Old and New Paris Part 1

Old and New Paris.

by Henry Sutherland Edwards.

CHAPTER I.

PARIS: A GENERAL GLANCE.

"Paris," said Heinrich Heine, "is not simply the capital of France, but of the whole civilised world, and the rendezvous of its most brilliant intellects." The art and literature of Europe were at that time represented in Paris by such men as Ary Scheffer, the Dutch painter, Rossini, the Italian composer, the cosmopolitan Meyerbeer, and Heine himself. Towards the close of the eighteenth century most of the European Courts, with those of Catherine II. and Frederick the Great prominent among them, were regularly supplied with letters on Parisian affairs by Grimm, Diderot, and other writers of the first distinction, who, in their serious moments, contributed articles to the _Encyclopedie_. At a much remoter period Paris was already one of the most famous literary capitals of Europe; nor was it renowned for its literature alone. Its art, pictorial and sculptural, was also celebrated, and still more so its art manufactures; while of recent years the country of Auber and Gounod, of Bizet, Ma.s.senet and Saint-Saens, has played a leading part in the world of music.

Paris, too, has from the earliest times been a centre of science and philosophy. Here Abelard lectured, and here the first hospitals were established. Then, again, Paris has a military history of singular interest and variety. It has been oftener torn within its walls by civic conflicts, and attacked from without by the invader, than any other European city; while none has undergone so many regular sieges as the capital of the country of which Frederick the Great used to say that, if he ruled it, not a shot should be fired in Europe without his permission.

Paris is at once the most ancient and the most modern capital in Europe.

Great are the changes it has undergone since it first took form, eighteen centuries ago, as a fortress or walled town on an island in the middle of the Seine; and at every period of its history we find some chronicler dwelling on the disappearance of ancient landmarks. Whole quarters are known to have been pulled down and rebuilt under the second Empire. But ever since the Revolution of 1789, under each successive form of government and in almost every district, straggling lanes have been giving way gradually to wide streets and stately boulevards, and suburb after suburb has been merged into the great city.

The Chaussee d'Antin was at the end of the last century a chaussee in fact as well as in name: a mere high-road, that is to say; and there were people living under the government of Louis-Philippe who claimed to have shot rabbits on the now densely populated Boulevard Montmartre.

The greatest changes, however, in the general physiognomy of Paris date from the Revolution, when, in the first place, as if by way of symbol, the hated fortress was demolished in which so many victims of despotism had languished. "Athens," says Victor Hugo, "built the Parthenon, but Paris destroyed the Bastille." In the days when the great State prison was still standing, the broad, well-built Rue Saint-Antoine, in its immediate neighbourhood, used to be pointed to by antiquarians as covering the ground where King Henry II. was mortally wounded in a tournament by Montgomery, an officer in the Scottish Guard. It was there, too, that, after the death of their protector, the "minions" of Henry II. slaughtered one another.

The now thickly inhabited Place des Victoires, where stands the statue of Louis XIV., lasting monument of kingly pride and popular adulation, was at one time the most dangerous part of the capital. In the open s.p.a.ce now enclosed by lordly mansions and commodious warehouses thieves and murderers held their nightly a.s.semblies, or even in the face of day committed depredations on the pa.s.sers-by. "Could a better site have been chosen," asks an historian of the last century, "for the effigy of that royal robber, born for the ruin of his subjects and the disturbance of Europe: who aimed at universal monarchy and sacrificed the wealth and happiness of a whole kingdom to pursue an empty shadow; who lived a tyrant and died an idiot?"

Not far distant, the Halles, or general markets, stand on the spot where Charles V. made a famous speech against Charles, surnamed the Mischievous, King of Navarre; when the former was hissed and hooted by the mob because he had neither the good looks, the eloquence, nor the reasoning power of his antagonist. It was here, too, that the first dramas were acted in France; and here, significantly enough, that Moliere was born.

At the b.u.t.te Saint-Roch, now remembered chiefly by the church of the same name, the Maid of Orleans was wounded during the siege of Paris, then in the hands of the English. Joan of Arc was not at this time--not, at least, with the Parisians--the popular heroine she has since become.

Detesting Charles VII. and all his supporters, they could not love the inspired girl whose example had restored the courage of the king's troops. A Parisian of that day, who had witnessed the siege, describes her as a "fiend in woman's guise."

The bell may still be heard of Saint-Germain-l'Auxerrois; the very bell, it is a.s.serted, that called the faithful to the ma.s.sacre of St.

Bartholomew. Near the church from which the tragic signal rang forth stands the palace from whose windows Charles IX. fired upon the unhappy Huguenots as they sought safety by swimming across the Seine; and close at hand used to be pointed out another window from which money was thrown to an agitated crowd in order to keep it from attending Moliere's funeral, at which the mob proposed, not to honour the remains of the ill.u.s.trious dramatist, but to insult them.

