O Pioneers! Part 15

The young men crowded round Emil to admire his costume and to tell him in a breath everything that had happened since he went away.

Emil had more friends up here in the French country than down on Norway Creek. The French and Bohemian boys were spirited and jolly, liked variety, and were as much predisposed to favor anything new as the Scandinavian boys were to reject it. The Norwegian and Swedish lads were much more self-centred, apt to be egotistical and jealous. They were cautious and reserved with Emil because he had been away to college, and were prepared to take him down if he should try to put on airs with them. The French boys liked a bit of swagger, and they were always delighted to hear about anything new: new clothes, new games, new songs, new dances. Now they carried Emil off to show him the club room they had just fitted up over the post-office, down in the village. They ran down the hill in a drove, all laughing and chattering at once, some in French, some in English.

Alexandra went into the cool, whitewashed bas.e.m.e.nt where the women were setting the tables. Marie was standing on a chair, building a little tent of shawls where she was to tell fortunes. She sprang down and ran toward Alexandra, stopping short and looking at her in disappointment. Alexandra nodded to her encouragingly.

"Oh, he will be here, Marie. The boys have taken him off to show him something. You won't know him. He is a man now, sure enough.

I have no boy left. He smokes terrible-smelling Mexican cigarettes and talks Spanish. How pretty you look, child. Where did you get those beautiful earrings?"

"They belonged to father's mother. He always promised them to me.

He sent them with the dress and said I could keep them."

Marie wore a short red skirt of stoutly woven cloth, a white bodice and kirtle, a yellow silk turban wound low over her brown curls, and long coral pendants in her ears. Her ears had been pierced against a piece of cork by her great-aunt when she was seven years old. In those germless days she had worn bits of broom-straw, plucked from the common sweeping-broom, in the lobes until the holes were healed and ready for little gold rings.

When Emil came back from the village, he lingered outside on the terrace with the boys. Marie could hear him talking and strumming on his guitar while Raoul Marcel sang falsetto. She was vexed with him for staying out there. It made her very nervous to hear him and not to see him; for, certainly, she told herself, she was not going out to look for him. When the supper bell rang and the boys came trooping in to get seats at the first table, she forgot all about her annoyance and ran to greet the tallest of the crowd, in his conspicuous attire. She didn't mind showing her embarra.s.sment at all. She blushed and laughed excitedly as she gave Emil her hand, and looked delightedly at the black velvet coat that brought out his fair skin and fine blond head. Marie was incapable of being lukewarm about anything that pleased her. She simply did not know how to give a half-hearted response. When she was delighted, she was as likely as not to stand on her tip-toes and clap her hands.

If people laughed at her, she laughed with them.

"Do the men wear clothes like that every day, in the street?" She caught Emil by his sleeve and turned him about. "Oh, I wish I lived where people wore things like that! Are the b.u.t.tons real silver?

Put on the hat, please. What a heavy thing! How do you ever wear it? Why don't you tell us about the bull-fights?"

She wanted to wring all his experiences from him at once, without waiting a moment. Emil smiled tolerantly and stood looking down at her with his old, brooding gaze, while the French girls fluttered about him in their white dresses and ribbons, and Alexandra watched the scene with pride. Several of the French girls, Marie knew, were hoping that Emil would take them to supper, and she was relieved when he took only his sister. Marie caught Frank's arm and dragged him to the same table, managing to get seats opposite the Bergsons, so that she could hear what they were talking about. Alexandra made Emil tell Mrs. Xavier Chevalier, the mother of the twenty, about how he had seen a famous matador killed in the bull-ring.

Marie listened to every word, only taking her eyes from Emil to watch Frank's plate and keep it filled. When Emil finished his account,--b.l.o.o.d.y enough to satisfy Mrs. Xavier and to make her feel thankful that she was not a matador,--Marie broke out with a volley of questions. How did the women dress when they went to bull-fights? Did they wear mantillas? Did they never wear hats?

After supper the young people played charades for the amus.e.m.e.nt of their elders, who sat gossiping between their guesses. All the shops in Sainte-Agnes were closed at eight o'clock that night, so that the merchants and their clerks could attend the fair. The auction was the liveliest part of the entertainment, for the French boys always lost their heads when they began to bid, satisfied that their extravagance was in a good cause. After all the pincushions and sofa pillows and embroidered slippers were sold, Emil precipitated a panic by taking out one of his turquoise shirt studs, which every one had been admiring, and handing it to the auctioneer. All the French girls clamored for it, and their sweethearts bid against each other recklessly. Marie wanted it, too, and she kept making signals to Frank, which he took a sour pleasure in disregarding.

