Once Upon A Time Part 6

At the door of the hotel he bade me a hasty goodbye, and for a few minutes I believed that Schnitzel had pa.s.sed out of my life forever.

Then, in taking account of my belongings, I missed my field-gla.s.ses. I remembered that, in order to open a trunk for the customs inspectors, I had handed them to Schnitzel, and that he had hung them over his shoulder. In our haste at parting we both had forgotten them.

I was only a few blocks from the hotel, and I told the man to return.

I inquired for Mr. Schnitzel, and the clerk, who apparently knew him by that name, said he was in his room, number eighty-two.

"But he has a caller with him now," he added. "A gentleman was waiting for him, and's just gone up."

I wrote on my card why I had called, and soon after it had been born skyward the clerk said: "I guess he'll be able to see you now. That's the party that was calling on him, there."

He nodded toward a man who crossed the rotunda quickly. His face was twisted from us, as though, as he almost ran toward the street, he were reading the advertis.e.m.e.nts on the wall.

He reached the door, and was lost in the great tide of Broadway.

I crossed to the elevator, and as I stood waiting, it descended with a crash, and the boy who had taken my card flung himself, shrieking, into the rotunda.

"That man--stop him!" he cried. "The man in eighty-two--he's murdered."

The clerk vaulted the desk and sprang into the street, and I dragged the boy back to the wire rope and we shot to the third story. The boy shrank back. A chambermaid, crouching against the wall, her face colorless, lowered one hand, and pointed at an open door.

"In there," she whispered.

In a mean, common room, stretched where he had been struck back upon the bed, I found the boy who had elected to meddle in the "problems of two governments."

In tiny jets, from three wide knife-wounds, his blood flowed slowly.

His staring eyes were lifted up in fear and in entreaty. I knew that he was dying, and as I felt my impotence to help him, I as keenly felt a great rage and a hatred toward those who had struck him.

I leaned over him until my eyes were only a few inches from his face.

"Schnitzel!" I cried. "Who did this? You can trust me. Who did this?

Quick!"

I saw that he recognized me, and that there was something which, with terrible effort, he was trying to make me understand.

In the hall was the rush of many people, running, exclaiming, the noise of bells ringing; from another floor the voice of a woman shrieked hysterically.

At the sounds the eyes of the boy grew eloquent with entreaty, and with a movement that called from each wound a fresh outburst, like a man strangling, he lifted his fingers to his throat.

Voices were calling for water, to wait for the doctor, to wait for the police. But I thought I understood.

Still doubting him, still unbelieving, ashamed of my own credulity, I tore at his collar, and my fingers closed upon a package of oiled silk.

I stooped, and with my teeth ripped it open, and holding before him the slips of paper it contained, tore them into tiny shreds.

The eyes smiled at me with cunning, with triumph, with deep content.

It was so like the Schnitzel I had known that I believed still he might have strength enough to help me.

"Who did this?" I begged. "I'll hang him for it! Do you hear me?" I cried.

Seeing him lying there, with the life cut out of him, swept me with a blind anger, with a need to punish.

"I'll see they hang for it. Tell me!" I commanded. "Who did this?"

The eyes, now filled with weariness, looked up and the lips moved feebly.

"My own people," he whispered.

In my indignation I could have shaken the truth from him. I bent closer.

"Then, by G.o.d," I whispered back, "you'll tell me who they are!"

The eyes flashed sullenly.

"That's my secret," said Schnitzel.

The eyes set and the lips closed.

A man at my side leaned over him, and drew the sheet across his face.

THE MESSENGERS

When Ainsley first moved to Lone Lake Farm all of his friends asked him the same question. They wanted to know, if the farmer who sold it to him had abandoned it as worthless, how one of the idle rich, who could not distinguish a plough from a harrow, hoped to make it pay? His answer was that he had not purchased the farm as a means of getting richer by honest toil, but as a retreat from the world and as a test of true friendship. He argued that the people he knew accepted his hospitality at Sherry's because, in any event, they themselves would be dining within a taxicab fare of the same place. But if to see him they travelled all the way to Lone Lake Farm, he might feel a.s.sured that they were friends indeed.

Lone Lake Farm was spread over many acres of rocky ravine and forest, at a point where Connecticut approaches New York, and between it and the nearest railroad station stretched six miles of an execrable wood road.

