Once There Was A War Part 3

GROWING VEGETABLES.

LONDON, July 15, 1943 15, 1943-On the edges of American airfields and between the barracks of troops in England it is no unusual thing to see complicated and carefully tended vegetable gardens. No one seems to know where the idea originated, but these gardens have been constantly increasing. It is fairly common now that a station furnishes a good part of its own vegetables and all of its own salad greens.

The idea, which had as its basis, probably, the taking up of some of the free time of men where there were few entertainment facilities, has proved vastly successful. The gardens are run by the units and worked by the groups, but here and there a man may go out on his own and try and raise some strange seed which is not ordinarily seen in this climate. In every unit there is usually some man who knows about such things who advises on the planting, but even such men are often at a loss because vegetables are different here from the vegetables at home.

The things that the men want to raise most, in order of choice, are green corn, tomatoes, and peppers. None of these do very well in England unless there is a gla.s.s house to build up sufficient heat. Tomatoes are small; there are none of those master beefsteak tomatoes bursting with juice. It is a short, cool season. Green corn has little chance to mature and the peppers must be raised under gla.s.s. Nevertheless, every care is taken to raise them. Men who are homesick seem to take a mighty pleasure in working with the soil.

The gardens usually start out ambitiously. Watermelons and cantaloupes are planted and they have practically no chance of maturing at this lat.i.tude, where even cuc.u.mbers are usually raised in gla.s.s houses, but gradually some order grows out of the confusion. Lettuce, peas, green beans, green onions, potatoes do very well here, as do cabbages and turnips and beets and carrots. The gardens are lush and well tended. In the evenings, which are very long now, the men work in the beds. It does not get dark until eleven o'clock, there are only so many movies to be seen, English pubs are not exciting, but there does seem to be a constant excitement about the gardens, and the produce that comes from them tastes much better than that purchased in the open market.

One station has its headquarters in a large English country house which at one time must have been very luxurious. Part of the equipment of this place is a series of gla.s.s houses, and here the gardens are exceptional. There has never been any need to exert pressure to get the men to work in the gardens. They have taken it up with enthusiasm and in many cases men from the cities, who have never had a garden in their lives, have become enthusiastic. There is some contact with the normal about the garden, a kind of relationship with peace.

Now and then a garden just coming in to produce must be deserted as the unit is shifted to another area. But this does not seem to make any difference. The new unit takes over the garden, and the old one, if there is none at the new station, starts afresh. The value is in the doing of it. The morale value of the experiment is very high, so high that it is being suggested that supply officers should be equipped with an a.s.sortment of seeds as a matter of course. The seed takes up little room and gardening equipment can be made on the spot or is available nearly everywhere.

There is a great difference in the ordinary preparation of vegetables by the English and by us. The English usually boil their vegetables to a submissive, sticky pulp, in which the shape and, as some say, the flavor have long since been overcome. Our cooks do not cook their vegetables nearly so long, are apt to like them crisp. The English do not use nearly as many onions as we do and they use practically no garlic at all. The little gardens are a kind of symbol of revolt against foreign methods.

For example, the average English cook regards a vegetable with suspicion. It is his conviction that unless the vegetable is dominated and thoroughly convinced that it must offer no nonsense, it is likely to revolt or to demand dominion status. Consequently, only those vegetables are encouraged which are docile and capable of learning English ways.

The Brussels sprout is a good example of the acceptable vegetable. It is first allowed to become large and fierce. It is then picked from its stem and the daylights are boiled out of it. At the end of a few hours the little wild lump of green has disintegrated into a curious, grayish paste. It is then considered fit for consumption.

The same method is followed with cabbage. While the cabbage is boiling it is poked and beaten until, when it is served, it has given up its character and tastes exactly like brussels sprouts, which in turn taste like cabbage. Carrots are allowed to remain yellow but nothing else of their essential character is maintained.

No one has yet explained this innate fear the English suffer of a revolt of the vegetables. The easy-going American att.i.tude of allowing the vegetable a certain amount of lat.i.tude short of the ballot is looked upon by the English as soft and degenerate. In the American gardens certain English spies have reported they have seen American soldiers pulling and eating raw carrots and turnips and onions.

