Order Of Darkness - Fools' Gold Part 22

They had a quiet cheerless dinner. Brother Peter said nothing but a few words for grace over the dishes, Luca was completely silent, Freize tried a few remarks and then gave up and concentrated on eating. Isolde and Ishraq watched Luca, ate a little, and said a few words to one another. After dinner, Brother Peter rose up, gave thanks, said a quiet goodnight to them and went into his room and closed the door.

'I will go to him,' Luca said suddenly. 'Bayeed the slaver. I will go and see him.' Suddenly decisive, he rose up from the table. 'They could sail at any moment. I'll go now.'

'What for?' Ishraq asked. 'We have nothing to buy your father's freedom with.'

'I know he won't trade,' Luca said. 'But I want to try to see my father. Just to see him. To tell him that I tried and I will try again.'

'Can I come with you?' Isolde asked quietly.

'No,' Luca said shortly. 'Stay here. I have to go at once. I can't think . . .' He broke off and bent his head and kissed her hand. 'Forgive me. I can't think of you now. I have to go to my father and tell him I will find him again, wherever that monster takes him, and I will free him. If not now, then soon, as soon as I can.'

Freize cleared his throat. 'Better take Ishraq,' he said. 'For the language.' He turned to her. 'Can you wear your Arab clothing?' he asked.

She nodded and ran to change out of her gown.

'And money,' Freize said. 'To bribe the guard, there's bound to be a guard.'

Luca rounded on him. 'I have no money!' he shouted. 'Thanks to your pretty girlfriend and her father I have no money to buy my father's freedom!'

'I'll give you something,' Isolde interrupted. 'Don't blame Freize. It's not his fault. I've got something. A little gold ring.'

'I can't take your mother's jewellery.'

'You can,' she said. 'Please, Luca. I want to help.'

She ran from the room to fetch it and came back with two thin rings in her hand.

'I'll get Giuseppe,' Freize said and went downstairs leaving Luca alone with Isolde. She took his hand and pressed the rings into his palm. 'It's worth it,' she said. 'For you to see your father, to bring him some hope.'

'Thank you,' he said awkwardly. 'I am grateful. I really am.'

'Please let me come with you,' she whispered.

He shook his head, and she thought he had not really heard her, he did not even see her stretch out her hand to him as he went from the room; and then she heard him run swiftly down the stairs to the waiting gondola.

Giuseppe, standing tall in the stern of the gondola, worked the single oar, rowing the narrow black boat down the Grand Ca.n.a.l in silence broken only by the splash of the waves. The light from the lantern in the prow bobbed and danced, reflecting in the dark water, the waning moon traced a silvery path before them. Ishraq sat with her back to the gondolier. The two young men sat facing her, Luca constantly turning to look towards their destination over the glossy darkness of the moving tide.

Even at night, even on the water, even during carnival they could see that the city had been hit by loss. There were far fewer people in costume, there were far fewer a.s.signations. One or two determined lovers were being slowly rowed around, the door of the cabin tightly shut; but Venice was in mourning for money, quietly at home, turning over bleeding gold n.o.bles, trying to settle up the accounts.

Luca was taut with nerves, staring ahead into the darkness as if he would see the towers of the a.r.s.enale looming up before them. They went past the square of San Marco where the lights burning in the high windows of the Doge's Palace showed that surveillance was unsleeping. Freize nudged Luca.

'They held me in a room like a wooden box,' he said. 'And from the little window of the box I could see a rope, two ropes, hanging from the high ceiling, and a set of stairs to climb up to them.'

'Do they hang men indoors?' Luca asked without interest.

'Not by the neck. They hang them by their wrists till they give information,' Freize said. 'I was glad to be most ignorant. n.o.body would waste their time hanging me, if they wanted information. You would have to hang me by my heels to shake a thought out of my head.' He had hoped to make Luca smile, but the young man only nodded briefly and carried on staring into the darkness.

There was a cold wind coming across the water and it blew ravelled strips of dark cloud across the stars. There was a waning moon which helped the gondolier to see the bank. It was a long way. Ishraq wrapped her cloak tightly around her and pulled her veil over her mouth for warmth as well as modesty.

'Here,' Giuseppe said finally. 'Here is where the galleys are moored overnight when they wait for repair.'

Luca stood up and the gondola rocked, perilously.

'Sit down,' Giuseppe said. 'What is the name of the Captain?'

Ishraq turned to tell him: 'Bayeed.'

'From Istanbul?'

'Yes.'

Giuseppe pointed to a long low building. 'The galley crews sleep in there,' he said. 'The master goes into town. He will come at dawn, perhaps.'

'In there?' Luca looked with horror at the building, the barred windows, the bolted doors.

