Old and New London Part 36

"The 'Castle' concerts continuing to flourish for many years, auditors as well as performers were admitted subscribers, and tickets were delivered out to the members in rotation for the admission of ladies.

Their fund enabling them, they hired second-rate singers from the operas, and many young persons of professions and trades that depended upon a numerous acquaintance, were induced by motives of interest to become members of the 'Castle' concert.

"Mr. Young continued to perform in this society till the declining state of his health obliged him to quit it; after which time Prospero Castrucci and other eminent performers in succession continued to lead the band. About the year 1744, at the instance of an alderman of London, now deservedly forgotten, the subscription was raised from two guineas to five, for the purpose of performing oratorios. From the 'Castle' this society removed to Haberdashers' Hall, where they continued for fifteen or sixteen years; from thence they removed to the'

King's Arms,' in Cornhill."

A curious old advertis.e.m.e.nt of 1681 relates to St. Paul's Alley:--"Whereas the yearly meeting of the name of Adam hath of late, through the deficiency of the last stewards, been neglected, these are to give notice to all gentlemen and others that are of that name that at William Adam's, commonly called the 'Northern Ale-house,' in St. Paul's Alley, in St. Paul's Churchyard, there will be a weekly meeting, every Monday night, of our namesakes, between the hours of six and eight of the clock in the evening, in order to choose stewards to revive our antient and annual feast."--_Domestic Intelligence_, 1681.

During the building of St. Paul's, Wren was the zealous Master of the St. Paul's Freemason's Lodge, which a.s.sembled at the "Goose and Gridiron," one of the most ancient lodges in London. He presided regularly at its meetings for upwards of eighteen years. He presented the lodge with three beautifully carved mahogany candlesticks, and the trowel and mallet which he used in laying the first stone of the great cathedral in 1675. In 1688 Wren was elected Grand Master of the order, and he nominated his old fellow-workers at St. Paul's, Cibber, the sculptor, and Strong, the master mason, Grand Wardens. In Queen Anne's reign there were 129 lodges--eighty-six in London, thirty-six in provincial cities, and seven abroad. Many of the oldest lodges in London are in the neighbourhood of St. Paul's.

"At the 'Apple Tree' Tavern," say Messrs. Hotten and Larwood, in their history of "Inn and Tavern Signs," "in Charles Street, Covent Garden, in 1716, four of the leading London Freemasons' lodges, considering themselves neglected by Sir Christopher Wren, met and chose a Grand Master, _pro tem._, until they should be able to place a n.o.ble brother at the head, which they did the year following, electing the Duke of Montague. Sir Christopher had been chosen in 1698. The three lodges that joined with the 'Apple Tree' lodge used to meet respectively at the 'Goose and Gridiron,' St. Paul's Churchyard; the 'Crown,' Parker's Lane; and at the 'Rummer and Grapes' Tavern, Westminster. The 'Goose and Gridiron' occurs at Woodhall, Lincolnshire, and in a few other localities. It is said to owe its origin to the following circ.u.mstances--The 'Mitre' was a celebrated music-house in London House Yard, at the north-west end of St. Paul's. When it ceased to be a music-house, the succeeding landlord, to ridicule its former destiny, chose for his sign a goose striking the bars of a gridiron with his foot, in ridicule of the 'Swan and Harp,' a common sign for the early music-houses. Such an origin does the _Tatler_ give; but it may also be a vernacular reading of the coat of arms of the Company of Musicians, suspended probably at the door of the 'Mitre' when it was a music-house.

These arms are a swan with his wings expanded, within a double tressure, counter, flory, argent. This double tressure might have suggested a gridiron to unsophisticated pa.s.sers-by.

"The celebrated 'Mitre,' near the west end of St. Paul's, was the first music-house in London. The name of the master was Robert Herbert, _alias_ Farges. Like many brother publicans, he was, besides being a lover of music, also a collector of natural curiosities, as appears by his 'Catalogue of many natural rarities, collected with great industrie, cost, and thirty years' travel into foreign countries, collected by Robert Herbert, _alias_ Farges, gent., and sworn servant to his Majesty; to be seen at the place called the Music-house, _at the Mitre_, near the west end of S. Paul's Church, 1664.' This collection, or, at least, a great part of it, was bought by Sir Hans Sloane. It is conjectured that the 'Mitre' was situated in London House Yard, at the north-west end of St. Paul's, on the spot where afterwards stood the house known by the sign of the 'Goose and Gridiron.'"

