Options Part 23

"I will go back," said I, "carrying your head with me. We will see how charmingly it can discourse when it lies in the basket at her door."

"Come," said he, persuasively, "I think better of you than to suppose that you try this sort of thing as a joke. But even the vagaries of a fever-crazed lunatic come some time to a limit. What is this talk about heads and baskets? Get yourself together and throw away that absurd cane-chopper. What would Miss Greene think of you?" he ended, with the silky cajolery that one would use toward a fretful child.

"Listen," said I. "At last you have struck upon the right note. What would she think of me? Listen," I repeated.

"There are women," I said, "who look upon horsehair sofas and currant wine as dross. To them even the calculated modulation of your well-trimmed talk sounds like the dropping of rotten plums from a tree in the night. They are the maidens who walk back and forth in the villages, scorning the emptiness of the baskets at the doors of the young men who would win them.

"One such as they," I said, "is waiting. Only a fool would try to win a woman by drooling like a braggart in her doorway or by waiting upon her whims like a footman. They are all daughters of Herodias, and to gain their hearts one must lay the heads of his enemies before them with his own hands. Now, bend your neck, Louis Devoe. Do not be a coward as well as a chatterer at a lady's tea-table."

"There, there!" said Devoe, falteringly. "You know me, don't you, Rayburn?"

"Oh yes," I said, "I know you. I know you. I know you. But the basket is empty. The old men of the village and the young men, and both the dark maidens and the ones who are as fair as pearls walk back and forth and see its emptiness. Will you kneel now, or must we have a scuffle? It is not like you to make things go roughly and with bad form. But the basket is waiting for your head."

With that he went to pieces. I had to catch him as he tried to scamper past me like a scared rabbit. I stretched him out and got a foot on his chest, but he squirmed like a worm, although I appealed repeatedly to his sense of propriety and the duty he owed to himself as a gentleman not to make a row.

But at last he gave me the chance, and I swung the machete.

It was not hard work. He flopped like a chicken during the six or seven blows that it took to sever his head; but finally he lay still, and I tied his head in my handkerchief. The eyes opened and shut thrice while I walked a hundred yards. I was red to my feet with the drip, but what did that matter? With delight I felt under my hands the crisp touch of his short, thick, brown hair and close-trimmed beard.

I reached the house of the Greenes and dumped the head of Louis Devoe into the basket that still hung by the nail in the door-jamb. I sat in a chair under the awning and waited. The sun was within two hours of setting. Chloe came out and looked surprised.

"Where have you been, Tommy?" she asked. "You were gone when I came out."

"Look in the basket," I said, rising to my feet. She looked, and gave a little scream--of delight, I was pleased to note.

"Oh, Tommy!" she said. "It was just what I wanted you to do. It's leaking a little, but that doesn't matter. Wasn't I telling you?

It's the little things that count. And you remembered."

Little things! She held the ensanguined head of Louis Devoe in her white ap.r.o.n. Tiny streams of red widened on her ap.r.o.n and dripped upon the floor. Her face was bright and tender.

"Little things, indeed!" I thought again. "The head-hunters are right. These are the things that women like you to do for them."

Chloe came close to me. There was no one in sight. She looked tip at me with sea-blue eyes that said things they had never said before.

"You think of me," she said. "You are the man I was describing. You think of the little things, and they are what make the world worth living in. The man for me must consider my little wishes, and make me happy in small ways. He must bring me little red peaches in December if I wish for them, and then I will love him till June. I will have no knight in armor slaying his rival or killing dragons for me. You please me very well, Tommy."

I stooped and kissed her. Then a moisture broke out on my forehead, and I began to feel weak. I saw the red stains vanish from Chloe's ap.r.o.n, and the head of Louis Devoe turn to a brown, dried cocoanut.

"There will be cocoanut-pudding for dinner, Tommy, boy," said Chloe, gayly, "and you must come. I must go in for a little while."

She vanished in a delightful flutter.

Dr. Stamford tramped up hurriedly. He seized my pulse as though it were his own property that I had escaped with.

"You are the biggest fool outside of any asylum!" he said, angrily.

"Why did you leave your bed? And the idiotic things you've been doing!--and no wonder, with your pulse going like a sledge-hammer."

"Name some of them," said I.

"Devoe sent for me," said Stamford. "He saw you from his window go to old Campos' store, chase him up the hill with his own yardstick, and then come back and make off with his biggest cocoanut."

"It's the little things that count, after all," said I.

"It's your little bed that counts with you just now," said the doctor.

"You come with me at once, or I'll throw up the case. 'You're as loony as a loon."

So I got no cocoanut-pudding that evening, but I conceived a distrust as to the value of the method of the head-hunters. Perhaps for many centuries the maidens of the villages may have been looking wistfully at the heads in the baskets at the doorways, longing for other and lesser trophies.

NO STORY

To avoid having this book hurled into corner of the room by the suspicious reader, I will a.s.sert in time that this is not a newspaper story. You will encounter no shirt-sleeved, omniscient city editor, no prodigy "cub" reporter just off the farm, no scoop, no story--no anything.