It was in the old Rue du Temple that the Duke of Burgundy fell by the hand of his a.s.sa.s.sin, the Duke of Orleans, only brother of Charles VI., who, though a madman and an idiot, was suffered to remain on the throne; and it was in this same Rue du Temple that Louis XVI. and Marie-Antoinette were confined before being taken to the guillotine.

What scenes has not the Place de Greve witnessed! from the burning of witches to the torture of Damiens, and from the atrocious cruelties inflicted upon this would-be regicide to the first executions under the Revolution, when the cry of "A la lanterne!" (to the lamp-post, that is to say, of the Place de Greve) was so frequently heard.

But the most revolutionary spot in this, the most revolutionary capital in the world, is to be found in the gardens of the Palais Royal; those gardens from whose trees Camille Desmoulins plucked the leaves which the besiegers of the Bastille were to have worn in their hats as rallying signals. Here, too, a.s.sembled the journeymen printers, who, their newspapers having been suppressed by Charles X., determined, under the guidance of the journalists--their natural leaders on such an occasion--to reply by force to the armed censorship of the Government. Again, in 1848, the Palais Royal Gardens witnessed the first manifestations of discontent, though it was a pistol-shot fired on a fashionable part of the boulevard that precipitated the collision between the insurgents and the troops. The next morning, at breakfast, Louis-Philippe was told that he had better abdicate; and an hour afterwards an old gentleman, with a portfolio under his arm, was seen to take a cab on the Place de la Concorde, and drive off in the direction of Saint-Cloud, whence he reached the coast of Normandy, and in due time the sh.o.r.es of England.

Paris possesses one of the most ancient and one of the most characteristically modern churches in Europe--the venerable Notre-Dame, and in sharp contrast, the fashionable Madeleine, celebrated for the splendour of its essentially mundane architecture, the luxurious attire of its female frequenters, the beauty of its music, and the eloquence of its preachers. The first stone of Notre-Dame was laid, as Victor Hugo puts it, by Tiberius, who, recognising the site of the future cathedral as well-fitted for a temple, began by erecting an altar "to the G.o.d Cerennos and to the bull Esus." In like manner, on the hill of Sainte-Genevieve, where now stands the edifice known as the Pantheon, Mercury was at one time worshipped.

So rich is Paris in historical a.s.sociations that often the same street, the same spot, recalls two widely different events. Thus the statue of Henri IV. on the Pont-Neuf commemorates the glory of the best and greatest of the French kings, and at the same time marks the very ground where, in the fourteenth century, Jacques de Molay, the Templar, was infamously burned. At No. 14 in the Rue de Bethisy Admiral Coligny died and Sophie Arnould was born. At a house in the Rue des Marais Racine wrote "Bajazet" and "Britannicus" in the room where, fifty years later, the d.u.c.h.ess de Bouillon is said to have poisoned Adrienne Lecouvreur.

There was a time when, at the corner of the Rue du Marche des Innocents, a marble slab, inscribed with letters of gold, a.s.sociated the important year of 1685 with three notable events: the arrival of an emba.s.sy from Siam, a visit from the Doge of Genoa, and the revocation of the Edict of Nantes. This strange record has disappeared, together with many other interesting memorials of various shapes and kinds: such, for example, as the iron cauldron in the Cour des Miracles, where, in the name of a whole series of kings who had played tricks with the national currency, and more than once produced national bankruptcy, coiners used to be boiled alive.

As we go further back in the history of Paris, lawlessness on the part of the inhabitants, and cruelty on that of the rulers, seem constantly to increase. Until the reign of Louis XI., Paris was without police, though laws were nominally in force, especially against stealing. Theft was punished much on the principle laid down in the inscription of the sixth century which adorned one of the walls of Lutetia, the Paris of the Romans: "If a thief is caught in the act he must, in the case of a n.o.ble, be brought to trial; in the case of a peasant, be hanged on the spot." The capitular of Charlemagne forbade ecclesiastics to take human life: which did not prevent the abbes of different monasteries from besieging one another or crossing swords when, with their followers, they chanced to meet outside the fortified monasterial walls, whether in the plain or in the public street. The right of private warfare existed in France until 1235.

Paris has undergone atrocious sufferings through war, famine, pestilence, and calamities of all kinds. The Normans, after burning one half of Paris, allowed the remainder to be ransomed with an enormous sum of money. In one of the famines by which Paris in its early days was so often visited, people cast lots as to which should be eaten. The taxes were so excessive that many pretended to be lepers, in order to profit by the exemption accorded in such cases. But it was sometimes not well to be a leper, real or pretended; for it was proclaimed one day to the sound of horn and trumpet that lepers throughout the kingdom should be exterminated: "in consequence of a mixture of herbs and human blood, with which, rolling it up in a linen cloth and tying it to a stone, they poison the wells and rivers."