It is strange to an American that the English, who love dogs and rarely eat them, nevertheless are brutal with vegetables. It is just one of those national differences which are unfathomable.

THE SHAPE OF THE WORLD.

LONDON, July 16, 1943 July 16, 1943-This is no war, like other wars, to be won as other wars have been won. We remember the last war. It was a simple, easy thing. When we had destroyed the Kaiser and a little military clique, the evil thing was removed and all good things came into flower. It was not so, but the war was fought on that basis by troops who sang and then ran home for the millennium.

It is said that this is not a singing war and that is true. The soldiers fight and work under a load of worry. They know deeply that the destruction of the enemy is not the end of this war. And almost universally you find among the soldiers not a fear of the enemy but a fear of what is going to happen after the war. The collapse of retooled factories, the unemployment of millions due to the increase of automatic machinery, a depression that will make the last one look like a holiday.

They fight under a banner of four unimplemented freedoms-four words, and when anyone in authority tries to give these freedoms implements and methods the soldiers hear that man a.s.saulted and dragged down. It doesn't matter whether the methods or the plans are good or bad. Any planning is a.s.sorted at home. And the troops feel they are going to come home to one of two things-either a painless anarchy, or a system set up in their absence with the cards stacked against them.

Ours is not a naive Army. Common people have learned a great deal in the last twenty-five years, and the old magical words do not fool them any more. They do not believe the golden future made of words. They would like freedom from want. That means the little farm in Connecticut is safe from foreclosure. That means the job left when the soldier joined the Army is there waiting, and not only waiting but it will continue while the children grow up. That means there will be schools, and either savings to take care of illness in the family or medicine available without savings. Talking to many soldiers, it is the worry that comes out of them that is impressive. Is the country to be taken over by special interests through the medium of special pleaders? Is inflation to be permitted because a few people will grow rich through it? Are fortunes being made while these men get $50 a month? Will they go home to a country destroyed by greed? If anyone could a.s.sure them that these things are not true, or that, being true, they will not be permitted, then we would have a singing Army. This Army can defeat the enemy. There is no doubt about that. They know it and will accomplish it, but they do not want to go home to find a civil war in the making. The memory of the last depression is still fresh in their memories.

They remember the foreclosed farms, the slaughtered pigs to keep the prices up, the plowing under of the crops, because there was not intelligence enough in the leaders to devise a means of distributing an oversupply of food. They remember that every plan for general good life is dashed to pieces on the wall of necessary profits.

These things cannot be overstated. Anyone who can rea.s.sure these soldiers that such things will not happen again will put a weapon in their hands of incredible strength. What do the soldiers hear?-that Mr. Jones is calling Mr. Wallace names; that Mr. Jeffers is fighting with Mr. Ickes; czars of this and that are fighting for more power and more jurisdiction.

Congress, in a kind of hysteria of immunity from public criticism, has removed even the machinery of relief which might take up the impact of a new depression; black markets are flourishing and the operators are not little crooks, but the best people. The soldiers hear that the price of living is going up and wages are following them. A soldier is not a lone man. He usually has a family dependent to a large extent on the money he can allot, and his pay does not increase with the cost of living.

These are the things that he hears. The papers are full of it, the letters from home are full of it-quarreling, anxiety, greed. And, being a soldier, he cannot complain. He is forbidden to complain. You cannot have that kind of thing in an army. He is not cynical, but he is worried. He wants to get this war over with, and to get home to find what they have done to his country in his absence. The Four Freedoms define what he wants but unless some machinery, some foundation, some clear method is shown, he is likely to believe only in that freedom which Anatole France defined-the equal freedom of rich and poor to sleep under bridges.

THEATER PARTY.

LONDON, July 18, 1943-It was late afternoon of the English summer and in one of London's innumerable outlying districts the motion-picture house was comfortably filled. There were some soldiers who had been wounded and were on their way to recovery. There were women of the services off duty for a few hours. Some civilian women were there for a quick picture after shopping and there were factory workers off shift. Down in front were rows of children, crowding as close to the screen as they could get.

