Old Kensington Part 12

'My dear Robert,' said Lady Sarah, 'Dolly has got an aunt and a brother to take care of her; do you suppose that we would let her do anything that we thought might hurt her in other people's opinion? Dolly, here is Robert horrified at the examples to which you are exposed. He feels he ought to interfere.'

'You won't understand me,' said Robert, keeping his temper very good-naturedly. 'Of course I can't help taking an interest in my relations.'

'Thank you, Robert,' said Dolly, smiling and blushing.

Their eyes met for an instant, and Robert looked better pleased. It was a bright delightful spring morning. All the windows were shining in the old square, there was a holiday thrill in the air, a sound of life, dogs barking, people stirring and coming out of their hiding-places, animals and birds exulting.

Dolly used to get almost tipsy upon sunshine. The weather is as much part of some people's lives as the minor events which happen to them.

She walked along by the other two, diverging a little as they travelled along, the elder woman's bent figure beating time with quick fluttering footsteps to the young man's even stride. Dolly liked Robert to be nice to her aunt, and was not a little pleased when he approved of herself.

She was a little afraid of him. She felt that beneath that calm manner there were many secrets that she had not yet fathomed. She knew how good he was, how he never got into debt. Ah me! how she wished George would take pattern by him. Dolly and Rhoda had sometimes talked Robert over.

They gave him credit for great experience, a deep knowledge of the world (he dined out continually when he was in town), and they also gave him full credit for his handsome, thoughtful face, his tall commanding figure. You cannot but respect a man of six foot high.

So they reached the doorway at last. The ivy was all glistening in the sunshine, and as they rang the bell they heard the sound of Gumbo's bark in the garden, and then came some music, some brilliant pianoforte-playing, which sounded clear and ringing as it overflowed the garden-wall and streamed out into the lane.

'Listen! Who can that be playing?' cries Dolly, brightening up still brighter, and listening with her face against the ivy.

'George,' says Robert. 'Has George come up again?'

'It's the overture to the _Freischutz_,' says Dolly, conclusively; 'it _is_ George.'

And when old Sam shuffled up at last to open the door, he announced, grinning, that 'Mr. Garge had come, and was playing the peanner in the drawing-room.'

At the same moment, through the iron gate, they saw a figure advancing to meet them from the garden, with Gumbo caracolling in advance.

'Why there is Rhoda in the garden,' cries Dolly. 'Robert, you go to her.

I must go to George.'

CHAPTER XV.

GEORGE'S TUNES.

... Sing our fine songs that tell in artful phrase The secrets of our lives, and plead and pray For alms of memory with the after time.

--O. W. H.

There is George sitting at the old piano in the drawing-room. The window is wide open. The Venetian gla.s.s is dazzling over his head, of which the cauliflower shadow is thrown upon the wall. By daylight, the old damask paper looks all stained and discoloured, and the draperies hang fainting and turning grey and brown and to all sorts of strange autumnal hues in this bright spring sunshine.

The keys answer to George's vigorous fingers, while the shadow bobs in time from side to side. A pretty little pair of slim gloves and a prayer-book are lying on a chair by the piano; they are certainly not George's, nor Eliza Twells', who is ostensibly dusting the room, but who has stopped short to listen to the music. It has wandered from the _Freischutz_ overture to _Kennst Du das Land?_ which, for the moment, George imagines to be his own composition. How easily the chords fall into their places! how the melody flows loud and clear from his fingers!

(It's not only on the piano that people play tunes which they imagine to be their own.) As for Eliza, she had never heard anything so beautiful in all her life.

'Can it play hymn toones, sir?' says she, in a hoa.r.s.e voice.

Hymn tunes! George goes off into the Hundredth Psalm. The old piano shakes its cranky sides, the pedals groan and creak, the music echoes all round; then another shadow comes floating along the faded wall, two fair arms are round his neck, the music stops for an instant, and Eliza begins to rub up the leg of a table.

'How glad I am you have come; but _why_ have you come, George--oughtn't you to be reading?'

