Notre-Dame de Paris Part 62

Luckily, the street was dark, and the scholar was tipsy. Nevertheless, he caught sight of the archdeacon p.r.o.ne upon the earth in the mud.

"Oh! oh!" said he; "here's a fellow who has been leading a jolly life, to-day."

He stirred up Dom Claude with his foot, and the latter held his breath.

"Dead drunk," resumed Jehan. "Come, he's full. A regular leech detached from a hogshead. He's bald," he added, bending down, "'tis an old man!

_Fortunate senex_!"

Then Dom Claude heard him retreat, saying,--

"'Tis all the same, reason is a fine thing, and my brother the archdeacon is very happy in that he is wise and has money."

Then the archdeacon rose to his feet, and ran without halting, towards Notre-Dame, whose enormous towers he beheld rising above the houses through the gloom.

At the instant when he arrived, panting, on the Place du Parvis, he shrank back and dared not raise his eyes to the fatal edifice.

"Oh!" he said, in a low voice, "is it really true that such a thing took place here, to-day, this very morning?"

Still, he ventured to glance at the church. The front was sombre; the sky behind was glittering with stars. The crescent of the moon, in her flight upward from the horizon, had paused at the moment, on the summit of the light hand tower, and seemed to have perched itself, like a luminous bird, on the edge of the bal.u.s.trade, cut out in black trefoils.

The cloister door was shut; but the archdeacon always carried with him the key of the tower in which his laboratory was situated. He made use of it to enter the church.

In the church he found the gloom and silence of a cavern. By the deep shadows which fell in broad sheets from all directions, he recognized the fact that the hangings for the ceremony of the morning had not yet been removed. The great silver cross shone from the depths of the gloom, powdered with some sparkling points, like the milky way of that sepulchral night. The long windows of the choir showed the upper extremities of their arches above the black draperies, and their painted panes, traversed by a ray of moonlight had no longer any hues but the doubtful colors of night, a sort of violet, white and blue, whose tint is found only on the faces of the dead. The archdeacon, on perceiving these wan spots all around the choir, thought he beheld the mitres of d.a.m.ned bishops. He shut his eyes, and when he opened them again, he thought they were a circle of pale visages gazing at him.

He started to flee across the church. Then it seemed to him that the church also was shaking, moving, becoming endued with animation, that it was alive; that each of the great columns was turning into an enormous paw, which was beating the earth with its big stone spatula, and that the gigantic cathedral was no longer anything but a sort of prodigious elephant, which was breathing and marching with its pillars for feet, its two towers for trunks and the immense black cloth for its housings.

This fever or madness had reached such a degree of intensity that the external world was no longer anything more for the unhappy man than a sort of Apocalypse,--visible, palpable, terrible.

For one moment, he was relieved. As he plunged into the side aisles, he perceived a reddish light behind a cl.u.s.ter of pillars. He ran towards it as to a star. It was the poor lamp which lighted the public breviary of Notre-Dame night and day, beneath its iron grating. He flung himself eagerly upon the holy book in the hope of finding some consolation, or some encouragement there. The hook lay open at this pa.s.sage of Job, over which his staring eye glanced,--

"And a spirit pa.s.sed before my face, and I heard a small voice, and the hair of my flesh stood up."

On reading these gloomy words, he felt that which a blind man feels when he feels himself p.r.i.c.ked by the staff which he has picked up. His knees gave way beneath him, and he sank upon the pavement, thinking of her who had died that day. He felt so many monstrous vapors pa.s.s and discharge themselves in his brain, that it seemed to him that his head had become one of the chimneys of h.e.l.l.

It would appear that he remained a long time in this att.i.tude, no longer thinking, overwhelmed and pa.s.sive beneath the hand of the demon. At length some strength returned to him; it occurred to him to take refuge in his tower beside his faithful Quasimodo. He rose; and, as he was afraid, he took the lamp from the breviary to light his way. It was a sacrilege; but he had got beyond heeding such a trifle now.

He slowly climbed the stairs of the towers, filled with a secret fright which must have been communicated to the rare pa.s.sers-by in the Place du Parvis by the mysterious light of his lamp, mounting so late from loophole to loophole of the bell tower.

All at once, he felt a freshness on his face, and found himself at the door of the highest gallery. The air was cold; the sky was filled with hurrying clouds, whose large, white flakes drifted one upon another like the breaking up of river ice after the winter. The crescent of the moon, stranded in the midst of the clouds, seemed a celestial vessel caught in the ice-cakes of the air.

He lowered his gaze, and contemplated for a moment, through the railing of slender columns which unites the two towers, far away, through a gauze of mists and smoke, the silent throng of the roofs of Paris, pointed, innumerable, crowded and small like the waves of a tranquil sea on a sum-mer night.

The moon cast a feeble ray, which imparted to earth and heaven an ashy hue.

At that moment the clock raised its shrill, cracked voice. Midnight rang out. The priest thought of midday; twelve o'clock had come back again.

"Oh!" he said in a very low tone, "she must be cold now."

All at once, a gust of wind extinguished his lamp, and almost at the same instant, he beheld a shade, a whiteness, a form, a woman, appear from the opposite angle of the tower. He started. Beside this woman was a little goat, which mingled its bleat with the last bleat of the clock.

He had strength enough to look. It was she.

She was pale, she was gloomy. Her hair fell over her shoulders as in the morning; but there was no longer a rope on her neck, her hands were no longer bound; she was free, she was dead.

She was dressed in white and had a white veil on her head.

She came towards him, slowly, with her gaze fixed on the sky. The supernatural goat followed her. He felt as though made of stone and too heavy to flee. At every step which she took in advance, he took one backwards, and that was all. In this way he retreated once more beneath the gloomy arch of the stairway. He was chilled by the thought that she might enter there also; had she done so, he would have died of terror.

