Non-combatants and Others Part 14

SUNDAY IN THE COUNTRY

1

Sunday morning was quiet and misty, and Clapton was full of bells. At Violette on Sundays each person led a different life. Kate, who attended St. Austin's church, went to early Ma.s.s at eight, sung Ma.s.s for children at 9.45, Sunday-school at 10.30, matins (said hastily) at 11, High Ma.s.s (sung slowly) at 11.30, children's catechising at 3, and evensong at 7.

Mrs. Frampton went to a quite different church, to 11 o'clock matins, and once a month (the first Sunday) did what was called in that church 'staying on.' She often went again in the evening.

Evie often accompanied her mother, and found, as many have, that after church is a good time and place for the gathering together of friends.

Alix did not attend church, not having been brought up to do so. She often went off somewhere on Sunday with friends, as to-day.

Mrs. Frampton said at breakfast, 'Take warm coats, dears; it's quite a fog, and your cough sounds nasty, Alix love. And don't leave your umbrellas; it might very well turn to rain.'

'It's quite cold enough for furs, _I_ think,' said Evie, pleased, because her furs became her.

Through a pale blurred morning Alix and Evie travelled by bus and metropolitan to Victoria. Evie, lithe and fawn-like in dark brown, with her wide, far-set, haunting eyes and sudden dimples, was a vivid note in the blurred world; any one must be glad of her. Evie needed not to say words of salt or savour; her natural high spirits and young buoyancy were lifted from the commonplace to the charming by her face and smile.

Alix by Evie's side was pale and elusive and dim; her only note of colour was the dark, shadowed blue of her black-lashed eyes. She coughed, and her throat was sore. She talked, and made Evie laugh.

2

They entered Victoria Station at 10.29. Waiting in the booking-hall were their friends: Basil Doye, a married young man and young woman of prepossessing exterior, two or three others of both s.e.xes, and Terry Orme with a friend, both on a week's leave. Terry was spending the week-end in town, with another subaltern, and was joining in the expedition at Alix's suggestion. Alix was fond of Terry, who was John's younger brother, and a fair, serene, sweet-tempered, mathematical, very musical person of nineteen. He seemed one of those who, as Basil Doye had put it, come through the war unmoved. His smile was sweet and infectious, and he was restful and full of joy, and could consume more chocolates at a sitting than any one else (of over fifteen) that he knew.

His friend was a cheery, sunburnt youth called Ingram, who had got the D.C.M.

Terry said, 'Hullo, Alix, how are you?' and had the gift of showing, without demonstration, that he knew things were rotten for her, because of Paul. He was a sympathetic boy, and tender-hearted, and thought Alix looked in poor case; quite different from his own vigorous and cheerful and busy sisters at Wood End. But then of course he and John hadn't been killed, and Paul had. It was frightfully rough luck on Alix. Terry was inclined to think that people out there had much the best of it, on the whole, beastly as it often was, and interrupting to the things that really mattered, such as music, and Cambridge.

Evie was introduced to every one, and they all had a friendly and pleased look at so much grace and vividness.

In the train they filled a compartment. Alix sat between Terry and the married young man, who was something in a government office. Opposite were Evie and Basil and the married young woman, who had lovely furs and a spoilt, charming face, and was selfish about the foot-warmer.

In the train they read a newspaper. Evie got the impression from their manner of reading it that they all knew beforehand what the news was, and a good deal more than was in the paper too; perhaps this impression was produced merely by n.o.body's saying 'Fancy,' as they did at Violette.

From their style of comment Evie was inclined to gather that some of them had helped to write the paper and that others were acquainted with the unwritten facts behind and so different from the printed words; perhaps it was merely that they had studied last night's late editions, or perhaps some were journalists, others makers of history, others gifted with invention. Anyhow they seemed to think they knew as much as, or a good deal more than, the paper did. Even the married young woman stopped for a moment being sleepy and sulky about the cold to contribute something she had heard from a Foreign Office man at dinner.

'He was pulling your leg,' her husband said. 'Linsey always does; he thinks it's funny.'

Evie thought him and his high sweet voice conceited.

Alix, looking at Evie opposite, speculated amusedly for a moment where Evie came in: Evie, who knew and cared for no news and had heard nothing from people behind the scenes, and hadn't even had her leg pulled by Foreign Office men. Well, Evie, of course, came in on her face. It was jolly to have a face like that, to cover all vacancies within. Evie sat there, understanding little, yet people spoke to her merely to discover what, with that face, she would say. And what she said pleased and amused merely by reason of its grace of setting.

