On the right of the British line Part 1

On the right of the British line.

by Gilbert n.o.bbs.

PREFACE

This is my first book. It is also my last. But I have a record to make and a duty to perform. I was five weeks on the firing line; four weeks mourned as dead; and three months a prisoner of war.

I have attempted to make a true record of all that happened. The names alone are fict.i.tious (all except that of Saniez), for those days were too full of stirring events which will long live in my memory to need the aid of fiction. If I have dwelt at some length upon my experience in Germany, it is with the hope that the information may be of interest to those who have relatives and friends still in the hands of the enemy and burn to know the truth.

I do not deplore the loss of my sight, for I can say in all sincerity that I was never happier in my life than I am to-day.

G.N.

CHAPTER I

FOVANT

ORDERLY ROOM. OFF TO THE FRONT

"The C.O. wants to see you."

"What for?" I asked.

"I don't know, but he is in the orderly room."

It was the adjutant who was speaking, and his manner led me to think there was something in the wind which he did not like to tell me. I left the mess, and a few moments later I was standing before the C.O.

"I have just received a telegram from the War Office; you are included in the next reinforcements for France."

"I am glad, sir."

"You've only forty-eight hours' notice. You are to report at Southampton at 4. P.M. the day after to-morrow."

"Very good, sir."

"Well, as your time is so short, you had better go home and get things ready. The adjutant will have your papers ready for you within half an hour."

"Very good, sir."

The C.O. stood up, and in his cordial military manner, which seemed to take you straight from the orderly room into the mess, held out his hand to bid me good-bye.

There is quite a difference between a C.O. in the orderly room and a C.O. in the mess. I mean those C.O.'s who are made of the right stuff, and our C.O. was certainly one of them.

In the orderly room his presence keeps you at arm's length and makes you feel that you want to keep clicking your heels and coming to the salute. You are conscious of the terrible crime you would commit if you permitted your body to relax from the position of attention; your conversational powers are restricted; you fancy you have a voice at the back of your head, saying:

"Don't argue, listen; digest, and get out."

It's a feeling which does not make the orderly room a very pleasant place to go to; yet you have an instinctive feeling of confidence.

The same C.O. in the mess, however, is a different man and creates quite a different atmosphere. In the orderly room he holds you from him; in the mess he pulls you to him. You have the feeling that you can sit in an armchair, with your feet on the coal-box, and talk to him round the corner of your newspaper, like the very ordinary human being he really is.

"Well, good-bye, and good luck." We shook hands, I came to the salute, and the next moment I found myself once more outside the orderly room door.

Have you ever experienced the feeling? Yes, thousands have, for the despatch of reinforcing officers to the front in this abrupt manner was taking place daily throughout the empire. You remember the feeling quite well; amazement at its suddenness; eagerness for the adventure; the prospect of the home parting; the sudden change in the daily routine; the mystery of the future--all swirling through your brain in a jumble of thoughts.

Then the hasty despatch of telegrams, the examination of time-tables, and the feverish packing of a kit which has grown to enormous proportions and hopelessly defies the regulations for weight.

An hour later and I had made a quick sale of my bicycle, distributed odds and ends of hut furniture which I should no longer need, and was sitting in a motor-car, outside the mess, grabbing at hands which were outstretched in farewell.

Those who lived in camp at Fovant can remember what an uninteresting, dreary place it seemed at the time, and how we cursed its monotony.

Rows upon rows of uninteresting and uninviting looking huts; the large, barren square; the heart-breaking trudge to the station; the little village with the military policeman, who stood at the fork of the roads, and whose job seemed so easy, while ours seemed so hard; and who always seemed so clean and cool, while we seemed so hot and dusty.

The city of Salisbury, our one ray of hope, but which was too far to walk to, and too expensive to ride to--all these things we used to look upon as sufferings which had to be put up with. But we can look upon the picture now, and there are few of us who can do so without a feeling of affection, for there was a spirit of comradeship there which links up the dreariness into pleasant recollections.

Now that I have been through the mill I can look back at that parting scene, and as the car whirls away and my brother officers walk back into the mess, I fancy I can hear the comment of those who had not yet been out and those who had:

"Lucky brute."

"Poor devil!"

CHAPTER II

THE SILENT HEROES

THE WOMAN WHO WAITS--AND SUFFERS IN SILENCE

I was soon comfortably settled in a first-cla.s.s compartment and whirling towards Waterloo, with the worst ordeal of all still before me: the breaking of the news at home and the parting while the shock is still fresh.

Who are the true heroes of the war?

Our fighting men are cheered in the streets; every newspaper and magazine sings their praise; every shop-window reflects their needs; in theatre, pulpit, and workshop their praises are sung.

But are they the real heroes of the war?

Ask the fighting man himself. Speak to him of his wife or mother, and the expression on his face will answer your question.

There is no one to sing her praise, no one to paint the picture of her deeds; no one to tell of that lonely feeling when her hero departs and the door is closed behind him.

The fighting man looks upon his share of the war with a light heart.