It was just an average afternoon at the pictures. The house was comfortably filled but not crowded. In special places were some men in wheel chairs from the hospital. The picture was I Married a Witch I Married a Witch with Veronica Lake-a fantasy comedy wherein a New England witch of Puritan times returns to life and falls straight into the traditional bedroom comedy-neither a distinguished piece of work nor a bad one. The children loved the picture and believed it because they believe all moving pictures. with Veronica Lake-a fantasy comedy wherein a New England witch of Puritan times returns to life and falls straight into the traditional bedroom comedy-neither a distinguished piece of work nor a bad one. The children loved the picture and believed it because they believe all moving pictures.

Outside there was low cloud and it looked as though there might be rain later in the evening and there had not been enough rain.

While Veronica Lake, long blond hair over one eye, sat in pajamas on a man's bed and he worried for his good and respectable name and the children crowed with delight-ten German fighter-bombers whirled in over the coast. The spotters picked them up. The Spitfires took the air. The anti-aircraft guns fired and two of the raiders were shot down. A third crashed against a little hill. Then a crazy, ragged chase started in the gray cloud. Spitfires ranging and searching in the cloud. The raiders separated and lunged on toward London, and on the ground the sirens howled and the tremendous system of alarms and defenses went into action.

Only one of the raiders got through, twisting and dodging through the defenses. He came racing down out of the cloud and right under him was the theater. He was very low when he released his bombs. The top of the theater leaped into the air and then settled back into a rubble. The screen went blank. The raider banked his plane, whipped around, came back, and poured his guns into the wreck. Then he jerked his ship into the gray clouds and ran for the coast. And he left behind him the screaming of children in pain and fear.

The communities are organized for things like this. In a matter of minutes the rescue squads were at work; the firemen were on the ground. The squads are well trained. They forced themselves into the torn and shredded building. The broken children were carried out and rushed to the hospital, crushed and shot and destroyed. The dead ones were set aside for burial, but those who still breathed and kicked and whimpered went to the waiting doctors.

All night long the operations went on. Probing for bullets, hands and arms and legs cut off and put aside. Eyes removed. The anesthetists worked delicately against pain, dripping unconsciousness onto the masks. It went on through the night, the procession of the maimed to the hospital. The doctors worked carefully, speedily. Quick judgments-this one can't live-kept consciousness away. This one has a chance if both legs are sliced off. Judgments and quick work.

From the depots the blood plasma was rushed In and the strength from other people's veins dripped into the arteries of the children.

It was nine in the morning when the operating was finished. At the theater the tired squads were still finding a few bodies. And in the hospital beds-great wads of bandage and wide, staring, unbelieving eyes and utter weariness-the little targets, the seven-year-old military objectives.

Workmen were digging a great, long, common grave for the dead. Veronica Lake had flared up with the quick flash of burning film and only the reels she was wound on were left. And in the houses in the morning people were just beginning to be aware enough to cry. It was very quiet in the streets.

At a bar a tired doctor got a drink before he went to bed. His eyes were ringed with red sorrow and his hand shook as he lifted the whiskey to his lips.

DIRECTED UNDERSTANDING.

LONDON, July 19, 1943 July 19, 1943-International amity, good fellowship, and mutual understanding between the British and Americans often reaches a pitch where war between the two seems very close. This is usually directed understanding, and it gives rise to some very silly situations.

Directed understanding and tolerance ordinarily begin with generalizations. Our troops approaching England are told in pamphlets what the British are like, where they are tender and where hard, what words, innocent at home, are harsh and ugly on the British ear. This has much the same effect as telling a friend, "You must meet Jones-wonderful fellow. You two will get along." With a start like that, Jones has got two strikes on him before you ever meet him. He has to live down being a charming fellow before you can tolerate him. In this case it is even worse, because the British are told that they will like us when they just get to know us. The result is that the two come together like strange dogs, each one looking for trouble. It takes a long time to live down this kind of understanding.

