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Nye and Riley's Wit and Humor Part 19

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I am writing this at an imitation hotel where the roads fork. I will call it the Fifth Avenue Hotel because the hotel at a railroad junction is generally called the Fifth Avenue, or the Gem City House, or the Palace Hotel. I stopped at an inn some years since called the Palace, and I can truly say that if it had ever been a palace it was very much run down when I visited it.

Just as the fond parent of a white-eyed, two-legged freak of nature loves to name his mentally-diluted son Napoleon, and for the same reason that a prominent horse owner in Illinois last year socked my name on a tall, buckskin-colored colt that did not resemble me, intellectually or physically, a colt that did not know enough to go around a barbed-wire fence, but sought to shift himself through it into an untimely grave, so this man has named his sway-backed wigwam the Fifth Avenue Hotel.

It is different from the Fifth Avenue in many ways. In the first place there is not so much travel and business in its neighborhood. As I said before, this is where two railroads fork. In fact that is the leading industry here. The growth of the town is naturally slow, but it is a healthy growth. There is nothing in the nature of dangerous or wild-cat speculation in the advancement of this place, and while there has been no noticeable or rapid advance in the princ.i.p.al business, there has been no falling off at all and these roads are forking as much to-day as they did before the war, while the same three men who were present for the first glad moment are still here to witness the operation.

Sometimes a train is derailed, as the papers call it, and two or three people have to remain over as we did all night. It is at such a time that the Fifth Avenue Hotel is the scene of great excitement. A large codfish, with a broad and sunny smile and his bosom full of rock salt, is tied in the creek to freshen and fit himself for the responsible position of floor manager of the codfish ball.

A pale chambermaid, wearing a black jersey with large pores in it through which she is gently percolating, now goes joyously up the stairs to make the little post-office lock-box rooms look ten times worse than they ever did before. She warbles a low refrain as she nimbly knocks loose the venerable dust of centuries and sets it afloat throughout the rooms. All is bustle about the house.

Especially the chambermaid.

We were put in the guests' chamber here. It has two atrophied beds made up of pains and counterpanes.

This last remark conveys to the reader the presence of a light, joyous feeling which is wholly a.s.sumed on my part.

The door of our room is full of holes where locks have been wrenched off in order to let the coroner in. Last night I could imagine that I was in the act of meeting, personally, the famous people who have tried to sleep here and who moaned through the night and who died while waiting for the dawn.

I have no doubt in the world but there is quite a good-sized delegation from this hotel, of guests who hesitated about committing suicide, because they feared to tread the red-hot sidewalks of perdition, but who became desperate at last and resolved to take their chances, and they have never had any cause to regret it.

[Ill.u.s.tration]

We washed our hands on doork.n.o.b soap, wiped them on a slippery elm court-plaster, that had made quite a reputation for itself under the nom-de-plume of "Towel," tried to warm ourselves at a pocket inkstand stove, that gave out heat like a dark lantern and had a deformed elbow at the back of it.

The chambermaid is very versatile, and waits on the table while not engaged in agitating the overworked mattresses and puny pillows up-stairs. In this way she imparts the odor of fried pork to the pillow-cases and kerosene to the pie.

She has a wild, nervous and apprehensive look in her eye, as though she feared that some herculean guest might seize her in his great strong arms and bear her away to a justice of the peace and marry her. She certainly cannot fully realize how thoroughly secure she is from such a calamity. She is just as safe as she was forty years ago, when she promised her aged mother that she would never elope with any one.

Still, she is sociable at times and converses freely with me at table, as she leans over my shoulder, pensively brushing the crumbs into my lap with a general utility towel, which accompanies her in her various rambles through the house, and she asks what we would rather have--"tea or eggs?"

This afternoon we will pay our bill, in accordance with a life-long custom of ours, and go away to permeate the busy haunts of men. It will be sad to tear ourselves away from the Fifth Avenue Hotel at this place; still, there is no great loss without some small gain, and at our next hotel we may not have to chop our own wood and bring it up stairs when we want to rest. The landlord of a hotel who goes away to a political meeting and leaves his guests to chop their own wood, and then charges them full price for the rent of a boisterous and tempest-tossed bed, will never endear himself to those with whom he is thrown in contact.

We leave at 2:30 this afternoon, hoping that the two railroads may continue to fork here just the same as though we had remained.

McFeeters' Fourth

[Ill.u.s.tration]

It was needless to say 'twas a glorious day, And to boast of it all in that spread-eagle way That our forefathers had since the hour of the birth Of this most patriotic republic on earth!

But 'twas justice, of course, to admit that the sight Of the old Stars-and-Stripes was a thing of delight In the eyes of a fellow, however he tried To look on the day with a dignified pride That meant not to brook any turbulent glee, Or riotous flourish of loud jubilee!

So argued McFeeters, all grim and severe, Who the long night before, with a feeling of fear, Had slumbered but fitfully, hearing the swish Of the sky-rocket over his roof, with a wish That the urchin who fired it were fast to the end Of the stick to forever and ever ascend; Or to hopelessly ask why the boy with the horn And its horrible havoc had ever been born!

Or to wish, in his wakefulness, staring aghast, That this Fourth of July were as dead as the last!

So, yesterday morning, McFeeters arose, With a fire in his eyes, and a cold in his nose, And a gutteral voice in appropriate key With a temper as gruff as a temper could be.