But if you will concede me the setting of the first scene in the reporters' room of the _Morning Beacon_, I will repay the favor by keeping strictly my promises set forth above.

I was doing s.p.a.ce-work on the _Beacon_, hoping to be put on a salary.

Some one had cleared with a rake or a shovel a small s.p.a.ce for me at the end of a long table piled high with exchanges, _Congressional Records_, and old files. There I did my work. I wrote whatever the city whispered or roared or chuckled to me on my diligent wanderings about its streets. My income was not regular.

One day Tripp came in and leaned on my table. Tripp was something in the mechanical department--I think he had something to do with the pictures, for he smelled of photographers' supplies, and his hands were always stained and cut up with acids. He was about twenty-five and looked forty. Half of his face was covered with short, curly red whiskers that looked like a door-mat with the "welcome" left off. He was pale and unhealthy and miserable and fawning, and an a.s.siduous borrower of sums ranging from twenty-five cents to a dollar. One dollar was his limit. He knew the extent of his credit as well as the Chemical National Bank knows the amount of H2O that collateral will show on a.n.a.lysis. When he sat on my table he held one hand with the other to keep both from shaking. Whiskey. He had a spurious air of lightness and bravado about him that deceived no one, but was useful in his borrowing because it was so pitifully and perceptibly a.s.sumed.

This day I had coaxed from the cashier five shining silver dollars as a grumbling advance on a story that the Sunday editor had reluctantly accepted. So if I was not feeling at peace with the world, at least an armistice had been declared; and I was beginning with ardor to write a description of the Brooklyn Bridge by moonlight.

"Well, Tripp," said I, looking up at him rather impatiently, "how goes it?" He was looking to-day more miserable, more cringing and haggard and downtrodden than I had ever seen him. He was at that stage of misery where he drew your pity so fully that you longed to kick him.

"Have you got a dollar?" asked Tripp, with his most fawning look and his dog-like eyes that blinked in the narrow s.p.a.ce between his high-growing matted beard and his low-growing matted hair.

"I have," said I; and again I said, "I have," more loudly and inhospitably, "and four besides. And I had hard work corks.c.r.e.w.i.n.g them out of old Atkinson, I can tell you. And I drew them," I continued, "to meet a want--a hiatus--a demand--a need--an exigency--a requirement of exactly five dollars."

I was driven to emphasis by the premonition that I was to lose one of the dollars on the spot.

"I don't want to borrow any," said Tripp, and I breathed again. "I thought you'd like to get put onto a good story," he went on. "I've got a rattling fine one for you. You ought to make it run a column at least. It'll make a dandy if you work it up right. It'll probably cost you a dollar or two to get the stuff. I don't want anything out of it myself."

I became placated. The proposition showed that Tripp appreciated past favors, although he did not return them. If he had been wise enough to strike me for a quarter then he would have got it.

"What is the story?" I asked, poising my pencil with a finely calculated editorial air.

"I'll tell you," said Tripp. "It's a girl. A beauty. One of the howlingest Amsden's Junes you ever saw. Rosebuds covered with dew-- violets in their mossy bed--and truck like that. She's lived on Long Island twenty years and never saw New York City before. I ran against her on Thirty-fourth Street. She'd just got in on the East River ferry. I tell you, she's a beauty that would take the hydrogen out of all the peroxides in the world. She stopped me on the street and asked me where she could find George Brown. Asked me where she could find _George Brown in New York City!_ What do you think of that?

"I talked to her, and found that she was going to marry a young farmer named Dodd--Hiram Dodd--next week. But it seems that George Brown still holds the championship in her youthful fancy. George had greased his cowhide boots some years ago, and came to the city to make his fortune. But he forgot to remember to show up again at Greenburg, and Hiram got in as second-best choice. But when it comes to the scratch Ada--her name's Ada Lowery--saddles a nag and rides eight miles to the railroad station and catches the 6.45 A.M. train for the city. Looking for George, you know--you understand about women-- George wasn't there, so she wanted him.

"Well, you know, I couldn't leave her loose in Wolftown-on-the-Hudson.

I suppose she thought the first person she inquired of would say: 'George Brown?--why, yes--lemme see--he's a short man with light-blue eyes, ain't he? Oh yes--you'll find George on One Hundred and Twenty-fifth Street, right next to the grocery. He's bill-clerk in a saddle-and-harness store.' That's about how innocent and beautiful she is. You know those little Long Island water-front villages like Greenburg--a couple of duck-farms for sport, and clams and about nine summer visitors for industries. That's the kind of a place she comes from. But, say--you ought to see her!

"What could I do? I don't know what money looks like in the morning.

And she'd paid her last cent of pocket-money for her railroad ticket except a quarter, which she had squandered on gum-drops. She was eating them out of a paper bag. I took her to a boarding-house on Thirty-second Street where I used to live, and hocked her. She's in soak for a dollar. That's old Mother McGinnis' price per day. I'll show you the house."