St. Paul's School, known to cathedral visitors chiefly by that murky, barred-in, purgatorial playground opposite the east end of Wren's great edifice, is of considerable antiquity, for it was founded in 1512 by that zealous patron of learning, and friend of Erasmus, Dean Colet. This liberal-minded man was the eldest of twenty-two children, all of whom he survived. His father was a City mercer, who was twice Lord Mayor of London. Colet became Dean of St. Paul's in 1505, and soon afterwards (as Latimer tells us) narrowly escaped burning for his opposition to image-worship. Having no near relatives, Colet, in 1509, began to found St. Paul's School, adapted to receive 153 poor boys (the number of fishes taken by Peter in the miraculous draught). The building is said to have cost 4,500, and was endowed with lands in Buckinghamshire estimated by Stow, in 1598, as of the yearly value of 120 or better, and now worth 12,000, with a certainty of rising.

No children were to be admitted into the school but such as could say their catechism, and read and write competently. Each child was required to pay fourpence on his first admission to the school, which sum was to be given to the "poor scholar" who swept the school and kept the seats clean. The hours of study were to be from seven till eleven in the morning, and from one to five in the afternoon, with prayers in the morning, at noon, and in the evening. It was expressly stipulated that the pupils should never use tallow candles, but only wax, and those "at the cost of their friends." The most remarkable statute of the school is that by which the scholars were bound on Christmas-day to attend at St.

Paul's Church and hear the child-bishop sermon, and after be at the high ma.s.s, and each of them offer one penny to the child-bishop. When Dean Colet was asked why he had left his foundation in trust to laymen (the Mercers' Company), as tenants of his father, rather than to an ecclesiastical foundation, he answered, "that there was no absolute certainty in human affairs, but, for his part, he found less corruption in such a body of citizens than in any other order or degree of mankind."

Erasmus, after describing the foundation and the school, which he calls "a magnificent structure, to which were attached two dwelling-houses for the masters," proceeds to say, "He divided the school into four chambers. The first--namely, the porch and entrance--in which the chaplain teaches, where no child is to be admitted who cannot read and write; the second apartment is for those who are taught by the under-master; the third is for the boys of the upper form, taught by the high master. These two parts of the school are divided by a curtain, to be drawn at will. Over the headmaster's chair is an image of the boy Jesus, a beautiful work, in the gesture of teaching, whom all the scholars, going and departing, salute with a hymn. There is a representation of G.o.d the Father, also, saying, 'Hear ye him,' which words were written at my suggestion."

"The last apartment is a little chapel for divine service. In the whole school there are no corners or hiding-places; neither a dining nor a sleeping place. Each boy has his own place, one above another. Every cla.s.s or form contains sixteen boys, and he that is at the head of a cla.s.s has a little seat, by way of pre-eminence."

Erasmus, who took a great interest in St. Paul's School, drew up a grammar, and other elementary books of value, for his friend Colet, who had for one of his masters William Lily, "the model of grammarians."

Colet's masters were always to be married men.

The school thus described shared in the Great Fire of 1666, and was rebuilt by the Mercers' Company in 1670. This second structure was superseded by the present edifice, designed and erected by George Smith, Esq., the architect of the Mercers' Company. It has the advantage of two additional masters' houses, and a large cloister for a playground underneath the school.

On occasions of the sovereigns of England, or other royal or distinguished persons, going in state through the City, a balcony is erected in front of this building, whence addresses from the school are presented to the ill.u.s.trious visitors by the head boys. The origin of this right or custom of the Paulines is not known, but it is of some antiquity. Addresses were so presented to Charles V. and Henry VIII., in 1522; to Queen Elizabeth, 1558; and to Queen Victoria, when the Royal Exchange was opened, in 1844. Her Majesty, however, preferred to receive the address at the next levee; and this precedent was followed when the mult.i.tudes of London rushed to welcome the Prince of Wales and Princess Alexandra, in 1863.

The ancient school-room was on a level with the street, the modern one is built over the cloister. It is a finely-proportioned apartment, and has several new cla.s.s-rooms adjoining, erected upon a plan proposed by Dr. Kynaston, the present headmaster. At the south end of this n.o.ble room, above the master's chair, is a bust of the founder by Roubiliac.

Over the seat is inscribed, "Intendas animum studiis et rebus honestis,"

and over the entrance to the room is the quaint and appropriate injunction found at Winchester and other public schools--"Doce, disce, aut discede."

St. Paul's School has an excellent library immediately adjoining the school-room, to which the eighth cla.s.s have access out of school-hours, the six seniors occupying places in it in school-time.