He growled at the servant he met on the stair, Because he was whistling a national air, And he growled at the maid on the balcony, who Stood enrapt with the tune of "The Red, White and Blue"

That a band was discoursing like mad in the street, With drumsticks that banged, and with cymbals that beat.

And he growled at his wife, as she b.u.t.toned his vest, And applausively pinned a rosette on his breast Of the national colors, and lured from his purse Some change for the boys--for firecrackers--or worse: And she pointed with pride to a soldier in blue In a frame on the wall, and the colors there, too; And he felt, as he looked on the features, the glow The painter found there twenty long years ago, And a pa.s.sionate thrill in his breast, as he felt Instinctively round for the sword in his belt.

What was it that hung like a mist o'er the room?-- The tumult without--and the music--the boom Of the canon--the blare of the bugle and fife?-- No matter!--McFeeters was kissing his wife, And laughing and crying and waving his hat Like a genuine soldier, and crazy, at that!

--But it's needless to say 'twas a glorious day, And to boast of it all in that spread-eagle way That our forefathers have since the hour of birth Of this most patriotic republic on earth!

In a Box

[Ill.u.s.tration]

I saw them last night in a box at the play-- Old age and young youth side by side-- You might know by the gla.s.ses that pointed that way That they were--a groom and a bride; And you might have known, too, by the face of the groom, And the tilt of his head, and the grim Little smile of his lip, he was proud to presume That we men were all envying him.

Well, she was superb--an Elaine in the face, A G.o.diva in figure and mien, With the arm and the wrist of a Parian "Grace,"

And the high-lifted brow of a queen; But I thought, in the splendor of wealth and of pride, And in all her young beauty might prize, I should hardly be glad if she sat by my side With that far-away look in her eyes.

Seeking to Set the Public Right

[Ill.u.s.tration]

I would like to make an explanation at this time which concerns me, of course, more than any one else, and yet it ought to be made in the interests of general justice, also. I refer to a recent article published in a Western paper and handsomely ill.u.s.trated, in which, among others, I find the foregoing picture of my residence:

The description which accompanies the cut, among other things, goes on to state as follows: "The structure is elaborate, ma.s.sive and beautiful.

It consists of three stories, bas.e.m.e.nt and attic, and covers a large area on the ground. It contains an elevator, electric bells, steam-heating arrangements, baths, hot and cold, in every room, electric lights, laundry, fire-escapes, etc. The grounds consist of at least five acres, overlooking the river for several miles up and down, with fine boating and a private fish-pond of two acres in extent, containing every known variety of game fish. The grounds are finely laid out in handsome drives and walks, and when finished the establishment will be one of the most complete and beautiful in the Northwest."

No one realizes more fully than I the great power of the press for good or evil. Rightly used the newspaper can make or unmake men, and wrongly used it can be even more sinister. I might say, knowing this as I do, I want to be placed right before the people. The above is not a correct ill.u.s.tration or description of my house, for several reasons. In the first place, it is larger and more robust in appearance, and in the second place it has not the same _tout ensemble_ as my residence. My house is less obtrusive and less arrogant in its demeanor than the foregoing, and it has no elevator in it.

My house is not the kind that seems to crave an elevator. An elevator in my house would lose money. There is no popular clamor for one, and if I were to put one in I would have to abolish the dining-room. It would also interfere with the parlor.

I have learned recently that the correspondent who came here to write up this matter visited the town while I was in the South, and as he could not find me he was at the mercy of strangers. A young man who lives here and who is just in the heyday of life, gleefully consented to show the correspondent my new residence not yet completed. So they went over and examined the new Oliver Wendell Holmes Hospital, which will be completed in June and which is, of course, a handsome structure, but quite different from my house in many particulars.

For instance, my residence is of a different school of architecture, being rather on the Scandinavian order, while the foregoing has a tendency toward the Ironic. The hospital belongs to a very recent school, as I may say, while my residence, in its architectural methods and conception, goes back to the time of the mound builders, a time when a Gothic hole in the ground was considered the _magnum bonum_ and the scrumptuous thing in art. If the reader will go around behind the above building and notice it carefully on the east side, he will not discover a dried c.o.o.nskin nailed to the rear breadths of the wood-shed. That alone ought to convince an observing man that the house is not mine. The c.o.o.nskin regardant will always be found emblazoned on my arms, together with a blue G.o.ddess of Liberty and my name in green India ink.

[Ill.u.s.tration]

Above I give a rough sketch of my house. Of course I have idealized it somewhat, but only in order to catch the eye of the keenly observant reader. The front part of the house runs back to the time of Polypus the First, while the L, which does not show in the drawing, runs back as far as the cistern.

In closing, let me say that I am not finding fault with any one because the above error has crept into the public prints, for it is really a pardonable error, after all. Neither do I wish to be considered as striving to eliminate my name from the columns of the press, for no one could be more tickled than I am over a friendly notice of my arrival in town or a timely reference to my courteous bearing and youthful appearance, but I want to see the Oliver Wendell Holmes Hospital succeed, and so I come out in this way over my own signature and admit that the building does not belong to me and that, so far as I am concerned, the man who files a lien on it will simply fritter away his time.

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Nye and Riley's Wit and Humor Part 19 summary

You're reading Nye and Riley's Wit and Humor. This manga has been translated by Updating. Author(s): Bill Nye and James Whitcomb Riley. Already has 564 views.

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