On the Portraits of English Authors on Gardening Part 14

There are few objects that the enlightened mind of Sir Uvedale has not remarked. Take the following as an instance:

"Nothing is so captivating, or seems so much to accord with our ideas of beauty, as the smiles of a beautiful countenance; yet they have sometimes a striking mixture of the other character. Of this kind are those smiles which break out suddenly from a serious, sometimes from almost a severe countenance, and which, when that gleam is over, leave no trace of it behind--

_Brief as the lightning in the collied night, That in a spleen unfolds both heaven and earth, And e'er a man has time to say, behold!

The jaws of darkness do devour it up._

There is another smile, which seems in the same degree to accord with the ideas of beauty only: it is that smile which proceeds from a mind full of sweetness and sensibility, and which, when it is over, still leaves on the countenance its mild and amiable impression; as after the sun is set, the mild glow of his rays is still diffused over every object. This smile, with the glow that accompanies it, is beautifully painted by Milton, as most becoming an inhabitant of heaven:

To whom the angel, with a smile that glow'd Celestial rosy red, love's proper hue, Thus answered."

The great object in the above Essays, is to improve the laying out of grounds by studying the productions "of those great artists _who have most diligently studied the beauties of nature_. On this subject he has in these volumes poured forth the effusions of his richly gifted mind, in his contemplation of the works of those really great painters, whose landscape scenery, from the most rural to the grandest, "have been consecrated by long uninterrupted admiration." Instead of the narrow, mechanical practice of a few English gardeners, or layers-out of grounds, he wishes "the n.o.ble and varied works of the eminent painters of every age, and of every country, and those of _their_ supreme mistress NATURE, should be the great models of imitation."[105] He has supported many of his opinions or observations, or embellished or enlivened them, by acute allusions, not only to Milton but to Shakspeare, whom he calls "that most original creator, and most accurate observer."[106]

He has depicted his own mind in p. 378 of the first volume of his Essays; for after lamenting that despotic system of improvement which demands all to be laid open,--all that obstructs to be levelled to the ground,--houses, orchards, gardens, all swept away,--nothing tending to humanize the mind--and that a despot thinks every person an intruder who enters his domain, wishing to destroy cottages and pathways, and to reign alone, he thus proceeds:--"Here I cannot resist paying a tribute to the memory of a beloved uncle, and recording a benevolence towards all the inhabitants around him, that struck me from my earliest remembrance; and it is an impression I wish always to cherish. It seemed as if he had made his extensive walks as much for them as for himself; they used them as freely, and their enjoyment was his. The village bore as strong marks of his and of his brother's attentions (for in that respect they appeared to have but one mind), to the comforts and pleasures of its inhabitants. Such attentive kindnesses, are amply repaid by affectionate regard and reverence; and were they general throughout the kingdom, they would do much more towards guarding us against democratical opinions

_Than twenty thousand soldiers, arm'd in proof._

The cheerfulness of the scene I have mentioned, and all the interesting circ.u.mstances attending it, (so different from those of solitary grandeur,) have convinced me, that he who destroys dwellings, gardens and inclosures, for the sake of mere extent, and parade of property, only extends the bounds of monotony, and of dreary, selfish pride; but contrasts those of vanity, amus.e.m.e.nt and humanity."

One may trace, too, his feeling mind towards the conclusion of his second volume, where, after many pleasing pages on the rural scenery of cottages, and in hamlets and villages, ("where a lover of humanity may find so many sources of amus.e.m.e.nt and interest,") and on the means of embellishing them, "I could wish (says he) to turn the minds of improvers from too much attachment to solitary parade, towards objects more connected with general habitation and embellishment; ... and it may be truly said, that there is no way in which wealth can produce such natural unaffected variety, and such interest, as by adorning a real village, and promoting the comforts and enjoyments of its inhabitants.