Evie shivered, and Basil asked if she would like the window up.

'Well, it _is_ cold,' said Evie, and he leaned across and pulled it up, asking no one else.

'Thanks so much,' said Evie, taking it prettily to herself. Her face and eyes were brilliant above her furs. Basil, with an artist's pleasure, took in her beauty; Alix felt him doing it. Yes, Evie came in all right.

They got out at some station. The air was like damp blankets, thick and pale and chill. There was no joy in it; dead wet leaves floated earthwards, unhappy like tears. They started walking somewhere. Alix leaned on her stick. She could walk all right, but she limped. She might soon tire, but she wasn't going to say so. They walked uphill, on a forlorn, muddy road. They walked in groups of two or three, changing and mixing and dividing as they went. They talked....

3

Basil for a minute was beside Alix. He said, 'I say, will this be too much for you? Do say if you get tired, and we'll stop and rest.'

Alix hated him because she was lame and he hated lameness and loved wholeness and strength.

She said, 'No thanks, I'm all right,' and had no more to say at the moment. His eyes were on Evie's back, where she walked ahead with Maynard, the married man. He thought she walked like Diana, straight and free, with a swing.

Alix turned to speak to Terry, who was just behind with his friend Ingram. He came abreast of her, answering. Basil caught up the two in front.

'You look pretty fit, Terry,' said Alix.

'Oh, I'm in the pink.' His fair, unbrowned face was serene and smiling.

His far-set blue eyes were not nervous, only watchful, and seemed to see a long way. He hadn't got Basil's or John's quick, jerky, restless movements of the hands. He looked as if the war had more let him alone, left him detached, unconsumed. Perhaps it was because he was a musician; perhaps because he was naturally of a serene spirit; perhaps because he was so young.

'Have a choc,' said Terry, and produced a box of them from the pocket of his Burberry.

Alix had one.

'How are they all at Wood End?' she asked.

'They too appear to be in the pink. They haven't much time to spare for me, though, they're so marvellously busy. Mother always was, of course; but Margot and Dorothy are at it all day too now. I wonder what they'll do with it when the war's over, all this energy. Mother says the war has been good for them; made them more industrious, I suppose. It's a funny thought, that the war can have been _good_ for any one; I can't quite swallow it. I don't think a thing bad in itself can be good for people, do you? It's very bad for me; it's spoiling my ear; the noise, you know; guns and sh.e.l.ls and gramophones and so on.... By the way, I wish you'd come and hear Lovinski with me on Monday night, it's a jolly programme.'

'All right,' said Alix, who found Terry restful.

She talked to Terry, and saw Evie and Basil walking in front, side by side, laughing, Evie's joyous, young smile answering that other quick, amused, friendly smile that she knew.

4

'You _are_ all funny,' said Evie to Basil.

'No?'

'Oh, you are. You do talk so.... About such mad things.'

'Do we? What do _you_ talk about at home?'

Evie tried to consider.

'Don't know, I'm sure. Oh, just things that happen, I suppose; and mother and Kate talk about servants and household things, and we all talk about the people we know, and what they've done and said. But you ... you all talk about....'

'About the people we don't know, and what they've done and said. Is that it?'

'Perhaps. And public things, out of the papers, and what's going to happen, and why, and pictures, and ... nonsense.... Oh, I don't know....

And you find such queer things funny.... Anyhow, you all _talk_, even if it's only nonsense most of the time.... And the girls and the men talk just the same way. That's funny. Alix is the same. She's the queerest kid; makes me scream with laughter often. She's a pet, though.'

'She is,' said Basil. 'But what people say--the way they talk--makes extraordinarily little difference, you know. It's what they are.... The funny thing is, I didn't know that, not so clearly, at least, till I'd been out at the war. A thing like a war seems to settle values, somehow--shows one what matters and what doesn't; shovels away the cant and leaves one with the essentials....' ('Oh dear me,' said Evie.) 'Sorry; I'm talking rot. What I mean is, isn't it a jolly day and jolly country, and don't you love walking and getting warm?... I suppose you chose your hat to match your face, didn't you?--pink on brown. Don't apologise: I like it. Yes, the hat too, of course, but I didn't mean that.'