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Oscar Wilde, His Life and Confessions Volume I Part 26

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"You must win," I said; "don't think of defeat. Even your enemies are human. Convert them. You can do it, believe me," and I went with dread in my heart, and pity and indignation.

Be still, be still, my soul; it is but for a season: Let us endure an hour and see injustice done.

The Governor met me almost at the door.

"It is terrible," I exclaimed.

"This is no place for him," he answered. He has nothing to do with us here. Everyone likes him and pities him: the warders, everyone.

Anything I can do to make his stay tolerable shall be done."

We shook hands. I think there were tears in both our eyes as we parted. This humane Governor had taught me that Oscar's gentleness and kindness--his sweetness of nature--would win all hearts if it had time to make itself known. Yet there he was in prison. His face and figure came before me again and again: the unshaven face; the frightened, sad air; the hopeless, toneless voice. The cleanliness even of the bare hard room was ugly; the English are foolish enough to degrade those they punish. Revolt was blazing in me.

As I went away I looked up at the mediaeval castellated gateway of the place, and thought how perfectly the architecture suited the spirit of the inst.i.tution. The whole thing belongs to the middle ages, and not to our modern life. Fancy having both prison and hospital side by side; indeed a hospital even in the prison; torture and lovingkindness; punishment and pity under the same roof. What a blank contradiction and stupidity. Will civilisation never reach humane ideals? Will men always punish most severely the sins they do not understand and which hold for them no temptation? Did Jesus suffer in vain?

Oscar Wilde was committed on the 19th of April; a "true bill" was found against him by the grand jury on the 24th; and, as the case was put down for trial at the Old Bailey almost immediately, a postponement was asked for till the May sessions, on the ground first that the defence had not had time to prepare their case and further, that in the state of popular feeling at the moment, Mr. Wilde would not get a fair and impartial trial. Mr. Justice Charles, who was to try the case, heard the application and refused it peremptorily: "Any suggestion that the defendant would not have a fair trial was groundless," he declared; yet he knew better. In his summing up of the case on May 1st he stated that "for weeks it had been impossible to open a newspaper without reading some reference to the case," and when he asked the jury not to allow "preconceived opinions to weigh with them" he was admitting the truth that every newspaper reference was charged with dislike and contempt of Oscar Wilde. A fair trial indeed!

The trial took place at the Old Bailey, three days later, April 27th, 1895, before Mr. Justice Charles. Mr. C.F. Gill and A. Gill with Mr.

Horace Avory appeared for the Public Prosecutor. Mr. Wilde was again defended by Sir Edward Clarke, Mr. Charles Mathews and Mr. Travers Humphreys, while Mr. J.P. Grain and Mr. Paul Taylor were counsel for the other prisoner. The trial began on a Sat.u.r.day and the whole of the day was taken up with a legal argument. I am not going to give the details of the case. I shall only note the chief features of it and the unfairness which characterised it.

Sir Edward Clarke pointed out that there was one set of charges under the Criminal Law Amendment Act and another set of charges of conspiracy. He urged that the charges of conspiracy should be dropped.

Under the counts alleging conspiracy, the defendants could not be called on as witnesses, which put the defence at a disadvantage. In the end the Judge decided that there were inconveniences; but he would not accede to Sir Edward Clarke's request. Later in the trial, however, Mr. Gill himself withdrew the charges of conspiracy, and the Judge admitted explicitly in his summing up that, if he had known the evidence which was to be offered, he would not have allowed these charges of conspiracy to be made. By this confession he apparently cleared his conscience just as Pilate washed his hands. But the wrong had already been done. Not only did this charge of conspiracy embarra.s.s the defence, but if it had never been made, as it should never have been made, then Sir Edward Clarke would have insisted and could have insisted properly that the two men should be tried separately, and Wilde would not have been discredited by being coupled with Taylor, whose character was notorious and who had already been in the hands of the police on a similar charge.

This was not the only instance of unfairness in the conduct of the prosecution. The Treasury put a youth called Atkins in the box, thus declaring him to be at least a credible witness; but Atkins was proved by Sir Edward Clarke to have perjured himself in the court in the most barefaced way. In fact the Treasury witnesses against Wilde were all blackmailers and people of the lowest character, with two exceptions.

The exceptions were a boy named Mavor and a youth named Sh.e.l.ley. With regard to Mavor the judge admitted that no evidence had been offered that he could place before the jury; but in his summing up he was greatly affected by the evidence of Sh.e.l.ley. Sh.e.l.ley was a young man who seemed to be afflicted with a species of religious mania. Mr.

Justice Charles gave great weight to his testimony. He invited the jury to say that "although there was, in his correspondence which had been read, evidence of excitability, to talk of him as a young man who did not know what he was saying was to exaggerate the effect of his letters." He went on to ask with much solemnity: "Why should this young man have invented a tale, which must have been unpleasant to him to present from the witness box?"