_Goldsmith_ has most feelingly described (more, I trust, from the warmth of a poetical imagination and quick sensibility than from real fact), the ravages of wealthy pride. My aim is to shew, that they are no less hostile to real taste, than to humanity; and should I succeed, it is possible that those, whom all the affecting images and pathetic touches of Goldsmith would not have restrained from destroying a village, may even be induced to build one, in order to shew their taste in the decoration and disposition of village-houses and cottages." After many traces of village scenery, he thus proceeds: "The church, together with the church-yard, is, on various accounts, an interesting object to the villagers of every age and disposition; to the old and serious, as a spot consecrated to the purposes of religion, where the living christian performs his devotions, and where, after his death, his body is deposited near those of his ancestors and departed friends, and relations: to the young and thoughtless, as a place where, on the day of rest from labour, they meet each other in their holiday clothes; and also (what forms a singular contrast with tombs and grave-stones), as the place which at their wakes, is the chief scene of their gaiety and rural sports." After speaking of the yew, which from the solemnity of its foliage, is most suited to church-yards, being as much consecrated to the dead as the cypress among the ancients, he says that "there seems to be no reason, why in the more southern parts of England, cypresses should not be mixed with yews, or why cedars of Liba.n.u.s, which are perfectly hardy, and of a much quicker growth than yews, should not be introduced. In high romantic situations, particularly, where the church-yard is elevated above the general level, a cedar, spreading his branches downwards from that height, would have the most picturesque, and at the same time, the most solemn effect."

ADDENDA.

Page 5.--I am enabled from Mr. Johnson's lately published History of English Gardening, to add a very early tract on that subject, and I take the liberty of transcribing his exact words: "A Boke of Husbandry, London, 4to. This little work is very rare, being one of the productions from the press of Wynkin de Worde. It consists of but twelve leaves, and is without date, but certainly was not of a later year than 1500. The following extracts explain its nature. 'Here begyneth a treatyse of Husbandry which Mayster Groshede somtyme Bysshop of Lyncoln made, and translated it out of Frensshe into Englyshe, whiche techeth all maner of men to governe theyr londes, tenementes, and demesnes ordinately.'

'Here endeth the Boke of Husbandry, _and of Plantynge, and Graffynge of Trees and Vynes_.'"

About the year 1797 the late Mr. Nichols printed the Life of Robert _Grosseteste_, the celebrated Bishop of Lincoln. By Samuel Pegge, LL.D.

With an Account of the Bishop's _Works_, &c. Ill.u.s.trated with plates of his Tomb, Ring, and Crosier. 4to. Price 13s. in boards.

Page 17.--I have in this page alluded to the hard fate of Correggio.

That my reader may know who he was, let him inspect those pages in vol.

i. of Sir U. Price's Essays, where he thus concludes a critique on his genius: "I believe that if a variety of persons, conversant in painting, were asked what pictures (taking every circ.u.mstance together) appeared to them most beautiful, and had left the softest and most pleasing impression,--the majority would fix upon Correggio."

Page 17.--W. Lawson, in the dedication to his New Orchard and Garden, gives the name of an author on gardening, whose book I have not met with. He dedicates it "to the right worshipfull _Sir Henry Belosses_,"

and he acknowledges, "1st. the many courtesies you have vouchsaved me.

2dly. your delightfull skill in matters of this nature. 3dly. the profit which I received from your _learned discourse of Fruit-trees_. 4thly.

your animating and a.s.sisting of others to such endeavours. Last of all, the rare worke of your owne in this kind, all which to publish under your protection, I have adventured as you see." From this it would appear, that this "learned discourse" is transfused into the New Orchard and Garden. After all, perhaps, this "learned discourse" was merely in conversation. At all events, it has recorded the name of Sir Henry as warmly devoted to orcharding, or to horticulture. W. Lawson, in his preface, dwells upon the praises of this art, "how some, and not a few of the best, have accounted it a chiefe part of earthly happinesse to have faire and pleasant orchards--how ancient, how profitable, how pleasant it is." His fourteenth chapter is On the Age of Fruit-trees.

After stating that some "shall dure 1000 years," and the age of many of the apple-trees in his little orchard, he says: "If my trees be 100 yeares old, and yet want 200 of their growth before they leave increasing, which make 300, then we must needs resolve, that this 300 yeere are but the third part of a tree's life, because (as all things living besides) so trees must have allowed them for their increase one third, another third for their stand, and a third part of time also for their decay."--"So that I resolve upon good reason, that Fruit-trees well ordered, may live and live 1000 yeeres, and beare fruit, and the longer, the more, the greater, and the better, because his vigour is proud and stronger, when his yeeres are many. You shall see old trees put their buds and blossoms both sooner and more plentifully than young trees by much. And I sensibly perceive my young trees to inlarge their fruit, as they grow greater, both for number, and greatnesse."--"And if Fruit-trees last to this age, how many ages is it to be supposed, strong and huge Timber-trees will last? whose huge bodies require the yeeres of divers _Methushalaes_, before they end their days; whose sap is strong and better, whose barke is hard and thicke, and their substance solid and stiffe: all which are defences of health and long life. Their strength withstands all forcible winds." His seventeenth chapter is on the Ornaments of an Orchard. I here give the whole of that chapter:

"Me thinks. .h.i.therto we haue but a bare Orchard for fruit, and but halfe good, so long as it wants those comely ornaments, that should giue beauty to all our labours, and make much for the honest delight of the owner and his friends.