The second phase of getting along is carried on in innumerable attempts to describe each other. The British are so and so. The Americans are so and so. The British are just like other people only more so. The Americans are boasters who love money. This love of money is, of course, unique with Americans. Every other people detests money. The Americans are fine, st.u.r.dy people. The British are fine, st.u.r.dy people. This is obviously a lie. There are good ones and stinkers on both sides. Setting them up doesn't do any good. Just about the time you get a liking and a respect for a number of Englishmen, someone comes along and tells you about the English and you have to start from scratch again. This same thing, undoubtedly, happens to the English too.

The third little pitfall concerns the qualities of the fighting men. A big, rangy old mountain boy comes rolling down the street with his knuckles just barely clearing the pavement, and right behind is a Guardsman, shoulders back, chin up, nine b.u.t.tons glowing like mad. Immediately the comparison is made. One is a fine soldier and the other is a lout. The fact of the matter is that they are both covering ground at the same rate, and each one could probably cover the same ground with a full pack. And then, having learned about soldierly qualities, you see a little twist-faced, wide-shouldered Tommy who walks sideways like a crab, and you realize that he's as good a fighting man as the world had produced, but on his record, not on his soldierly bearing.

The whole trouble seems to lie in generalities. Once you have made a generality you are stuck with it. You have to defend it. Let's say the British and/or American soldier is a superb soldier. The British and/or American officer is a gentleman. You start in with a lie. There are good ones and bad ones. You find out for yourself which is which if you can be let alone. And when you see an American second lieutenant misbehaving in a London club, it is expected that you will deny it. Or if you meet an ill-mannered, surly popinjay of a British officer, the British are expected to deny that he exists. But he does exist, and they hate him as much as we do. The trouble with generalities, particularly patriotic ones, is that they force people to defend things they don't normally like at all.

It must be a great shock to an Englishman who is convinced that Americans are boasters when he meets a modest one. His sense of rightness is outraged. Preconceived generalities are bad enough without trying consciously to start new ones. Recently a Georgia boy with a face like a catfish and the fine soldierly bearing of a coyote complained bitterly that he had been here four days and hadn't seen a duke. He had got to believing that there weren't any dukes and he was shocked beyond words.

Somewhere there is truth or an approximation of it. If there is an engagement and the British say, "We got knocked about a bit," and the Americans say, "They shot the h.e.l.l out of us," neither statement is true. Understatement is universally admired here and overstatement is detested, whereas neither one is near the truth and neither one had anything to do with the fighting quality of the soldier involved. We know that you can't say the Americans are something or other when those Americans are crackers and long-legged men from the Panhandle and the neat business men in bifocals and shoddy jewelry salesmen and high riggers from the woods in Oregon. And it is just as silly to try to describe the British when they are Lancashiremen and Welshmen and c.o.c.kneys and Liverpool longsh.o.r.emen. We get along very well as individuals, but just the moment we become the Americans and they become the British trouble is not far behind.

BIG TRAIN.

LONDON, July 25, 1943 July 25, 1943-Private Big Train Mulligan, after induction and training and transfer overseas, found himself, with a minimum of goldbricking, in a motor pool in London, the driver of a brown Army Ford, and likely to take any kind of officers anywhere. It is not a job the Big Train dislikes. He drives generals or lieutenants where he is told to drive them at the speed he is told to drive them. Leaves them. Waits. Picks them up. You have only to tell him what time you want to get there and he will have you there, and although the strain on you and pedestrians and wandering dogs and cats will be great, Big Train will not be affected at all.

In his position he probably knows more military secrets than anyone in the European theater of operations. But he explains, "Mostly I don't listen. If I do, it goes in one ear and out the other. I've got other things to think about." He has arrived at a certain philosophy regarding the Army and his private life. About promotion he has this to say: "If you want to be a general, then it's all right for you to take stripes, but if you figure that maybe you personally can't win the war, then you're better off as a private and you have more fun." He doesn't like to order other people about any more than he likes to be ordered about. He can't avoid the second, but he gets around the first by just staying a private. "Not that I'd mind," he said. "I'd take the hooks for a job like this, but I don't want to tell a bunch of men what to do."