She did arrive, in fact, in front of the door to the stairway, and paused there for several minutes, stared intently into the darkness, but without appearing to see the priest, and pa.s.sed on. She seemed taller to him than when she had been alive; he saw the moon through her white robe; he heard her breath.

When she had pa.s.sed on, he began to descend the staircase again, with the slowness which he had observed in the spectre, believing himself to be a spectre too, haggard, with hair on end, his extinguished lamp still in his hand; and as he descended the spiral steps, he distinctly heard in his ear a voice laughing and repeating,--

"A spirit pa.s.sed before my face, and I heard a small voice, and the hair of my flesh stood up."

CHAPTER II. HUNCHBACKED, ONE EYED, LAME.

Every city during the Middle Ages, and every city in France down to the time of Louis XII. had its places of asylum. These sanctuaries, in the midst of the deluge of penal and barbarous jurisdictions which inundated the city, were a species of islands which rose above the level of human justice. Every criminal who landed there was safe. There were in every suburb almost as many places of asylum as gallows. It was the abuse of impunity by the side of the abuse of punishment; two bad things which strove to correct each other. The palaces of the king, the hotels of the princes, and especially churches, possessed the right of asylum.

Sometimes a whole city which stood in need of being repeopled was temporarily created a place of refuge. Louis XI. made all Paris a refuge in 1467.

His foot once within the asylum, the criminal was sacred; but he must beware of leaving it; one step outside the sanctuary, and he fell back into the flood. The wheel, the gibbet, the strappado, kept good guard around the place of refuge, and lay in watch incessantly for their prey, like sharks around a vessel. Hence, condemned men were to be seen whose hair had grown white in a cloister, on the steps of a palace, in the enclosure of an abbey, beneath the porch of a church; in this manner the asylum was a prison as much as any other. It sometimes happened that a solemn decree of parliament violated the asylum and restored the condemned man to the executioner; but this was of rare occurrence.

Parliaments were afraid of the bishops, and when there was friction between these two robes, the gown had but a poor chance against the ca.s.sock. Sometimes, however, as in the affair of the a.s.sa.s.sins of Pet.i.t-Jean, the headsman of Paris, and in that of Emery Rousseau, the murderer of Jean Valleret, justice overleaped the church and pa.s.sed on to the execution of its sentences; but unless by virtue of a decree of Parliament, woe to him who violated a place of asylum with armed force!

The reader knows the manner of death of Robert de Clermont, Marshal of France, and of Jean de Chalons, Marshal of Champagne; and yet the question was only of a certain Perrin Marc, the clerk of a money-changer, a miserable a.s.sa.s.sin; but the two marshals had broken the doors of St. Mery. Therein lay the enormity.

Such respect was cherished for places of refuge that, according to tradition, animals even felt it at times. Aymoire relates that a stag, being chased by Dagobert, having taken refuge near the tomb of Saint-Denis, the pack of hounds stopped short and barked.

Churches generally had a small apartment prepared for the reception of supplicants. In 1407, Nicolas Flamel caused to be built on the vaults of Saint-Jacques de la Boucherie, a chamber which cost him four livres six sous, sixteen farthings, parisis.

At Notre-Dame it was a tiny cell situated on the roof of the side aisle, beneath the flying b.u.t.tresses, precisely at the spot where the wife of the present janitor of the towers has made for herself a garden, which is to the hanging gardens of Babylon what a lettuce is to a palm-tree, what a porter's wife is to a Semiramis.

It was here that Quasimodo had deposited la Esmeralda, after his wild and triumphant course. As long as that course lasted, the young girl had been unable to recover her senses, half unconscious, half awake, no longer feeling anything, except that she was mounting through the air, floating in it, flying in it, that something was raising her above the earth. From time to time she heard the loud laughter, the noisy voice of Quasimodo in her ear; she half opened her eyes; then below her she confusedly beheld Paris checkered with its thousand roofs of slate and tiles, like a red and blue mosaic, above her head the frightful and joyous face of Quasimodo. Then her eyelids drooped again; she thought that all was over, that they had executed her during her swoon, and that the misshapen spirit which had presided over her destiny, had laid hold of her and was bearing her away. She dared not look at him, and she surrendered herself to her fate. But when the bellringer, dishevelled and panting, had deposited her in the cell of refuge, when she felt his huge hands gently detaching the cord which bruised her arms, she felt that sort of shock which awakens with a start the pa.s.sengers of a vessel which runs aground in the middle of a dark night. Her thoughts awoke also, and returned to her one by one. She saw that she was in Notre-Dame; she remembered having been torn from the hands of the executioner; that Phoebus was alive, that Phoebus loved her no longer; and as these two ideas, one of which shed so much bitterness over the other, presented themselves simultaneously to the poor condemned girl; she turned to Quasimodo, who was standing in front of her, and who terrified her; she said to him,--"Why have you saved me?"

He gazed at her with anxiety, as though seeking to divine what she was saying to him. She repeated her question. Then he gave her a profoundly sorrowful glance and fled. She was astonished.

A few moments later he returned, bearing a package which he cast at her feet. It was clothing which some charitable women had left on the threshold of the church for her.

Then she dropped her eyes upon herself and saw that she was almost naked, and blushed. Life had returned.

Quasimodo appeared to experience something of this modesty. He covered his eyes with his large hand and retired once more, but slowly.

She made haste to dress herself. The robe was a white one with a white veil,--the garb of a novice of the Hotel-Dien.

She had barely finished when she beheld Quasimodo returning. He carried a basket under one arm and a mattress under the other. In the basket there was a bottle, bread, and some provisions. He set the basket on the floor and said, "Eat!" He spread the mattress on the flagging and said, "Sleep."