In 1602 the masters' stipends were enlarged, and the surplus money set apart for college exhibitions. The head master receives 900 a year, the second master 400. The education is entirely gratuitous. The presentations to the school are in the gift of the Master of the Mercers' Company, which company has undoubtedly much limited Dean Colet's generous intentions. The school is rich in prizes and exhibitions. The latest chronicler of the Paulines says:--

"Few public schools can claim to have educated more men who figure prominently in English history than St. Paul's School. Sir Edward North, founder of the n.o.ble family of that name; Sir William Paget, who from being the son of a serjeant-at-mace became privy councillor to four successive sovereigns, and acquired the t.i.tle now held by his descendant, the owner of Beaudesert; and John Leland, the celebrated archaeologist; William Whitaker, one of the earliest and most prominent chaplains of the Reformation; William Camden, antiquarian and herald; the immortal John Milton; Samuel Pepys; Robert Nelson, author of the 'Companion to the Festivals and Fasts of the Church of England;' Dr.

Benjamin Calamy; Sir John Trevor, Master of the Rolls and Speaker of the House of Commons; John, the great Duke of Marlborough; Halley, the great astronomer; the gallant but unfortunate Major Andre; Sir Philip Francis; Sir Charles Wetherell; Sir Frederick Pollock, the late Lord Chief Baron; Lord Chancellor Truro; and the distinguished Greek Professor at Oxford, Benjamin Jowett."

Pepys seems to have been very fond of his old school. In 1659, he goes on Apposition Day to hear his brother John deliver his speech, which he had corrected; and on another occasion, meeting his old second master, Crumbun--a dogmatic old pedagogue, as he calls him--at a bookseller's in the Churchyard, he gives the school a fine copy of Stephens'

"Thesaurus." In 1661, going to the Mercers' Hall in the Lord Admiral's coach, we find him expressing pleasure at going in state to the place where as a boy he had himself humbly pleaded for an exhibition to St.

Paul's School.

According to Dugdale, an ancient cathedral school existed at St. Paul's.

Bishop Balmeis (Henry I.) bestowed on it "the house of Durandus, near the Bell Tower;" and no one could keep a school in London without the licence of the master of Paul's, except the masters of St. Mary-le-Bow and St. Martin's-le-Grand.

The old laws of Dean Colet, containing many curious provisions and restrictions, among other things forbad c.o.c.k-fighting "and other pageantry" in the school. It was ordered that the second master and chaplain were to reside in Old Change. There was a bust of good Dean Colet over the head-master's throne. Strype, speaking of the original dedication of the school to the child Jesus, says, "but the saint robbed his Master of the t.i.tle." In early days there used to be great war between the "Paul's pigeons," as they were called, and the boys of St.

Anthony's Free School, Threadneedle Street, whom the Paulines nicknamed "Anthony's pigs." The Anthony's boys were great carriers off of prizes for logic and grammar.

Of Milton's school-days Mr. Ma.s.son, in his voluminous life of the poet, says, "Milton was at St. Paul's, as far as we can calculate, from 1620, when he pa.s.sed his eleventh year, to 1624-5, when he had pa.s.sed his sixteenth."

CHAPTER XXIII.

PATERNOSTER ROW.

Its Successions of Traders--The House of Longman--Goldsmith at Fault--Tarleton, Actor, Host, and Wit--Ordinaries around St. Paul's: their Rules and Customs--The "Castle"--"Dolly's"--The "Chapter" and its Frequenters--Chatterton and Goldsmith--Dr. Buchan and his Prescriptions--Dr. Gower--Dr. Fordyce--The "Wittinagemot" at the "Chapter"--The "Printing Conger"--Mrs. Turner, the Poisoner--The Church of St. Michael "ad Bladum"--The Boy in Panier Alley.

Paternoster Row, that crowded defile north of the Cathedral, lying between the old Grey Friars and the Blackfriars, was once entirely ecclesiastical in its character, and, according to Stow, was so called from the stationers and text-writers who dwelt there and sold religious and educational books, alphabets, paternosters, aves, creeds, and graces. It then became famous for its spurriers, and afterwards for eminent mercers, silkmen, and lacemen; so that the coaches of the "quality" often blocked up the whole street. After the fire these trades mostly removed to Bedford Street, King Street, and Henrietta Street, Covent Garden. In 1720 (says Strype) there were stationers and booksellers who came here in Queen Anne's reign from Little Britain, and a good many tire-women, who sold commodes, top-knots, and other dressings for the female head. By degrees, however, learning ousted vanity, chattering died into studious silence, and the despots of literature ruled supreme. Many a groan has gone up from authors in this gloomy thoroughfare.