He didn't see the use of making a fuss over a fellow just because he was dressed like a clown. When the turquoise went to Malvina Sauvage, the French banker's daughter, Marie shrugged her shoulders and betook herself to her little tent of shawls, where she began to shuffle her cards by the light of a tallow candle, calling out, "Fortunes, fortunes!"

The young priest, Father d.u.c.h.esne, went first to have his fortune read. Marie took his long white hand, looked at it, and then began to run off her cards. "I see a long journey across water for you, Father. You will go to a town all cut up by water; built on islands, it seems to be, with rivers and green fields all about.

And you will visit an old lady with a white cap and gold hoops in her ears, and you will be very happy there."

"Mais, oui," said the priest, with a melancholy smile. "C'est L'Isle-Adam, chez ma mere. Vous etes tres savante, ma fille." He patted her yellow turban, calling, "Venez donc, mes garcons! Il y a ici une veritable clairvoyante!"

Marie was clever at fortune-telling, indulging in a light irony that amused the crowd. She told old Brunot, the miser, that he would lose all his money, marry a girl of sixteen, and live happily on a crust. Sholte, the fat Russian boy, who lived for his stomach, was to be disappointed in love, grow thin, and shoot himself from despondency. Amedee was to have twenty children, and nineteen of them were to be girls. Amedee slapped Frank on the back and asked him why he didn't see what the fortune-teller would promise him.

But Frank shook off his friendly hand and grunted, "She tell my fortune long ago; bad enough!" Then he withdrew to a corner and sat glowering at his wife.

Frank's case was all the more painful because he had no one in particular to fix his jealousy upon. Sometimes he could have thanked the man who would bring him evidence against his wife.

He had discharged a good farm-boy, Jan Smirka, because he thought Marie was fond of him; but she had not seemed to miss Jan when he was gone, and she had been just as kind to the next boy. The farm-hands would always do anything for Marie; Frank couldn't find one so surly that he would not make an effort to please her. At the bottom of his heart Frank knew well enough that if he could once give up his grudge, his wife would come back to him. But he could never in the world do that. The grudge was fundamental. Perhaps he could not have given it up if he had tried. Perhaps he got more satisfaction out of feeling himself abused than he would have got out of being loved. If he could once have made Marie thoroughly unhappy, he might have relented and raised her from the dust. But she had never humbled herself. In the first days of their love she had been his slave; she had admired him abandonedly. But the moment he began to bully her and to be unjust, she began to draw away; at first in tearful amazement, then in quiet, unspoken disgust.

The distance between them had widened and hardened. It no longer contracted and brought them suddenly together. The spark of her life went somewhere else, and he was always watching to surprise it. He knew that somewhere she must get a feeling to live upon, for she was not a woman who could live without loving. He wanted to prove to himself the wrong he felt. What did she hide in her heart? Where did it go? Even Frank had his churlish delicacies; he never reminded her of how much she had once loved him. For that Marie was grateful to him.

While Marie was chattering to the French boys, Amedee called Emil to the back of the room and whispered to him that they were going to play a joke on the girls. At eleven o'clock, Amedee was to go up to the switchboard in the vestibule and turn off the electric lights, and every boy would have a chance to kiss his sweetheart before Father d.u.c.h.esne could find his way up the stairs to turn the current on again. The only difficulty was the candle in Marie's tent; perhaps, as Emil had no sweetheart, he would oblige the boys by blowing out the candle. Emil said he would undertake to do that.

At five minutes to eleven he sauntered up to Marie's booth, and the French boys dispersed to find their girls. He leaned over the card-table and gave himself up to looking at her. "Do you think you could tell my fortune?" he murmured. It was the first word he had had alone with her for almost a year. "My luck hasn't changed any. It's just the same."

Marie had often wondered whether there was anyone else who could look his thoughts to you as Emil could. To-night, when she met his steady, powerful eyes, it was impossible not to feel the sweetness of the dream he was dreaming; it reached her before she could shut it out, and hid itself in her heart. She began to shuffle her cards furiously. "I'm angry with you, Emil," she broke out with petulance. "Why did you give them that lovely blue stone to sell?

You might have known Frank wouldn't buy it for me, and I wanted it awfully!"

Emil laughed shortly. "People who want such little things surely ought to have them," he said dryly. He thrust his hand into the pocket of his velvet trousers and brought out a handful of uncut turquoises, as big as marbles. Leaning over the table he dropped them into her lap. "There, will those do? Be careful, don't let any one see them. Now, I suppose you want me to go away and let you play with them?"

Marie was gazing in rapture at the soft blue color of the stones.

"Oh, Emil! Is everything down there beautiful like these? How could you ever come away?"

At that instant Amedee laid hands on the switchboard. There was a shiver and a giggle, and every one looked toward the red blur that Marie's candle made in the dark. Immediately that, too, was gone.