Having decided (1) that he couldn't win the war single-handed, (2) that the war was going to last quite a long time, (3) that he wasn't going to get home on any given day, and (4) what the h.e.l.l anyways, the Big Train settled down to enjoy what he couldn't resist.

He probably knows England as well as any living American. He knows the little towns, the by-roads, north and south, and he has what is generally considered the best address book in Europe. He talks to everyone and never forgets a name or address. The result of this is that when he deposits his colonel, two majors, and a captain at some sodden little hotel in a damp little town, there to curse the beds and the food, when the Big Train gets dismissed for the night he consults his address book. Then he visits one of the many friends he has made here and there.

The Big Train gets a piece of meat and fresh garden vegetables for supper. He drinks toasts to his friends. He sleeps in clean white sheets and in the morning he breakfasts on new-laid eggs. Exactly on time he arrives at the sodden little hotel. The colonel and the majors are exhausted from having fought lumps in their beds all night. Their digestions are ruined by the doughy food, but the Big Train is rested and thriving. He is alert and eventually will leave his officers in another tavern and find a friend for lunch.

The Big Train is not what you call handsome, but he is pleasant-looking and soft-spoken and he particularly likes the company of women, the casual company or any other kind. He just feels happy if there is a girl to talk to. How he finds them no one has ever been able to discover. You can leave the Big Train parked in the middle of a great plain, with no buildings and no brush, no nothing, and when you come back ten minutes later there will be a girl sitting in the seat beside him, smoking the colonel's cigarettes and chewing a piece of the major's gum, while the Big Train carefully writes down her address and the town she comes from.

His handling of women and girls is neither wolfish nor subtle. It consists in his being genuinely interested in them. He speaks to them with a kind of affectionate courtesy. Is a stickler for decorum of all kinds. He addresses all women, whether he knows them or not, as "dear" and he manages to make it convincing, probably because it is true. The result is that the women always want to see him again and, if the war lasts long enough, this wish will be granted in time. Mulligan is perfectly honest. If he should give the colonel's cigarettes to the girl, a whole package of them, he explains this fact to the colonel and agrees to replace them as soon as he gets back to London. The colonel invariably refuses to consider such a thing, as being ungallant on his part. Of course the girl should have his cigarettes. He puts the girl at her ease, a place she has never left. Goggles at her, puffs out his chest and drives away. Big Train knows where she lives and who lives with her and he has already calculated what he will be likely to have for dinner when he calls on her.

About the English the Big Train has terse and simple ideas. "I get on all right with the ones I like and I don't have nothing to do with the ones I don't like. It was just the same at home," he says. It is probable that he has more good effect on Anglo-American relations than two hundred government propagandists striving to find the fundamental differences between the nations. Big Train is not aware of many differences except in accent and liquor. He likes the ones he likes and he refuses to like for any reason whatever a man he wouldn't like at home.

His speech is picturesque. He refers to a toothy, smiling girl as looking like a jacka.s.s eating b.u.mblebees. He refuses to worry about the war. "When they want me to do that let them pin stars on my shoulders," he says. "That's what we got generals for." Big Train Mulligan, after two years in the Army and one year overseas, is probably one of the most relaxed and most successful privates the war has seen. When they want him to take up his rifle and fight he is quite willing to do so, but until someone suggests it, he is not going to worry about it. There are good little dinners waiting for him in nice little cottages all over England. And so long as the colonel's cigarettes hold out the Big Train will not leave his hostess empty-handed.

BOB HOPE.

LONDON, July 26, 1943 July 26, 1943-When the time for recognition of service to the nation in wartime comes to be considered, Bob Hope should be high on the list. This man drives himself and is driven. It is impossible to see how he can do so much, can cover so much ground, can work so hard, and can be so effective. He works month after month at a pace that would kill most people.

Moving about the country in camps, airfields, billets, supply depots, and hospitals, you hear one thing consistently. Bob Hope is coming, or Bob Hope has been here. The Secretary of War is on an inspection tour, but it is Bob Hope who is expected and remembered.

In some way he has caught the soldiers' imagination. He gets laughter wherever he goes from men who need laughter. He has created a character for himself-that of the man who tries too hard and fails, and who boasts and is caught at it. His wit is caustic, but is never aimed at people, but at conditions and at ideas, and where he goes men roar with laughter and repeat his cracks for days afterward.