'Sentry on the door,' Freize remarked quietly. 'Sword in his belt, probably a handgun too. What d'you want to do?'

'I just want to see him,' Luca said pa.s.sionately. 'I can't be so near him and not see him!'

'Why don't we try bribing the sentry?' Ishraq suggested. 'Perhaps Signor Vero could come to the window?'

'I'll go,' Freize said.

'I'll go,' Ishraq overruled them. 'He won't draw his sword on a woman. You can watch out for me.'

Luca fumbled in his pocket and found Isolde's two rings. 'Here.'

Ishraq took them, recognised them at once. 'She gave you her mother's rings?'

'Yes, yes.' Distracted, Luca dismissed the importance of the gift. 'Go to him, Ishraq. See what you can do.'

Giuseppe brought the gondola to the quayside. Ishraq went up the steps and walked towards the sentry, careful to keep in the middle of the quay so that he could see her slow progress towards him, spreading her hands so that he could see she was carrying no weapon.

'Masaa Elkheir,' she called from a distance, speaking Arabic.

He put his hand to his sword. 'Keep back,' he said. 'You're a long way from home, girl.'

'You too, warrior,' she said deferentially. 'But I would have words with you. My master wants to speak with one of the galley slaves. He will pay you, if you allow such a thing, for your kindness. He is a faranj, a foreigner and a Christian, and it is his father who is enslaved. He longs to see the face of his father. It would be a kindness to let them speak together through the window. It would be a good deed. And you would be well rewarded.'

'How well rewarded?' the man asked. 'And I want none of the English n.o.bles. I know they are as precious as sand. Don't try to cheat me.'

In answer she held up a golden ring. 'This to let him come to the window,' she said. 'The same again as we sail away safely.'

'He must come alone,' the man stipulated.

'Whatever you say,' Ishraq said obediently.

'You give me the ring and go back to your gondola and send him. The gondolier and everyone else to stay on board. He can have a few minutes, no more.'

'I agree,' Ishraq said. She made a gesture to show that she would throw the ring and he snapped his fingers to show that he was ready. Carefully she threw it into his catch, and then went back to the gondola.

'You have a few moments, and he has to have the other ring at the end of your talk,' she said. 'But you can go to the window. You can talk for only a few minutes.'

Luca leaped out of the gondola and was up the steps in a moment. He gave a nod to the sentry and went quickly to the window. It was set high in the wall but there was a barrel nearby. Luca rolled it under the grille, and jumped up on it. Dimly he could see a dark room, filled with sleeping men, and he could smell the stench of exhaustion and illness.

'Gwilliam Vero!' he said in a hoa.r.s.e whisper. 'Gwilliam Vero, are you in there?'

'Who wants him?' came a m.u.f.fled reply, and Luca recognised, with a gasp, the accent of his home village, his father's beloved voice.

'Father, it's me!' he cried. 'Father! It is me, your son Luca.'

There was a silence and then a scuffling noise, and the sound of a man curse as Gwilliam made his way, stumbling over the sleeping men, to the window. Luca, looking in and downward, could see the pale face of his father looking up from the sunken floor below.

'It's you,' Luca said breathlessly. 'Father!' He tightened his grip on the bars over the window as he felt his knees weaken beneath him at the sight of his father. 'Father! It's me! Luca! Your son!'

The old man, his skin scorched into leather by the burning sun on the slave galley deck, his face scored with deep lines of pain, peered up at the window where Luca peered in.

'I was trying to ransom you,' Luca said breathlessly. 'Bayeed refused the coins. But I will get pure gold. I will buy your freedom. I will come for you.'

'Do you know where your mother is?' His voice was husky, he rarely spoke these days. When they slaved over the oars, obedient to the beat of the pace-drum, they never spoke. In the evening when they were released to eat there was nothing to say. After the first year he had ceased to weep, after the second year he had stopped praying.

'I am looking for her,' Luca promised. 'I swear I will find her and ransom her too.'

There was a silence. Incredulously, Luca realised that he was within speaking distance of his long-lost father and he had so much to say that he could not find words.

'Are you in pain?' he asked.

'Always,' came the grim reply.

'I have missed you and my mother,' Luca said quietly.

The man choked on his sore throat and spat. 'You must think of me as dead to you,' was all he said. 'I believe I am dead and gone to h.e.l.l.'

'I won't think of you as dead,' Luca exclaimed pa.s.sionately. 'I will ransom you and return you to our farm. You will live again, as you used to live. We will be happy.'

'I can't think of it,' his father flatly refused. 'I would go mad if I thought of it. Go, son, leave me in h.e.l.l. I cannot dream of freedom.'

'But I-'

'No,' came the stern reply.