Little shrieks and currents of soft laughter ran up and down the dark hall. Marie started up,--directly into Emil's arms. In the same instant she felt his lips. The veil that had hung uncertainly between them for so long was dissolved. Before she knew what she was doing, she had committed herself to that kiss that was at once a boy's and a man's, as timid as it was tender; so like Emil and so unlike any one else in the world. Not until it was over did she realize what it meant. And Emil, who had so often imagined the shock of this first kiss, was surprised at its gentleness and naturalness. It was like a sigh which they had breathed together; almost sorrowful, as if each were afraid of wakening something in the other.

When the lights came on again, everybody was laughing and shouting, and all the French girls were rosy and shining with mirth. Only Marie, in her little tent of shawls, was pale and quiet. Under her yellow turban the red coral pendants swung against white cheeks.

Frank was still staring at her, but he seemed to see nothing. Years ago, he himself had had the power to take the blood from her cheeks like that. Perhaps he did not remember--perhaps he had never noticed! Emil was already at the other end of the hall, walking about with the shoulder-motion he had acquired among the Mexicans, studying the floor with his intent, deep-set eyes. Marie began to take down and fold her shawls. She did not glance up again. The young people drifted to the other end of the hall where the guitar was sounding. In a moment she heard Emil and Raoul singing:--

"Across the Rio Grand-e There lies a sunny land-e, My bright-eyed Mexico!"

Alexandra Bergson came up to the card booth. "Let me help you, Marie. You look tired."

She placed her hand on Marie's arm and felt her shiver. Marie stiffened under that kind, calm hand. Alexandra drew back, perplexed and hurt.

There was about Alexandra something of the impervious calm of the fatalist, always disconcerting to very young people, who cannot feel that the heart lives at all unless it is still at the mercy of storms; unless its strings can scream to the touch of pain.

II

Signa's wedding supper was over. The guests, and the tiresome little Norwegian preacher who had performed the marriage ceremony, were saying good-night. Old Ivar was. .h.i.tching the horses to the wagon to take the wedding presents and the bride and groom up to their new home, on Alexandra's north quarter. When Ivar drove up to the gate, Emil and Marie Shabata began to carry out the presents, and Alexandra went into her bedroom to bid Signa good-bye and to give her a few words of good counsel. She was surprised to find that the bride had changed her slippers for heavy shoes and was pinning up her skirts. At that moment Nelse appeared at the gate with the two milk cows that Alexandra had given Signa for a wedding present.

Alexandra began to laugh. "Why, Signa, you and Nelse are to ride home. I'll send Ivar over with the cows in the morning."

Signa hesitated and looked perplexed. When her husband called her, she pinned her hat on resolutely. "I ta-ank I better do yust like he say," she murmured in confusion.

Alexandra and Marie accompanied Signa to the gate and saw the party set off, old Ivar driving ahead in the wagon and the bride and groom following on foot, each leading a cow. Emil burst into a laugh before they were out of hearing.

"Those two will get on," said Alexandra as they turned back to the house. "They are not going to take any chances. They will feel safer with those cows in their own stable. Marie, I am going to send for an old woman next. As soon as I get the girls broken in, I marry them off."

"I've no patience with Signa, marrying that grumpy fellow!" Marie declared. "I wanted her to marry that nice Smirka boy who worked for us last winter. I think she liked him, too."

"Yes, I think she did," Alexandra a.s.sented, "but I suppose she was too much afraid of Nelse to marry any one else. Now that I think of it, most of my girls have married men they were afraid of. I believe there is a good deal of the cow in most Swedish girls.

You high-strung Bohemian can't understand us. We're a terribly practical people, and I guess we think a cross man makes a good manager."

Marie shrugged her shoulders and turned to pin up a lock of hair that had fallen on her neck. Somehow Alexandra had irritated her of late. Everybody irritated her. She was tired of everybody. "I'm going home alone, Emil, so you needn't get your hat," she said as she wound her scarf quickly about her head. "Good-night, Alexandra,"

she called back in a strained voice, running down the gravel walk.

Emil followed with long strides until he overtook her. Then she began to walk slowly. It was a night of warm wind and faint starlight, and the fireflies were glimmering over the wheat.

"Marie," said Emil after they had walked for a while, "I wonder if you know how unhappy I am?"

Marie did not answer him. Her head, in its white scarf, drooped forward a little.

Emil kicked a clod from the path and went on:--

"I wonder whether you are really shallow-hearted, like you seem?

Sometimes I think one boy does just as well as another for you.

It never seems to make much difference whether it is me or Raoul Marcel or Jan Smirka. Are you really like that?"