One only, and that the most ancient, of the Paternoster Row book-firms, will our s.p.a.ce permit us to chronicle. The house of Longman is part and parcel of the Row. The first Longman, born in Bristol in 1699, was the son of a soap and sugar merchant. Apprenticed in London, he purchased (_circa_ 1724) the business of Mr. Taylor, the publisher of "Robinson Crusoe," for 2,282 9s. 6d., and his first venture was the works of Boyle. This patriarch died in 1755, and was succeeded by a nephew, Thomas Longman, who ventured much trade in America and "the plantations." He was succeeded by his son, Mr. T.L. Longman, a plain man of the old citizen style, who took as partner Mr. Owen Rees, a Bristol bookseller, a man of industry and ac.u.men.

Before the close of the eighteenth century the house of Longman and Rees had become one of the largest in the City, both as publishers and book-merchants. When there was talk of an additional paper-duty, the ministers consulted, according to West, the new firm, and on their protest desisted; a reverse course, according to the same authority, would have checked operations on the part of that one firm alone of 100,000. Before the opening of the nineteenth century they had become possessed of some new and valuable copyrights--notably, the "Grammar" of Lindley Murray, of New York. This was in 1799.

The "lake poets" proved a valuable acquisition. Wordsworth came first to them, then Coleridge, and lastly Southey. In 1802 the Longmans commenced the issue of Rees' "Cyclopaedia," reconstructed from the old Chambers', and about the same time the _Annual Review_, edited by Aikin, which for the nine years of its existence Southey and Taylor of Norwich mainly supported. The catalogue of the firm for 1803 is divided into no less than twenty-two cla.s.ses. Among their books we note Paley's "Natural Theology," Sharon Turner's "Anglo-Saxon History," Adolphus's "History of King George III.," Pinkerton's "Geography," Fosbrooke's "British Monachism," Cowper's "Homer," Gifford's "Juvenal," Sotheby's "Oberon,"

and novels and romances not a few. At this time Mr. Longman used to have Sat.u.r.day evening receptions in Paternoster Row.

Sir Walter Scott's "Guy Mannering," "The Monastery," and "The Abbot,"

were published by Longmans. "Lalla Rookh," by Tom Moore, was published by them, and they gave 3,000 for it.

In 1811 Mr. Brown, who had entered the house as an apprentice in 1792, and was the son of an old servant, became partner. Then came in Mr.

Orme, a faithful clerk of the house--for the house required several heads, the old book trade alone being an important department. In 1826, when Constable of Edinburgh came down in the commercial crash, and brought poor Sir Walter Scott to the ground with him, the Longman firm succeeded to the _Edinburgh Review_, which is still their property. Mr.

Green became a partner in 1824, and in 1856 Mr. Roberts was admitted. In 1829 the firm ventured on Lardner's "Cyclopaedia," contributed to by Scott, Tom Moore, Mackintosh, &c, and which ended in 1846 with the 133rd volume. In 1860 Mr. Thomas Longman became a partner.

Thomas Norton Longman, says a writer in the _Critic_, resided for many years at Mount Grove, Hampstead, where he entertained many wits and scholars. He died there in 1842, leaving 200,000 personalty. In 1839 Mr. William Longman entered the firm as a partner. "Longman, Green, Longman, and Roberts" became the style of the great publishing house, the founder of which commenced business one hundred and forty-four years ago, at the house which became afterwards No. 39, Paternoster Row.

In 1773, a year before Goldsmith's death, Dr. Kenrick, a vulgar satirist of the day, wrote an anonymous letter in an evening paper called _The London Packet_, sneering at the poet's vanity, and calling "The Traveller" a flimsy poem, denying the "Deserted Village" genius, fancy, or fire, and calling "She Stoops to Conquer" the merest pantomime.

Goldsmith's Irish blood fired at an allusion to Miss Horneck and his supposed rejection by her. Supposing Evans, of Paternoster Row, to be the editor of the _Packet_, Goldsmith resolved to chastise him. Evans, a brutal fellow, who turned his son out in the streets and separated from his wife because she took her son's part, denied all knowledge of the matter. As he turned his back to look for the libel, Goldsmith struck him sharply across the shoulders. Evans, a st.u.r.dy, hot Welshman, returned the blow with interest, and in the scuffle a lamp overhead was broken and covered the combatants with fish-oil. Dr. Kenrick then stepped from an adjoining room, interposed between the combatants, and sent poor Goldsmith home, bruised and disfigured, in a coach. Evans subsequently indicted Goldsmith for the a.s.sault, but the affair was compromised by Goldsmith paying 50 towards a Welsh charity. The friend who accompanied Goldsmith to this chivalrous but unsuccessful attack is said to have been Captain Horneck, but it seems more probable that it was Captain Higgins, an Irish friend mentioned in "The Haunch of Venison."