'Father!'

'Don't call me Father,' he said chillingly. 'You have no Father. I am dead to you and you to me. I cannot think of your world and your hopes and your plans. I can only think about every day and every night, and then the next one. The only hope that I have is that I will die tonight if possible, and this will end.'

He turned to go back into the darkness of the prison, Luca saw the scars from the whip on his back. 'Father! Don't go! Of course I will call you Father, of course I will ransom you. You can hope! I will never leave you. I will never stop looking for you. I am your son!'

'You're a changeling.' Gwilliam Vero rounded on Luca. 'No son of mine. You said you would ransom me but you have not done so. You say you will come again but I cannot bear to hope. Do you understand that, Stranger? I cannot bear to hope. I don't want to think of my farm and my son and my wife. I will go mad if I think of such things and live like this in h.e.l.l. I have no son. You are a stranger. You are a changeling. You have no reason to ransom me. Go away and forget all about me. I am a dead stranger to you, and you are a changeling boy to me.'

Luca shook with emotion. 'Father?' he whispered. 'Don't speak so to me . . . you know I am . . . '

Gwilliam Vero stepped away from the light of the grille and all Luca could see was darkness.

'Enough!' the sentry said flatly. He gestured to Luca to get down from the barrel and go away. When Luca hesitated he put his right hand on the hilt of his long curved scimitar, and felt for the handgun strapped to his belt with the other.

Ishraq stepped off the gondola and, holding the ring high above her head, came slowly across the quay. 'Come, Luca!' she said gently.

He stumbled down from the barrel, and grabbed hold of it to support himself, as his knees buckled beneath him.

'Come on,' Ishraq beckoned to him. She saw his face was contorted with shock. 'Luca!' she said urgently. 'Pick yourself up, get back to the gondola. We have to leave.'

'He denied me!' he gasped. He levered himself to his feet, using the barrel, but she saw he could not walk.

'Be a man!' she said harshly. 'You are putting Freize and me in danger here. Now we must go. Find your feet! Walk!'

The sentry stepped closer and drew the wicked blade from the scabbard. It shone in the moonlight. Ishraq knew that he could behead Luca with one blow, and would think nothing of it.

'Get up, fool!' she said and the anger in her voice cut through Luca's grief. 'Get up and be a man.'

Slowly, Luca straightened up and hobbled, awkwardly, towards her. As soon as he was within reach she grabbed his arm and put it over her shoulders so that she could take his weight. 'Now walk,' she spat. 'Or I will stab you myself.'

'We thank you,' Ishraq called towards the sentry, her voice sweet and untroubled. She sent the gold ring spinning through the air to him. She put her arm around Luca's waist and helped him, as if he were mortally wounded, walk slowly and painfully to the gondola, step heavily on board and sit in silence as Giuseppe cast off, spun the gondola round, and headed back towards the palazzo.

Isolde was waiting up for them but Luca went past her without a word, into his bedroom, and closed the door. She looked to Ishraq for an explanation.

'I don't know it all,' Ishraq said quietly, scowling with worry. 'We couldn't hear what his father said, but Luca went white as if he was sick and his legs went from under him. We only just got him back to the gondola, and since then he has said nothing to either of us.'

'Did his father blame Luca for the ransom failing?'

Ishraq shook her head. 'Luca said nothing, I don't know. His father must have said something terrible; it just felled him.'

'Did you comfort him?' Isolde asked. 'Couldn't you talk to him?'

Ishraq gave her a crooked little smile. 'I was not tender to him,' she said. 'I was hard on him.'

'I'm for my bed,' Freize said. 'I was glad to get away from that quayside.' He nodded at Ishraq. 'You did well to get him walking. Perhaps he'll talk to us in the morning.' He yawned and turned to the door.

'You must be worried for him,' Isolde said, putting her hand on his arm.

Freize looked down at her. 'I am worried for us all,' he said. 'It feels as if we are all bleeding in this city, not just the false n.o.bles. Trying to make money in speculation and not in honest work has cost us all, very dear. I don't think we even know how much.'

At dawn there was a sudden hammering on one of the bedroom doors. 'Get up!' they could all hear Luca shouting. 'Get up!'

Ishraq and Isolde lighted their candles from the dying embers of the fire in their room and pattered down the stairs, pulling shawls around their nightgowns. Freize was already on the shadowy stairs, his club in his hand, ready for an attack. Luca was hammering on Brother Peter's bedroom door.

'Let me see that letter! Show me that letter!'

Brother Peter unlocked the door and came out, long-legged as a stork in his nightgown. He gave one reproachful look at the young women, turned his gaze from their bare feet and said: 'What is it? What is this uproar? What's happened now?'