In this wilderness, directly upon the lonely lake, and at a spot equally distant from each of his boundary lines, Ainsley built himself a red brick house. Here, in solitude, he exiled himself; ostensibly to become a gentleman farmer; in reality to wait until Polly Kirkland had made up her mind to marry him.

Lone Lake, which gave the farm its name, was a pond hardly larger than a city block. It was fed by hidden springs, and fringed about with reeds and cat-tails, stunted willows and shivering birch. From its surface jutted points of the same rock that had made farming unremunerative, and to these miniature promontories and islands Ainsley, in keeping with a fancied resemblance, gave such names as the Needles, St. Helena, the Isle of Pines. From the edge of the pond that was farther from the house rose a high hill, heavily wooded. At its base, oak and chestnut trees spread their branches over the water, and when the air was still were so clearly reflected in the pond that the leaves seemed to float upon the surface. To the smiling expanse of the farm the lake was what the eye is to the human countenance. The oaks were its eyebrows, the fringe of reeds its lashes, and, in changing mood, it flashed with happiness or brooded in sombre melancholy. For Ainsley it held a deep attraction.

Through the summer evenings, as the sun set, he would sit on the brick terrace and watch the fish leaping, and listen to the venerable bull-frogs croaking false alarms of rain. Indeed, after he met Polly Kirkland, staring moodily at the lake became his favorite form of exercise. With a number of other men, Ainsley was very much in love with Miss Kirkland, and unprejudiced friends thought that if she were to choose any of her devotees, Ainsley should be that one. Ainsley heartily agreed in this opinion, but in persuading Miss Kirkland to share it he had not been successful. This was partly his own fault; for when he dared to compare what she meant to him with what he had to offer her he became a ma.s.s of sodden humility. Could he have known how much Polly Kirkland envied and admired his depth of feeling, entirely apart from the fact that she herself inspired that feeling, how greatly she wished to care for him in the way he cared for her, life, even alone in the silences of Lone Lake, would have been a beautiful and blessed thing.

But he was so sure she was the most charming and most wonderful girl in all the world, and he an unworthy and despicable being, that when the lady demurred, he faltered, and his pleading, at least to his own ears, carried no conviction.

"When one thinks of being married," said Polly Kirkland gently, "it isn't a question of the man you can live with, but the man you can't live without. And I am sorry, but I've not found that man."

"I suppose," returned Ainsley gloomily, "that my not being able to live without you doesn't affect the question in the least?"

"You _have_ lived without me," Miss Kirkland pointed out reproachfully, "for thirty years."

"Lived!" almost shouted Ainsley. "Do you call _that_ living? What was I before I met you? I was an ignorant beast of the field. I knew as much about living as one of the cows on my farm. I could sleep twelve hours at a stretch, or, if I was in New York, I _never_ slept. I was a Day and Night Bank of health and happiness, a great, big, useless puppy. And now I can't sleep, can't eat, can't think--except of you. I dream about you all night, think about you all day, go through the woods calling your name, cutting your initials in tree trunks, doing all the fool things a man does when he's in love, and I am the most miserable man in the world--and the happiest!"

He finally succeeded in making Miss Kirkland so miserable also that she decided to run away. Friends had planned to spend the early spring on the Nile and were eager that she should accompany them. To her the separation seemed to offer an excellent method of discovering whether or not Ainsley was the man she could not "live without."

Ainsley saw in it only an act of torture, devised with devilish cruelty.

"What will happen to me," he announced firmly, "is that I will plain _die_! As long as I can see you, as long as I have the chance to try and make you understand that no one can possibly love you as I do, and as long as I know I am worrying you to death, and no one else is, I still hope. I've no right to hope, still I do. And that one little chance keeps me alive. But Egypt! If you escape to Egypt, what hold will I have on you? You might as well be in the moon. Can you imagine me writing love-letters to a woman in the moon? Can I send American Beauty roses to the ruins of Karnak? Here I can telephone you; not that I ever have anything to say that you want to hear, but because I want to listen to your voice, and to have you ask, 'Oh! is that _you_?' as though you were glad it _was_ me. But Egypt! Can I call up Egypt on the long-distance?