How terrible, and often how ridiculous, were the proclamations issued in those days! In front of the Grand-Chatelet six heralds of France, clothed in white velvet, and rod in hand, were wont to announce after a plague, a war, or a famine that there was nothing more to be feared, and that the king would be graciously pleased to receive taxes as before. In the centre of the so-called "town"--Paris in general, that is to say, as distinct from the city--was "la Maubuee" (derived, according to Victor Hugo, from _mauvaise fumee_), where Jews innumerable were roasted over fires of pitch and green wood to punish what a chronicler of the time terms their "anthropomancy"; and what the Counsellor de l'Ancre further describes as "the marvellous cruelty they have always shown towards Christians, their mode of life, their synagogue, so displeasing to G.o.d, their uncleanliness, and their stench." The unhappy Jews, however, were not the only victims. Close by, at the corner of the Rue du Gros-Chenet, was the place where sorcerers used to be burned. Torture, moreover, in its most hideous forms was practised upon criminals even until the time of the Revolution; which, while introducing the guillotine, abolished, in addition to a variety of other torments, breaking on the wheel, and the beating of criminals to death with the iron bar.

Many of the names, still extant, of the old Paris streets recall the ferocity and the superst.i.tion of past times. The Rue de l'Arbre Sec was the Street of the Gibbet, with "Dry Tree" as its familiar name.

The Rue d'Enfer, or h.e.l.l Street, was so called from a belief that this thoroughfare on the outskirts of Paris, just beyond the Luxemburg Gardens, was haunted by the fiend. In order to put an end to the scandal by which the whole neighbourhood was alarmed, it occurred to the authorities to make over the street to the Order of Capuchins who, they thought, would know how to deal with their inveterate enemy. The Capuchins accepted, with grat.i.tude, the valuable trust; and thenceforth, whether as the result of some exorcising process or because public confidence had been restored, no more was heard of the visitor from below.

[Ill.u.s.tration: THE LEFT BANK OF THE SEINE, FROM NOTRE-DAME.]

To get a complete idea of the vastness and variety of Paris, it should be seen from the towers of Notre-Dame, the Pantheon, the July Column of the Place de la Bastille, the tower of Saint-Jacques-de-la-Boucherie, the Vendome Column, the Triumphal Arch, and, finally, the Eiffel Tower.

From these different points panoramic views may be obtained which together would form a complete picture of Paris.

The shape of Paris is oval. The longest diameter--east to west--would be drawn from the Gate of Vincennes to the Gate of Auteuil; and the shorter--north to south--from the Gate of Clignancourt to the Gate of Italy.

Paris is divided longitudinally by the course of the Seine, whose windings are scarcely noticed by the observer taking a bird's-eye view.

The river looks like a silver thread between two borders of green.

These are the plantations of the quays, whose trees, during the last five-and-twenty years, have become as remarkable for their luxuriant growth as for their beauty of form. From the height of our observatory we see the Island of the City, looking like a ship at anchor, with its prow towards the west.

On all sides the summits of religious edifices present themselves: the towers of Notre-Dame, the dome of the Pantheon, the turrets of Saint-Sulpice, the steeple of Saint-Germain-des-Pres, the gilded cupola of the Invalides, and the lofty isolated belfry of Saint-Jacques-de-la-Boucherie.

Following the course of the Seine with careful eye, one may see its twenty-one "ports"--eleven on the right bank, and ten on the left--from Bercy to the Tuileries; also, like slender bars thrown across the river, the twenty-seven bridges connecting the two banks, from the Pont-National to the viaduct of the Point du Jour.

The double line of quays--quadruple, where the islands of St. Louis and of the City divide the river in two--presents an incomparable series of stately structures; such as the Hotel de Ville, the Palais de Justice, the Louvre, the Mint, the Inst.i.tute, the Palais Bourbon, and a number of magnificent private mansions.

[Ill.u.s.tration: RIGHT BANK OF THE SEINE, FROM NOTRE-DAME.]

From the Gothic steeple of the Sainte Chapelle the eye wanders to innumerable domes, built under the influence of the Renaissance; for while the domes have endured, the steeples, so numerous in ancient Paris, have, for the most part, succ.u.mbed either to fire or to the vandalism of the renovating architect. It must be remembered, too, that under the reign of Louis XIV. Gothic architecture was proscribed, as recalling "the age of barbarism." Every new edifice was constructed in the Italian or Italo-Byzantine style. The finest, if not the most ancient, dome that Paris could ever boast was the one which crowned the central pavilion of the Tuileries Palace. The cupola of St. Peter's was the model adopted in the early part of the sixteenth century by all French architects who had studied in Italy, or Italian architects who had settled in France; and the masterpiece of Michael Angelo at Rome was not yet finished when the first stone of the impressive and picturesque Church of Saint-Eustace was laid in 1532 at Paris. Only a few years afterwards the French architect, Philibert de l'Orme, attached to the service of Pope Paul III., returned to Paris, and, beneath the delighted eyes of Queen Catherine de Medicis, worked out the designs which he had formed under the inspiration of Michael Angelo and of Bramante. The dome, however, of Philibert de l'Orme was destined to lose its beauty through the additions made to it by other architects.