In the later trial before Mr. Justice Wills the Judge had to rule out the evidence of Sh.e.l.ley _in toto_, because it was wholly without corroboration. If the case before Mr. Justice Charles had not been confused with the charges of conspiracy, there is no doubt that he too would have ruled out the evidence of Sh.e.l.ley, and then his summing up must have been entirely in favour of Wilde.

The singular malevolence of the prosecution also can be estimated by their use of the so-called "literary argument." Wilde had written in a magazine called _The Chameleon_. _The Chameleon_ contained an immoral story, with which Wilde had nothing to do, and which he had repudiated as offensive. Yet the prosecution tried to make him responsible in some way for the immorality of a writing which he knew nothing about.

Wilde had said two poems of Lord Alfred Douglas were "beautiful." The prosecution declared that these poems were in essence a defence of the vilest immorality, but is it not possible for the most pa.s.sionate poem, even the most vicious, to be "beautiful"? Nothing was ever written more pa.s.sionate than one of the poems of Sappho. Yet a fragment has been selected out and preserved by the admiration of a hundred generations of men. The prosecution was in the position all the time of one who declared that a man who praised a nude picture must necessarily be immoral. Such a contention would be inconceivable in any other civilised country. Even the Judge was on much the same intellectual level. It would not be fair, he admitted, to condemn a poet or dramatic writer by his works and he went on:

"It is unfortunately true that while some of our greatest writers have pa.s.sed long years in writing nothing but the most wholesome literature--literature of the highest genius, and which anybody can read, such as the literature of Sir Walter Scott and Charles d.i.c.kens; it is also true that there were other great writers, more especially in the eighteenth century, perfectly n.o.ble-minded men themselves, who somehow or other have permitted themselves to pen volumes which it is painful for persons of ordinary modesty and decency to read."

It would have been more honest and more liberal to have brushed away the nonsensical indictment in a sentence. Would the Treasury have put Shakespeare on trial for "Hamlet" or "Lear," or would they have condemned the writer of "The Song of Solomon" for immorality, or sent St. Paul to prison for his "Epistle to the Corinthians"?

Middle-cla.s.s prejudice and hypocritic canting twaddle from Judge and advocate dragged their weary length along for days and days. On Wednesday Sir Edward Clarke made his speech for the defence. He pointed out the unfairness of the charges of conspiracy which had tardily been withdrawn. He went on to say that the most remarkable characteristic of the case was the fact that it had been the occasion for conduct on the part of certain sections of the press which was disgraceful, and which imperilled the administration of justice, and was in the highest degree injurious to the client for whom he was pleading. Nothing, he concluded, could be more unfair than the way Mr. Wilde had been criticised in the press for weeks and weeks. But no judge interfered on his behalf.

Sir Edward Clarke evidently thought that to prove unfairness would not even influence the minds of the London jury. He was content to repudiate the attempt to judge Mr. Wilde by his books or by an article which he had condemned, or by poems which he had not written. He laid stress on the fact that Mr. Wilde had himself brought the charge against Lord Queensberry which had provoked the whole investigation: "on March 30th, Mr. Wilde," he said, "knew the catalogue of accusations"; and he asked: did the jury believe that, if he had been guilty, he would have stayed in England and brought about the first trial? Insane would hardly be the word for such conduct, if Mr. Wilde really had been guilty. Moreover, before even hearing the specific accusations, Mr. Wilde had gone into the witness box to deny them.

Clarke's speech was a good one, but nothing out of the common: no new arguments were used in it; not one striking ill.u.s.tration. Needless to say the higher advocacy of sympathy was conspicuous by its absence.

Again, the interesting part of the trial was the cross-examination of Oscar Wilde.

Mr. Gill examined him at length on the two poems which Lord Alfred Douglas had contributed to _The Chameleon_, which Mr. Wilde had called "beautiful." The first was in "Praise of Shame," the second was one called "Two Loves." Sir Edward Clarke, interposing, said:

"That's not Mr. Wilde's, Mr. Gill."

Mr. Gill: "I am not aware that I said it was."

Sir Edward Clarke: "I thought you would be glad to say it was not."

Mr. Gill insisted that Mr. Wilde should explain the poem in "Praise of Shame."