"For it is not to be doubted: but as G.o.d hath giuen man things profitable, so hath he allowed him honest comfort, delight, and recreation in all the workes of his hands. Nay, all his labours vnder the sunne without this are troubles, and vexation of mind: For what is greedy gaine, without delight, but moyling, and turmoyling slauery? But comfortable delight, with content, is the good of euery thing, and the patterne of heauen. A morsell of bread with comfort, is better by much than a fat oxe with vnquietnesse. And who can deny, but the princ.i.p.all end of an Orchard, is the honest delight of one wearied with the works of his lawfull calling? The very workes of and in an Orchard and Garden, are better than the ease and rest of and from other labours. When G.o.d had made man after his owne image, in a perfect state, and would haue him to represent himselfe in authority, tranquillity and pleasure vpon the earth, he placed him in Paradise. What was Paradise? but a Garden and Orchard of trees and hearbs, full of pleasure? and nothing there but delights. The G.o.ds of the earth, resembling the great G.o.d of heauen in authority, maiestie, and abundance of all things, wherein is their most delight? and whither doe they withdraw themselues from the troublesome affaires of their estate, being tyred with the hearing and iudging of litigious Controuersies? choked (as it were) with the close ayres of their sumptuous buildings, their stomacks cloyed with variety of Banquets, their eares filled and ouerburthened with tedious discoursings? whither? but into their Orchards, made and prepared, dressed and destinated for that purpose, to renue and refresh their sences, and to call home their ouer-wearied spirits. Nay, it is (no doubt) a comfort to them, to set open their cazements into a most delicate Garden and Orchard, whereby they may not onely see that, wherein they are so much delighted, but also to giue fresh, sweet, and pleasant ayre to their galleries and chambers.

"And looke, what these men do by reason of their greatnes and ability, prouoked with delight, the same doubtlesse would euery of vs doe, if power were answerable to our desires, whereby we shew manifestly, that of all other delights on earth, they that are taken by Orchards, are most excellent, and most agreeing with nature.

"For whereas euery other pleasure commonly filles some one of our sences, and that onely, with delight, this makes all our sences swimme in pleasure, and that with infinite variety, ioyned with no less commodity.

"That famous philosopher, and matchlesse orator, M. T. C. prescribeth nothing more fit, to take away the tediousnesse and heauy load of three or foure score yeeres, than the pleasure of an Orchard.

"What can your eyes desire to see, your ears to hear, your mouth to tast, or your nose to smell, that is not to be had in an Orchard, with abundance and variety? What more delightsome than an infinite variety of sweet smelling flowers? decking with sundry colours, the greene mantle of the earth, vniuersall mother of vs all, so by them bespotted, so dyed, that all the world cannot sample them, and wherein it is more fit to admire the Dyer, than imitate his workemanship. Colouring not onely the earth, but decking the ayre, and sweetning euery breath and spirit.

"The rose red, damaske, veluet, and double double prouince rose, the sweet muske rose, double and single, the double and single white rose.

The faire and sweet senting Woodbinde, double and single, and double double. Purple cowslips, and double cowslips, and double double cowslips. Primerose double and single. The violet nothing behinde the best, for smelling sweetly. A thousand more will prouoke your content.

"And all these, by the skill of your gardner, so comely, and orderly placed in your borders and squares, and so intermingled, that none looking thereon, cannot but wonder, to see, what Nature corrected by Art can doe.

"When you behold in diuers corners of your Orchard Mounts of stone, or wood curiously wrought within and without, or of earth couered with fruit-trees: Kentish cherry, damsons, plummes, &c. with staires of precious workmanship. And in some corner (or moe) a true dyall or Clocke, and some anticke workes, and especially siluer-sounding musique, mixt instruments and voices, gracing all the rest: How will you be rapt with delight?

"Large walkes, broad and long, close and open, like the Tempe groves in Thessalie, raised with grauell and sand, hauing seats and bankes of cammomile, all this delights the minde, and brings health to the body.

"View now with delight the workes of your owne hands, your fruit-trees of all sorts, loaden with sweet blossomes, and fruit of all tasts, operations, and colours: your trees standing in comely order which way soeuer you looke.

"Your borders on euery side hanging and drooping with feberries, raspberries, barberries, currens, and the rootes of your trees powdred with strawberries, red, white, and greene, what a pleasure is this? Your gardner can frame your lesser wood to the shape of men armed in the field, ready to giue battell: or swift running greyhounds: or of well sented and true running hounds, to chase the deere, or hunt the hare.