Hope does four, sometimes five, shows a day. In some camps the men must come in shifts because they cannot all hear him at the same time. Then he jumps into a car, rushes to the next post, and because he broadcasts and everyone listens to his broadcasts, he cannot use the same show more than a few times. He must, in the midst of his rushing and playing, build new shows constantly. If he did this for a while and then stopped and took a rest it would be remarkable, but he never rests. And he has been doing this ever since the war started. His energy is boundless.

Hope takes his shows all over. It isn't only to the big camps. In little groups on special duty you hear the same thing. Bob Hope is coming on Thursday. They know weeks in advance that he is coming. It would be rather a terrible thing if he did not show up. Perhaps that is some of his drive. He has made some kind of contract with himself and with the men that n.o.body, least of all Hope, could break. It is hard to over-estimate the importance of this thing and the responsibility involved.

The battalion of men who are moving half-tracks from one place to another, doing a job that gets no headlines, no public notice, and yet which must be done if there is to be a victory, are forgotten, and they feel forgotten. But Bob Hope is in the country. Will he come to them, or won't he? And then one day they get a notice that he is coming. Then they feel remembered. This man in some way has become that kind of bridge. It goes beyond how funny he can be or how well Frances Langford sings. It has been interesting to see how he has become a symbol.

This writer, not knowing Hope, can only conjecture what goes on inside the man. He has seen horrible things and has survived them with good humor and made them more bearable, but that doesn't happen without putting a wound on a man. He is cut off from rest, and even from admitting weariness. Having become a symbol, he must lead a symbol life.

Probably the most difficult, the most tearing thing of all, is to be funny in a hospital. The long, low buildings are dispersed in case they should be attacked. Working in the gardens, or reading in the lounge rooms are the ambulatory cases in maroon bathrobes. But in the wards, in the long aisles of pain the men he, with eyes turned inward on themselves, and on their people. Some are convalescing with all the pain and itch of convalescence. Some work their fingers slowly, and some cling to the little trapezes which help them to move in bed.

The immaculate nurses move silently in the aisles at the foot of the beds. The time hangs very long. Letters, even if they came every day, would seem weeks apart. Everything that can be done is done, but medicine cannot get at the lonesomeness and the weakness of men who have been strong. And nursing cannot shorten one single endless day in a hospital bed. And Bob Hope and his company must come into this quiet, inward, lonesome place, and gently pull the minds outward and catch the interest, and finally bring laughter up out of the black water. There is a job. It hurts many of the men to laugh, hurts knitting bones, strains at sutured incisions, and yet the laughter is a great medicine.

This story is told in one of those nameless hospitals which must be kept safe from bombs. Hope and company had worked and gradually they got the leaden eyes to sparkling, had planted and nurtured and coaxed laughter to life. A gunner, who had a stomach wound, was gasping softly with laughter. A railroad casualty slapped the cast on his left hand with his right hand by way of applause. And once the laughter was alive, the men laughed before the punch line and it had to be repeated so they could laugh again.

Finally it came time for Frances Langford to sing. The men asked for "As Time Goes By." She stood up beside the little GI piano and started to sing. Her voice is a little hoa.r.s.e and strained. She has been working too hard and too long. She got through eight bars and was into the bridge, when a boy with a head wound began to cry. She stopped, and then went on, but her voice wouldn't work any more, and she finished the song whispering and then she walked out, so no one could see her, and broke down. The ward was quiet and no one applauded. And then Hope walked into the aisle between the beds and he said seriously, "Fellows, the folks at home are having a terrible time about eggs. They can't get any powdered eggs at all. They've got to use the old-fashioned kind that you break open."

There's a man for you-there is really a man.

A COZY CASTLE.

LONDON, July 27, 1943 July 27, 1943-The jeep turns off the main road and pulls to a stop. The great gate of gray stone arches over the driveway. When it was built America was a wilderness with a few colonies clinging pa.s.sionately to its edges. From the stone sentry room an American sentry emerges and stands by the jeep. He looks at pa.s.ses. He salutes and opens a huge iron gate.