Mr. Wilde said that the first poem seemed obscure, but, when pressed as to the "love" described in the second poem, he let himself go for the first time and perhaps the only time during the trial; he said:

"The 'love' that dare not speak its name in this century is such a great affection of an older for a younger man as there was between David and Jonathan, such as Plato made the very base of his philosophy and such as you find in the sonnets of Michaelangelo and Shakespeare--a deep spiritual affection that is as pure as it is perfect, and dictates great works of art like those of Shakespeare and Michaelangelo and those two letters of mine, such as they are, and which is in this century misunderstood--so misunderstood that, on account of it, I am placed where I am now. It is beautiful; it is fine; it is the n.o.blest form of affection. It is intellectual, and it repeatedly exists between an elder and younger man, when the elder man has intellect, and the younger man has all the joy, hope and glamour of life. That it should be so the world does not understand. It mocks at it and sometimes puts one into the pillory for it."

At this stage there was loud applause in the gallery of the court, and the learned Judge at once said: "I shall have the Court cleared if there is the slightest manifestation of feeling. There must be complete silence preserved."

Mr. Justice Charles repressed the cheering in favour of Mr. Oscar Wilde with great severity, though Mr. Justice Collins did not attempt to restrain the cheering which filled his court and accompanied the dispersing crowd into the street on the acquittal of Lord Queensberry.

In spite, however, of the unfair criticisms of the press; in spite of the unfair conduct of the prosecution, and in spite of the manifest prejudice and Philistine ignorance of the Judge, the jury disagreed.

Then followed the most dramatic incident of the whole trial. Once more Sir Edward Clarke applied for bail on behalf of Oscar Wilde. "After what has happened," he said, "I do not think the Crown will make any objection to this application." The Crown left the matter to the Judge, no doubt in all security; for the Judge immediately refused the application. Sir Edward Clarke then went on to say that, in the case of a re-trial, it ought not to take place immediately. He continued:

"The burden of those engaged in the case is very heavy, and I think it only right that the Treasury should have an opportunity between this and another session of considering the mode in which the case should be presented, if indeed it is presented at all."

Mr. Gill immediately rose to the challenge.

"The case will certainly be tried again," he declared, "whether it is to be tried again at once or in the next sessions will be a matter of convenience. Probably the most desirable course will be for the case to go to the next sessions. That is the usual course."

Mr. Justice Charles: "If that is the usual course, let it be so."

The next session of the Central Criminal Court opened on the 20th of the same month.

Not three weeks' respite, still it might be enough: it was inconceivable that a Judge in Chambers would refuse to accept bail: fortunately the law allows him no option.

The application for bail was made in due course to a Judge in Chambers, and in spite of the bad example of the magistrate, and of Mr. Justice Charles, it was granted and Wilde was set free in his own recognizance of 2,500 with two other sureties for 1,250 each. It spoke volumes for the charm and fascination of the man that people were found to undertake this onerous responsibility. Their names deserve to be recorded; one was Lord Douglas of Hawick, the other a clergyman, the Rev. Stewart Headlam. I offered to be one bail: but I was not a householder at the time and my name was, therefore, not acceptable. I suppose the Treasury objected, which shows, I am inclined to think, some glimmering of sense on its part.

As soon as the bail was accepted I began to think of preparations for Oscar's escape. It was high time something was done to save him from the wolves. The day after his release a London morning journal was not ashamed to publish what it declared was a correct a.n.a.lysis of the voting of the jury on the various counts. According to this authority, ten jurors were generally for conviction and two against, in the case of Wilde; the statement was widely accepted because it added that the voting was more favourable to Taylor than to Wilde, which was so unexpected and so senseless that it carried with it a certain plausibility: _Credo quia incredible_.

I had seen enough of English justice and English judges and English journals to convince me that Oscar Wilde had no more chance of a fair trial than if he had been an Irish "Invincible." Everyone had made up his mind and would not even listen to reason: he was practically certain to be convicted, and if convicted perfectly certain to be punished with savage ferocity. The judge would probably think he was showing impartiality by punishing him for his qualities of charm and high intelligence. For the first time in my life I understood the full significance of Montaigne's confession that if he were accused of stealing the towers of Notre Dame, he would fly the kingdom rather than risk a trial, and Montaigne was a lawyer. I set to work at once to complete my preparations.

I did not think I ran any risk in helping Oscar to get away. The newspapers had seized the opportunity of the trials before the magistrate and before Mr. Justice Charles and had overwhelmed the public with such a sea of nauseous filth and impurity as could only be exposed to the public nostrils in pudibond England. Everyone, I thought, must be sick of the testimony and eager to have done with the whole thing. In this I may have been mistaken. The hatred of Wilde seemed universal and extraordinarily malignant.

I wanted a steam yacht. Curiously enough on the very day when I was thinking of running down to Cowes to hire one, a gentleman at lunch mentioned that he had one in the Thames. I asked him could I charter it?

"Certainly," he replied, "and I will let you have it for the bare cost for the next month or two."

"One month will do for me," I said.

"Where are you going?" he asked.

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Oscar Wilde, His Life and Confessions Volume I Part 26 summary

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