This kind of hunting shall not waste your corne, nor much your coyne.

"Mazes well framed a mans height, may perhaps make your friends wander in gathering of berries, till he cannot recouer himselfe without your helpe.

"To haue occasion to exercise within your Orchard: it shall be a pleasure to haue a bowling alley, or rather (which is more manly, and more healthfull) a paire of buts, to stretch your armes.

"Rosemary and sweete eglantine are seemely ornaments about a doore or window, and so is woodbinde.

"And in mine opinion, I could highly commend your Orchard, if either through it, or hard by it there should runne a pleasant riuer with siluer streames: you might sit in your mount, and angle a pickled trout, or sleightie eele, or some other dainty fish. Or moats, whereon you might row with a boate, and fish with nettes.

"Store of bees in a dry and warme bee-house, comely made of fir-boords, to sing, and sit, and feede vpon your flowers and sprouts, make a pleasant noyse and sight. For cleanely and innocent bees, of all other things, loue and become, and thriue in an Orchard. If they thriue (as they must needes, if your gardner bee skilfull, and loue them: for they loue their friends, and hate none but their enemies) they will, besides the pleasure, yeeld great profit, to pay him his wages. Yea, the increase of twenty stockes or stooles, with other fees, will keepe your Orchard.

"You need not doubt their stings, for they hurt not whom they know, and they know their keeper and acquaintance. If you like not to come amongst them, you need not doubt them: for but neere their store, and in their owne defence, they will not fight, and in that case onely (and who can blame them?) they are manly, and fight desperately. Some (as that Honorable Lady at Hacknes, whose name doth much grace mine Orchard) vse to make seats for them in the stone wall of their Orchard, or Garden, which is good, but wood is better.

"A vine ouer-shadowing a seate, is very comely, though her grapes with vs ripe slowly.

"One chiefe grace that adornes an Orchard, I cannot let slip: A brood of nightingales, who with their seuerall notes and tunes, with a strong delightsome voyce, out of a weake body, will beare you company night and day. She loues (and liues in) hots of woods in her hart. She will helpe you to cleanse your trees of caterpillars, and all noysome wormes and flyes. The gentle robin red-breast will helpe her, and in winter in the coldest stormes will keepe a part. Neither will the silly wren be behind in summer, with her distinct whistle (like a sweete recorder) to cheere your spirits.

"The black-bird and threstle (for I take it the thrush sings not, but deuoures) sing loudly in a May morning, delights the eare much (and you neede not want their company, if you haue ripe cherries or berries, and would as gladly as the rest do you pleasure:) But I had rather want their company than my fruit.

"What shall I say? A thousand of pleasant delightes are attendant in an Orchard: and sooner shall I be weary, than I can recken the least part of that pleasure, which one that hath and loues an Orchard, may find therein.

"What is there of all these few that I haue reckoned, which doth not please the eye, the eare, the smell, and taste? And by these sences as organes, pipes, and windowes, these delights are carried to refresh the gentle, generous, and n.o.ble mind.

"To conclude, what ioy may you haue, that you liuing to such an age, shall see the blessings of G.o.d on your labours while you liue, and leaue behind you to heires or successors (for G.o.d will make heires) such a worke, that many ages after your death, shall record your loue to their countrey? And the rather, when you consider (chap. 14.) to what length of time your worke is like to last."

Page 30.--Having briefly glanced in this page at the delight with which Sir H. Davy, Mr. Worlidge, and Mr. Whateley, viewed the flowers of spring, I can only add this reflection of Sturm:--"If there were no stronger proofs on earth of the power, goodness, and wisdom of G.o.d, the flowers of spring alone, would be sufficient to convince us of it."

Page 45.--The character of this modest and candid man, (Switzer), has found an able advocate in the honest pen of Mr. Johnson, who, in p. 159 of his History of Gardening, after noticing the acrimony of his opponents, observes, "Neglect has pursued him beyond the grave, for his works are seldom mentioned or quoted as authorities of the age he lived in. To me he appears to be the best author of his time; and if I was called upon to point out the cla.s.sic authors of gardening, _Switzer_ should be one of the first on whom I would lay my finger. His works evidence him at once to have been a sound, practical horticulturist, a man well versed in the botanical science of the day, in its most enlarged sense." Mr. Johnson enumerates the distinct contents of each chapter in the Iconologia--the Kitchen Gardener--and the Fruit Gardener.