the house, 'and make their eyes water. And when they were all sneezing and inflamed, I'd mock 'em through the keyhole. Just as they, with their tricks and their manners, mock a person through a person's keyhole!'

An uncommonly emphatic shake of her little fist close before her eyes, seemed to ease the mind of the person of the house; for she added with recovered composure, 'No, no, no. No children for me. Give me grown-ups.'

It was difficult to guess the age of this strange creature, for her poor figure furnished no clue to it, and her face was at once so young and so old. Twelve, or at the most thirteen, might be near the mark.

'I always did like grown-ups,' she went on, 'and always kept company with them. So sensible. Sit so quiet. Don't go prancing and capering about! And I mean always to keep among none but grown-ups till I marry. I suppose I must make up my mind to marry, one of these days.'

She listened to a step outside that caught her ear, and there was a soft knock at the door. Pulling at a handle within her reach, she said, with a pleased laugh: 'Now here, for instance, is a grown-up that's my particular friend!' and Lizzie Hexam in a black dress entered the room.

'Charley! You!'

Taking him to her arms in the old way--of which he seemed a little ashamed--she saw no one else.

'There, there, there, Liz, all right my dear. See! Here's Mr Headstone come with me.'

Her eyes met those of the schoolmaster, who had evidently expected to see a very different sort of person, and a murmured word or two of salutation pa.s.sed between them. She was a little flurried by the unexpected visit, and the schoolmaster was not at his ease. But he never was, quite.

'I told Mr Headstone you were not settled, Liz, but he was so kind as to take an interest in coming, and so I brought him. How well you look!'

Bradley seemed to think so.

'Ah! Don't she, don't she?' cried the person of the house, resuming her occupation, though the twilight was falling fast. 'I believe you she does! But go on with your chat, one and all: You one two three, My com-pa-nie, And don't mind me.'

--pointing this impromptu rhyme with three points of her thin fore-finger.

'I didn't expect a visit from you, Charley,' said his sister. 'I supposed that if you wanted to see me you would have sent to me, appointing me to come somewhere near the school, as I did last time. I saw my brother near the school, sir,' to Bradley Headstone, 'because it's easier for me to go there, than for him to come here. I work about midway between the two places.'

'You don't see much of one another,' said Bradley, not improving in respect of ease.

'No.' With a rather sad shake of her head. 'Charley always does well, Mr Headstone?'

'He could not do better. I regard his course as quite plain before him.'

'I hoped so. I am so thankful. So well done of you, Charley dear! It is better for me not to come (except when he wants me) between him and his prospects. You think so, Mr Headstone?'

Conscious that his pupil-teacher was looking for his answer, that he himself had suggested the boy's keeping aloof from this sister, now seen for the first time face to face, Bradley Headstone stammered: 'Your brother is very much occupied, you know. He has to work hard. One cannot but say that the less his attention is diverted from his work, the better for his future. When he shall have established himself, why then--it will be another thing then.'

Lizzie shook her head again, and returned, with a quiet smile: 'I always advised him as you advise him. Did I not, Charley?'

'Well, never mind that now,' said the boy. 'How are you getting on?'

'Very well, Charley. I want for nothing.'

'You have your own room here?'

'Oh yes. Upstairs. And it's quiet, and pleasant, and airy.'

'And she always has the use of this room for visitors,' said the person of the house, s.c.r.e.w.i.n.g up one of her little bony fists, like an opera-gla.s.s, and looking through it, with her eyes and her chin in that quaint accordance. 'Always this room for visitors; haven't you, Lizzie dear?'

It happened that Bradley Headstone noticed a very slight action of Lizzie Hexam's hand, as though it checked the doll's dressmaker. And it happened that the latter noticed him in the same instant; for she made a double eyegla.s.s of her two hands, looked at him through it, and cried, with a waggish shake of her head: 'Aha! Caught you spying, did I?'

It might have fallen out so, any way; but Bradley Headstone also noticed that immediately after this, Lizzie, who had not taken off her bonnet, rather hurriedly proposed that as the room was getting dark they should go out into the air. They went out; the visitors saying good-night to the doll's dressmaker, whom they left, leaning back in her chair with her arms crossed, singing to herself in a sweet thoughtful little voice.

'I'll saunter on by the river,' said Bradley. 'You will be glad to talk together.'

As his uneasy figure went on before them among the evening shadows, the boy said to his sister, petulantly: 'When are you going to settle yourself in some Christian sort of place, Liz? I thought you were going to do it before now.'

'I am very well where I am, Charley.'

'Very well where you are! I am ashamed to have brought Mr Headstone with me. How came you to get into such company as that little witch's?'

'By chance at first, as it seemed, Charley. But I think it must have been by something more than chance, for that child--You remember the bills upon the walls at home?'

'Confound the bills upon the walls at home! I want to forget the bills upon the walls at home, and it would be better for you to do the same,' grumbled the boy. 'Well; what of them?'

'This child is the grandchild of the old man.'

'What old man?'

'The terrible drunken old man, in the list slippers and the night-cap.'

The boy asked, rubbing his nose in a manner that half expressed vexation at hearing so much, and half curiosity to hear more: 'How came you to make that out? What a girl you are!'

'The child's father is employed by the house that employs me; that's how I came to know it, Charley. The father is like his own father, a weak wretched trembling creature, falling to pieces, never sober. But a good workman too, at the work he does. The mother is dead. This poor ailing little creature has come to be what she is, surrounded by drunken people from her cradle--if she ever had one, Charley.'

'I don't see what you have to do with her, for all that,' said the boy.

'Don't you, Charley?'

The boy looked doggedly at the river. They were at Millbank, and the river rolled on their left. His sister gently touched him on the shoulder, and pointed to it.

'Any compensation--rest.i.tution--never mind the word, you know my meaning. Father's grave.'

But he did not respond with any tenderness. After a moody silence he broke out in an ill-used tone: 'It'll be a very hard thing, Liz, if, when I am trying my best to get up in the world, you pull me back.'

'I, Charley?'

'Yes, you, Liz. Why can't you let bygones be bygones? Why can't you, as Mr Headstone said to me this very evening about another matter, leave well alone? What we have got to do, is, to turn our faces full in our new direction, and keep straight on.'

'And never look back? Not even to try to make some amends?'

'You are such a dreamer,' said the boy, with his former petulance. 'It was all very well when we sat before the fire--when we looked into the hollow down by the flare--but we are looking into the real world, now.'

'Ah, we were looking into the real world then, Charley!'

'I understand what you mean by that, but you are not justified in it. I don't want, as I raise myself to shake you off, Liz. I want to carry you up with me. That's what I want to do, and mean to do. I know what I owe you. I said to Mr Headstone this very evening, "After all, my sister got me here." Well, then. Don't pull me back, and hold me down. That's all I ask, and surely that's not unconscionable.'

She had kept a steadfast look upon him, and she answered with composure: 'I am not here selfishly, Charley. To please myself I could not be too far from that river.'

'Nor could you be too far from it to please me. Let us get quit of it equally. Why should you linger about it any more than I? I give it a wide berth.'

'I can't get away from it, I think,' said Lizzie, pa.s.sing her hand across her forehead. 'It's no purpose of mine that I live by it still.'

'There you go, Liz! Dreaming again! You lodge yourself of your own accord in a house with a drunken--tailor, I suppose--or something of the sort, and a little crooked antic of a child, or old person, or whatever it is, and then you talk as if you were drawn or driven there. Now, do be more practical.'