'Oh,' says George, airily, 'I have only come for the day. Look here: have you ever heard this Russian tune? I've been playing it to Miss Parnell; I met her coming from church.'

'Miss Parnell? Do you mean Rhoda?' said Dolly, as she sits down in the big chair and takes up the gloves and the prayer-book, which opens wide, and a little bit of fresh-gathered ivy falls out. It is Rhoda's prayer-book, as Dolly knows. She puts back the ivy, while George goes on playing.

'How pretty!' says she, looking at him with her two admiring eyes, and raising her thick brows.

George, much pleased with the compliment, goes on strumming louder than ever.

'Robert is here,' says Dolly, still listening. 'He is in the garden with Rhoda.'

'Oh, is he?' says George, not over-pleased.

It was at this moment that Lady Sarah came to the garden-window, still in her district equipments. Eliza Twells, much confused by her mistress's appearance, begins to dust wildly.

'How d'ye do, George?' said his aunt, coming up to him. 'We didn't expect you so soon again.'

George offered his cheek to be kissed, and played a few chords with his left hand.

'I hadn't meant to come,' he said; 'but I was up at the station this morning, seeing a friend off, and as the train was starting I got in.

I've got a return-ticket.'

'Of course you have,' said Lady Sarah, 'but where will you get a return-ticket for the time you are wasting? It is no use attempting to speak to you. Some day you will be sorry;' and then she turned away, and walked off in her gleaming goloshes, and went out at the window again.

She did not join Robert and Rhoda, who were pacing round and round the garden walk, but wandered off her own way alone.

'There!' says George, looking up at Dolly for sympathy.

Dolly doesn't answer, but turns very pale, and her heart begins to beat.

'It is one persecution,' cries George, speaking for himself, since Dolly won't speak for him. 'She seems to think she has a right to insult me--that she has bought it with her hateful money.'

He began to crash out some defiant chords upon the piano.

'Don't, dear,' said Dolly, putting her hand on his. 'You don't know,'

she said, hesitating, 'how bitterly disappointed Aunt Sarah has been when--when you have not pa.s.sed. She is so clever herself. She is so proud of you. She hopes so much.'

'Nonsense,' said George, hunching up sulkily. 'Dolly, you are for ever humbugging. You love me, and perhaps others appreciate me a little; but not Aunt Sarah. She don't care that' (a crash) 'for me. She thinks that I can bear insult like Robert, or all the rest of them who are after her money-bags.'

He was working himself up more and more, as people do who are not sure they are right. He spoke so angrily that Dolly was frightened.

'Oh, George,' she said, 'how can you say such things; you mustn't, do you hear? not to me--not to yourself. Of course Robert scorns anything mean, as much as you do. Her savings! they all went in that horrid bank.

She does not know where to go for money sometimes, and we ought to spare her, and never to forget what we do owe her. She denies herself every day for us. She will scarcely see a doctor when she is ill, or take a carriage when she is tired.'

Dolly's heart was beating very quick; she was determined that, come what might, George should hear the truth from her.

'If you are going to lecture me, too, I shall go,' said George; and he got up and walked away to the open window, and stood grimly looking out.

He did not believe Dolly; he could not afford to believe her. He was in trouble; he wanted money himself. He had meant to confide in Dolly that was one of the reasons why he had come up to town. He should say nothing to her now. She did not deserve his confidence; she did not understand him, and always sided with her aunt. 'Look here, I had better give the whole thing up at once,' he said, sulkily; 'I don't care to be the object of so many sacrifices.' As he stood there glowering, he was unconsciously watching the two figures crossing the garden and going towards the pond; one of them, the lady, turned, and seeing him at the window, waved a distant hand in greeting. George's face cleared. He would join Rhoda; it was no use staying here.

As he was leaving the room poor Dolly looked up from the arm-chair in which she had been sitting despondently: she had tears in her heart though her eyes were dry: she wanted to make friends. 'You know, George,' she said, 'I _must_ say what I think true to you. Aunt Sarah grudges nothing----'