Of late years it has been the rule in Paris not to destroy but to preserve the ancient architecture of the city. "Demolish the tower of Saint-Jacques-de-la-Boucherie?" asked Victor Hugo, when, during the reconstruction and prolongation of the Rue Rivoli, the question of keeping it standing or pulling it down was under general discussion: "Demolish the tower of Saint-Jacques-de-la-Boucherie? No! Demolish the architect who suggests such a thing? Yes!"

CHAPTER II.

THE EXPANSION OF PARIS.

Lutetia--_La Cite_--Lutetia taken by Labienus--The Visit of Julian the Apostate--Besieged by the Franks--The Norman Invasion--Gradual Expansion from the _Ile de la Cite_ to the Outer Boulevards--M. Thiers's Line of Outworks.

Lutetia, the ancient Paris, or Lutetia Parisiorum, as it was called by the Romans, stood in the midst of marshes. The name, derived, suggestively enough, from _lutum_, the Latin for mud, has been invested with a peculiar significance by those stern moralists who see in Paris nothing but a sink of iniquity. Balzac called it a "wen"; and Blucher, when some ferocious member of his staff suggested the destruction of Paris, exclaimed: "Leave it alone; Paris will destroy all France!"

By a critic of less severe temperament Paris has been contemptuously described as "the tavern of Europe"--_le cabaret de l'Europe_. Lutetia, however, can afford to smile alike at the slurs of moralists and the sneers of cynics; and the etymology of her name need by no means alarm those of her admirers who will reflect that lilies may spring from mud, and that the richest corn is produced from the blackest soil.

The development of the Lutetia of Caesar's time into the Paris of our own has occupied many eventful centuries; and the centre of the development may still be seen in that little island of the so-called City--_l'Ile de la Cite_--once known as the Island of Lutetia. As to the dimensions of the ancient Lutetia, neither historians nor geographers are wholly agreed. The germ of Paris is, in any case, to be found in that part of the French capital which has long been known as _la Cite_, and which is the dullest and sleepiest part of Paris, just as inversely our "city,"

distinctively so called, is the most active and energetic part of London.

The Parisians have always been given to insurrection; and their first rising was made against a ruler who was likely enough to put it down--Julius Caesar, that is to say. Finding his power defied, Caesar sent against the Parisians a body of troops, under the command of Labienus, who crushed the rebels in the first battle. Historians give different versions of the engagement, but modern writers are content for the most part to rely on a tradition related by an author of the fourteenth century, Raoul de Presles, who published a French version of Caesar's account of the Battle of Paris, enriched by notes and comments from his own pen. Labienus, according to Caesar and Raoul de Presles, was arrested in his first attack by an impa.s.sable marsh. Then, simulating a retreat along the left bank of the Seine, he was pursued by the Gauls, in spite of Camulogenes, their cautious leader; who, unable to restrain them, fell with them at last into an ambuscade, in which chief and followers all perished.

Raoul de Presles gives some interesting details about the marsh which Labienus, on making his advance against Paris, was unable to cross. Some identify it with the Marshes of the Temple, which formed, on the north of Paris, a continuous semicircle; but Raoul de Presles seems to hold that the marsh which stopped the advance of Labienus protected Lutetia itself: that Lutetia of the Island which sprang from the mud as Venus sprang from the sea. The city of Lutetia was at that time so strong, so entirely shut in by water, that Julius Caesar himself speaks of the difficulty of reaching it. "But since then," says Raoul de Presles, "there has been much solidification through gravel, sand, and all kinds of rubbish being cast into it."

After the victory of Labienus, Lutetia, which the conqueror had destroyed, was quickly re-built; and it was then governed as a Roman town. This, however, was in Caesar's time; and the first description of Lutetia as a city was given by Strabo some fifty years later. Thus it may safely be said that of the original Lutetia nothing whatever is known.

It is certain, nevertheless, that in the new Lutetia, built by the Romans, the most important edifices stood at the western end of the island, including a palace, on whose site was afterwards to be erected the Palace of the French Kings; while at the eastern end the most striking object was a Temple to Jupiter, in due time to be replaced by the Cathedral of Notre-Dame.

As early as the fourth century Lutetia found favour in the eyes of ill.u.s.trious visitors; and the Emperor Julian, known as the "Apostate,"

when, after defeating seven German kings near Strasburg, he retired to Lutetia for winter quarters, spoke of it, then and for ever afterwards, as his "dear Lutetia."