The jeep moves on into an ascending driveway overarched with oaks and beeches six feet through the trunks. The road curves and climbs a little hill and ahead you can see a gray tower poking above the enormous trees. Then you come out of the neat, ancient forest and there is a perfect castle against a hill, with lawns in front of it. It is a little castle, only about forty rooms, a cottage for its period. And it was built by a certain English king for a certain English mistress.

It is odd that this ancient scandal must not be identified but it is so. If, for instance, it were known which king and which mistress were involved in the building of the little castle, then it would be known by the enemy which castle it is and if, further, it were known that American troops are quartered in this castle, it would become a target for enemy aircraft. But since a wholesome number of English kings had mistresses and built little castles for them, so much information does not give the enemy a target or rather it gives him a number of targets too great to concentrate on.

On the lawn in front of the castle, where once perhaps gentlemen in heavy armor challenged one another with spears, a platoon of American soldiers, helmeted and with full packs, are doing close-order drill, marching, countermarching, opening and closing ranks, their bayonets gleam-in the summer English sunshine.

In the gardens leading to the pointed door the roses are blooming. Red roses and white roses. Great-grand-children of the bushes from which perhaps the symbols of Lancaster and York were picked and worn as insignia in the Civil War. The stones of the entrance are deeply worn, concave as basins, and beyond is a dark hall, so high and shadow-deep in the midday that you must get your eyes used to it before you can see the carved oaken ceiling from which thousands of little oak faces look out. And in this great hall an American Army sergeant sits behind a pine table and does his work.

Beyond, through an open door, is an even larger room but this one is lighter, for one side of it has large leaded windows, constructed in diamonds and lozenges and circles and moons of gla.s.s. And this also looks on the rose garden, the lawn, and finally to the forest.

There is a great fireplace in this room, a fireplace so high that a tall man can walk inside without stooping and could lie down without scrunching. The mantel over the fireplace is deep with heraldic carving. This is the lounge. On chairs procured somewhere the GIs sit and read and listen to the radio. A fine bar has been built against one wall, where Coca-Cola and pop are sold. And overhead, the arching roof of carved oak, chiseled and fitted long before America was born. And a soldier leaning back in his chair is staring fascinated at the ceiling. There is a copy of Yank Yank in his lap. He squints his eyes and studies the ceiling. He withdraws his attention and calls, "Hey, Walter, have the Dodgers got twenty-four or twenty-five games?" in his lap. He squints his eyes and studies the ceiling. He withdraws his attention and calls, "Hey, Walter, have the Dodgers got twenty-four or twenty-five games?"

Up the broad stairway is a gallery and then the thirty rooms or so in which the guests of the couple were made comfortable, for it is probable that only five or six hundred people knew about this old scandal, including the lady's husband. The rooms are large, and each one has its carved fireplace and its little leaded, diamond-paned window, looking dimly on the gardens. But the rooms themselves are squad rooms with the cots arranged in a line, the shoes at attention underneath, the lockers with drawn-up blouses and trousers and towels and the helmets squarely on top. The rooms are probably much cleaner than they were when the king's mistress lived there.

Downstairs in a kind of cave is the kitchen, where an Army cook is baking square apple pies by the quarter-acre. The floor is so deeply worn that he has to step over some of the high places. His coal stove is roaring, and he has arrived at that quiet hopelessness that cooks get on finally realizing that their work is never going to be finished, that there is no way of feeding a man once for all.

The CO of the post is a first lieutenant from Texas and the second in command is a Chicago second lieutenant. They are young and stern and friendly. The job of keeping the castle in order is just a job to them.

There is no point to any of this except the change of pageantry. The place, which was built for heralds and courtiers, for soldiers in body armor, is in no way outraged by the new thing. The jeeps and armored cars, the half-tracks that came in through the gates, the helmeted soldiers on the lawn do not seem out of place. They belong here. They are probably very little different from the earlier inhabitants. Certainly the king in question would have been glad for them, because he had his international troubles too.

THE YANKS ARRIVE.