Near the site of the present Dolly's Chop House stood the "Castle," an ordinary kept by Shakespeare's friend and fellow actor, Richard Tarleton, the low comedian of Queen Elizabeth's reign. It was this humorous, ugly actor who no doubt suggested to the great manager many of his jesters, fools, and simpletons, and we know that the tag songs--such as that at the end of _All's Well that Ends Well_, "When that I was a little tiny boy"--were expressly written for Tarleton, and were danced by that comedian to the tune of a pipe and a tabor which he himself played. The part which Tarleton had to play as host and wit is well shown in his "Book of Jests:"--

"Tarleton keeping an ordinary in Paternoster Row, and sitting with gentlemen to make them merry, would approve mustard standing before them to have wit. 'How so?' saies one. 'It is like a witty scold meeting another scold, knowing that scold will scold, begins to scold first.

So,' says he, 'the mustard being lickt up, and knowing that you will bite it, begins to bite you first.' 'I'll try that,' saies a gull by, and the mustard so tickled him that his eyes watered. 'How now?' saies Tarleton; 'does my jest savour?' 'I,' saies the gull, 'and bite too.'

'If you had had better wit,' saies Tarleton, 'you would have bit first; so, then, conclude with me, that dumbe unfeeling mustard hath more wit than a talking, unfeeling foole, as you are.' Some were pleased, and some were not; but all Tarleton's care was taken, for his resolution was ever, before he talkt any jest, to measure his opponent."

[Ill.u.s.tration: RICHARD TARLETON, THE ACTOR (_copied from an old wood engraving_) [_see page 275_].]

A modern antiquary has with great care culled from the "Gull's Horn Book" and other sources a sketch of the sort of company that might be met with at such an ordinary. It was the custom for men of fashion in the reign of Elizabeth and James to pace in St. Paul's till dinner-time, and after the ordinary again till the hour when the theatres opened. The author of "Shakespeare's England" says:--

"There were ordinaries of all ranks, the _table-d'hote_ being the almost universal mode of dining among those who were visitors to London during the season, or term-time, as it was then called. There was the twelvepenny ordinary, where you might meet justices of the peace and young knights; and the threepenny ordinary, which was frequented by poor lieutenants and thrifty attorneys. At the one the rules of high society were maintained, and the large silver salt-cellar indicated the rank of the guests. At the other the diners were silent and unsociable, or the conversation, if any, was so full of 'amercements and feoffments' that a mere countryman would have thought the people were conjuring.

"If a gallant entered the ordinary at about half-past eleven, or even a little earlier, he would find the room full of fashion-mongers, waiting for the meat to be served. There are men of all cla.s.ses: t.i.tled men, who live cheap that they may spend more at Court; stingy men, who want to save the charges of house-keeping; courtiers, who come there for society and news; adventurers, who have no home; Templars, who dine there daily; and men about town, who dine at whatever place is nearest to their hunger. Lords, citizens, concealed Papists, spies, prodigal 'prentices, precisians, aldermen, foreigners, officers, and country gentlemen, all are here. Some have come on foot, some on horseback, and some in those new caroches the poets laugh at."

"The well-bred courtier, on entering the room, saluted those of his acquaintances who were in winter gathered round the fire, in summer round the window, first throwing his cloak to his page and hanging up his hat and sword. The parvenu would single out a friend, and walk up and down uneasily with the scorn and carelessness of a gentleman usher, laughing rudely and nervously, or obtruding himself into groups of gentlemen gathered round a wit or poet. Quarrelsome men pace about fretfully, fingering their sword-hilts and maintaining as sour a face as that Puritan moping in a corner, pent up by a group of young swaggerers, who are disputing over a card at gleek. Vain men, not caring whether it was Paul's, the Tennis Court, or the playhouse, _published_ their clothes, and talked as loud as they could, in order to appear at ease, and laughed over the Water Poet's last epigram or the last pamphlet of Marprelate. The soldiers bragged of nothing but of their employment in Ireland and the Low Countries--how they helped Drake to burn St.