LONDON, July 28, 1943 July 28, 1943-The little gray English station is set in the green, rolling fields where the gra.s.s is being cut and, where the mowing machine has gone, the cut gra.s.s is wilting and the red poppies are wilting. The double tracks go by the front of the station and a "Y" siding runs in back of the station. At 4:03 the American commandant and four officers drive to the station. A British officer comes out of the signal-man's room. "The train will be four minutes late," he says. All the officers look at their watches. On the main line a through train roars through at about seventy miles an hour. The young lieutenant says, "I thought British trains were slow."

"They used to hold the world's record for speed," the commandant says.

On another track a freight train moves rapidly through the station. The flat cars are loaded with tanks, a solid line of tanks the whole length of the train. A hundred yards from the station a clubmobile is parked, a bus converted into a kitchen for the cooking of doughnuts and coffee and run by two Red Cross girls. Their coffee urns are steaming and great baskets of doughnuts are acc.u.mulating. They lift out the doughnuts and load the baskets with them. On top of the bus is a loudspeaker connected with a phonograph.

The commandant says, "That big girl is a great one. We got five hundred men at six o'clock this morning. They were pretty tired. That big girl put on a record and did a Highland fling to some hot music. She's a funny one." The smell of the cooking doughnuts comes down the breeze.

The British officer comes out of the signalman's house again. "It will be here in three minutes," he says. And again the officers look at their watches. The little train comes around the bend. It pa.s.ses the station, puts its tail into the "Y," and backs into the siding. The compartments are solid with helmeted men and their equipment is piled in front of them to the knees. Their faces are almost as brown as their uniforms. They are sitting with their packs on. It is a hot afternoon, one of the few of the summer.

As the train pulls in, the phonograph in the clubmobile howls, "Mr. Five by Five." The sound carries a long way. The soldiers turn their heads slowly and look toward the music. Now a sergeant runs down the side of the train and opens the doors of the compartments but the men do not move. A stout captain, with a very black mustache, shouts, "All right, men. Pile out of it." And the little compartments disgorge the men. They stand helplessly on the platform, their shoulders damp with sweat under the pack straps and their backs wet under the packs. They carry their barracks bags too and the things which won't go in, a guitar here, and a mandolin, a pair of shoes. One man has a mongrel fox terrier on a string and it stands beside him panting with excitement.

The stout, worried captain gets the men lined up and marches them to the clubmobile. Swing music is still shrieking from the loudspeaker on the roof. A single file of men pa.s.ses a little counter on a side of the truck and each one gets a big cup of coffee and two doughnuts. Then they break their ranks and stand about drinking the coffee and looking lost. The big girl comes out of the truck and works on them.

"Where you from, boy?"

"Michigan."

"Why, we're neighbors. I come from Illinois."

A local wolf, a slicker at home, a dark boy with sideburns, says wearily and just from a sense of duty, "What you doing tonight, baby?"

"What are you doing?" the big girl asks, and the men about laugh loudly as if it were very funny.

The tired wolf puts an arm about her waist. "Plant me," he says, and the two do a grotesque s.h.a.g, a kind of slow-motion jitterbug.

A blond boy with a sunburned nose and red eyelids shyly approaches a lieutenant. He has his coffee in one hand and his two doughnuts in the other. Too late he realizes that he is in trouble. He balances the two doughnuts on the edge of his cup and they promptly fall into the coffee. He salutes and the lieutenant returns it gravely.

"Excuse me, sir," the boy says. "Aren't you a movie star?"

"I used to be," the lieutenant says. "I used to be."

"I knew I'd seen you in pictures," the boy says. "I'll write home about seeing you here. Say," he says with excitement, "would you write your name here on something and I could send it home and then they'd have to believe me and they could keep it for me."

"Sure," the lieutenant says, and he signs his name with a pencil on the back of a grubby envelope from the soldier's pocket. The boy regards it for a moment.

"What're you doing here?" he asks.

"Why, I'm just in the Army, the same as you are."

"Oh, yes, of course. Yes, I see you are. Well, they'll have to believe I saw you now."

"How long have you been over?" the lieutenant asks.